The fonds contains records related to the activities of Douglas Mulhall in his capacity as member of Greenpeace Canada and as a member of the Greenpeace International, Stichting Greenpeace Council between 1979 and 1986. Records consists of extensive correspondences, minutes of the meetings and annual reports from various committees and councils on which Mulhall served, financial reports and other records related to the fiscal management of the Stiching Greenpeace Council and the Greenpeace’s national offices, as well as newspaper clippings, annotated journal publications, and photographs, which document Greenpeace’s administrative activities as well as its various environmental campaigns.

The fonds is arranged into the following the following series, Personal administrative records (1985-1990), Minutes of council and trustee meetings (1979-1990), Campaign records (1987-1989), Greenpeace International service records (1987), Organizational development records (1987-1990), Fundraising records (1987-1988), and International foundation for survival and development of humanity records (1988), and the following sous-fonds Greenpeace Canada (1980-1986).

Fonds consists primarily of Parrott's criticism of D.E. Harker's history of St. George's School, Vancouver, entitled Saints. Parrott's notes and letters on the development of the school add a new dimension to the information found in the official history. Many letters contain correspondence to Anne Yandel, the former Head of Special Collections at UBC Library, and George Brandak, the Manuscripts Curator at the UBC Library. Also included in the fonds are documents related to Parrott’s status as a Canadian citizen.

Collection documents Misty Rose’s career as an exotic dancer from 1979 to 1990 primarily in the Lower Mainland and other locations in British Columbia. The collection includes both colour, and black and white studio photographs of Misty Rose in various scenes, poses, with accompanied props. Newspaper articles and clippings appear in the collection, featuring advertisements, promotional material, event information, and articles about establishments and individuals. Other textual materials includes agency business cards, newsletters, and performer engagement contracts facilitated by various agencies including International Artists, Westcoast Artists, Stripper Entertainment Agency, Choice Entertainment Ltd., The Agency, The Rose Agency and Mink Agency Talent Representatives. Stationary, contracts, memorandums and communications from hotels and establishments where Misty Rose performed also appear in the collection.

Collection is made up of items collected by the UBC library, for an exhibition related to punk in the Irving K. Barber Learning Center lobby. It consists mostly of vinyl’s, with two textual records relating to the history of hardcore punk and D.O.A., both created by D.O.A. Vinyl records are predominantly by D.O.A., Pointed Sticks and The Dishrags, as well as other Vancouver based punk bands. The vinyl records were all pressed in 70s or early 80s, or re-pressings of records from that same period. The re-pressings contain extensive liner notes and other ephemera.

The fonds reflects Patrice Pratt’s political and labour union careers and her community organization involvement. Records in the fonds relate to Pratt’s various roles within the Federal and Provincial NDP, as President of the BCNDP and as a constituency, committee, council, and party member, the BCGEU and BC Federation of Labour. Records consist of professional and personal correspondence, reports, communications, reference and resource material, convention materials, pamphlets and programs, newspaper clippings, agendas, minutes, resolutions, constitutions, policies, membership lists, campaign and platform materials, publications, campaign buttons, banners and other material. The fonds is divided into three series: Federal NDP, Provincial NDP and Labour Unions. The Provincial NDP series consists of two subseries: BCNDP President and BCNDP Associations, Committees and Advocacy.

As Pratt held various roles simultaneously throughout her career and much of her union work informed her political career, this overlap is reflected in her files. Records are divided into series based on the role held by Pratt at the beginning of the process, resulting in some record dates falling outside the official boundaries of the role she was working in.

Fonds consists of material that reflects Charles van Sandwyk's development as an artist, illustrator and publisher of fine books in Vancouver. Materials include original artwork (watercolours, etchings), exhibition posters, book and book signing announcements, press proofs, broadsides, invitations, edition of the High Branch Society mail-outs (which include letters, cards, decorative envelopes, poems, and small copies of art), fabric banners, and medallions. Most of the items are signed by Charles. Some of these materials were brought together by Charles and the Joyce Williams Gallery; the arrangement of that material as it arrived has been maintained. Other materials were purchased from the creator and maintain the original order at the time of their acquisition.

This collection contains organizational material and associated publications related to Ken Heibert's activity as a member of the socialist group, Socialist Challenge/Gauch socialiste, and its latter manifestation as the New Socialist Group.

The Tiananmen Square incident, also called June Fourth incident or 6/4, was a culmination of a series of protests and demonstrations in China in the spring of 1989 that culminated on the night of June 3–4 with a government crackdown on the demonstrators in Tiananmen Square in Beijing. Although the demonstrations and their subsequent repression occurred in cities throughout the country, the events in Beijing—and especially in Tiananmen Square, historically linked to such other protests as the May Fourth Movement (1919)—came to symbolize the entire incident.

Writing on the inside front cover of the photo album reads as follows:
"伟大的一九八九年 历史片断 4/27-5/18"
(Translation: Great 1989, historical pieces: April 27 to May 18)

Labels on the album pages indicate that the first 23 photographs in the album were taken on April 27, 1989, and the following 19 photographs were taken on May 4th, 1989.

Writing on the inside of the back cover reads as follows:

"四月至六月简史
四.十五，胡耀邦逝世，四.十五 - 四.二五，学生及北京市民自发进行悼念活动。四.二二，耀邦追悼会，三名学生在人民大会堂外台阶下跪请愿。四.二六，人民日报社论定学生运动为“动乱”。四.二七，举行了近百万人的示威游行。五.四游行。五.五 - 五.十二,平静。五.十三，北大，人大，清华有数百人于广场绝食。五.十五戈氏访华。五.十七百万人民声援大游行。游行声援持续至十九日白天。17，18，19三天电台作了真实报道。五.二十凌晨0:30分，李鹏宣布对北京部分地区戒严。时隔半个月，发生了六.三惨案，或说是六.三暴乱"。

(Translation: A brief history from April to June
On April 15, 1989, Yaobang Hu passed away. From April 15 to April 25, students and citizens of Beijing spontaneous mourned. On April 22, the memorial service held for Yaobang Hu, three students kneeled in protest outside the Great Hall of the People. On April 26, the People’s Daily editorial described the student effort as “turmoil”. On April 27, near one million people held demonstrations. The demonstrations continues on May 4. From May 5 to May 12, the streets are calm. On May 13th, hundreds of students from Peking University, Renmin University of China and Tsinghua University conducted a hunger strike in Tiananmen Square. On May 15, Gorbachev visited China. On May 17, millions of people took on the streets to hold a solidarity parade. The solidarity continued until May 19th. On May 17 through 19, Media continually made the real reports. At 12:30 am on May 20, Peng Li announced the implementation of martial law
in parts of Beijing. After half a month, on June 3 rd , massacre occurred — the 6/3 tragedy.)

This collection consists of ephemera that celebrates gender performance and lesbian identities. Materials span a wide time period, capturing both early and late 20th century LGBT culture.

In particular, there is a significant part of the collection dedicated to ephemera and published materials that feature early 20th century gender impersonators. Developed out of the English music hall scene of the 19th century, male impersonators in the early 20th century were primarily vaudeville acts that toured the United States. Their audiences were predominantly male with a focus on comedic delivery, something that represented a shift in the male impersonator tradition from the earlier 19th century.
Well-known male impersonators include Vesta Tilley, who was an active performer from the 1870s until the 1920s, and Hetty King, who performed from the 1890s until her passing in the 1970s. Both are featured in a number of postcards that are part of the collection.

The collection also includes several early 20th century anti-suffrage postcards that depict women in relationships with each other (as opposed to men) and include phrases that suggest they have supplanted a man’s role. Other items include a souvenir photograph and accompanying paper frame from a 1930s entertainment venue, the Howdy Club, and 6 negatives of First Lady Eleanor Roosevelt taken in 1939.

The collection also features materials from the 1980s and 1990s that belonged to Snider during that period. Highlights include several off-air recordings of episodes of the Vancouver Co-Op Radio show, ‘The Lesbian Show’ as well as t-shirts from the University of British Columbia and University of Victoria Womyn’s Centres.

The collection is made up of 11 cassette tapes containing 12.5 hours of audio, of the interviews that Angela Codina conducted with the leaders of the Tiananmen Square uprising. The collection also consists of the following textual materials: written transcripts that were later made of the interviews (at the behest of Geraldine Bowman); materials for a book written by Angela Codina; newspaper clippings; periodicals and journals; and correspondence. The collection also contains 274 photographic negatives and 448 colour photographs.

The fonds includes correspondences between George Wilkes, a member of The Canadian Tribute to Human Rights board and representatives from 26 of the 73 language groups represented on the monument; translations of the words meant to be inscribed; and different design ideas for the individual plaques.

The fonds consists of records related to the Positive Women’s Network (PWN) various programs and projects, support and educational resources, and operations and administrative activities. The fonds reflects this in the following three series: Operations and Administration, Support and Education, and Programs and Projects.

The Operations and Administration series contains records related to the PWN’s administrative activities and day-to-day operations including the Board of Directors’ policies and procedures, operational budgets and applications for operational funding, correspondence with other organizations, strategic planning for the organization, and organizational budgets.

The Support and Education series consists of records related to the PWN’s various resources for training and supporting PWN members, their friends and family, health care providers, and the larger community as a whole. Record types include retreat materials, toolkits, pocket guides, training kits, educational materials, Positive Side newsletters, magazines, workshop materials, artwork, memorial and guest books, and other materials.

The Programs and Projects series features records related to the several programs and projects that the PWN launched either individually or as partners with other organizations.

Fonds consists of material related to a documentary film made by John Corry, entitled “Life's Imprint: Lithographs by Jack Shadbolt.” This 1994 film documents Canadian artist Jack Shadbolt’s production of a four-part colour lithograph, done over a 9-month period in collaboration with lithographer Torrie Groenig. The film was produced and directed by Corry, with the support of the National Film Board of Canada and Knowledge Network., and was originally broadcast on CBC, Bravo!, and Knowledge Network. It includes scenes from Shadbolt’s studio in Burnaby and the Limited Editions studio in Gastown.

Material includes the master tapes from filming, production notes, photographs, obituaries for Shadbolt (who died in 1998), and promotional and distribution documents.

The collection spans the full range of years that the press was in operation and demonstrates the breadth of their letterpress work.

It contains a series with books such as artists’ books and chapbooks that were printed by the press and another that collects ephemeral material such as greeting cards and promotional material for businesses.

Collection consists of primary resources and related materials created and used by Canadian women composers. Each series is dedicated to one of the participating composers, which currently consists of Deborah Carruthers, Dorothy Chang, Zosha Di Castri, Lori Freedman, Barbara Monk Feldman, Ana Sokolović, Chiyoko Szlavnics, and Elizabeth Raum. Materials include a variety of records, such as original scores, manuscripts, working drafts, photographs, prints, published articles, correspondence, and materials used as inspiration in the artists' work. Going forward, the collection is expected to evolve and incorporate additional Canadian women composers.

The fonds consists of published material, correspondence, proofs, manuscripts, reviews, broadsheets, polymer plates, photographs, artwork, orders, posters and promotional material.

Fonds consists of records related to the organization of the Paul Robeson Memorial Concert and the accompanying oral history project. Textual series in this fonds include financial records, oral history project plans and concert planning. There is also a series which contains the audio recordings of the interviews conducted by the committee.

This fonds consists of records relating to the Queer Arts Festival hosted by SUM Gallery. The records are separated by festival year, as follows:
• 2006: Joy Along the Continuum
• 2007/2008: Gender Twist
• 2009: Faerie Tales
• 2010: Queertopia
• 2011: Games People Play
• 2012: Random Acts of Queerness
• 2013: Transgression Now
• 2014: ReGenerations
• 2015: Trigger: Drawing the Line
• 2016: Stonewall was a Riot
• 2017: UnSettled
• 2018: DECADEnce
• 2019: rEvolution
• 2020: Wicked
• 2021: DISPERSED: it’s not easy being green

Records consists of newspaper articles; QAF programs, brochures, booklets, and other promotional materials; Pride booklets and promotional materials; legal documents like licenses and permits; music scores; scripts – opera libretto; press reviews and patron comments; artist statements; and internal staff documents like checklists, prep notes, price lists, job duties, conferences, board meetings, stages and staging notes.

Collection consists of printed items such as bookmarks, gift cards, calendars and other promotional items created by UBC Library Vault.

Collection consists of documents and maps that supported the findings in McDowell's book, Uncharted Waters: The Explorations of Jose Narvaez (1768-1840), published in 2015 by Ronsdale Press, Vancouver, BC.

All items in this collection are photocopies. The dates of the originals fall between 1788 and 1830. When available, information about the locations of the originals is specified in the file-level description.

From McDowell: "One of the least appreciated, but potentially most important set of historical documents in [RBSC] are those related to the overlooked Spanish navigator Jose Maria Narvaez (1768-1840), the first European mariner to explore the central and northern parts of what we now call the Salish Sea in 1791 -- one year before the famous captains Dionisio Alcala-Galiano, Cayetano Valdes y Bazan, and George Vancouver investigated the same inland sea. Although Narvaez's remarkable achievements and contributions were largely ignored, overlooked, or minimized until 1998, a more accurate assessment is emerging, and it has been supported significantly by the documentary information in [RBSC]."

The fonds is comprised of materials related to Brown's personal life (mostly recorded through photography) and his various professional positions, particularly his role in the White Pass & Yukon Corporation and its expansion into containerized shipping.

Approximately one third of the fonds is materials that have been condensed by Brown's descendants and filed chronologically. This portion has been called the Chronological papers, and materials related to all other series may be found there, as well as a wide range of personal materials.

The rest of the fonds has been divided into 10 series of: general correspondence; papers from Brown's two government posts; his work for the White Pass & Yukon Corp.; his work for MacMillan, Bloedel, and Powell River; his work as director for other companies; subject files related to his interests; speeches and articles he wrote; personal papers; and slides (both personal and professional).

The fonds consists of correspondence, reports, minutes of meetings and activities of the Vancouver Labour Committee for Human Rights.

The collection consists of photographs depicting Slavonic musicians, cultural and policial figures, scenes of Russian life and scenes from plays.

The fonds consists of minutes, correspondence, subject files, photographs, and printed material relating to the activities of the constituency office and two of its elected members, Rosemary Brown and Norman Levi.

The fonds consists of family papers, including Thomas and Samuel Sturges, from Britain which date from 1812 to 1883. It includes leases, wills, fire insurance policies and tax forms.

The fonds consists of correspondence, manuscripts, magazine articles, newspaper clippings concerning Technocracy Inc. and miscellaneous other topics, lecture notes and transcripts, writing and teaching guides, public speaking guides, activities calendars, promotional and printed materials, course books and study manuals, newsletters, receipts, obituaries, pamphlets, leaflets and booklets.

The fonds consists of typescripts, galley proofs and introductory paragraphs of The Waking: Poems, 1933-53.

The fonds consists of writings by Alan Whitehorn on the CCF, NDP, and the Communist Party. Fonds includes articles and manuscripts. Some texts are co-authored by Keith Archer.

The fonds consists of twenty-four incoming letters received by Walsh while at the Inkameep Indian Day School (1936-1941).

The fonds consists of papers of the Charlton family principally generated by Ormand Lee Charlton and his son Darwin, who in turn functioned as custodian of the records. The records themselves generally relate to the early CCF movement in British Columbia, and other socialist and labour movements across Canada. Papers include information about the Canadian Cooperative Society (Ruskin Mills) and the Industrial Union (Ruskin) in the 1890s. The fonds also includes several copies of the CCF news, the party newspaper, as well as scrapbooks, clippings, drafts of speeches and addresses, correspondence and photographs relate to the family's involvement in socialist politics. The fonds also includes a collection of CCF poems written by Charlton's wife Annie, and essays written by famed socialist thinker Mildred Macleod.

The fonds consists primarily of printed material relating to the Federation's decision to become a non-profit organization. Included are guidelines for society incorporation, surveys given to Federation members to ascertain their opinions about becoming a non-profit organization and literature on non-profit societies. Further material transferred in 2014 from the City of Vancouver Archives consists of surveys sent to various women's organizations asking their views on feminism, in preparation for the "Day of Feminism."