Subseries includes publications produced by the WCC relating to refugees as well as correspondence from the WCC.

Subseries consists of transcriptions taken from videotaped interviews of corporate insiders, critics, whistle-blowers, and other individuals such as Noam Chomsky, Naomi Klein, Michael Moore, and Milton Friedman. The transcriptions also include the time code that corresponds to the location on the audio video cassettes. These taped interviews can be accessed through VT UBC 1174 to VT UBC 1478.

Subseries consists of budgets, reports, notes, evaluation forms, articles, proposals, and receipts related to the numerous training initiatives Pro-CAN was involved in carrying out. Training was aimed at teaching providers, staff members, and pro-choice supporters how to deal with such topics as media, scrutiny, and possible violence due to their pro-choice alignment.

Sub-series contains records relating to the Canadian Pulp and Paper Association’s Traffic Committee meetings. Material consists of meeting minutes that outline elections, correspondence, shipping rates and tariffs, and relevant conference concerning shipping in the Canadian Pulp and Paper industry.

Series contains meeting minutes from the Trade Extension Committee of the British Columbia Lumber Manufacturers Association. Material consists of plans to implement lumber trade representatives in various countries throughout the world to represent Canada’s interest. Records also include details of the committee’s finances and budget, and progress reports from individual members.

Subseries consists of course notes taken by Niskala while attending the nursing program at Toronto Western Hospital.

Sub-series consists of a book of timber berth plans.

Sub-series contains of Timber Council Director’s meeting minutes, which relate to the British Columbia Lumber Manufacturers Association. Materials consist of minutes that cover the expenditure for developing the market for B.C. wood products, the future of the council, the election of officers, financial statements, and the council’s reorganization.

Sub-series consists of log books and timber records, including records concerning timber limits, lands, and berths, a few timber agreements, and a timber license.

Sub-series consists of timber estimates and reports, timber contracts, and a book recording output of booms.

Sub-series consists submissions for publication in Three-Cent Pulp (poetry and short prose pieces) and selections for re-publication of the best of Three-Cent Pulp. Includes submissions from Pulp authors: Don Austin, Ted Mann, C.W. Dolson, Norbert Ruebsaat, Roy Stone and Jon Fuberg.

Subseries consists of drafts, essays, notes, clippings, correspondence, memos, invitations, minutes, memorandum, newspapers, agendas, pamphlets, note cards, reports, plans, and maps, relating to H. Peter Oberlander’s professional work with Thompson, Berwick and Partners.

Sub-series consists of personal ledgers of Thomas J. Humbird.

Sub-series contains photocopies of material gathered by Miki in the course of researching and editing This is my own. The sub-series also contains records related to Mild’s grant from the Social Sciences and Humanities Research Council of Canada, his leave of absence from Simon Fraser University, copies of Muriel Kitagawa’s letters after having been edited by Miki, drafts of the manuscript of the book, and published reviews of the book. Finally, the sub series contains originals and reproductions of photographs of Muriel Kitagawa and other Japanese Canadians and of internment centres and audio recordings of interviews with Muriel Kitagawa’s brother Wes Kitagawa conducted by Miki in Toronto in 1984.

Subseries consists of Team Meeting Minutes and other records related to Third
Year courses, including issues of scheduling, course content and presentation, text books used and evaluation.

The series contains photographs and research material towards Seaholm's proposed book, <i>They Left Something Behind</i>. The slides contain information on the history and institutions of the Swedish immigrants to the United States and Canada. The slides are accompanied with a manual which provide context and other information about the slides.

Subseries consists of theses, paper and dissertations written by nurses for various institutions dating from 1947 to 2012. Some dissertations remain in relevant fonds, if applicable, otherwise these materials are listed under this subseries.

Sub-series consists of copies of Miki’s MA thesis, submitted to the English
Department at Simon Fraser University in 1969, and his PhD thesis, submitted to the English Department at the University of British Columbia in 1980.

Major papers on the subject of Malcolm Lowry. Includes Sherrill Grace’s dissertation, among others.

Subseries contains textual records pertaining to Theresa Tait's " Inside Out: First Nations on the Front Line" publication in Lazara Press' Discussion Series. The subseries contains drafts of the publication, as well as the final copy. Other records include correspondence, cataloging information, and newsclippings.

Subseries consists of records related to Yip Sang, the Yip family and the Wing Sang Company (now the Yip Sang Company). Born in 1845 in Guangdong, China, Yip Sang first came to British Columbia in 1881 following the gold rush from San Francisco. Yip Sang settled in Vancouver as a merchant in 1888 and founded the Wing Sang Company, an import and export business, at 51 Pender Street. Over time, the business grew to include managing rail and steamship freight and passenger tickets as a Chinese passenger agent for the Canadian Pacific Railway Company, operating the Wing Sang Company branch of a Hong Kong-based trust company, and serving as unofficial postmasters for the Chinese community. These business records comprise a substantial portion of this subseries.

In addition to Yip Sang and the Wing Sang Company's business activities, the records in this subseries also pertain to the Yip family's personal and social lives, as well as to their philanthropic activities. A renowned philanthropist, Yip Sang was a benefactor of hospitals and schools, including Vancouver's first Chinese school and first Chinese hospital, and was a founding member of the Chinese Benevolent Association. At the end of his life in 1927, Yip Sang was a highly respected Vancouver citizen who had made a significant impact on the Chinese community and was viewed as the "unofficial mayor" of Chinatown.

The records in this subseries reflect all areas of the Yip family's business activities and personal lives, and include files related to property, taxes, passenger ticket sales, shipments, and insurance, as well as account books for funds held in trust, record books of income and expenses, receipts, business stamps and stationery, business cards, architectural drawings and blueprints, maps, contracts, advertisements, memoranda, newspaper clippings, telephone directories, pamphlets, workbooks and yearbooks, postcards, invitations and event programmes, photographs, artefacts, audio and video cassettes, and both business and personal correspondence.

Sub-series consists of records related to Miki’s involvement with the Writer’s
Union of Canada. The sub-series contains agendas and minutes of meetings,
correspondence and memoranda, news clippings, reports, invoices, and other
records.

Subseries is made up of documents relating to the production of The WORLD SERIES, a play created by Anna Banana and Ron Brunette in 1987, and performed at Western Front. It was a scripted performance exploring issues relating to globalization and consumerism. Subseries consists of mostly textual materials, including slide information, lighting and audio cues, script development, tv production information, typesetting, photographs and other materials.

Sub-series consists of manuscripts, drafts, proofs, notes, correspondence,
photographs, and other records pertaining to the research, writing, and publication of Miki’s thesis: The Prepoetics of William Carlos Williams: Kora in Hell.

For approximately ten years (1978-1988), the Council of University Teaching Hospitals existed as an informal organization providing discussion between the University’s Health Sciences faculties and schools and the major affiliated Teaching Hospitals. However, after much consideration, it was collectively determined that for the Council to undertake specific projects in the joint interests of its constituent organizations, actions had to be taken, resulting in the formalization of the Council and the establishment of the position of Executive Director. To this end, C.O.U.T.H. formally established itself on 15 November 1988 as a society supported by a re-established organizational and sub-committee structure under a newly formed societal Constitution and set of Bylaws.
The founding members of C.O.U.T.H. include the B.C. Children’s Hospital, the Cancer Control Agency of B.C., the Salvation Army Grace Hospital, St. Paul’s Hospital, The University of British Columbia, University Hospital, Vancouver General Hospital, and the Western Rehabilitation Society. C.O.U.T.H. comprises two primary committees that serve its mandate; these include the Council and the Operating Committee. In addition, as a cooperative society, C.O.U.T.H. serves those Teaching Hospitals having a comprehensive affiliation agreement with the University of British Columbia and the University itself.

This subseries of the Dean of Medicine series consists of minutes, reports, correspondence, studies, briefs and assessments conducted, accumulated or compiled by the Executive Director, the Council and the Operating Committee and their various sub-committees and tasks forces.

Subseries consists of research and materials relating to Ward's book The Clean Body: A Modern History published by McGill-Queen's University Press in November 2019. This book represents a synthesis of scholarship on the history and development of personal hygiene in Canada, Europe, and the U.S. Types of records in the sub-series include journal article photocopies, research notes, correspondence, publicity materials, manuscript copies, and chapter drafts of the book. Photocopied documents retained by the archivist include some sort of annotations by Ward. This project included some digital-born materials saved by Ward on a USB removable memory drive. Records saved as files on the drive included various journal articles or chapters in addition to a master bibliography for the project created in the software EndNote. Other *file formats included are Microsoft Word Documents (.docx and .doc), Microsoft Excel Documents (.xlsx and .xls) and PDFs.

Some of the records in this subseries are in Italian, French, and German.

Please ask archives staff regarding access to digital-born materials. To access EndNote files, users need to run the EndNote software on their devices.

This series contains copies of the periodical The Bridge, which is in English and printed in Sweden. The issues contain feature articles regarding Swedish immigration to Canada and the United States that Seaholm used in his research.

Course materials and associated material relating to Sawyer's teaching career. It covers time spent at Texas State College for Women, University of British Columbia and various courses, including some study tours to Peru.

Subseries consists of records which document the Faculty of Commerce Teaching Development Committee and includes minutes and correspondence. The materials were originally stored separately from other committees' files, so they were assigned a distinct subseries.

Subseries consists of contracts, correspondence and course materials dating from 1979 to 2004.

Sub-series consists of record books concerning company taxation.

Subseries consists of notes, research materials, and publications submitted to tax journals and scholarly publications.

This committee was established to respond to the Kermacks Report. Competence was defined as a measurable/observable performance to or beyond an established criterion in one or all aspects of the nursing role for a given setting, client and client problem.

Subseries consists of one folder of minutes, correspondence and reports.

This committee’s goal was to identify the educational impact of a proposal by the RNABC to invoke mandatory registration.

Subseries consists of one report and one letter.

Subseries documents the curator files of Sydney Hermant, Director/Curator of the Or Gallery from March 2002 through 2005.

The following exhibitions are represented in this subseries:

• Emily Vey Duke, Cooper Battersby, Shary Boyle, “Perfect Nature World” (May 7 – June 8, 2002)
• Una Knox, Corrin Sworn, Jace Lacek, Amy Lockhart, Holly Ward, Warren Auld, Terrence Dawes, Sabine Bitter, Helmut Weber, “The Village” (June 15 – July 13, 2002)
• Johanna Burke and Matt Dilling, “Welcome to Vancouver” (July 20 – August 10, 2002)
• Jason McLean, Holly Ward, Scott Evans, Shayne Ehman, “The Log Family” (September 7-28, 2002)
• Lesley Hope Farley, “Moving and Shaking It” (October 19 – November 16, 2002)
• Shayne Ehman, “Free Jazz Pinball” (October 19 – November 16, 2002)
• Sonja Ahlers, “We Didn’t Start the Fire” (January 11 – February 8, 2003)
• Una Knox, “In Love With Possibilities” (February 22 – March 2, 2003)
• Jason Breeden, Tony Romano, Corrin Sworn, “Explorations in Psychic Geography” (March 29 – April 26, 2003)
• Kim Austin, Stephanie Aitken, Tyler Brett, Marina Roy, Antik Sandor, Igor Santizo, Sam Shem, Rhonda Weppler, “Saturday Society: Explorations in Psychic Geography II” (May 10 – June 14, 2003)
• Danica Phelps, “Ten Day Trade” (June 18-28, 2003)
• Adalgisa Campos and Carol Sawyer (July 5 – August 2, 2003)
• Derek Root, Tim Lee, Maura Doyle, Kathy Slade, Sarah Edmonds, and Shannon Oksanen, “Confidence” (March 10 – April 16, 2004)
• Hannah Jickling and Valerie Salez, Demian Petryshyn, Eleanor Morgan, Jeremy Diggle, Leigh Bridges, Nadia Myre, Jen Weih, “Hurry Slowly” (March 20 – April 17, 2004)
• Dani Gal, “Holdup” (May 1-29, 2004)
• Shary Boyle, “Companions” (June 4 – July 3, 2004)
• Rhonda Weppler and Trevor Mahovsky, “Rhonda Weppler and Trevor Mahovsky” (September 8 – October 2, 2004)
• Vanessa Kwan, “Your Private Sky” (April 23 – May 2, 2005)
• Anika Yuzak, “Pictures of Myself When I Think That I Look Good” (June 4 – July 2, 2005)
• Annie Dunning, “The Pigeon Homing Project” (July 1 – August 31, 2005)
• Daina Warren, “Transference” (July 6 – August 6, 2005)
• Robyn Laba, “Thinking/Judging” (July 9 – August 6, 2005)

This subseries contains newspaper clippings and issues, meeting minutes, and Seaholm's research notes about the Swedish Press, a newspaper based out of Vancouver, but published in Swedish. Subseries also contains microfilmed versions of issues of the Swedish Press (some under its Swedish title Svenska Pressen) from 1929 to 1956.

This series contains copies of the Swedish Pioneer Historical Quarterly from, 1967 to approximately 1976. There is an index included with this series.

Subseries consists of drafts, essays, notes, clippings, correspondence, memos, invitations, minutes, memorandum, newspapers, agendas, pamphlets, note cards, reports, plans, and maps, relating to H. Peter Oberlander’s professional work at board meetings of the Sustainable Cities Foundation.

Subseries documents the curator files of Susan Schuppli, Director/Curator of the Or Gallery from September 1991 to December 1993.

Exhibitions represented in this subseries include:

• Bill Burns, “When Pain Strikes” (September 10-28, 1991)
• Laura Lamb, “There are more things in heaven and earth, than are dreamt of in your philosophy, Horatio” (October 8-26, 1991)
• Marian Penner Bancroft, “Holding” (November 5-23, 1991)
• Sutapa Biswas, “Synapse” (December 3-21, 1991)
• Jamelie Hassan, “The Conference of the Birds” and “Baghdad Commemorative Billboard Project” (January 14 – February 1, 1992)
• Marianne Nicolson, “A House of God” (February 4-22, 1992)
• Henry Tsang, “Love Stories” (March 3-22, 1992)
• Lisa Kokin (USA), “Unearthing”, installation (April 7-25, 1992)
• Paul Landon, “Heavy Weather”, (May 12-30, 1992)
• Jean Macrae, “Two Walking Days” (June 9-27, 1992)
• Kathryn Walter, “Regarding Places”, installation in an office space on the 7th floor of the Dominion Building, and “A Working Project”, Gallery installation (July 7-25, 1992)
• Deborah Koenker, “Bar-ba-loot” (September 8 – October 3, 1992)
• Frances Grafton, “Stripped of Sense” (October 8-30, 1992)
• Patrick Mahon, “Spectacular Viewhome” (November 10-28, 1992)
• Clare Gomez-Edington, “Don’t Let Them See You Coming” (December 8-23, 1992)
• Julie Arnold, “List” (February 9-27, 1993)
• Holly Owen, “Les Demoiselles de la Transfiguration; How Will We Recognize our Allies?” (March 2-27, 1993)
• Andrew Forster, “my favourite things” (April 6 – May 1, 1993)
• Carol Sawyer, “Vessels” (May 11 – June 5, 1993)
• Sarindar Dhaliwal, “Heart, Home & Hearth” (June 9 – July 3, 1993)
• Ingrid Bachmann, “Berlin Stories” (July 6-31, 1993)
• Susan Stewart, “Lovers and Warriors: Aural/Photographic Collaborations” (October 2-30, 1993)
• Donna Nield, “Cicatrix” (November 9 – December 4, 1993)
• Kathy Slade, “by dint of groping” (December 7-31, 1993)

Subseries contains two copies of Musgrave's broadside <i>The situation in which we are both amateurs</i>.

Sub-series consists of two drafts of Surrender, a book of poetry for which Miki
won the Governor General’s Award for Poetry in 2002.

Sub-series consists of manuscript material, some correspondence, author contracts, promotional material, reviews, author biographies, commentary on manuscripts and photographs.

Subseries includes agreements, correspondence, reports and background materials and records of arbitration.