Image of a group of Tlicho men loading a boat with bags of flour. The Tlicho people are a part of the Dene First Nations. Caption on photograph reads, "Flour here is worth $10 a hundred lbs."

Image of a young First Nations man in traditional dress as part of a ceremony. The title identifies the tribe as Sioux, but it unknown what part of the Sioux First Nation/tribe is pictured.

View of a First Nations man on a horse. Specific First Nations ethnicity is unknown.

Image of two First Nations women sitting with man and woman standing behind them.

Fonds documents the Or Gallery’s work supporting contemporary and experimental art practices via exhibitions, projects, and publications. Represented exhibitions are listed under Exhibition records series and the relevant Curator files subseries.

Fonds also reflects the Or Gallery’s administration and operation as an organization and as a physical gallery space. Records consist of photographic materials, correspondence, ephemera, proofs, mock-ups, and other material documenting: the curation, installation, and display of exhibitions; the administration and operation of the Or Gallery; and the design process of Or Gallery publications and ephemera.

The fonds is arranged into five series: Exhibition records; Curator files; Administration; Vancouver Anthology; and Publications and ephemera.

The collection consists of research material for Betty Keller's book, "Pauline: The Life of Pauline Johnson". It includes photocopies of letters to, from, and about Pauline Johnson, copies of printed material, as well as two articles about Johnson. Johnson, also known by her Mohawk stage name Tekahionwake, was a Canadian poet, author and performer who was popular in the late 19th and early 20th centuries. Her father was a hereditary Mohawk chief of mixed ancestry and her mother was an English immigrant.

The collection comprises records acquired by Peter Moogk about aspects of British Columbia’s history, including the British Columbia Electric Railway Company’s interurban train lines (predominantly from 1909-1958), and photographic representations of persons (especially white settlers, from 1870-1960), places, events and activities in the province.

The collection includes six series: British Columbia Electric Railway Company Records, Portraits of Persons in British Columbia, Photos of places, streets, and architecture in British Columbia, Photos of events and activities in British Columbia, British Columbia ephemera and Records from British Columbia Penitentiary.

Records relating to the first series, British Columbia Electric Railway Company Records, include: photographs; postcards; original BCER documents, such as union agreements and timetables; BCER employee publications; transit tokens; signs and posters from within Vancouver streetcars; and a copy of a CJOR radio script.

Records relating to the second series, Portraits of Persons in British Columbia, include: photographs and handwritten notes by Moogk about Vancouver photographers operating from 1858-1920.

The focus of the third series, Photos of places, streets, and architecture in British Columbia, is photographs of structures and places of British Columbia, notably building exteriors and interiors, and street views from 1880-1959.

The fourth series, Photos of events and activities in British Columbia, includes photos of notable events and public activities (predominantly dating 1911-1941), as well as everyday life, and also includes handwritten and photocopied information on the provenance of the photos and activities depicted.

The fifth series, British Columbia ephemera, is mostly paper ephemera representing the variety of business and activity in the province from 1890 to 1990, and includes menus, theatre programs, business correspondence, and Chinese textbooks as well as some photographic materials.

The sixth series, Records from British Columbia Penitentiary, includes textual records and photographs relating to the British Columbia penitentiary.

The collection consists of archival records, printed materials, photographs, maps, posters, artefacts and paintings all related to the Klondike Gold Rush. Records span the activities of individuals, organizations, companies, and government bodies related to the Klondike Gold Rush, the Yukon, Alaska, and the Northwest Territories from ca. 1860 to 2003. The collection documents the journeys of, and commerce created by individuals and groups of people from around the world who left their homes to join the Gold Rush; it also contains materials documenting the presence of Indigenous peoples throughout the Yukon.

The collection reflects the development of regional infrastructure and transportation in the Yukon and Alaska, including the creation of the White Pass and Yukon Route railway line. Many materials in the fonds originated from the construction and development of specific town sites and communities located in the Yukon, including Dawson City, Carcross, Forty Mile, and White Horse.

Other materials document the creative works of individuals seeking to record and share stories about the Klondike in various forms, including photographs, journals, poetry, music and theatre.

The collection is comprised of the following series: Textual Records, Photographic Materials, Cartographic Materials, Graphic Materials, and Objects. Each series is majorly comprised of the record type described in the title, and materials within each series are described at the item level.

Men in the photograph are identified from left to right: Phillips, Lainson, Ted Smythe.

The postcard caption reads, "The city selected this pole as a permanent monument chiefly on account of its antiquity being more than 200 years of age. It is of Haida Indian origin."

View of a pit house.

Fonds consists primarily of textual materials related to Herring's forestry career. Materials related to his extensive interest in the forestry industry are also present, including documents related to various lectures and conferences in which he participated. Materials include correspondence, reference materials, maps, blueprints, financial documents, handwritten notes, and more.

Also included in the fonds are photographs, slides, and moving images; some of these are images related to forestry, while most show scenes related to Herring's personal interests and travels, many of which involve hunting and fishing, or attending Highland games and other cultural celebrations and events.

The fonds consists of a notebook entitled "Legends of the Siwash Indians" (1891).

The fonds consists of manuscripts, research files and printed material relating to Knight's activities as a student and university professor in the field of anthropology. Included are manuscript copies of A Very Ordinary Life, Indians at Work, Along the No. 20 Line and transcripts of interviews with Bob Chestnut, Harvey Murphy, and John Smith. Fonds also includes a typescript copy of Knight's and a manuscript copy of an autobiography of Homer Stevens.

Image of a young First Nations man sitting on the back of a carriage. The title identifies the tribe as Sioux, but it unknown what part of the Sioux First Nation/tribe is pictured.

The title identifies the tribe as Sioux, but it unknown what part of the Sioux First Nation/tribe is pictured.

Photograph of an older photograph picturing a First Nations man making a canoe. Photograph pictured dates between (approximately) 1890 and 1900.

Negative of an older photograph picturing a First Nations man making a canoe. Photograph pictured dates between (approximately) 1890 and 1900.

Photograph of an older photograph of a First Nations man making a canoe paddle. The photograph in the picture dates approximately between 1890 and 1900.

Image of a First Nations man making a canoe paddle.

Negative of a photograph of an older photograph of a First Nations man making a canoe paddle. The photograph in the picture dates approximately between 1890 and 1900.

Image of an older First Nations woman making a mat.

Photograph of an older photograph of an older First Nations woman making a mat. The photograph in the picture dates approximately between 1890 and 1900.

Negative of a photograph of an older photograph of an older First Nations woman making a mat. The photograph in the picture dates approximately between 1890 and 1900.

Photograph of an older photograph picturing a group of First Nations men fishing for salmon in False Creek. The photograph in the picture dates approximately between 1890 and 1900.

Image of a group of First Nations men fishing for salmon in False Creek.

Negative of a photograph of an older photograph picturing a group of First Nations men fishing for salmon in False Creek. The photograph in the picture dates approximately between 1890 and 1900.

A photograph of an older photograph of a group of First Nations people.

Negative of a photograph of an older photograph of a group of First Nations people.

View of caribou skin lodges of the Tlicho people are a part of the Dene First Nations.

The fonds consists of the logbook of the Danube which contains five cruise entries with log entries relating to Sitka, Refuge Bay, Pribiloff Islands, Alert Bay, seal slaughters, shooting polar bears, heavy seas and gales, trading with First Nations, Russian officials, and American commissioners.

The collection reflects Stan Chester’s thirty-plus year career in the forestry industry, primarily with Canadian Forest Products (Canfor).

The collection consists primarily of maps created by Canadian Forest Products Ltd, as well as many of its logging divisions – Englewood Logging Division, Harrison Mills Division, Renfrew Division, Sooke Division, Spring Creek Division and West Coast Division. Geographic regions covered include primarily Vancouver Island (Rupert Land District) and the Lower Mainland of British Columbia (Chehalis Lake Dominion Railway Belt, Dominion Railway Belt, New Westminster Land District), but also the Central Coast, Northern British Columbia, the Okanagan, and Southwest British Columbia.

Maps were cruised by many different individuals and companies, but where the name of a cruiser is present on the maps it has been recorded in the file-level description. Of those with recorded cruisers, the majority of the maps have been cruised by Eustace Smith. Other cruisers with more than one map in the collection are Ray Smith, E. Mulock, Porteous & Porteous, and C. Davis.

Where present on the maps, cruise summaries indicate which species of trees are present, such as: fir, cedar, cottonwood, cypress, hemlock, balsam, pine, and spruce and can be searched using those terms.

Records include topographical maps, cruise maps, logging plans, logging camp maps, fire patrol maps, contour maps, road maps, history maps, blueprints of machinery or structures, technical drawings, architectural drawings, negatives, spreadsheets, transparencies and a hydrograph.

Image of the wharf and Cowichan Bay. A First Nations family and dwelling can be seen in the foreground.

The fonds consists of the incoming and outgoing correspondence of Rev. Thomas Crosby and his wife, Emma Douse Crosby, manuscripts, documents, printed material, photographs, and sketches pertaining to missionary work and family life. The correspondence includes letters written and received by Thomas Crosby on behalf of the Port Simpson people relating to land issues and letters written by Emma Crosby to her mother during her early years at Port Simpson.

The fonds consists of thirteen series of records pertaining to the activities of Thomas Berger, including two series of files arranged with reference to file classification schemes, related to party politics and to the Sardar Sarovar Projects Independent Review, as well as eleven series of subject files generally arranged alphabetically, related to the Royal Commission on Family and Children’s Law, the Mackenzie Valley Pipeline Inquiry, the Advisory Commission on Indian and Inuit Health Consultation, a proposed United Nations Environmental Programme inquiry on whales and whaling, Japanese Canadians’ redress, the Alaska Native Review Commission, the Canadian Judicial Council and its investigation concerning Berger, the University of British Columbia President’s Ad Hoc Committee on British Columbia Native Indian People and Communities, the Simon Fraser University J. S. Woodsworth Chair committee, speeches given by Berger (arranged by event in subseries of two to seven year periodic groups), and subject files related to aboriginal peoples, the Arctic and the north in general.
There are also files related to his resignation from the Supreme Court of Canada in 1981. The files were used by Berger when he wrote his autobiography <em>One Man’s Justice: A Life in the Law</em>.

The arrangement by the records’ creator of series and file order within series has been respected. Several series contain files housed in multiple folders, indicated by notes where applicable.

The Thomas K. Fleming research collection consists of materials related to the settler colonial history of British Columbia, and more broadly, the Pacific Northwest and Canada. Record types include correspondence, newsletters, press clippings, printed materials, notes, maps, legal documents, as well as Fleming`s stamp collection and associated records. Historical records in the collection include content primarily from the nineteenth to early twentieth century on such subjects as forestry, travel, commerce, and postal history. The collection has been arranged into two series: Historical Records and Research Subject Files series, and Stamp Collection and Related Materials series.

View of Haida totem poles on Haida Gwaii, which was once known as Queen Charlotte Islands.

View of Haida totem poles on Haida Gwaii, which was once known as Queen Charlotte Islands.

The collection consists of 67 black and white photographs of various sizes taken by Ulli Steltzer in the 1960s and 1970s. Subjects include Northwest Coast Indigenous peoples and artists, Black, LatinX and Indigenous peoples in the USA and Guatemala, and a small number of portraits and still-life. Specifically, the collection contains seven original prints from her important book Indian Artists at Work, including the iconic cover image of Mabel Taylor of Port Alberni weaving a basket, a beautiful portrait of Dempsey Bob carving a human figure, and Haida basket maker Florence Davidson gathering spruce roots, among others. It also contains 14 original prints from her book Coast of Many Faces, including the cover image (Sam Webber and his daughter Laura from Kingcome Inlet), and photos from the Nass River, Alert Bay, Port Neville, Ahouset, Massett and other coastal places. There are eight 1967 - 1968 photographs of Black Americans in the Mississippi Delta, Georgia, and Alabama as well as images of LatinX Americans and Vietnam War widows, as well as photographs of the Maya in Guatemala.

The Uno Langmann Family Collection of B.C. Photographs, donated by Uno and Dianne Langmann and Uno Langmann Limited, consists of more than 20,000 rare and unique early photographs from the 1850s to the 1970s. It is considered the premiere private collection of early provincial photos, and an important illustrated history of early photographic methods. The photographs were taken by a wide range of photographers. Some well-known photographers represented in the collection include William Notman, Charles MacMunn, Frederick Dally, Charles Horetzky, Charles Gentile, Philip Timms, Yucho Chow, R. Maynard, and Leonard Frank.

This finding aid will provide access to the collection in the interim period while UBC Library digitizes the collection. For updates on the collection and its digitization, please visit http://langmann.library.ubc.ca