The collection contains photocopied index cards of a bibliography of articles, reviews, etc. about Malcolm Lowry. Items that were not included in William New's bibliography on Lowry were copied. The collection also includes O'Kill's notes to the index cards.

The fonds consists of 141 letters written by 83 Canadian authors who received letters from the school requesting their books, a photograph, and a letter relating to their literary career. The photographs, with two exceptions, were not retained with letters and the books were placed in the school library; but the letters, many with their envelopes addressed to Miss Margaret Cowie, were passed by Margaret Cowie to a friend and eventually donated to the UBC Library. The correspondents include Marius Barbeau, Frank Burnett, Bliss Carman, Mazo de la Roche, Francis Dickie, Hubert Evans, Nellie McClung, L.M. Montgomery Macdonald, Isabel E. MacKay, Charles Mair, Emily Murphy, Charles G.D. Roberts, Constance Skinner, Robert Stead, and A.M. Stephen. Most of the letters were written between 1925 and 1928.

The fonds consists of correspondence, photographs, sound recordings, and notes produced by McAlpine (formerly known as Mary McAlpine Dodds) and related authors, friends, and family. Correspondents include Ethel Wilson, Wallace Wilson, Margaret Laurence, Beverly Mitchell, Nan Cheney, Dorothy Livesay, and others.

The fonds consists of records generated and assembled by Mary Olga Park related to her personal life and associations, materials related to her career as a self-published writer, artist, and spiritual teacher as well as records related to the psychic experiences that she encountered throughout her life. Records span from Park’s early years in England to 1985, and were predominantly created in Vancouver British Columbia. Records from 1986 – 2017 were either added by Susan McCaslin, or Park’s son, Robert Park. The fonds is arranged into three series: Artistic, Literary, and Musical projects, Personal and Administrative Records and Psychic Records.

The Artistic, Literary, and Musical Projects series features drafts of Park’s musical transcriptions and annotated sheet music collection, hymnal book collection, sketches, pastel, and charcoal artwork, and her literary works in various genres, notably drama and poetry. The fonds also includes materials of her published and self-published works, and educational materials related to both her Sunday school position, and her spiritualist teachings. Record types include publications, drafts (typed, handwritten, and hand-annotated), correction notes, poems, manuals, procedures and instructions for her “learners,” Sunday school teaching material, prayers, study series material, sketchbooks and artworks, musical transcriptions, sheet music, and recordings.

The Personal and Administrative Records series contains records related to the personal life and administrative affairs of Park. Park kept detailed subject files on many different religious and spiritual phenomena, spiritualist writers, and completed her own Bible studies. She also corresponded with family, friends, and her “learners.” Record types include Bible study notes and annotations, family history research, education certificates, childhood books, religious and spiritualist publications, newspaper clippings and ephemera, diaries, notes, and personal notebooks, professional and personal correspondence, subject files on spiritualist matters, astrological charts, audio cassettes, photographs, and a postcard collection.

The Psychic Records series aggregates records Park kept throughout her adult life recording various psychic phenomena which she experienced. The records are textual accounts of clairvoyance, clairaudience, “out-of-the-body” experiences, dream visions and soul sight, voices, manifestations, astral encounters, precognition, and healing. Park often referred back to these notes at later dates and annotated their meanings to her as they informed occurrences in her everyday life. These records informed much of her teachings and publications, but were kept separately in her original record-keeping environment.

The fonds consists of the unpublished manuscripts of It Seems to Me, Faith and Fancy, and Broken Crystals. These typescripts date from the period 1935-1950 when Williams was travelling across Canada. The fonds also includes printed and published poems (1936-1945).

The fonds primarily features Maxim Lieber’s personal correspondence, particularly from 1965-1985; correspondence with academics interested in aspects of his personal and professional life; and publishing contracts for his edited anthologies. Additionally, some personal correspondence belongs to Maxim Lieber’s wife, Minna Lieber. Significant individuals represented include Langston Hughes, Erskine Caldwell, Malcolm Cowley, Vladimir Solomonovich Pozner, Howard Fast, Albert Maltz (of the Hollywood Ten), and Allen Weinstein (author of Perjury: The Hiss-Chambers Case).

Records are arranged in files. Documentary forms include the following: personal correspondence; signed copies of poems; a photograph of Langston Hughes from 1965; signed contracts for Lieber’s various edited anthologies; and cheque stubs.

The fonds consists of photographs and textual records spanning the period 1710-1984, predominantly 1850-1940, related to business and personal lives of five generations of the McLennan family (immediate and extended), as well as to the work of Montreal lawyer, Frederick Griffin. McLennan family materials consist of photographs; incoming and outgoing correspondence; genealogical information and family histories; diaries and remembrances; newspaper clippings and ephemera; official documents; obituaries and tributes; drafts of writings, research notes, and sketches; and other documents.

The McLennan family materials includes a series reflecting William McLennan’s writing career, personal interests, and family life. William McLennan’s materials include full and partial drafts of published and unpublished works; research and reference materials; incoming and outgoing correspondence; legal and official documents; collected historical materials and documents; notes; sketches; journals; newspaper clippings and ephemera; photographs; and other materials.

The fonds also consists of a series reflecting Frederick Griffin’s occupation as a lawyer and his role as founder of the Canadian Loan Company. Frederick Griffin’s materials include incoming correspondence and draft responses; various financial and legal documents; legal research notes and drafts of legal documents; memoranda; meeting minutes; land and property documents and surveyors reports; newspaper clippings and ephemera; and other documents.

Finally, the fonds contains a series consisting of William Durie McLennan’s records, which were primarily created between 1914 and 1915 and pertain to his military service during the First World War. Record types in this series include the following: a handwritten, personal notebook; a typescript of this notebook; correspondence; service records from the Canadian Overseas Expeditionary Forces; news clippings; black and white photographs; collected signatures from Canadian dignitaries; and materials from the 5th Battery Association of 1914.

Collection documents Misty Rose’s career as an exotic dancer from 1979 to 1990 primarily in the Lower Mainland and other locations in British Columbia. The collection includes both colour, and black and white studio photographs of Misty Rose in various scenes, poses, with accompanied props. Newspaper articles and clippings appear in the collection, featuring advertisements, promotional material, event information, and articles about establishments and individuals. Other textual materials includes agency business cards, newsletters, and performer engagement contracts facilitated by various agencies including International Artists, Westcoast Artists, Stripper Entertainment Agency, Choice Entertainment Ltd., The Agency, The Rose Agency and Mink Agency Talent Representatives. Stationary, contracts, memorandums and communications from hotels and establishments where Misty Rose performed also appear in the collection.

The collection consists of 53 photographs of well-known 20th century opera singers, composers, musicians, and directors, as well as a performance program and a print of a portrait painting, given to and collected by Pauline Donalda as mementos of her career. The majority of the photographs are signed and dedicated to Pauline Donalda by their subjects, often with personal comments.

The fonds consists of 71 holograph letters from Ethel Wilson to Cheney, as well as correspondence from Wallace Wilson, Mary [Dodds] and Dorothy McNair. There is also correspondence between Nan Cheney and various artists, including Emily Carr, between the years 1938 and 1984. Cheney's subject files on Canadian artists are included in the fonds, along with newspaper and periodical clippings, memorabilia, photographs and manuscripts.

The fonds contains correspondence, notebooks, and other literary manuscripts of many of the authors represented in the Colbeck Book Collection. The fonds also contains records generated by Colbeck, through his activities as a book dealer and collector, and in the process of cataloguing his collection for UBC. Finally, the fonds contains records created by the Librarian in charge of the Colbeck collection, generated in the process of cataloguing and maintaining that collection. The fonds is arranged in three series based on units that have been amalgamated into the current collection: Manuscript collection ([18--]-1914); Book and manuscript collecting records ([19--]-1988); and Colbeck Book Collection and Colbeck Librarian records (1968-1988).

The collection contains records related to Oscar Orr’s career in law, his professional and political affiliations, and records relating to his role as a prominent resident in the province of British Columbia. There are also historical records that Orr gathered as part of his collection. The collection consists of five series: British Columbia records; American records; Canadian provinces and politics records; Britain and Europe; and Books and miscellaneous records. The series contain correspondence, autographed clippings and notes, invitations and miscellaneous documents of prominent political individuals, businessmen, and royalty.
The series British Columbia records contains Orr’s correspondence with prominent and political members in British Columbia in the early to late 1900s. The series includes the autographs of BC political members as well as prominent BC court officials. Also includes a letter from Dan Cranmer of Alert Bay regarding a possible potlatch. The series American records contains documents and autographs of prominent US political, literary, and war figures. Records in this series date back to the 18th century and were part of the collection Orr gathered as part of his interest in history. The series Canadian provinces and politics records include early 19th century documents relating to the Canadian political landscape as well as Orr’s own correspondence with Canadian politicians and court officials. The series Britain and Europe contains records and autographs of British and European political, literary, and military figures, dating back to 1698. Books and miscellaneous records include books, newspapers, photographs and other records from Orr’s collection that relate to his interest in history.

Fonds consists of research compiled by art historian and curator Patricia Ainslie. The research relates to both her published writing and her curatorial work at the Glenbow museum in Calgary, AB. Materials include research notes; photocopies of articles and images; correspondence with artists, other curators, and archival institutions; planning documents and lists; photographs of artists and artwork; interviews on audio cassette, DVD, and as transcripts; manuscripts for some of her published work; and exhibition pamphlets.

Fonds reflects Blondal's personal life and work as a writer, radio broadcaster, university student and researcher whose interests include religion, philosophy, psychology and criminology in the 1940s and 1950s. Records are arranged into four series, spanning from about 1929 to 1963, including documents that were added by her husband following her death in 1959.

The collection consists of research material for Betty Keller's book, "Pauline: The Life of Pauline Johnson". It includes photocopies of letters to, from, and about Pauline Johnson, copies of printed material, as well as two articles about Johnson. Johnson, also known by her Mohawk stage name Tekahionwake, was a Canadian poet, author and performer who was popular in the late 19th and early 20th centuries. Her father was a hereditary Mohawk chief of mixed ancestry and her mother was an English immigrant.

The collection comprises records acquired by Peter Moogk about aspects of British Columbia’s history, including the British Columbia Electric Railway Company’s interurban train lines (predominantly from 1909-1958), and photographic representations of persons (especially white settlers, from 1870-1960), places, events and activities in the province.

The collection includes six series: British Columbia Electric Railway Company Records, Portraits of Persons in British Columbia, Photos of places, streets, and architecture in British Columbia, Photos of events and activities in British Columbia, British Columbia ephemera and Records from British Columbia Penitentiary.

Records relating to the first series, British Columbia Electric Railway Company Records, include: photographs; postcards; original BCER documents, such as union agreements and timetables; BCER employee publications; transit tokens; signs and posters from within Vancouver streetcars; and a copy of a CJOR radio script.

Records relating to the second series, Portraits of Persons in British Columbia, include: photographs and handwritten notes by Moogk about Vancouver photographers operating from 1858-1920.

The focus of the third series, Photos of places, streets, and architecture in British Columbia, is photographs of structures and places of British Columbia, notably building exteriors and interiors, and street views from 1880-1959.

The fourth series, Photos of events and activities in British Columbia, includes photos of notable events and public activities (predominantly dating 1911-1941), as well as everyday life, and also includes handwritten and photocopied information on the provenance of the photos and activities depicted.

The fifth series, British Columbia ephemera, is mostly paper ephemera representing the variety of business and activity in the province from 1890 to 1990, and includes menus, theatre programs, business correspondence, and Chinese textbooks as well as some photographic materials.

The sixth series, Records from British Columbia Penitentiary, includes textual records and photographs relating to the British Columbia penitentiary.

The fonds reflects Philip J. Thomas’ involvement with the folk song community. This includes his research into British Columbian folk songs and his publications on the subject. The fonds also reflects his role as an art teacher, including cards he received from his students and photographs of paintings created by his students. The fonds also contains evidence of his personal life and career, both prior to and during his involvement with the folk song community, and some evidence of his role as a musician, including records related to performances and musical composition.
Material includes articles, music sheets, correspondence, photographs, and a film reel. The first three accruals of the fonds were arranged into three series: Research, Publications, and Folk Song Societies and Festivals. Upon receiving the 2020 accrual, the archivist added the following three series: Music, Art, Personal and Career.

The fonds consists of materials collected by the Potters Guild of British Columbia. The fonds primarily consists of news clippings, photographs, and notes related to one of the members of the Guild, Santo Mignosa. Topics include ceramic and pottery exhibitions, techniques, awards, and educational workshops.

This fonds consists of records relating to the Queer Arts Festival hosted by SUM Gallery. The records are separated by festival year, as follows:
• 2006: Joy Along the Continuum
• 2007/2008: Gender Twist
• 2009: Faerie Tales
• 2010: Queertopia
• 2011: Games People Play
• 2012: Random Acts of Queerness
• 2013: Transgression Now
• 2014: ReGenerations
• 2015: Trigger: Drawing the Line
• 2016: Stonewall was a Riot
• 2017: UnSettled
• 2018: DECADEnce
• 2019: rEvolution
• 2020: Wicked
• 2021: DISPERSED: it’s not easy being green

Records consists of newspaper articles; QAF programs, brochures, booklets, and other promotional materials; Pride booklets and promotional materials; legal documents like licenses and permits; music scores; scripts – opera libretto; press reviews and patron comments; artist statements; and internal staff documents like checklists, prep notes, price lists, job duties, conferences, board meetings, stages and staging notes.

The Reg Innell Collection of Shelleyana consists of ephemera related to Percy Bysshe Shelley, one of the major English Romantic poets, collected over many years. Materials include scrapbooks, a photograph album, prints, newspaper clippings, postcards, letters and a medallion bearing Shelley’s image.

This material was created and compiled in the course of research for the preparation, firstly, of a bibliography of Roderick Haig-Brown’s writings, and secondly, for a biography of Haig-Brown.

The fonds consists of correspondence, manuscripts, clippings, photographs, printed material, memorabilia, and other documents related to Hood's personal life and interests, his writing, and his career in real estate and financial management. Also included are documents related to Hood's involvement in the Canadian Authors Association, the St. Andrew's and Caledonian Society, the Scottish Dramatic Society, and the Central Presbyterian Church in Vancouver. The fonds also contains a subfonds consisting of Hood Brothers' correspondence and financial records.

The fonds consists of a notebook entitled "Legends of the Siwash Indians" (1891).

Fonds consists of records related to Robert Duncan’s role as producer of the National Film Board of Canada’s documentary "Volcano: An Inquiry into the Life and Death of Malcolm Lowry" (1976). Principal work on the film spanned from 1974 to 1976.

Textual records in the fonds consist of transcripts of interviews conducted for the documentary and documents related to planning, research, production, and post-production activities for the film. Interview transcripts are arranged by film roll number and chronological order. Film production documents include correspondence, financial documents, forms, memoranda, notes, schedules, permits, promotional materials, ephemera, film proposals, copies of newspaper articles, and other material. Photographs include black and white stills of Lowry and his friends and family used in the film, as well as black and white prints of behind-the-scenes photographs taken during filming. Film production documents are arranged in loose chronological order or based on the creator’s original arrangement. The fonds is arranged into two series: Interview and film transcripts; film production documents.

The fonds consists of one volume of manuscript essays dated 1883 to 1885. Included are "Historical Sketch of Paris by Abbey", "The True Character and Function of the Fine Arts", "The Religions of the Earth: 'Islam'", "Democratic Speech" and "Legendary and Symbolic Art in Literature". As well, there are two subject files consisting of correspondence, articles, and clippings relating to the history of paper and paper mills in Canada, especially the first paper mill located in St. Andrews East, Quebec, gathered in 1938. The files include handwritten copies of James Brown's correspondence, ca. 1800's and samples of Japanese papers for printing.

The fonds consists of material relating to the work and collections of Robert Reid. It includes a collection of fine printwork from a variety of presses, examples of printed material at various stages in the publication process, and research and reference material relating to design and printing.

Also included in the fonds are biographical material, correspondence to and from Reid, financial records, speeches, notes, clippings, and photographs. The content of this material relates to both the personal and professional life of Reid and spans from the the 1930s to the 2000s.

The fonds consists of correspondence and drafts relating to the publication of the Canadian Fiction Magazine, #5 - #17 between 1972 and 1974.

The fonds consists of eleven undated letters from Ethel Wilson to Ronald Hambleton and two handwritten manuscripts by Wilson, "At what point do I grow old?" (12 p.) and "In defense of a little learning" (15 p.). Also included are three taped interviews with Wilson conducted by Hambleton for the CBC (1955, 1967).

Fonds consists of correspondence, manuscripts, drafts, pamphlets, academic papers, poems, research material, notes, transcripts, reports, submissions, agreements, minutes, programmes, photographs, and other material. Records relate to Miki’s writing and editing activities, his academic career, his involvement and support of the Japanese Canadian Redress movement, his participation in various literary and cultural events and projects, and his personal life.

Fonds has been arranged into the following ten series: Teaching and Academic Records (1971-2004); Interview and Sound Recording Project Records (1981-2005); Literary and Cultural Events and Conferences Participation Records (1987-2017); Japanese Canadian Redress and History Records (1942-2009); Personal and Miscellaneous Correspondence (1974-2022); Writing and Editing (1912-2015); General Files (1962-2015); Awards and Honours (1990-2018); Ephemera and Memorabilia (1957-2015); UFFI action association (1982-1983).

The fonds consists of records related to the writing of his novel "Pattison: Portrait of a Capitalist Superstar." The records were organized in files by the author and this organizational system has been maintained. The four series consist of reference files, subject files, novel drafts, and miscellaneous. The records cover the years 1984-1986.

23 manuscripts containing pages cut and pasted from Sansom's A History of Japan, as well as accompanying handwritten notes.

Material Includes a typescript copy of notes for speech given at the Vancouver Rotary Club (1956) entitled “Vancouver in Relation to the Arts.”

Collection consists of letters, newspaper clippings, and articles relating to Sir William Osler’s career and involvement with the Medical Library Association.

The fonds consists of a scrapbook filled with printed material, clippings of graphic art (primarily art nouveau) and photography created by S.P. Judge during his career as a graphic artist.

The fonds consists of correspondence, mainly incoming; drafts (manuscripts, typescripts, computer printouts) and galley proofs of the written work of Spider Robinson and Jeanne Robinson; drafts of articles written by Spider Robinson; notebooks; printed material; and other materials relating to the writing career of Spider Robinson and the joint writing careers of Spider and Jeanne Robinson.

The fonds contains a sub-fonds of material relating to Jeanne Robinson's dance career and her involvement in the Nova Dance Theatre in Halifax, Nova Scotia.

The fonds consists of excerpts of minutes (1886-1928), a minute book (1933-1939), a scrapbook of clippings (1948) and an essay by Marjorie Wilkins Campbell.