The contents of this collection pertain to the Santo Tomas Interment Camp in the Philippines during WWII. The camp was active from 1942 to 1945 and housed over 4,000 prisoners-of-war.

Records reflect the internal administrative structure and functioning of the camp, daily life of internees, the political activities surrounding the camp, and the personal experiences of Barbara and Leonard McCann.

The fonds consists of records spanning the period 1955-2013 that reflect Blanche Howard’s literary career, political interests, professional and volunteer work, as well as her personal and family life. Records related to Howard’s literary career include incoming and outgoing correspondence with publishers, agents, friends and family, colleagues and fellow writers, among others; literary works, including novels, short stories, essays, articles, book reviews, speeches, and plays in various editorial and publication stages; notes, outlines, and proposals; research materials; grant applications; contracts and royalty or revenue statements; biographical, publicity, and promotional materials; photographs, newspaper clippings, and ephemera; and other materials. Records related to Howard’s political interests and professional and volunteer work include correspondence with Iona Campangola, Capilano College, and members of The Writers' Union of Canada, among others; Vanier Institute of the Family correspondence and board meeting minutes; Moodyville Theatre correspondence, meeting minutes, and financial records; and other materials. Records related Howard’s personal and family life include photographs of Howard’s family, as well as photographs of Bruce Howard during his political career; personal ephemera; correspondence, including with writer and friend Carol Shields; and other materials.

The fonds consists of three certificates of graduation from the University of London Slade School of Fine Arts, a photograph (1905) of Davies in her childhood and a manuscript notebook written in the 1930s filled with observations about wildlife in British Columbia.

The fonds consists of the diary entries of Alice Maud Burge from January 1, 1931 - November 14, 1948 (1424 pages). They contain the record of a remarkable women whose resourcefulness, affection and good humour sustained her family thorugh difficult times. As well, her daily record, thoughts and observations offer a window on family and community life in the West Kootenays.

The fonds consists of typescript memoirs of Kirby's experience as an English tutor in Russia. The memoirs chronicle life in Russia from 1879 to 1883 and also the subsequent experiences of one of the Alexieff children, Princess Vera Urusov, who suffered tremendous personal hardships during the Russian Revolution.

The fonds consists primarily of subject files created and accumulated by Amy Dalgleish relating to various organizations in which she was involved such as the New Democratic Party and the Vancouver Society of Friends for the Elderly as well as social issues such as breastfeeding. The fonds also contain records from Ms. Dalgleish’s 1956 legal case before the B.C. Supreme Court on the right of a woman to use her maiden name on probate documents, as well as correspondence related to her various areas of political engagement.

The fonds consists of an album entitled "Caravaning to the Land of the Golden Twilight, June 13 - July 1, 1930," assembled by Miss J.E. Denison. It includes a description of a motoring trip from Blaine, Washington to Hazelton, B.C., then to Vancouver, B.C. The caravan trip involved groups from the United States, Alaska and British Columbia. The B.C. party included Premier S.F. Tolmie, Minister of Mines W.A. Mackenzie and Lieutenant-Governor R.R. Bruce. The purpose of the caravan was to investigate the proposal for an Alaskan highway which would join up with the B.C. highway network.

The fonds consists of records pertaining to Hardwick's teaching career. Included are documents, letters, entrance exams and photographs.

The fonds consists of correspondence, photographs, sound recordings, and notes produced by McAlpine (formerly known as Mary McAlpine Dodds) and related authors, friends, and family. Correspondents include Ethel Wilson, Wallace Wilson, Margaret Laurence, Beverly Mitchell, Nan Cheney, Dorothy Livesay, and others.

The collection consists of exhibits, briefs, proposals, correspondence, recommendations and printed material relating to the Commission of Inquiry on Property Assessment and Taxation.

The fonds consists of a bound minute book reflecting the administrative and operational activities of the Council between 1958 and 1961.

The fonds consists of records pertaining to the life and literary career of Carol Coates, as well as that of her brother William H. Coates (1899-1976). It includes correspondence, designs, printed material and clippings. It also contains the typescript of tributes to W.H. Coates during memorial services in 1976 as well as the typescript of Carol Coates' "Invitation to Mood" (1974-1975). Accrual consists draft poems, both typed and handwritten, and handwritten school notes from a class Coates attended at UBC.

The collection consists of research material for Betty Keller's book, "Pauline: The Life of Pauline Johnson". It includes photocopies of letters to, from, and about Pauline Johnson, copies of printed material, as well as two articles about Johnson. Johnson, also known by her Mohawk stage name Tekahionwake, was a Canadian poet, author and performer who was popular in the late 19th and early 20th centuries. Her father was a hereditary Mohawk chief of mixed ancestry and her mother was an English immigrant.

This group of letters consists, with minor exceptions, of correspondence from Sister Mary Gonzaga (Georgiana Barrie) (1825-1873), a Sister of Mercy from Bermondsey, to her sister Julia (Mrs. Edward Boodle) during the Crimean War. There are a few letters that were written after the Crimean War. A few letters were written by Mrs. Boodle to Gonzaga and one letter was written to Boodle by Alfred Green. There are also assorted reproductions of photographs, certificates, and drawings related to Sister Mary Gonzaga and the Sisters of Mercy.

The collection consists of 67 black and white photographs of various sizes taken by Ulli Steltzer in the 1960s and 1970s. Subjects include Northwest Coast Indigenous peoples and artists, Black, LatinX and Indigenous peoples in the USA and Guatemala, and a small number of portraits and still-life. Specifically, the collection contains seven original prints from her important book Indian Artists at Work, including the iconic cover image of Mabel Taylor of Port Alberni weaving a basket, a beautiful portrait of Dempsey Bob carving a human figure, and Haida basket maker Florence Davidson gathering spruce roots, among others. It also contains 14 original prints from her book Coast of Many Faces, including the cover image (Sam Webber and his daughter Laura from Kingcome Inlet), and photos from the Nass River, Alert Bay, Port Neville, Ahouset, Massett and other coastal places. There are eight 1967 - 1968 photographs of Black Americans in the Mississippi Delta, Georgia, and Alabama as well as images of LatinX Americans and Vietnam War widows, as well as photographs of the Maya in Guatemala.

The collection reflects the careers and interests of the Farris family, who were prominent members of the Vancouver elite. Their status as a family of lawyers and educated individuals often allowed them the opportunity to travel and attend noted events such as the Royal Ascot Racecourse, and encounter several distinguished individuals, such as Prime Ministers Louis St. Laurent and Pierre Trudeau, Lieutenant Governor Walter Owen, and Queen Elizabeth II and Prince Philip, Duke of Edinburgh. The collection consists chiefly of correspondence, photographs, matters of estate, family history, notebooks, manuscripts, legal memorabilia, and family memorabilia of John Wallace de Beque Farris, Evlyn Keirstad Farris, John Lauchlan Farris, and Dorothy Farris.

The Mavis Hall collection comprises of a variety of printed and photographic materials collected by Margery McCuaig, Hall’s mother, during a trip to Japan, sponsored by the Japanese Tourism Ministry and the Japanese Government Railways, from July-August, 1939.

The collection contains commercially-produced slides, postcards and souvenir photographs, as well as Board of Tourism publications, prints, and a few personal items and memorabilia of McCuaig, such as a passport, scrapbook, and autograph book. McCuaig also collected ephemera from the time she spent on the cruise ship, including daily ship menus, news bulletins, travel brochures, and entertainment programmes, that exhibit her experiences onboard.

Collection consists of records collected by Catherine B. Clement towards her research project on the 1923 Chinese Exclusion Act that will mount a 100th year commemorative exhibition in 2023. The collection includes Chinese Immigration and other registration and identification certificates contributed by individuals, families and organizations across Canada.

The fonds reflects Bernard and Jean Webber’s functions as leading members of the Cooperative Commonwealth Federation, teachers and education administrators, and advocates for local arts, history and Indigenous cultural regeneration. The fonds is comprised of 4 series; Political Papers series, Correspondence and Biographies series, Education and Employment Records series, and Community Activities series. Materials related to Indigenous arts, education and reconciliation are found throughout the fonds. Correspondence is its own series and is also found throughout, including copies of outgoing business correspondence.

Record types include newspaper clippings, correspondence, articles, scrapbooks, speeches, notes, drafts, reports, teaching materials, subject files and other material.

Collection documents Misty Rose’s career as an exotic dancer from 1979 to 1990 primarily in the Lower Mainland and other locations in British Columbia. The collection includes both colour, and black and white studio photographs of Misty Rose in various scenes, poses, with accompanied props. Newspaper articles and clippings appear in the collection, featuring advertisements, promotional material, event information, and articles about establishments and individuals. Other textual materials includes agency business cards, newsletters, and performer engagement contracts facilitated by various agencies including International Artists, Westcoast Artists, Stripper Entertainment Agency, Choice Entertainment Ltd., The Agency, The Rose Agency and Mink Agency Talent Representatives. Stationary, contracts, memorandums and communications from hotels and establishments where Misty Rose performed also appear in the collection.

The fonds reflects Susan McCaslin’s professional career as a writer, poet and teacher as well as her personal interests and involvement in societies, community initiatives, and organizations between 1960 and 2023. Records in the fonds relate to McCaslin’s literary work and publications in various independent volumes, edited works, chapbooks, anthologies, non-fiction monographs, magazines, small press publications, newspapers, University annuals, and religious and arts quarterlies among others. Publicity materials relating to her literary work, tours, reviews, presentations, performances and instructional sessions developed by McCaslin are included in the fonds. The fonds also includes materials created and received through McCaslin’s personal collaborations with fellow artists and authors, community work relating to the environment and her involvement with religious communities and other subject areas. Record types consist of written and email correspondence, chapbooks, zines, published works, magazines, newspaper clippings, promotional and reference materials, drafts, planning documents, reviews and feedback, awards, pamphlets, catalogues, newsletters, communications, posters, bus panels, photographs and other material. The fonds is divided into three series: Publications and Finished Works, Professional, Personal and Administrative Records, and Literary Promotion and Publicity.

The collection consists of 53 photographs of well-known 20th century opera singers, composers, musicians, and directors, as well as a performance program and a print of a portrait painting, given to and collected by Pauline Donalda as mementos of her career. The majority of the photographs are signed and dedicated to Pauline Donalda by their subjects, often with personal comments.

The fonds consists of diaries, scrapbooks, and correspondence spanning the period 1910-2003 and related to the professional and personal lives of three generations of the Bamford family—William Blackley Bamford, his son William Blackley Stanley Bamford, and his grandson William Huestis Bamford—as well as to members of the Lasell and Ord families, related by marriage to William Huestis Bamford. Diaries in the fonds include concise “five year” or “line a day” diaries, as well as more detailed daily journals and many cover aspects of the Bamfords’ professional and personal life.

Scrapbooks in the fonds, which contain newspaper clippings, ephemera, correspondence, photographs, notes, and other material, primarily reflect the Bamfords’ personal interests, but also interests their chosen professions and employers, including the Canadian Pacific Railway Company and the Bank of Montreal. Beyond the incoming and outgoing personal and professional correspondence included in the scrapbooks, the Esther Adelina Lasell Bamford series contains incoming correspondence related to a branch of the Ord family living in New Zealand.

The fonds is arranged into four series by family member: William Blackley Bamford; William Blackley Stanley Bamford; William Huestis Bamford; and Esther Adelina Lasell Bamford.

Items in the collection were gathered by Barbara Hodgson. Many of the items were reproduced in Hodgson’s non-fiction publications In the Arms of Morpheus: The Tragic History of Laudanum, Morphine and Patent Medicines (2001) and Opium: A Portrait of the Heavenly Demon (1999). Hodgson was particularly interested in representations of opium production, transportation, sale, and ingestion, as well as similar representations of laudanum and patent medications containing morphine. Geographical areas depicted include China, countries in South Asia, and countries in the Middle East. Many representations of opium ingestion in the collection are orientalist in nature; individuals who have South Asian, Chinese, or Middle Eastern heritage are depicted in a racist, exoticized manner by Western film or medicine companies in order to lend an aura of “glamour” to various products.

The collection spans 223 books searchable through the UBC Library Catalogue and the following archival files created by Hodgson: Trade Cards; Postcards and Stereo Cards; Movie Stills; Portraits of Writers and Performers; Pharmaceutical Documents, U.S. Federal Order Forms, Medication Advertisements, and Stamps; Print Copies of Engravings; and Canadian Customs Tariff Book, 1897. As is apparent from this list, archival documents were aggregated based on their form. Principle documentary forms in the collection include the following: trade cards created by Victorian-era patent medicine companies; postcards; stereo cards; film stills from a variety of films; copies of film reviews; photographs; postage stamps; advertisements; handwritten prescriptions; pharmacy stock lists; U.S. Treasury Department order forms; anti-narcotic postage stamps; a package of Stanback Headache Powder; print copies of engravings; and a Canadian customs tariff book from 1897.

The fonds consists of records related to Simons’ writing career, travels, and personal life. Records span a period from Simons’ early years in university to 2012 and were created predominantly in Vancouver, British Columbia. Some records were created during Simons’ travels in England, France, Japan, Hong Kong, India, and Burma. The fonds comprises the following three series: Literary Works; Professional and Personal Records; and Travel Records.

The Literary Works series features drafts of Simons’ literary works in various genres, particularly drama (stage, radio, and film) and fiction (for children and adults). Record types include publications, drafts (typed, handwritten, and hand-annotated), outlines, notes, research materials for projects, several recordings of Simons’ works, and large poster boards Simons used for plotting one of her fiction projects.

The Professional and Personal Records series contains records related to the administration and management of Simons’ literary career, particularly her attempts to submit work to various publishers and producers, mount productions of her dramatic works, and secure adequate financial resources to sustain her writerly practice. Administrative records are frequently mixed physically with Simons’ personal correspondence to family and friends. Record types include drafts of Simons’ curriculum vitae, grant applications, professional and personal correspondence, professional photographs, and contracts.

The Travel Records series aggregates records from Simons’ three major trips: Europe from 1959-1961; Japan, Hong Kong, and India from 1967-1968; and Hong Kong, Burma, India, and Japan in 1986. Simons attended many plays, conferences, and art shows while traveling and preserved programs as a source of inspiration for her creative work. Simons also maintained correspondence with friends and family during her travels. Record types include programs, personal and professional correspondence, personal photographs, and Simons’ notes on various activities.

The IABC fonds reflects the community collecting practices that the IABC undertook to preserve the history of Icelanders in British Columbia. Fonds is arranged in eight subfonds that reflect the various community organizations from which the archives originally collected.

Fonds documents the IABC’s commitment to preserving the lived experiences of its Icelandic community and is arranged into seven series that correspond to the IABC’s activities: administration and operation; providing educational programs and collecting biographies as well as written and oral histories; collecting Icelandic music; compiling a collection of Icelandic newspapers and publications; holding exhibits and events; acquiring photographic collections; and lastly acquiring collections of textual records, ephemera, and artifacts from its community.

Fonds also contains eight other subfonds of textual, photographic, audiovisual, and ephemeral material of Vancouver-based Icelandic Societies including the Sólskin Society, the Icelandic Canadian Club of British Columbia (ICC of BC), the Icelandic National League of North America (INL of NA), Icelandic Care Home Höfn Society, the Scandinavian Cultural Society (SCS), Ströndin Internet Radio, the Danish Archives, and the Icelandic Lutheran Church.

The fonds consists of records related to Kathryn Shoemaker's illustrative works, and includes final artwork and sketches, as well as draft texts, dummy copies, resource materials, published reviews and correspondence, including the author and publisher, relating to the production of the work.

The fonds consists of records related to Gaudin's medical career in obstetrics and gynaecology. Record types include Gaudin's certificate of membership to the Royal College of Obstetricians and Gynaecologists, and studies and commentary on obstetrical and gynaecological cases. The majority of these studies are bound together in a volume presented to the Royal College by Gaudin.

Fonds consists of minutes and agendas, correspondence, publications, reports, photographs, pamphlets, scrapbooks, newspaper clippings, artifacts, and other textual records related to Pro-CAN’s mission of: improving abortion access for women; defending their legal rights; protecting providers and clinics from harassment and violence; destigmatizing abortion; and educating the public about reproductive rights. The records include those necessary to fulfill its functions of managing and administrating the organization, advocating and lobbying, and ensuring safety and security, as well as those used as resources. Resources and subject files span the topics of abortion history in Canada and abroad, legal matters, grey literature, information about similar external organizations, and related topics in the news. Pro-CAN also kept extensive files on anti-choice groups and individuals along with their behaviors, photographs, and letters.

This collection consists of ephemera that celebrates gender performance and lesbian identities. Materials span a wide time period, capturing both early and late 20th century LGBT culture.

In particular, there is a significant part of the collection dedicated to ephemera and published materials that feature early 20th century gender impersonators. Developed out of the English music hall scene of the 19th century, male impersonators in the early 20th century were primarily vaudeville acts that toured the United States. Their audiences were predominantly male with a focus on comedic delivery, something that represented a shift in the male impersonator tradition from the earlier 19th century.
Well-known male impersonators include Vesta Tilley, who was an active performer from the 1870s until the 1920s, and Hetty King, who performed from the 1890s until her passing in the 1970s. Both are featured in a number of postcards that are part of the collection.

The collection also includes several early 20th century anti-suffrage postcards that depict women in relationships with each other (as opposed to men) and include phrases that suggest they have supplanted a man’s role. Other items include a souvenir photograph and accompanying paper frame from a 1930s entertainment venue, the Howdy Club, and 6 negatives of First Lady Eleanor Roosevelt taken in 1939.

The collection also features materials from the 1980s and 1990s that belonged to Snider during that period. Highlights include several off-air recordings of episodes of the Vancouver Co-Op Radio show, ‘The Lesbian Show’ as well as t-shirts from the University of British Columbia and University of Victoria Womyn’s Centres.

The fonds consists records relating to Dr. Joan Ford’s medical career and personal life, with records including handwritten notes, letters and correspondence, newspapers, photographs, official degrees and awards, administrative reports, and a coin. Files often contain multiple record types within them. Dr. Ford dedicated her medical career to helping those in need, including traveling to Nepal, Dominica, and Bangladesh all while managing her own medical practice in Burnaby. She has served in various capacities on numerous boards and professional organizations including the Federation of Medical Women of Canada, Save the Children, the Sir Edmund Hillary Foundation, and the Trans-Himalayan Aid Society. She has received numerous awards and recognitions in her lifetime, but for her dedication to the global health community, she was appointed as an officer in the Order of Canada. Her personal interests included her family, Canadian history, and nature.

The fonds consists of records related to the Positive Women’s Network (PWN) various programs and projects, support and educational resources, and operations and administrative activities. The fonds reflects this in the following three series: Operations and Administration, Support and Education, and Programs and Projects.

The Operations and Administration series contains records related to the PWN’s administrative activities and day-to-day operations including the Board of Directors’ policies and procedures, operational budgets and applications for operational funding, correspondence with other organizations, strategic planning for the organization, and organizational budgets.

The Support and Education series consists of records related to the PWN’s various resources for training and supporting PWN members, their friends and family, health care providers, and the larger community as a whole. Record types include retreat materials, toolkits, pocket guides, training kits, educational materials, Positive Side newsletters, magazines, workshop materials, artwork, memorial and guest books, and other materials.

The Programs and Projects series features records related to the several programs and projects that the PWN launched either individually or as partners with other organizations.

224 bookbinding tools and presses, ranging in age from 60 years old to 100 years old, used by Dorothy Burnett, the first independent craft binder to set up shop in Vancouver.