The fonds consists of general correspondence, research material, clippings, ephemera, a contract and multiple drafts of her novel, "The Illumination of Alice Mallory".

The fonds consists of letters created or received by Paul Tiessen regarding the movie-going practices and environments of Malcolm Lowry. Letters were created from 1968-1988 and address five main topics of Tiessen’s queries: Lowry’s early years (1909-1927); visit to Bonn, Germany (1928); education at the University of Cambridge (1929-1932); time in the United States, particularly Hollywood; and settlement and activities in Vancouver, especially in relation to the local Film Society movement. Significant correspondents represented in the collection include the following: Russell Lowry, brother of Malcolm Lowry; Margerie Lowry, Malcolm Lowry’s widow; Muriel Bradbrook, Cambridge professor and author of a Lowry biography; Rachael Low, film historian; Gerald Noxon, Lowry’s Canadian friend; Christopher Isherwood, author and Hollywood reader of one of Lowry’s film scripts; and Earl and Esther Birney, Lowry’s friends and attendees of Vancouver Film Society screenings.

Letters are arranged in subject files dedicated to particular correspondents (e.g. Russell Lowry) or areas of Tiessen’s inquiry (e.g. Lowry’s time in Germany). Letters in files are arranged chronologically. Documentary forms include correspondence (handwritten and typed), copies of the Malcolm Lowry Newsletter, newspaper clippings, a pamphlet from the British Film Institute, photocopies of various journal articles, and library photoduplication order forms.

The fonds consists of a personal scrapbook, a university degree certificate, the manuscript of her novel Resignation (Shikataganai), correspondence, clippings on the subject of women, Japanese-Canadians and other ethnic groups, and printed material relating to several courses which she took. The fonds also includes two binders of material on guidelines for novel-writing and descriptive cataloguing, a dramatized version of her novel as well as her M.A. projects.

The fonds consists of biographical material which include poems, speeches and photographs, correspondence dating from 1905 to 1938, and subject files containing clippings, pamphlets and handwritten notes. As well, there are manuscripts in the forms of essays, articles, speeches, and poems, notebooks, scrapbooks of memorabilia and illustrations used for Dalton's books. The fonds also includes published works and reviews.

The fonds consists of correspondence, manuscripts, including scripts for Beachcombers, printed material, photographs, financial record, ephemera and research sources. The papers relate to his activities as a climber, free-lance writer, and columnist for the Victoria Daily Times (1963-1972) as well as containing correspondence of a personal nature . The correspondents include William Morrow and Company, ACTRA, Ronald Chambers, Leone Edgar, Elsie Norman and Willis Kingsley Wing. In addition to articles and stories by and about him, a scrapbook includes a series on the Mt. Waddington expedition.

The fonds consists of minutes (1949-1983), subject files (1952-1984), agreements (1960-1985), constitutions and by-laws (1963-1985), membership cards and applications (1963-1984). Also included are records of the Writers' Guild (B.C. Branch) which consist of correspondence (1977-1985), minutes of the B.C. Branch (1980-1984), minutes of the ACTRA Writers' Guild national meetings (1977-1985), papers and reports (1979/80) and a Writers Directory (1981).

The collection consists of more than 250 items documenting the work and life of composer Igor Fyodorovich Stravinsky (1882-1971) including autographed letters, postcards, musical quotations, miniature manuscripts, photographs, programs and other printed material. There are items relating to Stravinsky's performances in Vancouver in 1952 and 1965.

The items are listed in the Annotated Catalogue of the H. Colin Slim Stravinsky Collection, available in the UBC Library (ML 134 S96 S54 2002). A selection of them can be viewed online.

The fonds consists primarily of manuscripts and proposals (published and unpublished) submitted to the Harbour, as well as correspondence, financial records, subject files, and sales, marketing, and promotional files for the company as well as specific authors and publications.

The fonds consists of family papers including genealogical findings and legal documents concerning land owned by his family in the New Westminster District (Whonnock), 1870-1910; correspondence and newsclippings; records gathered or kept by Spilsbury on Spilsbury and Hepburn Ltd. and its successors in radio communications, 1940-1985; records of Queen Charlotte Airlines Ltd., 1946-1955; and a large collection of ca. 6000 photographs (including cartes-de-visite and cabinet cards) negatives, and slides, mainly taken by Spilsbury. The photographs consist mainly of images relating to Savary Island, Vancouver Island and other area of B.C.'s coast where Spilsbury lived and carried out his activities. As well as images of early native and logging sites and towns and topography of B.C., they also provide a record of Spilsbury's paintings. Photographs also depict Spilsbury's English relatives (1870-1906), friends and family at New Westminster, Whonnock and Savary Island, logging operations at Theodosia Arm in the 1930s, aircraft and personnel of Queen Charlotte Airlines, and equipment and personnel of Spilsbury and Hepburn.

The fonds primarily reflects Spears career as a writer and artist. Some documentation from her youth, such as early artistic works and school papers, are also included. In addition to actual works of art, the records illustrate such activities as publishing books and articles, touring and exhibiting her work. Strongly represented are works which came from Spears presence at meetings, conferences and festivals, which include many drawings of poets and authors. Major accruals of works from the Canadian League of Poets AGMs, drawings of birth scenes, drawings from neo-natal units, and materials from the midwifery trial are arranged into their respective series; one series consists of research notes from Spears novel The Flourish; and the Artistic and literary projects files series contains material from many different writing, drawing and publishing activities. Artworks consist mostly of drawings on paper, with graphite or pastel as the medium. Textual materials include correspondence, clippings, contracts, posters and programs from appearances, and research notes.

The fonds consists of correspondence and literary typescripts which chronicle Wilson's varied career as minister, criminal and prisoner. Fonds includes personal and other correspondence regarding the author's literary work, as well as literary contract and copyright documents.

The fonds consists mainly of his personal manuscripts and his activities relating to his work as published by Harbour Publishing Company. Much of his incoming and outgoing correspondence as well as subject files relate to books he has published or is planning to do so in the future. Major writers and/or correspondents include Anne Cameron, Pat Lane, Margaret Laurence, and Tom Wayman. A publication log kept by Hubert Evans (1928-1967) is also included.

The fonds consists of manuscript notebooks as well as handwritten and typewritten copies of his poetry.

The fonds consists of records relating to Crassweller's involvement in the development of Inuit arts and crafts programmes. It has four components: the Project index, manuscript for Crassweller's Handbook of Eskimo Artifacts, working papers filed by subject and printed material.

The fonds consists of correspondence (both personal and business), manuscripts of novels, short stories (some untitled), and poetry, as well as reviews of Ethel Wilson's work, contracts, photographs, awards, diaries (1938-1942) and subject files. Files created by MacMillan Company of Canada relating to the publication of some of Ethel Wilson's novels have been added to the fonds. Included are subject files relating to "Hetty Dorval", "The Innocent Traveller", "The Equations of Love", "Love and Salt Water", and "Mrs. Golightly and Other Stories" as well as articles of short works and articles, clippings, and correspondence regarding Ethel Wilson (1944-1972).

The fonds consists of correspondence, financial records and manuscripts generated through the publishing activity of November House.

The fonds consists of records pertaining to her life and pottery work in the form of correspondence (1931-1977), clippings, printed material, photographs, and diaries. The fonds also includes information on the Allied Officers Club of Vancouver. Correspondence with her husband, Dr. H.R.L. Davis, includes over 500 letters (1940-1944) and includes information about the Canadian armed forces in Britain.

The collection consists of several of Roderick Haig-Brown's manuscripts as well as editors' working papers and printers' proofs of a number of his articles and other publications. In addition, there are reviews of his writings and magazine articles about him as well as incoming and outgoing correspondence. The collection also includes correspondence, manuscripts, financial records, and subject and clippings files related to Valerie Haig-Brown's work as literary executor of the estate of her father and as author of Deep Currents, a biography of her parents.

The fonds consists of incoming letters from W. Bell Scott and F.G. Stephens to Mr. and Mrs. Hunt (Edith Holman Hunt), as well as subject files containing information concerning the relationship between Hunt and Stephens.
The letters here included from William Bell Scott were found in the Penkill Papers and those from Frederic George Stephens were extracted from the Angeli-Dennis Papers.

The fonds consists of moving images, sound recordings and photographs created during Alan Twigg's production of the film Spilsbury's Coast and accompanying textual materials, as well as moving images and textual materials created during his production of the BC Book World television series. The fonds also consists of textual, photographic, sound recordings, and moving images related to Twigg's interest in and association with writer George Woodcock, particulaly in the early 1990s. Additionally, the fonds includes files of textual and photographic materials related to authors of British Columbia, created as part of Twigg's role as publisher of BC Bookworld.

The fonds consists of correspondence, memorabilia, maps, addresses, photographs, legal documents, sketches, seals and clippings generated or collected by the Bulwer family between 1263 and 1941, including Baron Henry Lytton Bulwer.

The fonds consists of audio cassettes of interviews (100) with a variety of personalities (79) from the fields of entertainment, politics, and the professions relating to their careers and issues of the day recorded on radio talk show programmes at KSFO San Francisco (1), CKNW Vancouver (57), KGO San Francisco (10), CJOR Vancouver (23), WNIS Norfolk (3), XRA San Diego (5), and KCBS San Francisco (1) from 1960 to 1990. Some of the tapes include questions from listeners to the talk show guests. The people interviewed by Art Finley included some of the prominent personalities and newsmakers of the 1970s and early 1980s: Mohammed Ali, Joan Baez, Bill Graham, Germaine Greer, Henry Heimlich, Yousuf Karsh, John Lennon, Henry Morgentaler, Huey Newton, Pierre Trudeau, and Gore Vidal.

The fonds consists of curators' reports (1925-1937), presidential addresses (1932-1958) and assorted publications and printed material.

The fonds consists of correspondence files including founding operations and editorial issues; project files include planning and production of books (collaborations with I. H. Finlay and illustrators Edwina Ellis and Colin Paynton), pamphlets, broadsheets, etc.; general printing files cover printed ephemera and job printing including design files and promotional and background materials; financial files include invoices and bank records.

The fonds consists of publications (1972-1981), readings (1975-1979), draft manuscripts, correspondence (1973-1992), journals (1972-1990), a scrapbook (1978), subject files and cassettes. The fonds also includes 25 photographs pertaining to Jankola's life and career and a sub-fonds relating to Hester Browne.

The fonds consists of correspondence (1987) and poetry and prose written or collected by Tarasoff. Also included in the fonds are notations for the writings to be set to music, arranged by Colleen Coburn, and recordings of Tarasoff performing the songs, explanatory notes about the lyrics, and related correspondence. Record types include poetry, prose, song lyrics, musical notations, copyright certificates, correspondence, and audio cassettes.

The fonds consists of materials pertaining to the activities of the Advisory Committee on Cultural Policy and the Federal Cultural Policy Review Committee. Included are briefs, files, press clippings and committee publications.

The fonds consists of broadcast scripts and speeches; manuscripts of plays, poetry, and prose; notebooks; diaries; scrapbooks and correspondence. The fonds also includes subject files, printed materials, fan mail, financial records and many subgroups relating to other family members and photographs.

The fonds consists of ninety-four original watercolours of British Columbian life, mainly of social life, customs, and dress in Hudson's Bay Company posts and along various transportation routes (1874-1880). Sketch book includes four photographs of Fort McLeod, Stuart Lake and the artist. An accrual to the fonds fonds consists of artwork and a published memoir of H. Bullock-Webster. The artworks depict scenes from the daily life Bullock-Webster experienced managing the trade post in Northern British Columbia in the late 19th century. Nine original pieces are included along with ca. 35 clippings of artwork, comics, and illustrations published in The Graphic magazine. The included memoir, entitled, Memories of Sports and Travel Fifty Years Ago: From the Hudson’s Bay Company to New Zealand, contains the author’s account of his young adulthood in Britain, his work for the Hudson Bay Company, and his emigration to New Zealand, along with several illustrations by the author.

The fonds consists of photocopies of Hann's autobiography, reminiscences of Alberta and B.C., newspaper and magazine clippings (1910-1940), three unidentified letters (one dated 1930), and maps of Southeast England, Ontario (1912), Spain and Portugal. Scrapbooks in the collection contain clippings, printed material and correspondence on various topics. The fonds also includes photographs of classical art and architecture, buildings and monuments.

The fonds consists of extensive correspondence that reflects Swan's personal life and professional work as collector of Indian artifacts, as well as several cashbooks, estate records and miscellaneous items. The fonds also includes the official records of Swan's work as Notary Public, U.S. Commissioner, Pilot Commissioner, Hawaiian Consul, and Commissioner of Oregon.

The fonds consists primarily of letters, both business and personal, many regarding manuscripts submitted to or published by Klanak Press. Other materials include press releases, invoices, order forms, mailing lists, Social Service Tax forms, book reviews, and poetry manuscripts by Gwendolyn MacEwen, Florence McNeil and Laurence Soule.

The fonds consists of records chronicling the development of the Leon and Thea Koerner Foundation from 1955 to 2015. It includes grant applications, reports and related correspondence pertaining to the Foundation's activities. Box 96 contains personal items related to Koerner that decorated the foundation offices.

The fonds consists of correspondence, drafts and research material arising from the publication of his two publications, "A Malcolm Lowry Catalogue" and "Malcolm Lowry: A Bibliography".

The fonds consists of material pertaining to Scott's career as a newspaper editor, including with newspapers such as the Sackville Post and Vancouver News-Advertiser, as well as material relating to his political, educational and literary endeavours and interests. Included are biographical materials, incoming and outgoing letters (1838-1923), subject files, articles and essays by Scott (1875-1922), ephemera, photographs, maps and printed material.

The fonds consists of correspondence (1952-1976), primarily incoming, as well as published and unpublished manuscripts of poetry, prose, essays and plays. The fonds also includes biographical material, financial records (1967-1976), reviews written by (1948-1973) and about (1963-1973) Cooperman, two photographs of Cooperman, printed materials, course files, tapes of interviews, lectures and poetry readings.

These papers consist of 5 metres of Stuart Keate's personal papers which he kept in files at the office or at home. They span the years 1918(?) to his death in 1987. The bulk of the collection dates from 1943 to 1987. The majority of the records are textual records. Other media include 268 photographs, one negative and 14 tape recordings.
The papers cover four main areas of interest. Firstly, they provide background information on policy and editorial decisions made by Keate, his superiors and his staff when he was publisher at the Vancouver Sun, the Victoria Daily Province and Bureau Chief for Time Magazine in Montreal.
Information concerning publishing and editorial decisions can be found in those files of memos and correspondence between Keate and Bruce Hutchison, Max Bell, R .A . Malone, G .N .M . Currie, F .P . Pulbications Limited and Allan Fotheringham and a few other members of The Vancouver Sun staff. These will mainly be found in the Victoria Daily Times and The Vancouver Sun files. There are also some files in Keate's home files. Files of letters and ideas for his book, Paper Boy, which was published in 1980, provide further information on policy and editorial positions as well as much information on newspaper magnate Max Bell about whom he wanted one day to write a book.
Secondly, these papers provide an insight into Keate's wide range of interests, activities and involvement in the community and public affairs particularly in the 1960s and 1970s. There are copies of over 150 speeches written by Keate. There are a series of notes, letters and a report he prepared for the federal government as a neutral mediator in 1966 dealing with the CBC's handling of personnel of the program, "This Hour Has Seven Days." Numerous correspondence files with service, recreational and community groups as well as scrapbooks, tape recordings and photographs of sportsmen and political figures furnish a picture of a man keenly interested in his city, province, and country.
Thirdly, the files cover his experiences as an information officer for the Department of National Defence - Naval Service during the second World War. They consist of correspondence with his wife, with the Department of National Defense Naval Office and a diary written while on board the ship the HMSS Uganda in 1945.
Fourthly, they show Keate, the author, at work. There are a number of drafts as well as correspondence relating to his book, Paper Boy. Various manuscripts in the collection also document his writing activities.