The fonds consists of administrative files including operating and project grants; correspondence; artist and project files relating to events, productions and exhibitions; and promotional and publicity materials. Some files include photographs and drawings.

The fonds have been arranged into nine series: general programming, administrative, exhibitions, Front Magazine, Luminous Sites, media arts and video program, new music, performance art, and publicity and promotional materials. As much as possible, the files are arranged as they were by the original curators and program administrators. Early records (1973-1983) for all the programs are grouped together. Video program files were separated starting in 1976 when the program began. Following 1983, the programs each had individual curators.

Fonds consists of records generated by TRAS in the course of raising funds for, and administering funds to, overseas partners. The fonds is organized into the following series: administrative records (1962-1990) and project records (1964-1997). The film “Initiation of a Dalai Lama” was brought to UBC by John Conway in May 1988 to be deposited with the records of TRAS. Documentation from 1970 with the film suggests the film was borrowed from UBC Audio-Visual Services Extension Department by Dr. Shotaro Iida for use by the Dalai Lama.

This collection consists of ephemera that celebrates gender performance and lesbian identities. Materials span a wide time period, capturing both early and late 20th century LGBT culture.

In particular, there is a significant part of the collection dedicated to ephemera and published materials that feature early 20th century gender impersonators. Developed out of the English music hall scene of the 19th century, male impersonators in the early 20th century were primarily vaudeville acts that toured the United States. Their audiences were predominantly male with a focus on comedic delivery, something that represented a shift in the male impersonator tradition from the earlier 19th century.
Well-known male impersonators include Vesta Tilley, who was an active performer from the 1870s until the 1920s, and Hetty King, who performed from the 1890s until her passing in the 1970s. Both are featured in a number of postcards that are part of the collection.

The collection also includes several early 20th century anti-suffrage postcards that depict women in relationships with each other (as opposed to men) and include phrases that suggest they have supplanted a man’s role. Other items include a souvenir photograph and accompanying paper frame from a 1930s entertainment venue, the Howdy Club, and 6 negatives of First Lady Eleanor Roosevelt taken in 1939.

The collection also features materials from the 1980s and 1990s that belonged to Snider during that period. Highlights include several off-air recordings of episodes of the Vancouver Co-Op Radio show, ‘The Lesbian Show’ as well as t-shirts from the University of British Columbia and University of Victoria Womyn’s Centres.

The fonds consists of literary correspondence, drafts of literary work, published books and articles, reviews of Drabek’s work, printed material accumulated for research purposes, a small amount of personal correspondence and family papers and some newspaper photographs of Drabek.

There is a series comprising material Drabek created through his administrative role as a representative to the Writers’ Union of Canada, BC Caucus and as President of the Federation of BC Writers, in addition to his work as a writer. It contains minutes of meeting, correspondence, newsletters, and other material.

Fonds consists of research and teaching materials, reports, publications, speeches, correspondence, interviews, written memoirs, and other documents related to Reed's career in the forestry industry.

Series have been imposed by the archivist according to Reed's roles in Canadian government and forestry legislation, consulting in the private sector, research and instruction in the Faculty of Forestry at UBC, and expert testimony in forestry-related court cases, respectively. Unless otherwise noted, file names and order as they were given by the records creator have been respected.

The fonds consists of records related to Simons’ writing career, travels, and personal life. Records span a period from Simons’ early years in university to 2012 and were created predominantly in Vancouver, British Columbia. Some records were created during Simons’ travels in England, France, Japan, Hong Kong, India, and Burma. The fonds comprises the following three series: Literary Works; Professional and Personal Records; and Travel Records.

The Literary Works series features drafts of Simons’ literary works in various genres, particularly drama (stage, radio, and film) and fiction (for children and adults). Record types include publications, drafts (typed, handwritten, and hand-annotated), outlines, notes, research materials for projects, several recordings of Simons’ works, and large poster boards Simons used for plotting one of her fiction projects.

The Professional and Personal Records series contains records related to the administration and management of Simons’ literary career, particularly her attempts to submit work to various publishers and producers, mount productions of her dramatic works, and secure adequate financial resources to sustain her writerly practice. Administrative records are frequently mixed physically with Simons’ personal correspondence to family and friends. Record types include drafts of Simons’ curriculum vitae, grant applications, professional and personal correspondence, professional photographs, and contracts.

The Travel Records series aggregates records from Simons’ three major trips: Europe from 1959-1961; Japan, Hong Kong, and India from 1967-1968; and Hong Kong, Burma, India, and Japan in 1986. Simons attended many plays, conferences, and art shows while traveling and preserved programs as a source of inspiration for her creative work. Simons also maintained correspondence with friends and family during her travels. Record types include programs, personal and professional correspondence, personal photographs, and Simons’ notes on various activities.

The fonds consists of records spanning the period 1955-2013 that reflect Blanche Howard’s literary career, political interests, professional and volunteer work, as well as her personal and family life. Records related to Howard’s literary career include incoming and outgoing correspondence with publishers, agents, friends and family, colleagues and fellow writers, among others; literary works, including novels, short stories, essays, articles, book reviews, speeches, and plays in various editorial and publication stages; notes, outlines, and proposals; research materials; grant applications; contracts and royalty or revenue statements; biographical, publicity, and promotional materials; photographs, newspaper clippings, and ephemera; and other materials. Records related to Howard’s political interests and professional and volunteer work include correspondence with Iona Campangola, Capilano College, and members of The Writers' Union of Canada, among others; Vanier Institute of the Family correspondence and board meeting minutes; Moodyville Theatre correspondence, meeting minutes, and financial records; and other materials. Records related Howard’s personal and family life include photographs of Howard’s family, as well as photographs of Bruce Howard during his political career; personal ephemera; correspondence, including with writer and friend Carol Shields; and other materials.

The fonds consists of textual records and artwork created by Ann Blades during the course of her career as an author and illustrator of Canadian children’s literature. The records date from circa 1967 to 2013, with particular concentration during the years immediately prior to the publication of Blades’ works. The fonds is especially strong in areas related to book production and sales, including, contracts, royalty reports, correspondence with publishers, literary agents and designers, layout materials, manuscripts, sketches, drawings and paintings. In addition, the creator has gathered a number of clippings and reviews which document the critical reception of her work.

The fonds is divided into 31 series. 26 of these series, the majority of the materials in the fonds, have been arranged by the creator according to book title (including both published and unpublished works) and therein according to textual records and artwork. This arrangement has been maintained by the processor with each title constituting a separate series. The remaining five series discuss Blades' personal activities, and her professional activities which were not related to a single book.

Book series include:
“Seasons,” Board Books - Production and Reviews (1986-1998),
<i>A Boy of Tache</i> - Reviews (1973-1977),
<i>A Candle for Christmas</i> - Production and Reviews (1982-2001),
<i>A Dog Came, Too</i> - Production, Reviews and Publicity (1989-2001, predominant 1989-1993),
<i>A Ride for Martha</i> - Production (1992-2001),
<i>A Salmon for Simon</i> - Production, Reviews and Awards (1978-1997),
<i>Adolph</i> - Production (1976?-1978),
<i>Anna’s Pet</i> - Production and Reviews (197?-1982),
<i>Anna’s Pet/Six Darn Cows</i> - Materials (1978-2006),
<i>Back to the Cabin</i> - Production, Reviews and Publicity (1993?-1999),
<i>By the Sea: An Alphabet Book</i> - Production, Publication, and Reviews (198-?-1994),
<i>Canadian Books for Children</i> - Production and Publication (1987-1988),
<i>Fowlini</i> - Production ([1971]-1978),
<i>Ida and the Wool Smugglers</i> - Production, Reviews and Publicity (1986-2001),
<i>Jacques the Woodcutter</i> - Production, Reviews and Materials (197?-1981),
<i>Mary of Mile 18</i> - Production, Reviews, Film (1971-2012),
<i>Mile 18 Summer Book</i> - Production (1970),
<i>Mother Goose: A Canadian Sampler</i> - Production and Publication (1992-1994),
<i>Pettranella</i> - Production and Reviews (1978-1994),
<i>Pond Seasons</i> - Production and Reviews (1994-2001),
<i>Six Darn Cows</i> - Production and Reviews (197?-1986),
<i>The Cottage at Crescent Beach</i> - Production, Reviews and Publicity (1974-1988, 2001),
<i>The Singing Basket</i> - Production, Reviews and Materials (1976, 1988-2004),
<i>Too Small</i> - Production and Reviews (1999-2001),
<i>Willemina's Christmas</i> - Production (1977-1982),
and <i>Wolf and the Seven Little Kids</i> - Production and Reviews (1998-1999).

General series include:
General Financial Materials (1981-2013), General Publicity Materials (1974-2004), Personal Materials (1967-2000), Presentations, Exhibitions, and Conferences (1975-2005), and Professional Correspondence (1970-2013).

The 2002, 2006, 2008, 2011, and 2014 accruals also included copies of Blades’ published works. All printed materials have been integrated with the library collections and are searchable via the UBC catalogue.

Since at least 2006, the creator has for many files left annotations or descriptions, which have been kept with the records. The 2011 accrual was well-organized and carefully labelled by Blades before it was officially gifted to the University of British Columbia in 2011. As a result, all file names are based upon the titles devised by the creator. Within each file, Blades grouped related materials and indicated the subject of the grouping with a labelled paper wrapper which she folded around a collection of documents. These paper wrappers have been preserved. File contents have been retained in their original order.

The fonds consists of correspondence, financial records, legal documents, subject files, surveillance files, and printed material relating mainly to the union activities of George Gee as a business agent for the International Brotherhood of Electrical Workers, Vancouver Local 213, his expulsion from the union by an international representative of the union, and his attempts to be re-instated.

The fonds consists of records created and collected by Jackie Maniago which includes records associated with her involvement in various advocacy efforts in Vancouver, British Columbia, and Canada.

In particular, the fonds includes records related to the Community Living movement, deinstitutionalization in British Columbia, and advocating for the rights of persons who are intellectually disabled.

The fonds has been arranged into the following 10 series: Woodlands Parents' Group; Community Living Society; Community Brokerage Service Society; Family Link; British Columbia Association for Community Living; Canadian Association for Community Living; Community Living Coalition; Subject Files; Advocacy Initiatives; and The Roeher Institute. These series reflect Jackie Maniago's activities and participation in these organizations and her own interests.

The main types of records within the fonds include correspondence, meeting minutes, news articles, photographs, interviews, event programs, publications, newsletters, conference proceedings, and speeches.

The fonds consists primarily of Alan Haig-Brown's written and photographic works on the marine industry in Canada and internationally. Photographs document ships and boats, maritime scenes and personalities in fishing and ship-building. The geographical scope of the photographs includes British Columbia, Alaska, Washington, Oregon, California and Hawaii; Southern Coastal US (Texas and Louisiana); Thailand, China, Singapore, Malaysia, and the Philippines; Netherlands; Brazil.

Textual records include annotated drafts for several of Haig-Brown's books, hand-written notes, newspaper clippings, design schematics and correspondence.

The fonds also contains audio recordings of interviews and oral histories with figures in the maritime trades.

RBSC's holdings of the Korean Canadian Heritage Archive consist of UBC's General Collection, which was one of the two sub-collections of UBC's portion of the KCHA. The creators of this collection divided the collection into nine series based on the physical formats of the materials. The series are as follows: Ephemera, Books, Grey Literature, Multimedia, Correspondence, Manuscripts, Newspaper Clippings, Serials, and Personal Documents.

The fonds consists of the business records created and/or collected by Lazara Press and its founder Penny Goldsmith, predominately from the early 1980s to the late 1990s. The records are loosely divided into two main categories: administrative and publication records. The administrative records contain material documenting the different functions of Lazara Press, including promotional/distribution information, financial records, memberships information, and correspondence Lazara Press had with other printing presses and booksellers in Canada and in Europe. Other administrative records include materials pertaining to projects Goldsmith was involved in, either as a representative of Lazara Press or of her own initiative.

The publication records contain material relating to the publication process of the various broadsheets, chapbooks, volumes of poetry, plays, short stories, and essays printed by Lazara Press. These records include drafts and manuscripts, layouts and prototypes, as well as the published editions of many of these works. Other records include correspondence between Lazara Press and various authors, contracts, promotional information, reviews, and distribution lists.

The fonds is divided into eleven series: Promotion and distribution; Lazara Press business records; Literary associations and publishing groups; Literary festivals and book fairs; Publishers; Editing + consulting; Penny Goldsmith articles; Other projects; Lazara published books; Broadsides and chapbooks; and Discussion series. The last three series are further divided into subseries, typically by author name but occasionally by the title of a publication.

Fonds consists of documents related to Stacey's career as a fisherman, historian, writer, researcher, curator, and consultant. Materials include correspondence, photographs, recorded interviews, reports, handwritten notes, clippings, research materials, prints, postcards, ephemera and other documents.

The "Gulf of Georgia files" series was arranged by the records creator and has been respected. All other series have been imposed by the archivist and arranged according to materials that relate to Stacey's roles as expert witness in various trials, historical and industrial researcher, collector and curator, and commercial fisherman, respectively. Where correspondence and photographs were stored separately by the records creator, they have been retained together in series according to their document type; otherwise, file integrity has been respected and these materials may be found in other series as well.

A significant amount of material, consisting primarily of copies of photographs obtained by Stacey from various archival institutions, has been removed.

Fonds consists of minutes and agendas, correspondence, publications, reports, photographs, pamphlets, scrapbooks, newspaper clippings, artifacts, and other textual records related to Pro-CAN’s mission of: improving abortion access for women; defending their legal rights; protecting providers and clinics from harassment and violence; destigmatizing abortion; and educating the public about reproductive rights. The records include those necessary to fulfill its functions of managing and administrating the organization, advocating and lobbying, and ensuring safety and security, as well as those used as resources. Resources and subject files span the topics of abortion history in Canada and abroad, legal matters, grey literature, information about similar external organizations, and related topics in the news. Pro-CAN also kept extensive files on anti-choice groups and individuals along with their behaviors, photographs, and letters.

The fonds reflects Bernard and Jean Webber’s functions as leading members of the Cooperative Commonwealth Federation, teachers and education administrators, and advocates for local arts, history and Indigenous cultural regeneration. The fonds is comprised of 4 series; Political Papers series, Correspondence and Biographies series, Education and Employment Records series, and Community Activities series. Materials related to Indigenous arts, education and reconciliation are found throughout the fonds. Correspondence is its own series and is also found throughout, including copies of outgoing business correspondence.

Record types include newspaper clippings, correspondence, articles, scrapbooks, speeches, notes, drafts, reports, teaching materials, subject files and other material.

The fonds consists of the business records created and/or collected by Arsenal Pulp Press, predominately from the early 1980s to the late 2000s. These records consist of correspondence, manuscripts, proofs, reviews, catalogues, broadsheets, advertisements, flyers, clippings concerning Arsenal publications and the Press, artwork, financial and sales records, ledgers, legal records, minutes and other organizational material.

The fonds was originally divided into the following four series: Correspondence; Editorial; Administrative; and Special projects. The Correspondence series contains the following subseries: General correspondence, Editorial correspondence and Correspondent-specific correspondence. The Editorial series contains the following subseries: Early manuscripts, General literary manuscripts, Published/printed material, Artwork, and Supplementary editorial records. The Administrative series contains the following sub-series: General administrative records, History/operational records, Minutes/agendas and newsletters, Financial records, Ledgers, Legal records, Sales/service fee reports, and Marketing/distribution records. The Special projects series contains three sub-series: Three-Cent Pulp, Arsenal Collaborative Library and the 3-Day Novel Contest. A fifth series was added with the accrual made in 2011, titled Editorial and production.

Fonds consists of documents spanning Bunce’s career in the forestry sector, covering both his paid and volunteer work. The bulk of the material relates to his work as a forestry consultant at Reid, Collins & Associates and his work on several national forestry committees. Additional material relates to his years as a graduate student, his early career, his involvement with various professional associations, and his years as part owner of a woodlot near Maple Ridge, BC. Also included are articles he published and notes from presentations that he gave.

The archivist removed some documents that had come with the original donation, but that did not have significant value. These included duplicates, published material available elsewhere, personal documents (such as hotel reservations and journal subscription receipts), and loose documents that had no context. Also removed were documents that contained personal and/or confidential information, such as school transcripts of individuals besides Bunce and private documents of company's for whom Bunce did consulting work.

Some works that Bunce had collected, but not authored, were removed from this fonds and added to the library’s general collection.

The Irene Howard fonds consists of general correspondence and materials related to Howard's personal interests and associations, and materials relating to her work as researcher, literary agent and writer. The fonds is divided into eight series: Association involvement and general interest; Interview recordings; Photographs and maps; "Monday Morning" magazine issues; Literary activities; NDP campaigns materials; Materials related to Ronald Liversedge; and Gold dust on his shirt publication records. The Gold dust series is further subdivided into Publication records and Research records.

The fonds includes research notes, notebooks, file cards, photocopied materials from various sources, correspondence (with publishers, research subjects, colleagues, librarians and archivists), drafts of Howard's books and essays, biographical materials, newsletters, magazines, newspaper clippings, articles, pamphlets, brochures, photographs and cassette tapes.

Fonds consists primarily of textual materials related to Herring's forestry career. Materials related to his extensive interest in the forestry industry are also present, including documents related to various lectures and conferences in which he participated. Materials include correspondence, reference materials, maps, blueprints, financial documents, handwritten notes, and more.

Also included in the fonds are photographs, slides, and moving images; some of these are images related to forestry, while most show scenes related to Herring's personal interests and travels, many of which involve hunting and fishing, or attending Highland games and other cultural celebrations and events.

Fonds consists of records related to Jack Scott’s activities as a political activist and author, as well as material related to his personal life, from the 1930s through his death in 2000. Records relating to Scott’s political activities include material generated or used by groups with which Scott was involved, such as the Progressive Workers’ Movement (PWM), the Vancouver Study Group (VSG), the Red Star Collective (RSC), and the Chinese-Canadian Friendship Association (CCFA). These records include meeting minutes and summaries; committee lists, agendas, reports, policies, constitutions, financial statements, and other internal documents; position, discussion, and opinion papers and critiques; conference, seminar, and workshop materials; correspondence; materials by or about other communist, socialist, or leftist organizations; papers, articles, speeches, critiques, letters, and reports on related topics; ephemera and publications, such as newsletters and journals; clippings and photographs; and other materials. Records relating to Scott’s writings and publications on socialist and labour movements and other topics include drafts of published and unpublished pieces, research notes, comments and corrections, proofs, and supporting documents, such as correspondence, clippings and photocopies, ephemera, and other materials. The fonds also consists of material related to a libel claim made against Scott and the Committee on Canadian Labour History. These records include copies of court documents, correspondence, Scott’s writings and research on the plaintiffs, ephemera related to the plaintiffs, and other materials. The fonds also consists of material collected by Jack Scott relating primarily to other communist, socialist, leftist, or social justice organizations and arranged by subject either by Jack Scott or by his acquaintances following his death. This material includes photocopies and originals of letters, writings, and other documents; statements, commentaries, bulletins, and other literature; ephemera, such as posters, newspaper clippings, flyers, newsletters, and pamphlets; and speech texts. The fonds also consists of personal papers and documents, including miscellaneous incoming correspondence, oral history interview transcripts and related documents, and correspondence and documents related to Scott’s 1964 expulsion from the Communist Party.

This fonds consists of records related to Bruce Devitt’s activities in the field of forestry in British Columbia as well as his public service in managing critical environmental issues in the Pacific Northwest. The fonds includes news clippings, research papers, letters, transparencies for presentations, and meeting minutes, among other textual content. The photographic material encompasses black and white and color photos in a variety of sizes as well as slides, all pictures pertain to forestry practice in British Columbia.

The fonds consists of the following series: Devitt’s lectures, presentations, and interviews; research notes; survey photography; and Bill Young.

Fonds reflects Minoru Kudo’s involvement within the Japanese Canadian community both before and after World War II as well as the Kudo family’s experience of forced removal and its impacts on their lives moving forward. If offers insight into the actions taken by the British Columbia Securities Commission during the process of the forced removal of Japanese Canadian families from B.C. and the advocacy work of Japanese Canadians, as individuals and through groups such as the National Association of Japanese Canadians, to receive redress following the end of the war, both through the The Royal Commission on Japanese Claims(the Bird Commission) and outside of it. In addition to these materials, the fonds also illustrates the work of younger generations of Japanese Canadians to uncover and reconnect with their history. The fonds contains research files from the Kudo family, who worked to document and bring together recollections of the Mission City Japanese community as it existed before the war and where families were for forcibly removed to during it, as well as the Kudo family’s history specifically. A significant portion of the fonds is the translation work done by Kathleen Merken on Minoru Kudo’s diaries.
The materials are arranged into three series, reflecting the different time periods and purposes in which the documents were created. The Minoru Kudo diaries and correspondence series contains the original diaries and correspondence of Minoru Kudo as well as photocopies that were made by Kathleen Kudo for reference and preservation purposes. The translations series contains records relating to the translation of the diaries by Kathleen Merken, research files were used to add context to the translations, and the translations themselves. The family records series contains genealogical research files, files documenting the deaths of various members of the Kudo family, and some personal records of Kathleen Merken that speak to her academic history and work.

Many of the records in this fonds were used in relation to Burch’s autobiography, and therefore pertain to his childhood, education, navy service, and largely to his career as a forester. These records include genealogical research materials, photographs, educational certificates, navy service records, and textual documentation of his career and interests in forestry. It also reflects other projects undertaken by Burch, such as the Working Forest publication, a history of South Vancouver Island, as well as papers, research, correspondence, and speeches. The fonds is divided into four series: Biographical materials; Papers, speeches and correspondence; British Columbia Forest Products; South Vancouver Island history; and The Working Forest project.

The fonds consists of thirteen series of records pertaining to the activities of Thomas Berger, including two series of files arranged with reference to file classification schemes, related to party politics and to the Sardar Sarovar Projects Independent Review, as well as eleven series of subject files generally arranged alphabetically, related to the Royal Commission on Family and Children’s Law, the Mackenzie Valley Pipeline Inquiry, the Advisory Commission on Indian and Inuit Health Consultation, a proposed United Nations Environmental Programme inquiry on whales and whaling, Japanese Canadians’ redress, the Alaska Native Review Commission, the Canadian Judicial Council and its investigation concerning Berger, the University of British Columbia President’s Ad Hoc Committee on British Columbia Native Indian People and Communities, the Simon Fraser University J. S. Woodsworth Chair committee, speeches given by Berger (arranged by event in subseries of two to seven year periodic groups), and subject files related to aboriginal peoples, the Arctic and the north in general.
There are also files related to his resignation from the Supreme Court of Canada in 1981. The files were used by Berger when he wrote his autobiography <em>One Man’s Justice: A Life in the Law</em>.

The arrangement by the records’ creator of series and file order within series has been respected. Several series contain files housed in multiple folders, indicated by notes where applicable.

The fonds consists of records relating to the education, research, career, and post-retirement activities of David Narver. The fonds is organized into three series: Postdoctoral Education; Career; and Personal. The Postdoctoral Education series includes records related to Narver’s PhD research while enrolled at the University of Washington. Narver worked as a researcher at the Canadian Fisheries Research Board Biological Station in Nanaimo, BC, and in Chignik, Alaska, working on salmon research projects. The Career series covers records related to Narver’s three-decade career. Narver worked for the BC Ministry of Environment, Fisheries Branch and Fish and Wildlife Branch, as Anadromous Fisheries Coordinator, Acting Chief of Fisheries Management, and Director of the Fisheries Branch. Records in the Career series include speeches and presentations, official correspondence, policy and administrative records (including meeting minutes), and research reports. The Personal series includes records related to Narver’s undergraduate or graduate post-secondary education, speeches and presentations given after his retirement, and a manuscript of his account of his time in Alaska. Narver remained active in fish, fishing, and fish habitat work after his retirement, working with the BC Wildlife Federation among other organizations.

Collection consists of Al Sens’ professional records, produced and received in the process of his career in cartoon and animation illustration. Material spans his career from the 1950s to the 2010s. The collection is arranged into two series according to record type: publications series and original illustration series.

The fonds reflects Philip J. Thomas’ involvement with the folk song community. This includes his research into British Columbian folk songs and his publications on the subject. The fonds also reflects his role as an art teacher, including cards he received from his students and photographs of paintings created by his students. The fonds also contains evidence of his personal life and career, both prior to and during his involvement with the folk song community, and some evidence of his role as a musician, including records related to performances and musical composition.
Material includes articles, music sheets, correspondence, photographs, and a film reel. The first three accruals of the fonds were arranged into three series: Research, Publications, and Folk Song Societies and Festivals. Upon receiving the 2020 accrual, the archivist added the following three series: Music, Art, Personal and Career.

The fonds reflects the efforts of Bob Williams’ political and business career. Records in the fonds relate to Williams’s various roles: teacher, M.L.A., community planning consultant, Minister, chair of ICBC, and Secretary of Crown Corporations. As such, the records relate both to Williams’ personal career as well as British Columbia's governmental systems of resource management, transportation, forestry, energy, housing, and recreation. Correspondence is featured throughout the fonds; other records types include reports, studies, speeches, notes, legal agreements, bills, acts, notebooks, daily journals, travel memorabilia, presentation materials, photographs, VHS tapes, audio cassettes, optical discs, news clippings, scrapbooks, and transcripts of interviews. The fonds is comprised of four series; Alderman and Member of Legislative Assembly records, Ministry of Forests, Lands, and Water Resources Records series, Crown Corporations Records series, and Business, Personal, and Academic Records series.

The Alderman and Member of Legislative Assembly Records consists of material related to Williams' roles as Alderman of the City of Vancouver and later as M.L.A. for East Vancouver. Records include letters, faxes, telegrams, newspaper clippings, reports, speeches, notes and other related material.

The Ministry of Forests Lands and Water Resources Records series relates to Williams's time spent on the provincial cabinet working under the government of Dave Barret. Records consist primarily of correspondence, especially between Williams and major corporations and individuals in the forest industry. Other records include reports, studies, news clippings, bills and acts, speeches, presentation materials, and transcripts.

The Crown Corporations records series is comprised of documents stemming from Williams' activities as chair of ICBC, and his work in the Crown Corporations. Many records relate to the construction of Surrey City Centre. Record types include correspondence, reports, legal documents, and news clippings.

The Business, Personal and Academic Records series contains records related Williams’ business career, personal memories and diaries, pictures and travel memorabilia, and his experiences meeting other politicians. Record types include planning consultant studies, correspondence, interviews, and materials from his academic career including course outlines and reading lists.

The fonds consists of material relating to the work and collections of Robert Reid. It includes a collection of fine printwork from a variety of presses, examples of printed material at various stages in the publication process, and research and reference material relating to design and printing.

Also included in the fonds are biographical material, correspondence to and from Reid, financial records, speeches, notes, clippings, and photographs. The content of this material relates to both the personal and professional life of Reid and spans from the the 1930s to the 2000s.

Fonds consists primarily of correspondence, published materials, and other documentation related to Potrebenko's writing career and publications. Also included are materials she accumulated in relation to her involvement with local labour activism.

The contents of this collection pertain to the Santo Tomas Interment Camp in the Philippines during WWII. The camp was active from 1942 to 1945 and housed over 4,000 prisoners-of-war.

Records reflect the internal administrative structure and functioning of the camp, daily life of internees, the political activities surrounding the camp, and the personal experiences of Barbara and Leonard McCann.

The contents of the fonds pertain to the life and work of Crawford Kilian. Materials include research and planning for novels, published and unpublished manuscripts, originals of published columns, personal and professional correspondence and appointment books. The focuses of Kilian’s writing are science fiction, educational systems and teaching, cultural issues and history, the economy, the environment, and technological developments, specifically the Internet. Writing material included in this fonds ranges from the 1960’s to the 2000’s. Other included material relates to Kilian’s time spent in China as an English teacher. The type of material in the fonds is primarily handwritten and typed paper records, but also includes newspaper, compact discs and publications.

The fonds consists of Eric Nicol’s business correspondence, drafts (handwritten notebooks and typescripts) for various writings, finished scripts for plays and shows, drafts, reference materials, reviews of his work, printed materials featuring his articles, subject files, royalty statements and other financial records regarding the publication of Nicol's books, as well as posters, newspaper clippings, awards, photographs and other ephemera which document Nicol's career as a writer. The fonds contains a file of his correspondence with The Vancouver Sun, which was kept by the Sun and later given to Nicol. His writings are categorized into radio scripts, television scripts, stage scripts, books, articles, short stories and other writings. Drafts and related materials of each category comprise a series.

The fonds consists of correspondence, mainly incoming; drafts (manuscripts, typescripts, computer printouts) and galley proofs of the written work of Spider Robinson and Jeanne Robinson; drafts of articles written by Spider Robinson; notebooks; printed material; and other materials relating to the writing career of Spider Robinson and the joint writing careers of Spider and Jeanne Robinson.

The fonds contains a sub-fonds of material relating to Jeanne Robinson's dance career and her involvement in the Nova Dance Theatre in Halifax, Nova Scotia.

The Irving Guttman Collection is a large collection of photographs of different people and places in the opera world. There are two different parts of this photographic collection: The first part of the collection includes pictures of Mr. Guttman directing and coaching opera performers, or posing with opera enthusiasts from across the globe. A large bulk of these first photographs are of Mr. Guttman's production of the operas, Norma, Tosca, Traviatta, and Aida. However, other operas such as Madam Butterfly, Daughter of the Regiment, Othello, Carmen and more are included in the Collection.

The second part of the collection consists of autographed portraits of opera performers, and other operatic stakeholders. The list of operatic singers, conductors, composers and directors, includes but is not limited to: Luciano Pavarotti, Placido Domingo, Leonard Bernstein, Joan Sutherland, Cristina Deutekom, Montserrat Caballé, John Alexander, Tracy Dahl, Marilyn Horne, Linda Roark-Strummer, Huguette Tourangeau, Renata Tebaldi, Clarice Carson, Regina Resnik, Mary Costa, Irene Salemka, Cecilia Bartoli, Judith Forst, Ermanno Mauro, and Sylvia Sass.

Lastly, there is a collection of congratulatory letters to Mr. Guttman for his 25th anniversary as artistic director of the Edmonton Opera.

The Thomas K. Fleming research collection consists of materials related to the settler colonial history of British Columbia, and more broadly, the Pacific Northwest and Canada. Record types include correspondence, newsletters, press clippings, printed materials, notes, maps, legal documents, as well as Fleming`s stamp collection and associated records. Historical records in the collection include content primarily from the nineteenth to early twentieth century on such subjects as forestry, travel, commerce, and postal history. The collection has been arranged into two series: Historical Records and Research Subject Files series, and Stamp Collection and Related Materials series.

The collection consists of unique and rare materials related to Igor Stravinsky, first edition scores, programs, writings, articles, and newspaper clippings about Stravinsky, and photographs of the composer.

The fonds includes correspondences between George Wilkes, a member of The Canadian Tribute to Human Rights board and representatives from 26 of the 73 language groups represented on the monument; translations of the words meant to be inscribed; and different design ideas for the individual plaques.

Collection consists of printed items such as bookmarks, gift cards, calendars and other promotional items created by UBC Library Vault.

The collection consists of documents, archival records, photographs, ephemera and artifacts related to three broad themes: British Columbia history, immigration and settlement and the Canadian Pacific Railway Company. Included are the archival fonds of the Yip family and Yip Sang Company, the Dart Coon Club and Chinese Freemasons of Victoria, Hugh G. Robinson (regarding the S.S. Greenhill Park Explosion), Rev. MacDonnell (regarding the Clandonald colony of Scottish immigrants in Alberta) and the British Columbia Coast Steamship Service. Includes documents, ephemera and artifacts of the Canadian Pacific Railway Company, including records of travelers on CPR rail and steamships.

The Tremaine Arkley Croquet Collection contains over 2,400 paintings, illustrations, engravings, advertisements, photographs and other ephemera depicting the game of croquet throughout the years. The images range from fine art to cartoons and everything in between, and show the rise in the game’s popularity in England and America in the 19th and 20th centuries. Many items in the collection show gender roles, as croquet was one of the first games that men and women played together.

The collection reflects Stan Chester’s thirty-plus year career in the forestry industry, primarily with Canadian Forest Products (Canfor).

The collection consists primarily of maps created by Canadian Forest Products Ltd, as well as many of its logging divisions – Englewood Logging Division, Harrison Mills Division, Renfrew Division, Sooke Division, Spring Creek Division and West Coast Division. Geographic regions covered include primarily Vancouver Island (Rupert Land District) and the Lower Mainland of British Columbia (Chehalis Lake Dominion Railway Belt, Dominion Railway Belt, New Westminster Land District), but also the Central Coast, Northern British Columbia, the Okanagan, and Southwest British Columbia.

Maps were cruised by many different individuals and companies, but where the name of a cruiser is present on the maps it has been recorded in the file-level description. Of those with recorded cruisers, the majority of the maps have been cruised by Eustace Smith. Other cruisers with more than one map in the collection are Ray Smith, E. Mulock, Porteous & Porteous, and C. Davis.

Where present on the maps, cruise summaries indicate which species of trees are present, such as: fir, cedar, cottonwood, cypress, hemlock, balsam, pine, and spruce and can be searched using those terms.

Records include topographical maps, cruise maps, logging plans, logging camp maps, fire patrol maps, contour maps, road maps, history maps, blueprints of machinery or structures, technical drawings, architectural drawings, negatives, spreadsheets, transparencies and a hydrograph.