The fonds consists of reports and background material arising from the Student Services Review (1998), minutes from the Student Services (1998-2000) and Enrolment Services Management Committee (2001-2002) meetings, course calendars and other publications from Student Services, and posters.

The fonds consists of exhibits and submissions from assorted counsel, as well as notes relating to the BCCLA and their role in the APEC Inquiry.

Collection consists of primary resources and related materials created and used by Canadian women composers. Each series is dedicated to one of the participating composers, which currently consists of Deborah Carruthers, Dorothy Chang, Zosha Di Castri, Lori Freedman, Barbara Monk Feldman, Ana Sokolović, Chiyoko Szlavnics, and Elizabeth Raum. Materials include a variety of records, such as original scores, manuscripts, working drafts, photographs, prints, published articles, correspondence, and materials used as inspiration in the artists' work. Going forward, the collection is expected to evolve and incorporate additional Canadian women composers.

The fonds consists of published material, correspondence, proofs, manuscripts, reviews, broadsheets, polymer plates, photographs, artwork, orders, posters and promotional material.

The fonds consists of forty-one interviews with thirty eight colleagues, family, students and friends of Margaret Ormsby. In addition to the 50 cassette tapes there is also general information about the project as well as textual material for each interview consisting of a tape release form signed by the interviewee, a biographical information sheet and a detailed "timed tape guide".

Fonds consists of records that document the UBC Learning Exchange history and includes correspondence, reports, minutes, budgets and related financial records, written notes, published items, and audiovisual materials. It is arranged in six series: Administration, UBC-Okanagan, Chapman Awards, Programmes, Community Service Learning and Community Based Research, and Audiovisual.

Fonds consists of records related to the organization of the Paul Robeson Memorial Concert and the accompanying oral history project. Textual series in this fonds include financial records, oral history project plans and concert planning. There is also a series which contains the audio recordings of the interviews conducted by the committee.

Fonds consists of records that document the UBC Community Learning Initiative's history and includes correspondence, reports, minutes, written notes, and published items. It is arranged in two series: Administration and Programmes.

The fonds consists predominantly of photographic slides depicting the creation and openings of the sculptures, as well as articles discussing the symposium, its intent and outcomes.

The fonds consists of seven incoming letters from Jane Rule to Ann Micou dating from 2003 to 2007. The last letter is dated October 8, 2007, and was written a little over a month before Jane Rule’s death. The fonds also includes four CD’s featuring Jane Rule reading a selection of her short stories including “House,” “A Chair for George,” “Seaweed & Song,” “You Cannot Judge a Pumpkin by the Smile Upon His Face,” “A Migrant’s Christmas,” “If There is No Gate,” “Home Movie,” “Blessed are the Dead,” and “Dulce.” Apparently, the recordings were produced in a small number for distribution to family and friends. The fonds also includes a copy of a videotape entitled Fiction and Other Truths: A Film About Jane Rule (Eds. Lynne Fernie, Aerlyn Weissman).

Fonds consists of documents regarding the formation of the College for Interdisciplinary Studies and the initial call for campus-wide input regarding the future of interdisciplinary studies at UBC. It includes brochures, annual reports, endowment deeds, and reports on the ongoing structure of CfIS, as well as papers relating to the 2010 External Review of the College. Note that while the series contains sections I and II of the 2010 External Review, it appears likely that there was once additional material as the index states that there were ten appendices.

The fonds consists of textual documents and audiovisual materials that relate to the filming and production of “Champions for Change.” The textual materials include synopsis and scripts, tape logs, shot lists, transcripts and interview transcripts. A number of the tapes (including #3, #9, #10, #16, #17, #20 and #21) are not transcribed. The audiovisual materials are 26 videotapes, including master copies of the three-part series “Champions for Change,” the master dub tape, and additional footage of interviews with key individuals. The individuals interviewed include Chantal Benoit, Jeff Adams, Chantal Petitclerc, B. MacPherson, Kristine Bacharach, Travis Engen, Dan Gangier, Eric Gagnon, and Rebecca Borneman. The tapes also include stock footage and B-roll shots.

Meagan Davies part of the midwifery collection consists of 22 DVDs of interviews conducted throughout B.C.

Abra Palumbo collected printed papers kept about the midwifery movement in the 1970s and 80s in B.C. Most of the materials are official forms, manuals, or articles utilized by the midwifery movement.

This fonds consists of records relating to the Queer Arts Festival hosted by SUM Gallery. The records are separated by festival year, as follows:
• 2006: Joy Along the Continuum
• 2007/2008: Gender Twist
• 2009: Faerie Tales
• 2010: Queertopia
• 2011: Games People Play
• 2012: Random Acts of Queerness
• 2013: Transgression Now
• 2014: ReGenerations
• 2015: Trigger: Drawing the Line
• 2016: Stonewall was a Riot
• 2017: UnSettled
• 2018: DECADEnce
• 2019: rEvolution
• 2020: Wicked
• 2021: DISPERSED: it’s not easy being green

Records consists of newspaper articles; QAF programs, brochures, booklets, and other promotional materials; Pride booklets and promotional materials; legal documents like licenses and permits; music scores; scripts – opera libretto; press reviews and patron comments; artist statements; and internal staff documents like checklists, prep notes, price lists, job duties, conferences, board meetings, stages and staging notes.

Collection consists of printed items such as bookmarks, gift cards, calendars and other promotional items created by UBC Library Vault.

The collection consists of video capture of Redlich Pond between the years 2007 and 2018, showing changes to its appearance and biodiversity over time, and one appeal to action in the form of a letter.

Collection consists of documents and maps that supported the findings in McDowell's book, Uncharted Waters: The Explorations of Jose Narvaez (1768-1840), published in 2015 by Ronsdale Press, Vancouver, BC.

All items in this collection are photocopies. The dates of the originals fall between 1788 and 1830. When available, information about the locations of the originals is specified in the file-level description.

From McDowell: "One of the least appreciated, but potentially most important set of historical documents in [RBSC] are those related to the overlooked Spanish navigator Jose Maria Narvaez (1768-1840), the first European mariner to explore the central and northern parts of what we now call the Salish Sea in 1791 -- one year before the famous captains Dionisio Alcala-Galiano, Cayetano Valdes y Bazan, and George Vancouver investigated the same inland sea. Although Narvaez's remarkable achievements and contributions were largely ignored, overlooked, or minimized until 1998, a more accurate assessment is emerging, and it has been supported significantly by the documentary information in [RBSC]."

Fonds consists of transcripts and audio recordings of 13 interviews with Canadian librarians who have been involved with IFLA.

Fonds consists of documentation of the No Man Is An Island project and includes interview transcripts, correspondence, and consent forms of interviewees, in paper form. Also included is a USB stick containing digital transcripts and audio files from the interviews.

The fonds is comprised of materials related to Brown's personal life (mostly recorded through photography) and his various professional positions, particularly his role in the White Pass & Yukon Corporation and its expansion into containerized shipping.

Approximately one third of the fonds is materials that have been condensed by Brown's descendants and filed chronologically. This portion has been called the Chronological papers, and materials related to all other series may be found there, as well as a wide range of personal materials.

The rest of the fonds has been divided into 10 series of: general correspondence; papers from Brown's two government posts; his work for the White Pass & Yukon Corp.; his work for MacMillan, Bloedel, and Powell River; his work as director for other companies; subject files related to his interests; speeches and articles he wrote; personal papers; and slides (both personal and professional).

The fonds consists of correspondence, reports, minutes of meetings and activities of the Vancouver Labour Committee for Human Rights.

The collection consists of photographs depicting Slavonic musicians, cultural and policial figures, scenes of Russian life and scenes from plays.

The fonds consists of minutes, correspondence, subject files, photographs, and printed material relating to the activities of the constituency office and two of its elected members, Rosemary Brown and Norman Levi.

The fonds consists of family papers, including Thomas and Samuel Sturges, from Britain which date from 1812 to 1883. It includes leases, wills, fire insurance policies and tax forms.

The fonds consists of correspondence, manuscripts, magazine articles, newspaper clippings concerning Technocracy Inc. and miscellaneous other topics, lecture notes and transcripts, writing and teaching guides, public speaking guides, activities calendars, promotional and printed materials, course books and study manuals, newsletters, receipts, obituaries, pamphlets, leaflets and booklets.

The fonds consists of typescripts, galley proofs and introductory paragraphs of The Waking: Poems, 1933-53.

The fonds consists of writings by Alan Whitehorn on the CCF, NDP, and the Communist Party. Fonds includes articles and manuscripts. Some texts are co-authored by Keith Archer.

The fonds consists of twenty-four incoming letters received by Walsh while at the Inkameep Indian Day School (1936-1941).

The fonds consists of papers of the Charlton family principally generated by Ormand Lee Charlton and his son Darwin, who in turn functioned as custodian of the records. The records themselves generally relate to the early CCF movement in British Columbia, and other socialist and labour movements across Canada. Papers include information about the Canadian Cooperative Society (Ruskin Mills) and the Industrial Union (Ruskin) in the 1890s. The fonds also includes several copies of the CCF news, the party newspaper, as well as scrapbooks, clippings, drafts of speeches and addresses, correspondence and photographs relate to the family's involvement in socialist politics. The fonds also includes a collection of CCF poems written by Charlton's wife Annie, and essays written by famed socialist thinker Mildred Macleod.

The fonds consists primarily of printed material relating to the Federation's decision to become a non-profit organization. Included are guidelines for society incorporation, surveys given to Federation members to ascertain their opinions about becoming a non-profit organization and literature on non-profit societies. Further material transferred in 2014 from the City of Vancouver Archives consists of surveys sent to various women's organizations asking their views on feminism, in preparation for the "Day of Feminism."

The fonds consists of correspondence, field circulars, financial records, licenses, a map, and miscellaneous items made or received by Bruce Woodsworth between 1936 and 1939 regarding his employment in Northern Rhodesian and Nyasaland in mining ventures.

The fonds consists of a typed transcript of French's autobiography which chronicles his experiences with the Hudson's Bay Company forts in their early days. It also includes a monograph entitled Transportation and Transportation Routes in British Columbia, a fragment of a work on gold mining and his family history.