The fonds consists of five volumes of newspaper clippings regarding art in Vancouver. It also includes some letters of Jack Shadbolt, 3 cassettes, and photographs concerning Canadian artists. Includes card index for clippings.

The fonds consists of Winson's correspondence, a personal reminiscence of Winson by his wife (Ethel Leaf Winson), and another memoir entitled "From Small Beginnings," together with a historical account of Lady Tweedsmuir's visit to Abbotsford in 1939. In addition, there are other brief manuscript memoirs by Mrs. Winson, clippings of J.W. Winson's journalistic articles (some relating to A.W. Findlay), miscellaneous clippings, documents confirming Winson's various appointments and the copyright to Wildwood Trails.

The fonds consists of biographical material, correspondence (1928-1946), minutes, subject files, clippings and printed material pertaining to the Cooperative Commonwealth Federation in British Columbia. Amongst Shepherd's papers are those of his wife, Dorothy H. Shepherd, which relate to her work as an executive member of the South Westminster CCF Women's Club (1942-1959).

The fonds consists of drafts, research notes, galley proofs, and other materials related to Stephen's book "Winged Canoes at Nootka and Other Stories of the Evergreen Coast," as well as typed transcripts from her radio programs "Indian Trails," "Story Time," and other pieces of reporting. The fonds also includes creative writing drafts - short stories, radio dramas, and plays adapted for radio - and research related to an unpublished book about Alberta. Personal files include photographs, correspondence, and historical family records dating back to the 19th century. Materials related to Stephen's involvement with the Canadian Women's Press Club and the Vancouver branch of the Canadian Authors Association are also part of this fonds.

The fonds consists of records created and received in the course of activities promoting sexual orientation rights in Canada. Fonds includes correspondence, press clippings, and reports.

Correspondence, clippings, 2 framed calligraphic pieces, 1 framed hand-drawn, hand-coloured map, 1 leatherbound guestbook, 2 scrapbooks, 5 bone folders, 1 leatherbound box, and 8 metal stamps all relating to Dorothy Burnett, a bookbinder who lived and worked in Vancouver, British Columbia.

Collection contains correspondence relating to Florence Nightingale. The majority of the letters are addressed to Nightingale while others are sent from her or involve other correspondents discussing Nightingale. Letters date from 1877 to 1965. There are also newspaper clippings, transcripts, notes, and envelopes that all relate to Florence Nightingale. There are also photographs of Florence Nightingale and prominent people in her life.

This fonds consists of records related to Darryl Adams' activities as a political and social justice activist as well as his personal life. The fonds consists of three series: personal life and administrative records; activism involvement series; and activism collections series.

Records relating to the first series, Adams' personal life and administrative files include: personal correspondence received by Adams; photographs collected, taken of or by Adams'; school records and club memberships memorabilia; news clippings and other articles; and work related records such as research materials and correspondence.

Records relating to the second series, the activism involvement series, include material created or used by groups that Adams was involved in such as the Vancouver American Exiles Association (VAEA), as well as the Galindo Madrid Case of the 1970s. These records include meeting minutes; correspondence; conference, seminar, and workshop materials; materials by or about other communist, socialist, or leftist organizations; papers, articles, speeches, critiques, letters, and reports on related topics; ephemera and publications, such as newsletters, journals, and clippings; and sound recordings such as interviews Adams' gave on behalf of VAEA.

The last series consists of three major collections that Adams obtained over his lifetime. The first collection is the lefty literature collection that consists of newspapers, magazines, periodicals, booklets and bulletins, and other publications related to leftist themes. The second collection is a poster collection and the last collection is a button collection.

The fonds consists of records generated and assembled by Mary Olga Park related to her personal life and associations, materials related to her career as a self-published writer, artist, and spiritual teacher as well as records related to the psychic experiences that she encountered throughout her life. Records span from Park’s early years in England to 1985, and were predominantly created in Vancouver British Columbia. Records from 1986 – 2017 were either added by Susan McCaslin, or Park’s son, Robert Park. The fonds is arranged into three series: Artistic, Literary, and Musical projects, Personal and Administrative Records and Psychic Records.

The Artistic, Literary, and Musical Projects series features drafts of Park’s musical transcriptions and annotated sheet music collection, hymnal book collection, sketches, pastel, and charcoal artwork, and her literary works in various genres, notably drama and poetry. The fonds also includes materials of her published and self-published works, and educational materials related to both her Sunday school position, and her spiritualist teachings. Record types include publications, drafts (typed, handwritten, and hand-annotated), correction notes, poems, manuals, procedures and instructions for her “learners,” Sunday school teaching material, prayers, study series material, sketchbooks and artworks, musical transcriptions, sheet music, and recordings.

The Personal and Administrative Records series contains records related to the personal life and administrative affairs of Park. Park kept detailed subject files on many different religious and spiritual phenomena, spiritualist writers, and completed her own Bible studies. She also corresponded with family, friends, and her “learners.” Record types include Bible study notes and annotations, family history research, education certificates, childhood books, religious and spiritualist publications, newspaper clippings and ephemera, diaries, notes, and personal notebooks, professional and personal correspondence, subject files on spiritualist matters, astrological charts, audio cassettes, photographs, and a postcard collection.

The Psychic Records series aggregates records Park kept throughout her adult life recording various psychic phenomena which she experienced. The records are textual accounts of clairvoyance, clairaudience, “out-of-the-body” experiences, dream visions and soul sight, voices, manifestations, astral encounters, precognition, and healing. Park often referred back to these notes at later dates and annotated their meanings to her as they informed occurrences in her everyday life. These records informed much of her teachings and publications, but were kept separately in her original record-keeping environment.

The Tremaine Arkley Croquet Collection contains over 2,400 paintings, illustrations, engravings, advertisements, photographs and other ephemera depicting the game of croquet throughout the years. The images range from fine art to cartoons and everything in between, and show the rise in the game’s popularity in England and America in the 19th and 20th centuries. Many items in the collection show gender roles, as croquet was one of the first games that men and women played together.

Fonds consists of Emery's photographs, correspondence, newspaper clippings, identification cards and ephemera. The records document Emery's service as a nurse during World-War Two, as well as her experiences of World-War One, and her life and career as a nurse in Vancouver and New Brunswick.
The fonds is comprised of two series; Nursing Records and Personal Records.
The Nursing Records series includes a photograph album captioned in detail by Emery covering her year of service overseas from 1944 to 1945, as well as immigration documents, certificates, and correspondence related to her nursing career.
The Personal Records series is comprised of correspondence with friends and family, as well as photographs of Emery, her family, and acquaintances.

This fonds consists of documents, archival records, photographs, ephemera, and artifacts pertaining to the life and work of Hanne Wassermann Walker. These materials relate to several broad themes: health and fitness, travel, friends and family, immigration to North America, and art/photography. Hanne's collection provides a window into the early 20th century physical culture movement; the experience of Jewish Europeans in the lead-up to, during, and after World War II; and the landscapes of British Columbia between the 1940s and 1970s. The fonds is comprised of manuscripts and published materials, correspondence, government records, photographs (including negatives, metadata, and albums), and more. In addition to Hanne's extensive collection of letters, postcards, personal and official records, and assorted odds and ends (e.g. household receipts, business cards, recipes, etc.), the fonds also contains the records of her husband, George Dickson Walker.

The collection is made up of 11 cassette tapes containing 12.5 hours of audio, of the interviews that Angela Codina conducted with the leaders of the Tiananmen Square uprising. The collection also consists of the following textual materials: written transcripts that were later made of the interviews (at the behest of Geraldine Bowman); materials for a book written by Angela Codina; newspaper clippings; periodicals and journals; and correspondence. The collection also contains 274 photographic negatives and 448 colour photographs.

Collection consists of primary resources and related materials created and used by Canadian women composers. Each series is dedicated to one of the participating composers, which currently consists of Deborah Carruthers, Dorothy Chang, Zosha Di Castri, Lori Freedman, Barbara Monk Feldman, Ana Sokolović, Chiyoko Szlavnics, and Elizabeth Raum. Materials include a variety of records, such as original scores, manuscripts, working drafts, photographs, prints, published articles, correspondence, and materials used as inspiration in the artists' work. Going forward, the collection is expected to evolve and incorporate additional Canadian women composers.

The fonds consists of correspondence from 1929 to 1990; biographical data/information from 1921 to 1991; literary works from 1938 to 1984; photographs from 1898 to 1984; interviews and talks/speeches given from 1942 to 1984; newspaper clippings from 1920 to 1990; newsletters and theatre souvenirs from 1922 to 1987.

The fonds reflects Patrice Pratt’s political and labour union careers and her community organization involvement. Records in the fonds relate to Pratt’s various roles within the Federal and Provincial NDP, as President of the BCNDP and as a constituency, committee, council, and party member, the BCGEU and BC Federation of Labour. Records consist of professional and personal correspondence, reports, communications, reference and resource material, convention materials, pamphlets and programs, newspaper clippings, agendas, minutes, resolutions, constitutions, policies, membership lists, campaign and platform materials, publications, campaign buttons, banners and other material. The fonds is divided into three series: Federal NDP, Provincial NDP and Labour Unions. The Provincial NDP series consists of two subseries: BCNDP President and BCNDP Associations, Committees and Advocacy.

As Pratt held various roles simultaneously throughout her career and much of her union work informed her political career, this overlap is reflected in her files. Records are divided into series based on the role held by Pratt at the beginning of the process, resulting in some record dates falling outside the official boundaries of the role she was working in.

The fonds consists of correspondence, minutes of meetings, and reports relating to the various committees on which Anna Leith served during her career in the UBC Library system. In particular, the fonds contains material relating to the Woodward Library, the UBC Health Sciences Centre and the B.C. Medical Centre.

Fonds contains materials arising from Anna Banana’s activities in the Mail Art network, her collecting of published materials and artworks, her performance art, exhibitions of her work and others, promotion of her activities, the production of various publications including VILE magazine, and the creation of visual art including artist trading cards, artistamps, collage, drawings and paintings. Materials were created in Victoria and Vancouver from 1964-1973, San Francisco from 1973 to 1982, Vancouver from 1982 to 1995 and the Sunshine Coast from 1995 to 2020, as well as on various tours and travels throughout this whole period. Materials are often focused on the neodadaist movements of San Francisco in the 1970s and beyond, as well as involvement in the Mail Art Network and performance art, and Anna’s personal and professional life.

The fonds is divided into 10 series: Mail art and correspondence, Interactive/performance art, Anna Banana’s publications, Artworks, Artist Trading Cards, Artistamps, Exhibitions, Photographs, Press, Collected publications. Records include textual materials, particularly letters, postcards, books, periodicals, zines, and other published materials; graphic materials such as envelope art, photographs, collage, xerox art, ink and pencil drawings, and watercolour; and other items such as CDs, DVDs, and various artefacts.

Fonds consists of audio recordings of interviews done with seven members of the Faculty Women’s Club.

Fonds consists of Barbara Schrodt's Ph.D. thesis and related research materials as well as publications written and collected by Schrodt.

This fonds consists of textual records, photographs, newspaper clippings, a VHS tape, and an audio reel. The materials focus on the history (or “herstory”) of the Women’s Resource Centre, emphasizing their move from the UBC Robson Square, where they originally opened in 1973, to the UBC Point Grey campus in 2002.

Fonds consists of a scrapbook created by Muriel Grant, with newspaper and magazine clippings and event programmes attached to the pages.

The fonds consists of records which primarily document Sharon Kahn’s activities as Director of Employment Equity (1989-94) and Associate Vice-President, Equity (1994-2005). The records include correspondence, reports, minutes, clippings, and other published materials. They are arranged in two series: the Equity Office series, which documents in a general sense UBC’s Equity Office and Kahn’s activities as its head; and the Equity Cases series, which documents two high-profile cases with which Kahn and the Equity Office were involved.

Fonds consists of administrative records pertaining to the activities of the Women’s Studies Program, the Centre for Research in Women’s Studies and Gender Relations, and research papers put out by the Centre and related bodies. Records include correspondence, minutes, annual reports, publications, course lists, student activities, program advertisements, reviews, bound publications of working papers and conference proceedings.