Fonds contains materials arising from Anna Banana’s activities in the Mail Art network, her collecting of published materials and artworks, her performance art, exhibitions of her work and others, promotion of her activities, the production of various publications including VILE magazine, and the creation of visual art including artist trading cards, artistamps, collage, drawings and paintings. Materials were created in Victoria and Vancouver from 1964-1973, San Francisco from 1973 to 1982, Vancouver from 1982 to 1995 and the Sunshine Coast from 1995 to 2020, as well as on various tours and travels throughout this whole period. Materials are often focused on the neodadaist movements of San Francisco in the 1970s and beyond, as well as involvement in the Mail Art Network and performance art, and Anna’s personal and professional life.

The fonds is divided into 10 series: Mail art and correspondence, Interactive/performance art, Anna Banana’s publications, Artworks, Artist Trading Cards, Artistamps, Exhibitions, Photographs, Press, Collected publications. Records include textual materials, particularly letters, postcards, books, periodicals, zines, and other published materials; graphic materials such as envelope art, photographs, collage, xerox art, ink and pencil drawings, and watercolour; and other items such as CDs, DVDs, and various artefacts.

The fonds consists of records created and collected by Jackie Maniago which includes records associated with her involvement in various advocacy efforts in Vancouver, British Columbia, and Canada.

In particular, the fonds includes records related to the Community Living movement, deinstitutionalization in British Columbia, and advocating for the rights of persons who are intellectually disabled.

The fonds has been arranged into the following 10 series: Woodlands Parents' Group; Community Living Society; Community Brokerage Service Society; Family Link; British Columbia Association for Community Living; Canadian Association for Community Living; Community Living Coalition; Subject Files; Advocacy Initiatives; and The Roeher Institute. These series reflect Jackie Maniago's activities and participation in these organizations and her own interests.

The main types of records within the fonds include correspondence, meeting minutes, news articles, photographs, interviews, event programs, publications, newsletters, conference proceedings, and speeches.

The fonds consists of records created by or collected by Ian Waddell during his legal and political career. It contains six series: Community law, Mackenzie Valley Pipeline Commission, Federal politics, Provincial politics, Select Standing Committee on Aboriginal Affairs, and International works.Three series follow Waddell's career path (Community law, Provincial politics and Federal politics). The International work series spans both provincial and federal timelines and therefore is its own series. The Mackenzie Valley Pipeline Inquiry and Select Standing Committee on Aboriginal Affairs are series that represent two important landmarks of Waddell's career that dealt with important environmental and aboriginal issues.

Files are often subject focused, although some pertain to meetings, events, and organizations. Subject files typically contain multiple document types, including correspondence, published and draft reports, speeches and lectures, press clippings, published copies and drafts of legislation, notes, news releases, and itineraries and agendas.

These files were received following the completion of Waddell's memoir, which is noteworthy due to the potential influence on his arrangement of files, the contents of some files, as well as the intermittent inclusion of some records well outside the predominant date range of a series or file.

The Alcuin Society Fonds reflects the activities of the society since its creation in 1965. The series consists predominantly of textual records, including administrative records, financial records, reports, correspondence, newsletters and promotional material. Also included are photographs, published material, brochures, and memorabilia. Correspondence is predominant throughout the fonds and in each series it is interfiled with related records.

The fonds consists of John Goodwin’s professional career at MacMillan Bloedel. The bulk of the records relate to the Pine Hill, Alabama project by the Linerboard and Packaging Group. Additional records relate to pre-planning and long range studies on viability of production outside of B.C., including the US and UK sites. Several other projects included in this fonds relate to the Powell River region project, the Bag and Specialty division, and the Bulk Packaging division of MacMillan Bloedel. Specific administrative record types include: business assessments, historical reports, inter-office memos, strategy reviews, proposals, management strategies, strategic direction and long-range plans, and presentations.

The research collection consists of interviews conducted for a published biography on Grace MacInnis. Interviewees include Dave Barrett, Rosemary Brown, Cliff Scotton, Harold Winch, and Bruce Woodsworth. She also collected speeches made by Grace MacInnis in the House of Commons as printed by Hansard, 1966-1974.

Fonds consists of research and teaching materials, reports, publications, speeches, correspondence, interviews, written memoirs, and other documents related to Reed's career in the forestry industry.

Series have been imposed by the archivist according to Reed's roles in Canadian government and forestry legislation, consulting in the private sector, research and instruction in the Faculty of Forestry at UBC, and expert testimony in forestry-related court cases, respectively. Unless otherwise noted, file names and order as they were given by the records creator have been respected.

The fonds consists of extensive correspondence, administrative and financial records, advertisement and catalogue samples, typescripts and manuscripts of poetry by K.S. Keys, Dennis Lee, and J. Michael Yates, published books of poetry, and duplicate covers of published Press books. Correspondence is primarily between Kanchenjunga Press and various libraries (public and university), printers, book reviewers (including the New York Times Book Review), and booksellers. Administrative records are primarily planning documents, project files including Reading Tour 1974-1975, and ISBN logging records. Financial records include banking records for Canada and the US, invoices, and receipts.

The fonds consists of textual records and artwork created by Ann Blades during the course of her career as an author and illustrator of Canadian children’s literature. The records date from circa 1967 to 2013, with particular concentration during the years immediately prior to the publication of Blades’ works. The fonds is especially strong in areas related to book production and sales, including, contracts, royalty reports, correspondence with publishers, literary agents and designers, layout materials, manuscripts, sketches, drawings and paintings. In addition, the creator has gathered a number of clippings and reviews which document the critical reception of her work.

The fonds is divided into 31 series. 26 of these series, the majority of the materials in the fonds, have been arranged by the creator according to book title (including both published and unpublished works) and therein according to textual records and artwork. This arrangement has been maintained by the processor with each title constituting a separate series. The remaining five series discuss Blades' personal activities, and her professional activities which were not related to a single book.

Book series include:
“Seasons,” Board Books - Production and Reviews (1986-1998),
<i>A Boy of Tache</i> - Reviews (1973-1977),
<i>A Candle for Christmas</i> - Production and Reviews (1982-2001),
<i>A Dog Came, Too</i> - Production, Reviews and Publicity (1989-2001, predominant 1989-1993),
<i>A Ride for Martha</i> - Production (1992-2001),
<i>A Salmon for Simon</i> - Production, Reviews and Awards (1978-1997),
<i>Adolph</i> - Production (1976?-1978),
<i>Anna’s Pet</i> - Production and Reviews (197?-1982),
<i>Anna’s Pet/Six Darn Cows</i> - Materials (1978-2006),
<i>Back to the Cabin</i> - Production, Reviews and Publicity (1993?-1999),
<i>By the Sea: An Alphabet Book</i> - Production, Publication, and Reviews (198-?-1994),
<i>Canadian Books for Children</i> - Production and Publication (1987-1988),
<i>Fowlini</i> - Production ([1971]-1978),
<i>Ida and the Wool Smugglers</i> - Production, Reviews and Publicity (1986-2001),
<i>Jacques the Woodcutter</i> - Production, Reviews and Materials (197?-1981),
<i>Mary of Mile 18</i> - Production, Reviews, Film (1971-2012),
<i>Mile 18 Summer Book</i> - Production (1970),
<i>Mother Goose: A Canadian Sampler</i> - Production and Publication (1992-1994),
<i>Pettranella</i> - Production and Reviews (1978-1994),
<i>Pond Seasons</i> - Production and Reviews (1994-2001),
<i>Six Darn Cows</i> - Production and Reviews (197?-1986),
<i>The Cottage at Crescent Beach</i> - Production, Reviews and Publicity (1974-1988, 2001),
<i>The Singing Basket</i> - Production, Reviews and Materials (1976, 1988-2004),
<i>Too Small</i> - Production and Reviews (1999-2001),
<i>Willemina's Christmas</i> - Production (1977-1982),
and <i>Wolf and the Seven Little Kids</i> - Production and Reviews (1998-1999).

General series include:
General Financial Materials (1981-2013), General Publicity Materials (1974-2004), Personal Materials (1967-2000), Presentations, Exhibitions, and Conferences (1975-2005), and Professional Correspondence (1970-2013).

The 2002, 2006, 2008, 2011, and 2014 accruals also included copies of Blades’ published works. All printed materials have been integrated with the library collections and are searchable via the UBC catalogue.

Since at least 2006, the creator has for many files left annotations or descriptions, which have been kept with the records. The 2011 accrual was well-organized and carefully labelled by Blades before it was officially gifted to the University of British Columbia in 2011. As a result, all file names are based upon the titles devised by the creator. Within each file, Blades grouped related materials and indicated the subject of the grouping with a labelled paper wrapper which she folded around a collection of documents. These paper wrappers have been preserved. File contents have been retained in their original order.

The records of Gary Lauk and his Executive Assistants Eric Green and Albert Mellul, are described in this finding aid. They were created in the course of the operations of the Minister's Office during the New Democratic Party (NDP) administration of government. The majority of the material pertains to Lauk's term of office as the Minister of Economic Development (1973-75), Minister of Mines and Petroleum Resources (October - December, 1975), and as Education Critic (1976-1982). Some material predates Lauk's appointment and relates to his responsibilities as a MLA.

Much of the material given in the initial donation deals with the direction given to the Department of Economic Development in its activities of promoting the economic development and diversification of BC while much of the material in the subsequent donation deals with the Education sector in BC from the mid 1970s to the early 1980s. Other records deal with the Lauk's communications with the British Columbia Cabinet and with the NDP party of Canada. A smaller amount of material relates to Lauk's role as a member of the NDP Caucus and the MLA for Vancouver Centre and a few files are of a personal nature.

The records have been arranged into three series: MLA for the Governing Party; Executive assistant to Lauk; and MLA for the Official Opposition Party. Within the first series are subseries of government department and subject files, as well as outgoing correspondence and Printed reference material. In addition, a subseries titled General government files, has been created of the documents that accumulated unfiled, while Lauk was Minister of Mines and during the provincial election.

The Executive Assistant to Lauk series contains two subseries: Subject files and Outgoing correspondence.

The MLA for the Official Opposition Party series contains Lauk's records that he acquired and/or accumulated during the time period from 1976-1985. The series contains four subseries including Education Critic; Subject files; Correspondence; and General government files.

The records largely consist of typewritten documents, such as correspondence, memoranda, briefings, minutes and itineraries. The records also contain printed materials such as press kits, new releases, brochures, newsletters, and newsclippings. Also included are a substantial amount of published and unpublished studies, reports, and proposals produced by the Department of Economic Development or by the other government departments and non-governmental agencies. The non-textual materials include an album of colour photoprints of the BC government's delegation trip to Japan, which Lauk was a part of, as well as a number of loose colour and black and white photoprints.

The fonds also contains correspondence files of Leo Nimsick (1972-1973), Lauk's predecessor as Minister of Mines and Petroleum. Lauk acquired these papers when he was appointed Minister.

The Vancouver Women in Focus Society fonds reflect their activities in video production and distribution, gallery exhibitions, activism and lobbying, community engagement, and research. Materials include correspondence, office files, newsletters, grant applications, sales and rental records, legal documents, catalogues and bibliographies, clippings, posters and flyers, meeting minutes, books, newspaper clippings, and financial records. The fonds also contains several non-WIF records relating to feminist and women’s issues, general art and film, as well as local and federal politics that reflects the context of the time and place in which Women in Focus were operating.

Records relating to the first series, the Administrative series, includes files dealing with the maintenance and upkeep of the society such as: meeting minutes, sales and rental agreements, artist contracts, artist resumes, notes, lease information, WIF newsletters, and legal and court documents. The series also consists of two subseries: Financial and Correspondence.

Records relating to the second series, the Production and Distribution series, include files dealing the Women in Focus Society’s production and distribution of feminist video and film. Production records include: meetings and records from the production committee; files relating to various individual productions; and publicity for WIF productions. Distribution records include: distribution statistics; catalogues; distribution information and research; and distribution correspondences.

Records relating to the third series, the Gallery series, include files dealing with the Women in Focus Society’s art gallery events. Gallery records include: records relating to the gallery committee; artist submissions; publicity for gallery shows; research into potential gallery shows; gallery guides; information relating to specific shows; and gallery sign in books.

Records relating to the fourth series, the Events series, include files dealing with the Women in Focus Society’s various events that they hosted or participated in. Event records include: publicity for events; project budgets and logistics research; correspondences and press releases about events; documents relating to workshops; research relating to participating in other events. Many records in the Events series relate to project-specific grant applications in the Administrative series.

Records relating to the fifth series, the Resources and Reference series, include files dealing with the Women in Focus Society’s research into related organizations and various of topics of interest. Records related to other organizations include: publicity for non-WIF productions; newsletters from other organizations; and artist profiles. Records relating to topics of interest cover political and social issues as they relate to women and/or art. These records range from the late 1960s to the early 1990s. These files include: government publications; magazines; newsletters; newspapers; zines; pamphlets; and photocopies of books.

The collection contains material gathered on Sasquatches in both North America and China including a scrapbook entitled "Sasquatch at a Glance," and a copy of Bill M-216 ("An Act to Protect Hominoidea at Harrison Hot Springs") as well as published materials.

The fonds consist of correspondence, speeches, research notes, and articles on various issues, such as discrimination, inequality of women, affirmative action, and sexual assault. There are nine series, which include: biographical information with day planners as a sub-series, committees, conferences, correspondence, lecture material, politics, printed material with Being Brown: Autobiography and African Canadian as sub-series, speeches, subject files, photographs, and audio/visual.

Fonds consist of records relating to the organization and operation of the History Articulation Committee, the activities of Dr. Robert A.J. MacDonald as Chairman of the History Articulation Committee and the involvement of Professor William A. Sloan as a representative of Selkirk College and secretary of the HAC. Records include incoming and outgoing correspondence, memos, minutes of meetings, reports, handbooks, newsletters, conference schedules, and newspaper clippings about curriculum and college transfer related issues.

The fonds in arranged into three series: Operational files (1969-2001); Chairman files (1982-1893); and the Secretary files (1969-1999).

A compilation of event pamphlets, festival guides, and advertisements, all pertaining to events held primarily in Vancouver, British Columbia, by various organizations. The following festivals are represented in the collection: Asia Pacific Festival Society, Beaux Gestes '86, CelticFest Vancouver, Cherie Smith JCC Jewish Book Festival, Chutzpah! Festival, Commercial Street Art Festival, Eastside Culture Crawl, Festival d’été francophone de Vancouver, Heart of the City Festival, Hellenic Community of Vancouver Greek Food Festival, Jewish Festival of the Arts Society, Mayworks, National Book Festival, New Forms Festival, Point Grey Fiesta, Powell Street Festival, PuSh International Performing Arts Festival, Queer Arts Festival, Rio Tinto Alcan Dragon Boat Festival, Surge Festival, Under The Volcano Festival, Vancouver International Children's Festival, Vancouver International Comedy Festival, Vancouver International Storytelling Festival, Vancouver International Wine Festival, Vancouver Sea Festival, Vancouver Writers Festival, Winter Gardens Street Festival and Parade, Women in View Festival, Word on the Street.

The collection consists of correspondence, writings, sermons, manuscripts, subject files, scrapbooks, and other material which document the history of the Roman Catholic Church and its priests in British Columbia, Washington, and Oregon.

The collection consists of 26 volumes of the transcripts of the dismissal hearings for Professor Nathan Popkin (1970).

Fonds consists of minutes and agendas, correspondence, publications, reports, photographs, pamphlets, scrapbooks, newspaper clippings, artifacts, and other textual records related to Pro-CAN’s mission of: improving abortion access for women; defending their legal rights; protecting providers and clinics from harassment and violence; destigmatizing abortion; and educating the public about reproductive rights. The records include those necessary to fulfill its functions of managing and administrating the organization, advocating and lobbying, and ensuring safety and security, as well as those used as resources. Resources and subject files span the topics of abortion history in Canada and abroad, legal matters, grey literature, information about similar external organizations, and related topics in the news. Pro-CAN also kept extensive files on anti-choice groups and individuals along with their behaviors, photographs, and letters.

The collection reflects the research interests of Maurice Hodgson and includes research correspondence and notes, films, cassettes, microfilms, photographs, and slides. The series divides into three series: Belcher Research and Work, Polar Research and Work, and Herridge Research and Work.

Volunteer members and elected directors of the Federation of Mountain Clubs of British Columbia (FMCBC) created and kept records as part of their work carrying out the Federation’s major mandate: organizing mountain clubs from throughout the province of British Columbia to represent collective interests for self-propelled access to wilderness areas.

Ranging in date from the 1970’s to ca. 2018, records in the fonds document the FMCBC’s major activities in support of their mandate: administrative and executive activities, the creation of various committees and work undertaken by these committees, advocacy for various lands and parks throughout the province to be considered and maintained for public access, and educating and communicating to both members and the public on topics of relevant interest.

While the FMCBC as an organizational body created the majority of these records, some records in the fonds were created by related organizations, such as the British Columbia Mountaineering Club, governmental committees, or natural resource extraction companies. The majority of records within the fonds are textual, though some other record types are present, including maps, photographs and ephemera.

The fonds contains the following series: Administrative and Executive series, Committees Series, Lands and Parks series, and Education and Communication series.

The fonds consists of administrative files including operating and project grants; correspondence; artist and project files relating to events, productions and exhibitions; and promotional and publicity materials. Some files include photographs and drawings.

The fonds have been arranged into nine series: general programming, administrative, exhibitions, Front Magazine, Luminous Sites, media arts and video program, new music, performance art, and publicity and promotional materials. As much as possible, the files are arranged as they were by the original curators and program administrators. Early records (1973-1983) for all the programs are grouped together. Video program files were separated starting in 1976 when the program began. Following 1983, the programs each had individual curators.

The fonds consists of administrative records, correspondence, publications, newspaper clippings, and educational and promotional materials related to the operations of the Canadians for Democracy in Chile (C.D.C.) and its relationships with various domestic (Canadian) and international organizations. Records reflect the C.D.C.’s functions as a public information resource and activist organization and its close working relationship with the Vancouver Chile Association and various labour organizations. C.D.C. also regularly corresponded with provincial and federal Canadian government offices concerning Canada’s relationship with Chile, particularly its economic relationship. Contents include: posters, leaflets, and other promotional materials for events, conference, and boycotts; published materials (including editions of Chile News, newsletters, and bound copies of conference and UN proceedings); newspaper clippings about activism, Chilean refugees in Canada, and conditions in Chile; correspondence; administrative records; and event photographs.

Fonds consists primarily of correspondence, published materials, and other documentation related to Potrebenko's writing career and publications. Also included are materials she accumulated in relation to her involvement with local labour activism.

The fonds consists of records related to the Association of University and College Employees' (AUCE's) provincial and local chapters activities, efforts, publications, and ephemera. Records span the Provincial and local unions' initial accreditation in 1973, to the Provincial union disbanding in 1985, and then follow the Local 1 (University of British Columbia) chapter through to its merger with CUPE in 1985 and forward into the late 2000's. The fonds is comprised of the following series: Executive, Advocacy and Bargaining, Committees, AUCE Local Chapters, Correspondence and Related Material, and Photographs, Publications, News Clippings and Ephemera.

Executive series: contains records relating to the executive functioning of the provincial union and Local 1 union chapters. Record types include union constitutions, by-laws, and amendments, minutes and agendas of executive meetings, and executive correspondence.

Advocacy and Bargaining series: comprised of records relating to the unions' efforts to advocate on behalf of their members and bargain as a collective unit. Record types include dockets, agendas, and minutes of Annual Conventions and Special Conventions, as well as minutes of the meetings of the General Membership, records pertaining to collective agreements between the workers and employers, including union contracts, and records following strikes, working conditions, and specific efforts that the AUCE and Local 1 undertook in response to provincial governmental and administrative changes.

Committees series: contains records related to the Local 1 and AUCE committees, including the Strike Committee, Contract Committee, Provincial Health and Safety Committee, Provincial Affiliation Committee, Communications Committee, Parking Fee Committee, Grievance Committee, and Merger Committee. Record types include meeting agendas, minutes, newsletters and correspondence, as well as related reports and materials interfiled with committee records.

AUCE Local Chapters Series: consists of records related to chapters 2 through 6 of the AUCE. The records feature the activities of the local chapters of Local 2, at Simon Fraser University (SFU), Local 3, at Notre Dame University of Nelson, Local 4, at Capilano College, Local 5, at College of New Caledonia, and Local 6, Teaching Support Staff at SFU (TSSU). Record types include meeting agendas, minutes, correspondence, contracts, and records related to local chapter strikes and contract negotiations, as well as secession from AUCE.

Correspondence and Related Material Series: consists of incoming and outgoing correspondence of AUCE Local 1, as well as related materials interfiled with correspondence. Record types primarily consist of letters, though some other materials such as minutes and agendas of meetings are present.

Finally, the Photographs, Publications, News Clippings, and Ephemera series features photographs, slides, third party publications, news clippings, scrapbooks, pins, posters, and other ephemera documenting current events, legislation affecting the union and its members, as well as provincial and local union strikes, protests and rallies.

The fonds consists of Ujjal Dosanjh’s private records from 1977 to 2015, comprising of all aspects of Donsanjh’s life in Canada. A prominent portion relates to his lifelong advocacy of Indo-Canadian issues. Particular matters addressed include Sikh extremism, the Khalistan movement, the bombing of Air India flight 182, and the Komagata Maru incident. Many records of a long political career, split between the provincial level; as a BC MLA, attorney general, and premier; and the federal level in the roles Minister of Health and a member of parliament; document the years between 1979 to 2011. These records are wide ranging and diverse in terms of their topics and functions. An extensive collection of scrapbooks contains contemporary media reaction related to Dosanjh's political and community work.
The fonds is arranged into six series: Media and Publicity, Authorship, Advocacy and Indian/South Asian Issues, General Correspondence, Provincial Political Career, and Federal Political Career.

The fonds consists of correspondence, mainly incoming; drafts (manuscripts, typescripts, computer printouts) and galley proofs of the written work of Spider Robinson and Jeanne Robinson; drafts of articles written by Spider Robinson; notebooks; printed material; and other materials relating to the writing career of Spider Robinson and the joint writing careers of Spider and Jeanne Robinson.

The fonds contains a sub-fonds of material relating to Jeanne Robinson's dance career and her involvement in the Nova Dance Theatre in Halifax, Nova Scotia.

Fonds consists of records related to Robert Duncan’s role as producer of the National Film Board of Canada’s documentary "Volcano: An Inquiry into the Life and Death of Malcolm Lowry" (1976). Principal work on the film spanned from 1974 to 1976.

Textual records in the fonds consist of transcripts of interviews conducted for the documentary and documents related to planning, research, production, and post-production activities for the film. Interview transcripts are arranged by film roll number and chronological order. Film production documents include correspondence, financial documents, forms, memoranda, notes, schedules, permits, promotional materials, ephemera, film proposals, copies of newspaper articles, and other material. Photographs include black and white stills of Lowry and his friends and family used in the film, as well as black and white prints of behind-the-scenes photographs taken during filming. Film production documents are arranged in loose chronological order or based on the creator’s original arrangement. The fonds is arranged into two series: Interview and film transcripts; film production documents.

The collection consists of circulars, memoranda, brochures, and related materials pertaining to consumer cooperatives in British Columbia, in particular, the Mountain Equipment Co-operative and the Agora Co-operative Food Association. Also included are the "Fed-Up Newsletter" (1974-1976) and "The Catalyst" (1976-1984).

Fonds consists of mostly typewritten journal entries by Peter McNelly during his time with the Barrett government, with a few handwritten notes and newspaper clippings. Personal journal accounts give an insider perspective on the Barrett government in the 1970s, on a week-by-week basis. Provided source material for the book The Art of the Impossible by Geoff Meggs and Rod Mickleburgh, 2013.

Fonds consists of records related to the documentary film which Ewashen directed entitled In search of utopia: the Doukhobors, produced under the name Gemini Cooperative for the Performing Arts. Other individuals involved in the film included Ray Gallon, Koozma Tarasoff and Ken Innes. Records consist of two copies of the film on reels, a shot book containing copies of historical photographs and correspondence, contracts and other textual records related to the production and promotion of the film, and a teacher’s manual and study guide.

Fonds documents the administrative, financial and publication activities of the LHA, including the production of the film "For Twenty Cents a Day"; the slide-sound programs "These Were the Reasons..."and "Strike", both about the history of union organizing in BC; and ten issues of the journal "Labour History". Records include meeting minutes, correspondence, financial records and related material pertaining to the activities of the LHA.

The collection consists of exhibits, briefs, proposals, correspondence, recommendations and printed material relating to the Commission of Inquiry on Property Assessment and Taxation.

The collection consists of material relating to intentional communities in B.C. (ca. 1975-1980). It also includes two copies of "In Defense of Nature", the official journal of the Cariboo Organic Commune located in Ochiltree, B.C.

RBSC's holdings of the Korean Canadian Heritage Archive consist of UBC's General Collection, which was one of the two sub-collections of UBC's portion of the KCHA. The creators of this collection divided the collection into nine series based on the physical formats of the materials. The series are as follows: Ephemera, Books, Grey Literature, Multimedia, Correspondence, Manuscripts, Newspaper Clippings, Serials, and Personal Documents.

The fonds consists of the business records created and/or collected by Lazara Press and its founder Penny Goldsmith, predominately from the early 1980s to the late 1990s. The records are loosely divided into two main categories: administrative and publication records. The administrative records contain material documenting the different functions of Lazara Press, including promotional/distribution information, financial records, memberships information, and correspondence Lazara Press had with other printing presses and booksellers in Canada and in Europe. Other administrative records include materials pertaining to projects Goldsmith was involved in, either as a representative of Lazara Press or of her own initiative.

The publication records contain material relating to the publication process of the various broadsheets, chapbooks, volumes of poetry, plays, short stories, and essays printed by Lazara Press. These records include drafts and manuscripts, layouts and prototypes, as well as the published editions of many of these works. Other records include correspondence between Lazara Press and various authors, contracts, promotional information, reviews, and distribution lists.

The fonds is divided into eleven series: Promotion and distribution; Lazara Press business records; Literary associations and publishing groups; Literary festivals and book fairs; Publishers; Editing + consulting; Penny Goldsmith articles; Other projects; Lazara published books; Broadsides and chapbooks; and Discussion series. The last three series are further divided into subseries, typically by author name but occasionally by the title of a publication.

The collection includes a number of administrative records (10.5 cm) dating from the Society's creation in 1976 up to 2004. It includes newsletters (1cm) for the years between 1986 and 2004.

Fonds consists of letters, clippings and other documentation sent from Claire Culhane to Yvonne Schmitz during the period 1979 until Culhane's death in 1996. Subject matter pertains mainly to issues of prisoner's rights, but also touches upon personal matters. Files are arranged as they arrived from the donor.

The fonds contains records related to the activities of Douglas Mulhall in his capacity as member of Greenpeace Canada and as a member of the Greenpeace International, Stichting Greenpeace Council between 1979 and 1986. Records consists of extensive correspondences, minutes of the meetings and annual reports from various committees and councils on which Mulhall served, financial reports and other records related to the fiscal management of the Stiching Greenpeace Council and the Greenpeace’s national offices, as well as newspaper clippings, annotated journal publications, and photographs, which document Greenpeace’s administrative activities as well as its various environmental campaigns.

The fonds is arranged into the following the following series, Personal administrative records (1985-1990), Minutes of council and trustee meetings (1979-1990), Campaign records (1987-1989), Greenpeace International service records (1987), Organizational development records (1987-1990), Fundraising records (1987-1988), and International foundation for survival and development of humanity records (1988), and the following sous-fonds Greenpeace Canada (1980-1986).

Fonds consists of research compiled by art historian and curator Patricia Ainslie. The research relates to both her published writing and her curatorial work at the Glenbow museum in Calgary, AB. Materials include research notes; photocopies of articles and images; correspondence with artists, other curators, and archival institutions; planning documents and lists; photographs of artists and artwork; interviews on audio cassette, DVD, and as transcripts; manuscripts for some of her published work; and exhibition pamphlets.

Fonds consists primarily of Parrott's criticism of D.E. Harker's history of St. George's School, Vancouver, entitled Saints. Parrott's notes and letters on the development of the school add a new dimension to the information found in the official history. Many letters contain correspondence to Anne Yandel, the former Head of Special Collections at UBC Library, and George Brandak, the Manuscripts Curator at the UBC Library. Also included in the fonds are documents related to Parrott’s status as a Canadian citizen.