- RBSC-ARC-1834-02-31
- File
- [before 2020]
Part of Peter Cardew fonds
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Part of Peter Cardew fonds
Part of Peter Cardew fonds
Part of Peter Cardew fonds
Glen Eagles Construction [prints and negatives] [1 of 2]
Part of Peter Cardew fonds
Part of Peter Cardew fonds
Part of Peter Cardew fonds
[Photographs and negatives of drawings]
Part of Peter Cardew fonds
The sous-fonds contains records relating to Malcolm Lowry accumulated by Clarisse Francillon, Lowry’s French-language translator, and Maurice Nadeau, who published several of Lowry’s works in French translation (Nadeau published Francillon’s translations of Lowry’s works). Contents include correspondence from Malcolm Lowry to Francillon, from Margerie Lowry to Francillon and Nadeau, from Harvey Burt and Victor Doyen to Francillon and Nadeau, photographs of Malcolm Lowry and a house in Cuernavaca, Mexico, typescripts and copies of published versions of The Last Address (Lunar Caustic), a typescript of The Bravest Boat, news clippings about Lowry and his works (mostly in French), a copy of Francillon’s translation of Lunar Caustic, and a French-language translation of Malcolm Lowry’s Collected Letters as prepared by Margerie Lowry and Harvey Burt and translated by Suzanne Kim.
To The Bridge - Notes from Little Red Workbook
File consists of 14 pages (front and back) of lined paper taken from Freedman's "little red workbook" of notes for To The Bridge.
To The Bridge - Notes from Beige Workbook
File consists of four pages (front and back) of lined paper taken from Freedman's beige workbook of notes for To The Bridge.
To The Bridge - Notes from Orange Workbook
File consists of ten pages (front and back) of lined paper taken from Freedman's orange workbook of notes for To The Bridge.
Concerto Now and Then - Notes from Blue Japanese Workbook
File consists of 24 pages (front and back) of unlined paper taken from Freedman's blue Japanese workbook featuring handwritten notes and sketches for Concerto Now and Then.
Concerto Now and Then - Sketches from Black Workbook
File consists of ten pages of unlined paper taken from Feedman's black workbook featuring green, pink, and black line sketches and some handwritten notes for Concerto Now and Then.
To The Bridge - Mock-Up of the Earliest Version 1
File consists of six pages (front and back) of the earliest version of Freedman's To The Bridge musical score, handwritten notes and edits, and sketches.
Part of Peter Cardew fonds
Part of Peter Cardew fonds
Records consist primarily of slides along with several photographs. The slides reflect projects that Cardew designed and built, including key projects such as the CN Pavilion at Expo ‘86, Lignum Sawmill Offices, Crown Life Building (now known by its address at 1500 West Georgia), the Stone {Yunesit’in} Band School and the Morris and Helen Belkin Art Gallery at the University of British Columbia, as well as his most well- known exhibition Peter Cardew, Ordinary Buildings. There are also slides of various buildings that may have served as inspiration for his designs.
Part of Peter Cardew fonds
Records include architectural drawings of some of Cardew’s most well-known projects including the Crown Life Building (now known by its address at 1500 West Georgia), the Morris and Helen Belkin Art Gallery at the University of British Columbia, the Calgary Folk Music Festival Hall, the CN Pavilion at Expo ’86, the Lignum Sawmill Offices, Reigning Champ Stores, and the Yunesit’in First Nation (also known as Stone Band) School, as well as private homes, offices and furniture. Drawings are both stapled and loose, hand drawn and printed, on a variety of media such as tracing paper, bond paper, plastic, and vellum.
Part of YWCA Metro Vancouver fonds
Series encompasses material created as YWCA Metro Vancouver conducts activities to gain public awareness and drive community engagement. Activities represented include communications, product marketing, event planning, and compiling and presenting YWCA Metro Vancouver histories.
Records consist of newsletters, programs, brochures, videocassettes, audiocassettes, photographs, and other material arising from YWCA Metro Vancouver managing and communicating its image and to drive community engagement.
Series is arranged in three subseries: 1. Communications and marketing; 2. Events; and 3. YWCA Metro Vancouver history.
Part of YWCA Metro Vancouver fonds
Subseries documents events held by YWCA Metro Vancouver for current members, former members, and the broader Vancouver community. Events held by the YWCA include: anniversaries, reunions, and grand openings celebrating the YWCA, its services, and its membership; and awards and competitions during which the YWCA directly engages with the broader community. Activities represented include planning, marketing, and documenting events.
Records consist of programs, flyers, photographs, videocassettes, and other material arising from the planning, promotion, and actual event.
[Military Service Recognitions]
Part of Peggy Lee fonds
Part of Peggy Lee fonds
This series consists of records that were created and received throughout Lee’s life that relate to her service in the St. John’s Women’s Ambulance Corps.
Records include original materials from Lee’s period of service such as her registration card and her copy of the elementary drill manual. The majority of this series is records relating to the commemoration and recognition of World War II and its veterans and Lee’s involvement in organizing to make such events happen. These records include correspondence and ephemera relating to her participation in Canada’s Memory Project; meeting minutes and ephemera documenting Lee’s involvement with the ANAVETS Pacific unit 280 and Chinese Canadian Military Museum Society groups; and several awards and certificates of recognition that Lee received for her service.
Part of Heavenly Monkey Fonds
Part of Heavenly Monkey Fonds
Part of Heavenly Monkey Fonds
Part of Heavenly Monkey Fonds
Part of Heavenly Monkey Fonds
Part of Heavenly Monkey Fonds
Part of E.M. Delafield fonds
Heavenly Monkey publishing records
Part of Heavenly Monkey Fonds
Series contains copies of books and ephemera issued by A Lone Press (1998-1999) and Heavenly Monkey (1999- 2010) and includes setting copies, detailed page layout schematics, dummy of final book, final printing schedule and sequence, proofs and impressions, make-ready copies, printing plates, printing blocks, photographs and various other documents used in the creation of each item.
Part of Arsenal Pulp Press fonds
The collection spans the full range of years that the press was in operation and demonstrates the breadth of their letterpress work.
It contains a series with books such as artists’ books and chapbooks that were printed by the press and another that collects ephemeral material such as greeting cards and promotional material for businesses.
Black Stone Press
Part of Black Stone Press Collection
This series contains books that were printed and in some cases designed by the press. It covers a wide variety of styles of book, including artists’ books, exhibit catalogs, chapbooks, and experimentally designed and typeset versions of works in the public domain
Of particular note in this series are pre-published editions of several of the works of Vancouver artist Charles Mayrs, a selection of materials designed for and by the Alcuin Society, a group dedicated to book design, and a copy of the artist's book 'Loci' by Vancouver-based artist Allyson Clay.
Part of Anna Banana fonds
The fonds illustrates Terry Simmons’ environmental activism and academic research, and also contains some personal records. Environmental activism records primarily reflect Simmons’ involvement in the ROSS Committee and include memoranda, correspondence, briefs, reports, and other material accumulated during the High Ross Dam Controversy. Academic research records include grey literature, correspondence, notes, and other material arising from Simmons’ research into environmental activism and international ecological issues. Personal records include material pertaining to Terry Simmons himself, and include assorted photographs, artifacts, and other material.
The fonds is arranged into three series: 1. High Ross Dam Controversy records; 2. Academic research records; and 3. Personal records.
Simmons, Terry
Something Better Change by D.O.A.
Part of Vancouver Punk Collection
Part of Queer Arts Festival fonds
Part of Terry Simmons fonds
Series consists of miscellaneous material about Terry Simmons and his activities falling outside of his involvement in ROSS and academics. It includes photographs from the 1971 Greenpeace voyage, photographic materials of the Skagit Valley and other environmental areas, and assorted other materials. The series also includes several photographs of the 1971 Greenpeace voyage featuring the Greenpeace crew with members of the Kwakwaka'wakw community, as well as a button reading “Oglala Nation, Wounded Knee.”
[Terry Simmons funeral program]
Part of Terry Simmons fonds
Glen Eagles Construction [prints and negatives] [2 of 2]
Part of Peter Cardew fonds
Il divertimento barocco - Handwritten Edits
File consists of two pages of handwritten edited musical score of composer's Il divertimento barocco.
Concerto Now and Then - Sketches and Notes from Green Workbook
File consists of six pages (front and back) of semi-lined and unlined paper taken from Freedman's Green workbook of sketches and handwritten notes for Concerto Now and Then.
Concerto Now and Then - Information of Enclosed Private CD Recording
File consists of a single page of textual information about Freedman's Concerto Now and Then private audio CD recording of the 18 Feb., 2020 live performance; including information about the composer, performers, performance date, and performance venue.
To The Bridge - Mock-Up of the Later Version 1
File consists of six pages (front and back) of the later version of Freedman's To The Bridge musical score, handwritten notes and edits, and sketches.
To The Bridge - Performance Score
File consists of nine (front and back) sprial bound pages of the performance score of Freedman's To The Bridge musical score, handwritten notes and edits, and sketches.
[Healing journeys: wellness retreats...]
Part of Positive Women's Network fonds
Malcolm Lowry Manuscripts Collection
The Malcolm Lowry Manuscripts Collection includes textual records, photographs, and a variety of audio-visual materials organized into sous-fonds by creator. The Collection is predominantly textual records; the majority of materials are correspondence and manuscripts, many of which have been microfilmed.
The core of the Malcolm Lowry Manuscripts Collection is the Malcolm Lowry Papers, and the content of the Collection is consequently thematic. Materials pertaining to Malcolm Lowry’s life and works were collected by RBSC from a variety of sources, including Lowry’s friends and family.
As of the 2023 rearrangement of the Collection, the records are arranged in sous-fonds as follows:
SF01 Malcolm Lowry Papers
SF02 Margerie Lowry Papers
SF03 Earle Birney Papers
SF04 Harvey Burt Papers
SF05 Victor Doyen Papers
SF06 Anthony Kilgallin Papers
SF07 Carol Betty Atwater Papers
SF08 William McConnell Papers
SF09 David Markson Papers
SF10 Einar Neilson Papers
SF11 William Templeton Papers
SF12 Lowry Family Papers
SF13 Photographs
SF14 Microfilm
SF15 Douglas Day Papers
SF16 Rudy Wurlitzer Papers
SF17 Francillon and Nadeau Papers
Malcolm Lowry Manuscripts Collection
Series consists of musical scores, notes, sketches, concert programs, DVDs, and audio CDs pertaining to three distinct pieces composed by Lori Freedman: Reimsix, To The Bridge, and Concerto Now and Then. Each piece is unique and pertains to a specific era during Freedman’s long musical career. Reimsix was composed by Freedman in 2011 for the flute, clarinet, violin, cello, percussion and piano. To The Bridge was composed in 2014 for bass clarinet (clarinet in B-flat) and voice. This piece is composed of five miniatures connected by four bridges, hence the naming of the song. The bridge is where the miniatures arrive or depart from a place. Freedman explains her perspective as, “playing music is equally about composition as it is about interpretation and the spontaneous combination of the two — improvisation.” With this piece, Freedman wants to focus on the interconnection between the composer, the performer and the audience. Concerto Now and Then was composed in 2020 for any five musicians. It has previously been performed with a violin, clarinet, cello, alto saxophone, and double bass.
Freedman, Lori
Part of Charles Mayrs fonds
Part of Charles Mayrs fonds