Fonds consists of records reflecting Fenton’s activities as the president of the Local 213 of the International Brotherhood of Electrical Workers in B.C. and the Executive Board representative of the First District of the Pacific District Council of the International Brotherhood of Electrical Workers, spanning approximately from 1912 to 1913. These records are arranged in chronological order. Textual records in the fonds primarily consist of incoming correspondence from the U.S. to E.Tilford Fenton as the president of the I.B.E.W. in B.C., general circulars and reports from Pacific District Council, and administrative documents of the International Brotherhood of Electrical Workers. Personal correspondence of E. Tilford Fenton spans primarily from 1914 to 1915. These records are also arranged in chronological order. The fonds is arranged into the following four series: office correspondence; general circulars; administrative documents; and personal correspondence.

This fonds consists of minute books from 1956 to 1966, including minutes of executive meetings, annual convention programs and resolutions and records of expenses.

The fonds consists of records reflective of W. Randle Iredale’s career as a professional architect, spanning approximately 1955 to 2000, predominant between 1960-1970. Specific projects that are reflected in the records include: the Portage Mountain Development Project, Hydro Tourist Lookout, Downtown Stadium Centennial, Westcoast Transmission Building, UBC Sedgewick Undergraduate Library, Vancouver Downtown Stadium, Vancouver’s Park Site 19 Project and St. Francis Construction Project.

A large portion of the material is reflective of the Portage Mountain Development Project, a large hydro-electric project at Portage Mountain in north-east British Columbia. The following projects, which were all part of the Portage Mountain Development Project, are reflected in the fonds: the Portage Mountain Lookout Building, Portage Mountain Control Building, Portage Mountain Power House, Hudson’s Hope Housing and George W. Pearkes Elementary School.
Records are arranged generally according to project, keeping the original filing system of the creator.

The majority of the fonds consists of photographs, negatives, slides and architectural drawings pertaining to project sites, spanning primarily from the 1960s to the 1990s. Textual records in the fonds primarily consist of correspondence, publicity material and publications pertaining to the projects completed by Rhone & Iredale Architect and the Iredale Partnership.

The fonds is arranged into the following series: Portage Mountain Lookout Building; Hydro Tourist Lookout; Downtown Stadium Centennial; Westcoast Transmission Building; UBC Sedgewick Undergraduate Library; Vancouver Downtown stadium; Vancouver’s Park Site 19 Project; Hudson’s Hope Housing and School; and architectural drawings.

Collection consists of printed items such as bookmarks, gift cards, calendars and other promotional items created by UBC Library Vault.

Fonds consist of records relating to the organization and operation of the History Articulation Committee, the activities of Dr. Robert A.J. MacDonald as Chairman of the History Articulation Committee and the involvement of Professor William A. Sloan as a representative of Selkirk College and secretary of the HAC. Records include incoming and outgoing correspondence, memos, minutes of meetings, reports, handbooks, newsletters, conference schedules, and newspaper clippings about curriculum and college transfer related issues.

The fonds in arranged into three series: Operational files (1969-2001); Chairman files (1982-1893); and the Secretary files (1969-1999).

Fonds consists of watercolour paintings and sketches completed by Lindgren, depicting scenes around the Vancouver area shorelines, including Prospect Point, English Bay, Burrard Inlet and the North Shore Mountains. The fonds consists of 1 sketchbook and 12 loose leaves of paintings and drawings, however, it is clear that at least 10 of the leaves (numbered 1-2 through 1-11 in the item list) were at one time part of a sketch book also.

Fonds consists of textual and graphic material related to the activities of the Fuller siblings as traveling musicians, particularly during their American tour from 1913 to 1917, including correspondence, financial documents such as contracts and receipts, and photographs and drawings from their tours. Fonds also includes printed material such as programs and sheet music which the Fuller family had printed and sold.
Fonds is arranged into series according to the type of documentation: Correspondence, Business and concert documents, Sheet music and lyrics and Photographs and drawings.

The fonds contains records related to the activities of Douglas Mulhall in his capacity as member of Greenpeace Canada and as a member of the Greenpeace International, Stichting Greenpeace Council between 1979 and 1986. Records consists of extensive correspondences, minutes of the meetings and annual reports from various committees and councils on which Mulhall served, financial reports and other records related to the fiscal management of the Stiching Greenpeace Council and the Greenpeace’s national offices, as well as newspaper clippings, annotated journal publications, and photographs, which document Greenpeace’s administrative activities as well as its various environmental campaigns.

The fonds is arranged into the following the following series, Personal administrative records (1985-1990), Minutes of council and trustee meetings (1979-1990), Campaign records (1987-1989), Greenpeace International service records (1987), Organizational development records (1987-1990), Fundraising records (1987-1988), and International foundation for survival and development of humanity records (1988), and the following sous-fonds Greenpeace Canada (1980-1986).

The fonds contains notebooks, photographs, ephemera and correspondence relating to the career of Constable (and later Sergeant) Samuel Service with the British Columbia Provincial Police and, following the merge in 1950, the Royal Canadian Mounted Police (RCMP). The records related to Service's work and life in the cities and surrounding regions of Port Alberni, Cowichan, Chemainus and Victoria.

Fonds consists of research compiled by art historian and curator Patricia Ainslie. The research relates to both her published writing and her curatorial work at the Glenbow museum in Calgary, AB. Materials include research notes; photocopies of articles and images; correspondence with artists, other curators, and archival institutions; planning documents and lists; photographs of artists and artwork; interviews on audio cassette, DVD, and as transcripts; manuscripts for some of her published work; and exhibition pamphlets.

The records of this fonds were created by the Boag Foundation offices. Contents include historical files, administrative records, accounting and financial documents and project files relating to the activities of the foundation.

The contents of this collection pertain to the Santo Tomas Interment Camp in the Philippines during WWII. The camp was active from 1942 to 1945 and housed over 4,000 prisoners-of-war.

Records reflect the internal administrative structure and functioning of the camp, daily life of internees, the political activities surrounding the camp, and the personal experiences of Barbara and Leonard McCann.

Fonds consists primarily of correspondence, published materials, and other documentation related to Potrebenko's writing career and publications. Also included are materials she accumulated in relation to her involvement with local labour activism.

Fonds consists of slides, clippings, correspondence, and other documents related to the building of the Carpentry Training Centre in Nicaragua and the development of a carpentry training program. Included are documents related to the hiring of instructors and to financial and material donations to the project, as well as pamphlets from various organisations involved in solidarity efforts with Nicaragua, and materials providing background information about the political and socio-economic situation in Nicaragua during the 1980s.

Fonds consists of a scrapbook related primarily to Wooton's work as a Vancouver Parks Board superintendent, but also containing several personal documents such as photographs, cards and Wooton's Free Mason certificates. Parks board related material in the scrapbook includes newspaper clippings, photographs of Vancouver parks, beaches, pools and other facilities, correspondence and manuscript notes. The scrapbook appears to have been maintained by Wootton's wife, Marion Wootton, as it contains a number of letters of condolence to her after Mr. Wootton's death. Fonds also contains a separate photograph, of the Vancouver Parks Board Commissioners 50th anniversary lunch, October 29 1939.

The fonds consists of the business records created and/or collected by Lazara Press and its founder Penny Goldsmith, predominately from the early 1980s to the late 1990s. The records are loosely divided into two main categories: administrative and publication records. The administrative records contain material documenting the different functions of Lazara Press, including promotional/distribution information, financial records, memberships information, and correspondence Lazara Press had with other printing presses and booksellers in Canada and in Europe. Other administrative records include materials pertaining to projects Goldsmith was involved in, either as a representative of Lazara Press or of her own initiative.

The publication records contain material relating to the publication process of the various broadsheets, chapbooks, volumes of poetry, plays, short stories, and essays printed by Lazara Press. These records include drafts and manuscripts, layouts and prototypes, as well as the published editions of many of these works. Other records include correspondence between Lazara Press and various authors, contracts, promotional information, reviews, and distribution lists.

The fonds is divided into eleven series: Promotion and distribution; Lazara Press business records; Literary associations and publishing groups; Literary festivals and book fairs; Publishers; Editing + consulting; Penny Goldsmith articles; Other projects; Lazara published books; Broadsides and chapbooks; and Discussion series. The last three series are further divided into subseries, typically by author name but occasionally by the title of a publication.

Fonds consists of records related to Robert Duncan’s role as producer of the National Film Board of Canada’s documentary "Volcano: An Inquiry into the Life and Death of Malcolm Lowry" (1976). Principal work on the film spanned from 1974 to 1976.

Textual records in the fonds consist of transcripts of interviews conducted for the documentary and documents related to planning, research, production, and post-production activities for the film. Interview transcripts are arranged by film roll number and chronological order. Film production documents include correspondence, financial documents, forms, memoranda, notes, schedules, permits, promotional materials, ephemera, film proposals, copies of newspaper articles, and other material. Photographs include black and white stills of Lowry and his friends and family used in the film, as well as black and white prints of behind-the-scenes photographs taken during filming. Film production documents are arranged in loose chronological order or based on the creator’s original arrangement. The fonds is arranged into two series: Interview and film transcripts; film production documents.

Fonds consists of records spanning the period 1888-1937 relating to Charles Spring’s claims for financial losses as a result of the renewal of the “Modus Vivendi” banning pelagic sealing in the Bering Sea for the 1892-1893 season, and supporting documentation both prepared by and compiled by Spring. Records relating to Spring’s pursuit of his claims include draft and final statements of claim; draft and final petitions, memorials, statements, memoranda, and declarations; incoming and outgoing correspondence; notebooks; accountings and lists of expenses; Pelagic Sealing Commission oaths; reports; newspaper clippings, receipts, and other ephemera; and related notes and documents. Supporting documentation compiled by Spring was generated by the sealing industry, his own sealing enterprise, and as a result of the collapse of his business. These records include ledgers and journals; log books; certificates and licenses; sales, ownership, and insurance documents; receipts and financial documents; reports; court papers and police charges; correspondence and notices; and related notes and documents. The fonds also consists of personal papers not directly related to Spring’s sealing claims, including correspondence, copies and originals of photographs, and other documents.

Collection consists of historical material regarding the Pre-Raphaelite artist and illustrator Arthur Hughes collected by Leonard Roberts and Maj. Greville Chester. The collection includes a large body of correspondence from Arthur Hughes to Susan Lushington, a variety of letters to other correspondents, 9 photographs of Hughes and his wife and daughters, examples of Hughes' illustrations and research materials such as family notes and reminiscences and copied articles.

Fonds consists of letters, clippings and other documentation sent from Claire Culhane to Yvonne Schmitz during the period 1979 until Culhane's death in 1996. Subject matter pertains mainly to issues of prisoner's rights, but also touches upon personal matters. Files are arranged as they arrived from the donor.

Fonds consists of records relating to the landscape and postcard photography of Dorse McTaggart. McTaggart owned and operated his own postcard business. His photographs and postcards feature scenes from throughout British Columbia, including mountains and other nature scenes, parks, towns, historic sights and landmarks, recreation, bridges, museums, and industrial sites. Dorse’s photography went beyond this subject matter, including portraits and weddings, but this material is not included in the fonds.

Materials in the fonds include negatives, transparencies, photographic prints, and published postcards, which represent the various stages of postcard production. It appears that Dorse produced many of his postcards by shooting on 4x5 film, then creating a 4x5 film positive from which to print the postcard on his own printing press. The fonds also includes a journal kept by Dorse in which he wrote down brief descriptions of photographs that he took, marketing books that he used to show his postcards to potential buyers, and a small amount of correspondence and other textual records.

Items have been arranged into five series that maintain the organization they had when received by Rare Books and Special Collections. It is not clear if this organization was that of Dorse, Walter, or a combination of both.

Fonds consists of material related to a documentary film made by John Corry, entitled “Life's Imprint: Lithographs by Jack Shadbolt.” This 1994 film documents Canadian artist Jack Shadbolt’s production of a four-part colour lithograph, done over a 9-month period in collaboration with lithographer Torrie Groenig. The film was produced and directed by Corry, with the support of the National Film Board of Canada and Knowledge Network., and was originally broadcast on CBC, Bravo!, and Knowledge Network. It includes scenes from Shadbolt’s studio in Burnaby and the Limited Editions studio in Gastown.

Material includes the master tapes from filming, production notes, photographs, obituaries for Shadbolt (who died in 1998), and promotional and distribution documents.

This accumulation of materials constitutes the background for the final report on the Hoxsey Cancer Clinic in Dallas, Texas, which was published by the Queen’s Printer in Victoria in 1958. The collection consists of correspondence, account sheets, newspaper clippings, brochures, patient records, interview transcriptions and the final draft of the committee report.

The Macintosh Collection was created by Sir Robert Reynolds Macintosh, a Nuffield Professor of Anesthetics at Oxford. The collection consists of the documents relating to the life and research of anesthetist Joseph Thomas Clover. In addition there are correspondence, research and notes written by Sir Robert Macintosh, which were collected during his research into the life of anesthetist John Snow. There are also notes and correspondence by Dr. K Bryn Thomas, a visiting medical historian and anesthetist who arranged, catalogued and annotated the collection in 1971. Throughout the collection, there are various notations, transcriptions and notes written by Dr. Thomas that occurred during his processing of the collection. The current arrangement of the collection is still largely the arrangement applied originally by Dr. Thomas.
The materials related to Joseph Thomas Clover spans the beginning of his career until the end of his life. They include obituaries and eulogies of his death (1882-83), and articles in magazines on Clover after his death (1913, 1928). There are photographs of Joseph Thomas Clover and his wife, Mary Ann Clover in various poses and a small, hand-drawn family tree of the Clover family. Clover’s observations, patient notes, hand-draw sketches of anatomy and apparatus and even some small books Clover used for financial recordkeeping, are present, some in small, bound volumes and others in loose pages. Clover’s original article of indenture (1841) and testimonials regarding his qualities as a doctor are also present. Correspondence within the collection include discussions on anesthesia, requests from patients and for apparatus, letters of condolences Mary Ann Clover after the death of Joseph Clover (1882) and letters to Clover’s daughter regarding her father’s legacy (1913). A small amount of the letters has been transcribed by K Bryn Thomas and present in the correspondence section. There is a small collection of cards bearing advice and quotations from Clover’s father, J.W. Clover, pertaining to weddings, finances, and life, as well as Clover’s own notes on God and life (1859-65). There are also several sheets of pressed flowers.
The second portion of the Joseph Thomas Clover collection was organized by subject matter by K Bryn Thomas. The sections are largely undated and cover Clover’s notes on ether, nitrous oxide and ether, chloroform, nitrous oxide, as well as a large amount of hand written notes covering various anesthetic subjects. Clover’s notes also discuss the deaths from chloroform and resuscitation. There are also hand-drawn illustrations of various apparatus inventions and experiments.
The third section of the collection contains the material collected by Sir Robert Macintosh during his research into anesthetist John Snow. This section contains biographical sketches by Sir Robert Macintosh, letters of correspondence between John Snow’s descendants and Sir Robert Macintosh, and a speech given regarding John Snow in 1955. There are a few correspondences regarding the gifting of Snow’s book <em>On Cholera</em>. A transcript of Snow’s article <em>On Asphyxia</em> is also contained in the collection. There are also copies, transcripts, and correspondence relating to Snow’s will, and his burial certificate. The remainder of the collection consist of items about John Snow, including correspondence to his descendants regarding his memorial tombstone, correspondence to his publishers regarding his books, and items written about John Snow himself.

The collection illustrates Otto Cohnheim’s personal and professional life while he lived in Germany and Scotland. The personal material includes correspondence with or about family members while the professional material includes letters, laboratory notes, and papers to do with his physiological studies.

The fonds consists of records created and collected by Jackie Maniago which includes records associated with her involvement in various advocacy efforts in Vancouver, British Columbia, and Canada.

In particular, the fonds includes records related to the Community Living movement, deinstitutionalization in British Columbia, and advocating for the rights of persons who are intellectually disabled.

The fonds has been arranged into the following 10 series: Woodlands Parents' Group; Community Living Society; Community Brokerage Service Society; Family Link; British Columbia Association for Community Living; Canadian Association for Community Living; Community Living Coalition; Subject Files; Advocacy Initiatives; and The Roeher Institute. These series reflect Jackie Maniago's activities and participation in these organizations and her own interests.

The main types of records within the fonds include correspondence, meeting minutes, news articles, photographs, interviews, event programs, publications, newsletters, conference proceedings, and speeches.

This is the complete set of John Burdon Sanderson’s vivisection licenses, from 1876 to 1905 (the year of his death). The first license is numbered “1”, and is in fact the first license ever issued in Great Britain under the Act of 1876. They are signed in person by the various Home Secretaries, Viscount Cross (Home Secretary 1874), Vernon Harcourt, Henry Matthews, H.H. Asquith (later Prime Minister), etc.

In addition, there are two small notebooks, written by John Burdon Sanderson’s wife, Lady Ghetal Burdon Sanderson, which contain copies of letters written by John Burdon Sanderson and herself, that she recopied into the notebooks, in the course of her research into his life.

This group of letters consists, with minor exceptions, of correspondence from Sister Mary Gonzaga (Georgiana Barrie) (1825-1873), a Sister of Mercy from Bermondsey, to her sister Julia (Mrs. Edward Boodle) during the Crimean War. There are a few letters that were written after the Crimean War. A few letters were written by Mrs. Boodle to Gonzaga and one letter was written to Boodle by Alfred Green. There are also assorted reproductions of photographs, certificates, and drawings related to Sister Mary Gonzaga and the Sisters of Mercy.

The fonds consist of correspondence, personal documents, and memorabilia of his career acquired by his son, Carr E. R. Sherrington. The correspondence is largely comprised of letters. The first section are letters by Sir Charles Scott Sherrington to Sir John Carew Eccles, Carr E.R. Sherrington and to Dr. William Gibson. There are also letters from CSS to various other people filed under Miscellaneous Letters. There is also great deal of letters to Charles Scott Sherrington from approximately 317 senders. There are also letters relating to CSS, with approximately 18 different senders.

Throughout the fonds are copies of letters obtained from the Yale Medical Library of correspondence between CSS and John Farquhar Fulton, William R. LeFanu, the Royal Society of London, E.A. Schafer and Angelo Ruffini. Finally, there is correspondence between Carr E. R. Sherrington and Dr. William Gibson, which were added later to the fonds, in addition to copies of Sherrington’s publications.

The fonds also contains manuscripts, notebooks, notes and drafts by Sherrington, covering a range of subjects including Jean Fernel, Sir William Osler, and Goethe. There are address books, laboratory notes with drawings discussing the mind-matter relationship and biology. There is also an unidentified paper written in 1948. There is a collection of articles and book reviews about CSS, handwritten manuscripts, and menus and invitations for events.

There are photographs in the fonds, specifically illustrations for frontispieces from books, as well as photographs of buildings, landscapes and laboratories. The fonds also contains certificates and diplomas received by CSS from various institutions, including honorary degrees and memberships to societies. There are also objects in the fonds, such as medals, chairs, ice skates, and hats, which are kept in the Sherrington Room at the Woodward Library, and are listed as such in the finding aid.

Fonds reflects a portion of Walker Gill Wylie’s career in gynecology and hospital management. Contents include manuscripts of reports, lectures, and papers produced by Wylie. There are also several periodicals from various professional associations that he was associated with. There is also a letter regarding the provenance of the fonds after Wylie’s death.

Fonds reflects William A. Paskins’ early career in naturopathy, including his presidency of the Association of Naturopathic Physicians of British Columbia. The material appears to be from the 1940s and 1950s and includes transcripts and copies of speeches, lectures, and publications by Paskins. One publication featured in this fonds is the typescript for a book entitled "How to be happy and healthy though civilized; psychosomatic medicine for psychosomatic diseases".

Collection consists of letters, newspaper clippings, and articles relating to Sir William Osler’s career and involvement with the Medical Library Association.

Collection consists of letters addressed to Dr. Alexander Marcet, one from William Prout and the remainder from William Chas. Wells. The letters date from 1811 to 1817. The letters discuss various experiments on urine, the research of Professor Prevost on radiant heat, and Mrs. Marcet’s work on political economies.

Collection concerns the history of the College of Science, Dublin where William Fletcher Barrett worked from 1873 to 1910. Included in the collection are handwritten notes, letters, and a parliamentary report on the history of the college.

The collection of papers of William Brenton Burnett consists mainly of autograph letters, typescripts of addresses, notebooks and documents. These relate to Dr. Burnett’s life as a student at Acadia University and at McGill University, and as a teacher and physician in Vancouver, British Columbia. The principal part of the collection deals with the early years of the period covered (1891-1964). A number of diplomas accompany these papers.

Collection consists of 56 documents which mostly concern Frederic Schiller Lee’s capabilities as a fundraiser for the International Physiological Conference in the eastern United States in 1929. The majority of the collection is letters from prominent physiologists.

The majority of the collection consists of over 200 pencil handwritten copies of Martha May Beardmore’s accounts of her work during the First World War in Serbia and Salonika. There are also notes on a presentation she attended, newspaper clippings, and fragmentary documents about the First World War. At the end of the collection is a covering letter from her husband, Harry Beardmore to the UBC librarian which gives some biographical information.

The collection contains two minute books from the British Columbia Anti-Tuberculosis Society.

Collection consists of letters from prominent scientists in various fields of study. Many of the letters in this collection are addressed to Dr. Chauncey D. Leake.

Some of the letters contain discussion of a scientific nature, while others contain pleasantries, invitations, and discussion of scientific publications for collecting purposes. Some of the notable correspondents include Sir Richard Owen, Sir Francis Galton, Joseph Dalton Hooker, William Jackson Hooker, Sir Frederick Grant Banting, Adam Sedgwick, and James Prescott Joule.

The fonds includes correspondences between George Wilkes, a member of The Canadian Tribute to Human Rights board and representatives from 26 of the 73 language groups represented on the monument; translations of the words meant to be inscribed; and different design ideas for the individual plaques.

Fonds consists of Jim Coleman's published articles from multiple newspapers (predominantly the Globe & Mail and Vancouver Province), and magazine articles published in both Maclean's and Saturday Night magazines. The fonds also consists of original manuscripts from Coleman's two books: Hoofprint on my Heart, and Long Ride on a Hobby Horse.

The Irving Guttman Collection is a large collection of photographs of different people and places in the opera world. There are two different parts of this photographic collection: The first part of the collection includes pictures of Mr. Guttman directing and coaching opera performers, or posing with opera enthusiasts from across the globe. A large bulk of these first photographs are of Mr. Guttman's production of the operas, Norma, Tosca, Traviatta, and Aida. However, other operas such as Madam Butterfly, Daughter of the Regiment, Othello, Carmen and more are included in the Collection.

The second part of the collection consists of autographed portraits of opera performers, and other operatic stakeholders. The list of operatic singers, conductors, composers and directors, includes but is not limited to: Luciano Pavarotti, Placido Domingo, Leonard Bernstein, Joan Sutherland, Cristina Deutekom, Montserrat Caballé, John Alexander, Tracy Dahl, Marilyn Horne, Linda Roark-Strummer, Huguette Tourangeau, Renata Tebaldi, Clarice Carson, Regina Resnik, Mary Costa, Irene Salemka, Cecilia Bartoli, Judith Forst, Ermanno Mauro, and Sylvia Sass.

Lastly, there is a collection of congratulatory letters to Mr. Guttman for his 25th anniversary as artistic director of the Edmonton Opera.

The fonds consists of records related to Zeljko Kujundzic’s role as an artist as well as his role as an educator. There are also records related to his personal life. The fonds consists of three series: artist records; teaching and professional records; and personal and administrative records.

Records relating to the first series, Kujundzic’s artist records are divided into two subseries: artwork and projects, and exhibitions and publicity. The artwork and projects subseries contains records related to the production of his artwork, including drafts, studio works, sketchbooks, writings, poetry, and research and inspiration materials. It also includes several pieces of Kujundzic’s artistic media, such as his metal moulds and woodblock prints. The subseries exhibitions and publicity consists of records relating to Kujundzic’s public appearances and the exhibitions and galleries he was part of. It includes magazine articles, newspaper and press clippings, artwork commissions, posters and pamphlets, and photocopies of articles about Kujundzic and his art.

Records in the series teaching and professional records relate to his role as a professor and as a member and director of arts societies. This series is divided into three subseries: Kootenay School of Arts, Pennsylvania State University, and Professional affiliations. The series Kootenay School of Arts contains records of Kujundzic’s time as a teacher in the Okanagan, B.C., and records relating to the Art Centre in Kelowna. The subseries Pennsylvania State University contains records related to his time spent with the Arts Department of PSU and consists of teaching, lecture and workshop materials, correspondence between faculty, and records relating to his role as a professor. Professional Affiliations subseries contains records relating to the associations and societies he was part of and some that he founded, including the Sculptors’ Society of British Columbia and the Contemporary Okanagan Artists.

Records in the personal and administrative records series includes personal correspondence made and received by Kujundzic, photographs, family and biographical records, CVs, applications, and immigration and travel documents.

The collection contains records related to Oscar Orr’s career in law, his professional and political affiliations, and records relating to his role as a prominent resident in the province of British Columbia. There are also historical records that Orr gathered as part of his collection. The collection consists of five series: British Columbia records; American records; Canadian provinces and politics records; Britain and Europe; and Books and miscellaneous records. The series contain correspondence, autographed clippings and notes, invitations and miscellaneous documents of prominent political individuals, businessmen, and royalty.
The series British Columbia records contains Orr’s correspondence with prominent and political members in British Columbia in the early to late 1900s. The series includes the autographs of BC political members as well as prominent BC court officials. Also includes a letter from Dan Cranmer of Alert Bay regarding a possible potlatch. The series American records contains documents and autographs of prominent US political, literary, and war figures. Records in this series date back to the 18th century and were part of the collection Orr gathered as part of his interest in history. The series Canadian provinces and politics records include early 19th century documents relating to the Canadian political landscape as well as Orr’s own correspondence with Canadian politicians and court officials. The series Britain and Europe contains records and autographs of British and European political, literary, and military figures, dating back to 1698. Books and miscellaneous records include books, newspapers, photographs and other records from Orr’s collection that relate to his interest in history.