Fonds consists of a variety of materials, but the focus is on the literary works of Geoffrey Riddehough and includes drafts, manuscripts, and publications of his poetry and short stories. The fonds also contains a number of academic essays, research materials on Joseph of Exeter, and papers that Riddehough presented to various groups. There is also correspondence of both a professional and personal nature. Fonds consists of 3 sous‐fonds and 14 series: Pegeen Brennan sous‐fonds, Lemuel Robertson sous‐fonds, Doreen Nalos sous‐fonds, Murray and Marian Cowie sous‐fonds, Personal Information series, Published Materials series, Manuscripts and Unpublished Materials series, Assorted Poems: Miscellaneous series, Assorted Short Stories: Miscellaneous series, Lecture Notes and Papers Presented series, Joseph of Exeter Research Materials series, Coursework series, Notebooks and Scrapbooks series, Diaries series, Expense Ledgers / Accounts series, Correspondence series, Photographs series, and Miscellaneous series.

Fonds consists of correspondence, reports, teaching materials, notes and manuscripts for speeches, and publications acquired by Kenneth Argue in his professional career, personal papers, clippings, and photographs. The photographs are of family members, and friends and colleagues from outside UBC. The materials are arranged in the following series: Publications and Speeches, Course Materials, Personal Papers, and Photographs.

Fonds consists of essays, articles, offprints, reviews, contracts, correspondence, a CV, a scrapbook, photocopies, maps, plans, notes, microfilm, and photographs about the personal lives and research of Philip and Helen Akrigg. Fonds contains two series: Research Collections (1580-1993) and Personal Material (1934-1999).

The fonds consists of hand-written notes as well as published articles relating to artists in Canada between the early 17th century and the late 20th century. The fonds also consists of copies of correspondence between artists, as well as Walkers own correspondence with artists and the artistic world in general, both inside and outside Canada. The fonds consists of the following series and is largely arranged in its original order. 1) Canadian Artists 2) Records relating to Dear Nan: Letters to Emily Carr, Nan Cheney, and Humphrey Toms 3) Photographs.

The fonds consists of correspondence, drafts, essays, lecture notes, course outlines, clippings and research materials created and collected by Ormsby in her diverse roles as student, professor, researcher and author. Also included are records generated between 1957 and 1967 by the Historic Sites and Monuments Board of Canada.

The fonds consists of correspondence, manuscripts, clippings and publications created or collected by Beatrice Cooke and her husband, Albert. The fonds also consists of correspondence written and received by Albert's father, Rev. Walter A. Cooke, including correspondence with Emily Carr. The fonds also include correspondence, photographs, clippings, and biographical material created by or relating to the Brender á Brandis family, a family of artists and writers with which Albert and Beatrice Cooke were acquainted. Fonds consists of two series: Brender á Brandis family (1963-1987) and the Cooke family (1860-1981).

The fonds consists of records and ephemera pertaining to John Laurence Russell Meredith and his family from 1863 to 1990. Records and ephemera pertaining to his father’s life are of genealogical interest as they provide insight into who he was. Records pertaining to his sister’s death show the painstaking detail the family took in providing a meaningful burial for her. The UBC ephemera provides a glimpse into Laurence’s social life at UBC. The music and theatre programs show his interest in the arts from a young age. The photographs provide valuable information on who his family was, what Laurence liked to do, and the activities in which he participated. His diary, letters received by him, and a list containing the translation of various words and phrases of the language of the Kwakwaka'wakw First Nation provide insight into who he was as a person.

The fonds consists of Coulthard's incoming family and general correspondence, correspondence from noted English composer Elizabeth Poston, financial records, biographical information, printed material and clippings documenting her involvement in the Canadian and International music communities as an advocate, educator and composer. Also included are original manuscripts of Coulthard's compositions and published and unpublished sound recordings of her work performances. The fonds also contain scrapbooks assembled by Coulthard's mother, Jean Robinson Coulthard, between 1898 and 1929, family photographs, and a photograph album compiled by her father, Dr. Walter Coulthard, depicting the Rossland area (ca. 1902).
Fonds are arranged into two sous-fonds: Jean Coulthard sous-fonds and Coulthard family sous-fonds. Jean Coulthard sous-fonds was organized into the following series: Correspondence (two sub-series, Coulthard-Poston Correspondence and Family Correspondence), Financial and Legal, Biography, Programmes, Publications, Press Clippings, Manuscripts, Sound recordings, Miscellaneous, Photographs, Performance Notes and Remarks, Musical Education and Workshops, Inspirations, Journals and Date Books, and Audio Visual.

The fonds consists of correspondence from 1929 to 1990; biographical data/information from 1921 to 1991; literary works from 1938 to 1984; photographs from 1898 to 1984; interviews and talks/speeches given from 1942 to 1984; newspaper clippings from 1920 to 1990; newsletters and theatre souvenirs from 1922 to 1987.

The fonds consists of biographical material, family information, correspondence, speeches, publications, subject files, teaching and reference material, photographs, audio and videotapes and artifacts. The fonds also includes various forms of Black's artwork. A copy of a Black family history published by Myra Davey (née Black) in 2006 had a CD of digitized images.

Fonds consists of Daniells' personal and professional incoming and outgoing correspondence, diaries, speeches, radio broadcasts, manuscripts, poetry, subject files, research files, postcards and postcard collections, clippings, financial records, audio material, photographs, memorabilia and printed material. Also included are the records of Roy's parents, James and Constance Daniells. The correspondence series contains thousands of letters from prominent literary figures such as Earle Birney, Robert Finch, Desmond Pacey, Northrop Frye, Herbert Davis, E.K. Brown, A.S.P. Woodhouse, as well as writers, poets, and artists such as Paul Hiebert (Sara Binks), Carol Coates, Max Maynard, Jack Shadbolt and others. His works are represented by manuscripts of his poetry, fiction, drama, scholarly work on Milton and modernism and Canadian literature, speeches and broadcasts, autobiography, diaries, and many letters to his family. The fonds also contains notes of sympathy received by Daniells' family after his death.

The fonds consists of records which document William New's publications, lectures, and other activities between 1947 and 2018. Most of the series are based on published works written or edited by New. The remaining records relate to other projects, prizes, awards, papers, conferences, correspondence, or professional interests. Collectively, these records reflect New's various roles as professor, public speaker, editor, author, and poet.

Fonds contains three series: Archaeology, German and Personal. Within each series, the material has been organized into subseries such as correspondence, subject files, manuscripts, papers and reports.

The fonds consist of research material on various medical and historical topics and research for several of Gibson's books and articles, including his books about UBC's first president Frank F. Wesbrook, Ramon y Cajal Sherrington, and his books New Endeavour and Old Endeavour. In addition, the fonds include manuscripts of a number of Gibson articles and speeches and chapters from some of his books, records from Woodward Health Science centre, and documents for the history of the Faculty of medicine and related to Green College UBC and Oxford. Also included are records from the Agricultural Science Fund Committee (1967-1974), School of Rehabilitation Medicine (1953-1961), Master Teaching Awards Committee (1967-1972), minutes from the Council of the Faculty of Medicine (1950-1964), materials relating to Vancouver civic politics (1970-1984), and correspondence with Sir Frederick Dainton (1980-1983), Cecil Green, and Wilder Penfield among many others.

The fonds consists of the following series: biographical material, personal correspondence (1912-1968), addresses (1914-1961), clippings both by and about Eastman (1912-1955), copies of published articles (1909-1957), lecture notes and research material, records relating to the Canadian Institute of International Affairs (1950-1962) and the United Nations Association of Canada (1952-1968), pamphlets/published material and photographs.

The fonds consists of Cyril Belshaw's personal and professional papers. The professional records chronicle both his involvement in numerous local, national, and international organizations (including the Academic Board for Higher Education in British Columbia, the Regional Training Centre for United Nations Fellows, the Social Science Research Council of Canada, the Pacific Sciences Association, UNESCO, and the Canadian Sociology and Anthropology Association), and his teaching and administrative activities at UBC. The records also include his original research material and data into various groups in the South Pacific, and other topics in anthropology. More personal records related to his education and family. Also included are materials about the disappearance and subsequent inquiry into the death of Betty Joy Belshaw. The materials include meeting minutes, course materials, publications, manuscripts, research journals, personal diaries and agendas, financial statements, press clippings, photographs, maps and audio-visual materials.

The fonds consists of correspondence, research/miscellaneous material, manuscripts/other writings by Chipman, subject file, collected printed/published materials and photographs.

Fonds consists of correspondence, biographical material, published papers, notes, financial materials, clippings, photographs, ceremonial documents, and notebooks pertaining to Gage's personal and professional activities.

Fonds includes correspondence, notes, publications, maps, drawings, photographs, and presentation aids pertaining to Alan Sawyer’s academic research, writing, curatorial and appraisal work. Includes provenance information and research regarding Sawyer's private collection of art and artefacts including sales records, photographs, inventories, catalogues and correspondence.
Box 63 includes 3 rolls of unprocessed or unused film.

The fonds consist of scrapbooks of clippings, correspondence, photographs, and programs relating to the Players' Club's activities and the Frederic Wood Theatre's construction.

The collection consists of materials acquired by Special Collections and the University Archives and maintained for purposes of historical research. It includes reports, correspondence, committee minutes, course materials, architectural and other drawings, newspaper and magazine clippings, press releases, posters, brochures, and other published materials. The materials are arranged alphabetically by subject or name (e.g. organisations, University departments, events, buildings/places, and individuals).

The fonds consists of constitutions, minutes, correspondence, financial records, programs, scrapbooks, speeches, membership lists, clippings, and assorted other material relating to the administration of the organization. In addition, the fonds includes recording of lectures delivered to the Vancouver Institute. It is arranged in the following series: history, constitution, minutes, correspondence, financial records, programs, membership records, newspaper clippings, series papers, and lectures.

Fonds consists of correspondence soliciting items of historical interest and includes a listing of materials turned over to the University.

The fonds consists of copies of the Society's constitution, financial records (1935-1938), correspondence (1935-1939), papers (1920-1944) and programs (1921-1939).

The fonds consists of audio recordings of Weisgarber compositions or performances (1957-1999); musical scores, drafts and sketches (1941-1996); and research materials generated or accumulated by Weisgarber in the preparation of an unpublished biography of Aurelio Giorni, a manuscript entitled “Flute Music of Zen,” and an article "The Honkyoku of the Kinko-Ryu: Some Principles of its Organization" (1968). It also consists of family and personal records, including correspondence, fictitious and biographical writings and journals written by Elliot, Beth, and their family.

The fonds consists of correspondence, inventories of books, order forms and invoices which document the bookselling operations of the business.

Fonds consists almost entirely of materials created or acquired by Harry Adaskin throughout his life and career. It includes the manuscripts for his autobiographies, correspondence, scripts for radio broadcasts and lectures, newspaper clippings, and concert programmes, photographs, films, and audio recordings. Also included are annotated copies of Adaskin's two autobiographies: A Fiddler's World (published in 1977), and A Fiddler's Choice (1982). Some outside correspondence addressed to his wife Frances after his death is also included. The fonds is organized in the following series: Autobiographies, Hart House String Quartet, Harry and Frances (Marr) Adaskin Concerts, Musically Speaking Scripts, New York Philharmonic Broadcasts, Tuesday Night Scripts, Miscellaneous Writings, Correspondence, Audio Tapes, Autographed Photographs, Audio Discs, and Film.

Fonds consists of records documenting the periodic reunions of the Class of 1925 (Arts) as well as memorabilia collected by class members. It includes correspondence, committee minutes, reports, published materials and clippings, and photographs.

The fonds consists of textual records, published materials, and photographs (loose and in scrapbooks), and includes biographical information, copies of speeches and articles (1942-1975). Also included are typed manuscripts of poems and short stories, a longer typescript entitled "Kootenay Chronicle," a copy of the Academic Policy Committee Report - UBC (1963). The correspondence and clippings were gathered during Cottingham's term as president of the BCTeachers Federation, and material relating to women's issues (1952-1963).

The fonds consists of a variety of materials, but the focus is the creative writing of Bullock, in many genres. Represented in collections are prose and poetry, both published and unpublished, along with hundreds of individual works, covering not only poetry and prose poems, but academic essays, autobiographical accounts, and plays, as well as a prodigious amount of notes. The fonds also contains material relating to Bullocks work as a translator and includes a variety of genres translated into English from the original French, German, or Italian. The fonds also includes correspondence of both a professional and personal nature. The correspondence from 1935 illustrates the business life of a professional writer; it also contains a wealth of personal correspondence that helps solidify Bullock's stature as a writer both locally and internationally. Impressive figures such as Marcel Bealu, Max Frisch, and Joy Kogawa are intermingled with less well-known artists, friends, and family in the correspondence, and provide valuable commentary, over nearly 70 years, into the creative path chosen by Bullock.
The fonds consists of 20 series and a single sub-series: Assorted Poems Series, Collected Poems Series, Prose Series (Lotte Bullock Sub-Series), Plays Series, Essays and Criticism Series, Artwork Series, Works in Translation Series, Correspondence Series, Notes Series, Reviews Series, Melmoth Vancouver Series, Photographs Series, Audiotape Recordings Series, Diaries Series, Biographical Notes Series, Conferences, Lectures, and Readings Series, Promotional Material Series, Financial Records Series, Published Material Series, and Miscellaneous Series.

Fonds includes materials related to Steinberg’s work as at the University of British Columbia, some early work from his own university days, and materials pertaining to his work with the local Jewish community. Includes correspondence, research materials, drafts, manuscripts, and other materials.

The fonds consists of material arranged in three series: 1) Reviews, programmes, and correspondence concerning the career of Frances Adaskin; 2) Assorted writing by Frances Adaskin; and 3) Audio Tapes.

The fonds consists of notes, manuscripts, drafts, galleys, and correspondence relating to Rule's published and unpublished novels and short stories. The fonds also includes biographical and autobiographical material, college papers, teaching records, non- fiction manuscripts, typescript copies of book reviews by Rule, and personal and professional correspondence. Also included are numerous photographs, maintained both singly and in photograph albums, as well as digital images. Rule's collection of
reviews of her work, audio recordings of interviews and readings, her Orders of Canada and B.C. certificates, and the first XTRA! West Jane Rule Memorial Writer of the Year Award are also included.

The fonds consists of records generated through the various activities of the Ceremonies Office. Included in the fonds are administrative records (1964-1984) as well as records that document the activities associated with Congregation (1950-2006), building openings (1951-1986) and numerous functions sponsored by the University (1962-1995). The fonds also include information about honorary degree recipients, congratulatory greetings to Presidents K. George Pedersen (1983), David Strangway (1985) and various other ceremonial activities. There are also audio recordings of special events around the University campus. For additional information, see Series Descriptions.

Fonds consists of materials documenting John Gordon Spaulding's academic scholarship and career, in particular his Pulpit Publications project, and includes notes, correspondence, published articles, drafts (both handwritten and typescript), computer codes, computer printouts (bound and unbound), and related records. The fonds is organized in three series: College And University Papers (including the sub-series Pomona/Stockton Numbered Files, Other College Files, Toward Dissertation & Dissertation I, and Lectures and Other Professional Papers), Personal Papers, and Cooke / Pulpit Publications (including the sub-series Correspondence, Provenance Studies, General Notes, Drafts, and Printouts, and Bound Computer Printouts). Where Spaulding's original arrangements were still apparent and considered practical, they have been retained – otherwise the files are arranged in chronological order.

The fonds consists of correspondence, revisions, drafts, notes, theses materials, reviews, photographs and negatives pertaining to Messengers personal life, education, career, research and personal interests and the various publications that he was associated with. The fonds also includes game boards, notes, drafts and original word puzzles. Finally, the fonds contains the Ann Parshall Messenger sous-fonds.

Fonds consists of materials that document the personal and professional activities of Abraham Rogatnick and includes handwritten notes and notebooks on historical and architectural subjects, index cards, typewritten speeches, writings, correspondence, and photographs. There are four series: Notes and Architectural Sketches, Photographs, Notebooks and Binders, and Personal Materials and Writing.

The fonds consists of notes, manuscripts, drafts, awards, degrees, pamphlets, correspondence, notes, note-cards, scripts, programs, posters, forms, degrees, cards, certificates, artifacts, and photographs.

Fonds consists of assorted materials relating to Emily Carr, and Ruth Humphrey's friendship with her. They include forty-seven letters from Carr, dating from the period 1937-1944 when Humphrey was travelling. The fonds also includes Humphrey's own transcripts and notes on the Carr correspondence; manuscripts written by Carr; copies of works by other authors on Carr; correspondence regarding the publication of the Carr correspondence in the University of Toronto Quarterly; and other Carr memorabilia collected by Humphrey.

The fonds consists of Gibbard's research notes for his M.A. thesis entitled, "The History of the Fraser Valley, 1808-1885" (ca. 1937), copies of his book reviews (1974-1986), a typescript of "Living together in our modern world" and other material collected by Gibbard.

Fonds consists of materials in various media created or acquired by Joe Schlesinger in the course of his professional career, along with materials documenting or commemorating the Kindertransport programme, and a few items of a more personal nature. It includes textual records such as scripts for his news reports and speeches, correspondence, notebooks, scrapbooks, newspaper and magazine clippings, honorary degrees and other awards, published items, posters, and miscellaneous writings. Also included are photographs, audiovisual recordings, and digital files.
The fonds is arranged in the following series: Scripts, Speeches, Correspondence, Notebooks, Scrapbooks, Clippings (sub-series Pieces by Schlesinger, Pieces about Schlesinger, and Other Pieces), Awards and Recognition, Time Zones, Winton/Kindertransport, Miscellaneous, Photographs, Audiovisual, and Digital Media.

The fonds consists of six series which contain the following: student publications, curriculum offerings and course descriptions, handbooks, examinations, faculty information, committee meetings, interdepartmental memoranda and correspondence, meeting reports and annual reports, elections, curriculum revisions, reading lists, a “departmental bible,” departmental newsletters and bulletins, departmental meeting minutes, council policy and membership, reorganization proposals, and task force information, notable alumni ephemera, and the UBC Medal for Canadian Biography All records are the results of activities that took place within the Department of English from 1940 to the early 2000s.

Fonds consists of records documenting the programs and activities of the Radio Society / CiTR (including DISCORDER), including textual records and sound recordings of a variety of programs, radio plays, campus events, public service announcements, photographs of the radio studio and from different events, and advertisements produced by the Radio Society for broadcast on its station (CYVR/CiTR) or affiliated radio stations. In addition, the fonds includes recordings of interviews conducted on behalf of the Alma Mater society relating to its art collection. Fonds also consists of materials related to the administration of the radio station including information about licensing, executive meetings, policies, job descriptions, and staff training.

The fonds consists of correspondence with family, friends and with Earle Birney (1952-1994). It also includes articles, notes, photographs, and miscellaneous papers. There is a file folder of correspondence generated by Earle Birney to other correspondents.

Fonds consists of departmental records from Anthropology and Sociology (1964-2000); Canadian Sociology and Anthropology Association records (1970-1979); and material relating to the Simon Fraser University dispute concerning the Department of Political Science, Sociology and Anthropology (1969-1971). Ames assembled this group of records through his participation on the C.S.A.A. team, which studied the situation. The papers also include Ames's descriptions of the Board of Directors of the Canadian Museums Association (1980-1983) and the Shastri Indo-Canadian Institute (1967-1995). The material relating to the Shastri Institute includes records generated or collected by Ames and other members of the Institute at UBC. The names of other members are indicated in the file title. Also, the fonds contains manuscripts and drafts, records about Ames's research, courses taught by Ames, a variety of conferences and seminars, and records about Ames’ participation in several museum studies program reviews. Finally, the fonds also contain Ames' involvement with the Museum of Anthropology (MOA). Most records as Director and Acting Director of MOA are held at the MOA Archives. In total, there are 16 series: UBC Department of Anthropology and Sociology series, Canadian Sociology and Anthropology Association series, Department of Political Science, Sociology, and Anthropology (Simon Fraser University) Dispute series, Canadian Museums Association series, Shastri Indo-Canadian Institute series, Assorted Associations and Conferences series, Manuscripts, Drafts, and Papers series, General Correspondence series and a Biographical series, Course Materials series, Program Review series, Research series, Museum of Anthropology (MOA) series, Photographic series, Audio Cassette series and Computer Tape series (last three series were added were acquired in 2007).

Fonds consists of personal correspondence, newspaper clippings and manuscripts; as well as, memorial tributes, cards and letters of sympathy pertaining to the passing of Sonthoff. The fonds is arranged in the following series: Correspondence, Essays and Criticisms and Memorial Tributes.

Fonds consists of photocopies of the wills of Emily Carr (1945) and Ira Dilworth (1954), regarding the ownership of Carr's copyright. The fonds also includes correspondence (1967-1983) from artist Gordon Smith addressed to John Parnall and his family, as well as printed material regarding Smith. Also included are Parnall's certificates of service from the Pacific Association of Collegiate Registrars and Admissions Officers.

The fonds consists of Ricou's correspondence during his teaching careers at the University of Lethbridge and UBC. The fonds also includes records relating to his involvement with the Association of Canadian University Teachers of English (ACUTE), book reviews, negotiated grants, Literary History of Canada, Canada research fellowships and a summer course taught on the writings of Malcolm Lowry. The fonds also contains research information pertaining to the life and work of Canadian author Patricia Blondal.

The fonds consist of proceedings, correspondence, minutes, reports, statistics, program and course descriptions, proposals, news releases, and publications. Many of the records originated from the Director's Office of the Centre for Continuing Education, and its predecessor, the Department of University Extension. They document these units' functions, activities, policies, and relationships with other University bodies and external agencies. Also included are audio recordings of lectures and other events sponsored by the Centre. There are also records from the office of the Associate Vice-President, Academic, from when he oversaw the operations of the Centre between 1988 and 1991. Other materials originated from the Women's Resources Centre: three folders of reports, correspondence, and photocopied newspaper clippings relating to the 1971 Status of Women conference, and over thirty publications dealing with women's issues.
A 2017 accrual of material more than doubled the size of the fonds. These records included small additions to the following series: Central Office Files, Administrative Committees, and Staff Relations. More significant additions were added to the Projects and Series, Programs, UBC Departments, UBC Committees, and External Bodies series. Additionally, a significant addition to the fonds was made in the resources series, which includes proceedings and course materials.
A 2018 accrual moderately increased the size of the fonds. Some files from folders without the typical alpha-numerical filing system pattern were placed with the Central Office series. Their contents matched the series description, including grant proposals, memos, correspondence, and budget information. Two new series were added, General History and Associate Vice-President Academic (Dr. Walter Uegama). Dr. McClean's series received additions from the 1992 re-organization and the Strategic Planning of 1993. Projects and Studies, UBC Committees, and UBC Departments series received significant additions as well. External Bodies received an increase, primarily related to CAUCE. The Liaison with External Agencies, Policies and Procedures, Programs, Special Events, and Status of Women series received small additions.

The fonds consists of material relating to the foundation and early development of the Department of Fine Arts and other university-related committees and activities in which Binning participated, including the Fine Arts Committee, the Festival of Contemporary Arts, and the development of Nitobe Gardens. It consists of the following series: Biographical Material (1949-1976); Correspondence (1947-1972); Lectures, Articles and "Outside Work" (1948-1968); Committees (1947-1966); Fine Arts Program (1954-1964); Festival of the Contemporary Arts (1961-1971); Subject Files (1946-1958); and Teaching Materials (1949-1971).