Title and statement of responsibility area
Title proper
Graphic Works
General material designation
- Graphic material
Parallel title
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Level of description
Series
Reference code
Edition area
Edition statement
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
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1856-1897 (Creation)
Physical description area
Physical description
66 drawings: ink on paper
1 painting: oil on paper
1 print: color
Publisher's series area
Title proper of publisher's series
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Archival description area
Name of creator
Custodial history
Scope and content
Series consists predominately of illustrations, comics, and cartoons by du Maurier from his time spent working at "Punch" and "Once a Week" magazines. Common themes included: Victorian society, fashion, and etiquette; social commentary on Britain’s middle class and high society; the bourgeoisie; and the tensions of “Beautymania” and the “New Woman” in the 19th century, among others. Accompanying the illustrations are handwritten texts depicting the scene with a humorous story. The subject matters in these illustrations are commonly human still life drawn in a single pane drawn in muted ink colors like black or brown. This series also includes a watercolor portrait of du Maurier and a print from the January 23, 1896 edition of "Vanity Fair" of du Maurier himself at the drawing bench illustrating for his novel "Trilby".