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Correspondance

This file includes some correspondence to John Clarke informing him that he was going to receive a name recognition for his good services during the war. The majority of correspondence are between Betty Clarke Pearson and other survivors of the sinking of Empress of Canada who share their stories and information about the sinking and the history of battles they experienced.

Under the Volcano with letter

Copy of Under the Volcano with holograph letter to Burt from Malcolm Lowry on inside cover and note at end of book. Was sent by Malcolm in 1953 after he had attended a performance of the play, Devil Among the Skies, which had been directed by Burt for the Burnaby Little Theatre Festival.

AIKEN, Conrad

AIKEN, Conrad: 6 Mar. 1971; FRANCILLON, Clarisse: 17 Jul. 1973, 12 Aug. 1973 ((re article for Les Lettres Nouvelles; also includes information about the various drafts of Lunar Caustic), 31 Oct. 1973, 11 Nov. 1973, 22 Nov. 1973, 25 Nov. 1973, 20 Dec. 1973; HENN, T.R.: 23 Mar. 1972; The Leys Public School (Cambridge): 5 Apr. 1973 (includes typescript of a poem, Homeopathic Blues, published in the Leys Fortnightly, vol. 50, no. 877, 26 Feb. 1926); LOWRY, Wilfrid (Malcolm's brother): 6 Mar. 1973 (includes information on Malcolm's childhood), 5 Apr. 1973

LOWRY, Margerie

LOWRY, Margerie: 14 Dec. 1968, 4 Aug. 1971; PAGE, P.K.: 13 Apr. 1970; PETHICK, Derek: 21 Nov. 1969; photograph of Lowry from Post and Mercury (BC-1614-149) 21 Jun. 1933.

LINSCOTT, R.N.

LINSCOTT, R.N. (Houghton Mifflin Co.): 19 Nov. 1940 [quotes reviewers on rejection of 1940 Under the Volcano], 11 Jul. 1941; MANN, Klaus (son of Thomas Mann; editor of Decision): n.d.; STERN, James: n.d.

Family in general

File contains family photographs; Stewart and McLennan genealogical information; newspaper clippings; and a list of family members serving in World War I and World War II.

slippages – Conductor’s Score

File consists of the score co-created by Maestro Jonathan Girard and Deborah Carruthers to be used in the performance of slippages by the UBC Symphony Orchestra as well as the transparent overlay they used to map out responsibilities within the orchestra.

For their performance of slippages, Carruthers and Girard approached the task of interpreting graphic scores by mapping the seating arrangement onto the images themselves, creating a sort of geography of the orchestra. By creating a transparent overlay of the orchestral seating chart, they could go page by page and figure out which instruments would take responsibility for which parts of the images. Once areas of the image were assigned to orchestral sections, the musicians looked at the depth and saturation of the colours and translated them into musical intensity, texture, and so on. Next, Carruthers and Girard mapped out the relationship between the layered pages of the score, interpreting how glaciers reveal themselves and their histories as they melt due to climate change. In this composer's score, those parts are assigned based on the seating chart.

Setsuko Fujii

File contains letter from Setsuko Fujii, as well as ca. 20 cm of ribbon.

Adelaide Festival

File contains three programmes from the 2004 Adelaide Bank Festival of Arts. One is a booking guide and the remaining two are programmes for the production of "The Overcoat."

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