[1989 Convention/Ed Broadbent Tribute]
- RBSC-ARC-1821-19-05
- File
- 1989
Part of Johanna den Hertog fonds
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[1989 Convention/Ed Broadbent Tribute]
Part of Johanna den Hertog fonds
1989 Don Dutton - letter and notes - Battered women
Part of Beverley Simons fonds
Part of Blanche Howard fonds
File contains photos BC2164-113 to BC2164-132 and negatives and slides for BC2164-127 to BC2164-129. Photographs are of the Howard family and friends and Blanche Howard promotional photos.
1989 Financial statements/Finance committee meeting March [February] 22
Part of Anna Banana fonds
1989 Medical Expenses (not claimed in 1989)
Part of Ralston Family Fonds
1989 membership secretaries prov. presidents workshop
1989 Solidarity Bulletin originals.
Part of Tom Wayman fonds
1989/90 campaign seminars - seminar and plenary handouts
Part of Hilda Thomas fonds
(199) "Humanist Responsibilities in a Technological World," Fort McMurray. June 1988
Part of Rosemary Brown fonds
Part of Darryl Adams fonds
British Columbia Operating Room Nursing Group
1990 convention coordinator's binder
Part of Ralston Family Fonds
Part of Jim Wong-Chu fonds
Part of Ralston Family Fonds
Part of Anna Banana fonds
Part of Beverley Simons fonds
1990/1991 campaign direct mail
Part of Ujjal Dosanjh fonds
Part of Hilda Thomas fonds
Part of Anna Banana fonds
Part of YWCA Metro Vancouver fonds
Part of Crawford Kilian fonds
Part of Anna Banana fonds
Part of Zeljko Kujundzic fonds
Part of Zeljko Kujundzic fonds
Part of Anna Banana fonds
Part of Anna Banana fonds
Subseries was created and collected from 1992 to 1998. Banana at this time continues to collect and engage with mail art, but also was beginning to shift towards a practice which could provide her with a more stable income, therefore restricting her mail art activities to active subscribers of her various publications. During this time, the scope of the mail art network is shifting. While many influential network pioneers were dying, including Cavellini in 1991, Ray Johnson in 1995, and Partz and Zontal of General Idea in 1994, many other artists shifted their focus elsewhere, causing mail art to change. Many networkers also attempted to sell their archives or determine ways to make a living off their network of artist correspondents, which is also reflected in Banana’s mail art and correspondence activities. Significant discussions about the role (and erasure) of women in histories of mail art occur at this time, and Banana is often central to these discussions.
Items in this subseries are predominantly letters and envelopes, often decorated, but also include photographs, drawings, xerox art, found objects and small sculptural items, collage, and other visual mediums, often integrated into the letters and envelopes.
Part of Anna Banana fonds
Subseries was created and collected from 1992 to 1994. The contents differ little from that of 1990s Mail Art (Part 1), and continues to reflect Banana’s involvement in later stages of the mail art network.
Items in this subseries are predominantly letters and envelopes, often decorated, but also include photographs, drawings, xerox art, found objects and small sculptural items, collage, and other visual mediums, often integrated into the letters and envelopes.
Part of Anna Banana fonds
Part of Anna Banana fonds
Part of Darryl Adams fonds
1991 Census content development - Final Report
1991 Community Art Gallery - Ellensburg
Part of Zeljko Kujundzic fonds
1991 council meeting - Edmonton
Part of Ralston Family Fonds
Part of Patrice Pratt fonds