The collection consists of correspondence, financial materials, minutes, reports, plays, clippings, scrapbooks, notes, brochures, and photographs pertaining to various dramatic organizations with which Rushton was involved. These organizations include Vancouver Little Theatre Association, Vancouver Children's Theatre, Vancouver Community Children's Theatre, Holiday Theatre, Holiday Playhouse and Playhouse Theatre. Rushton collected this material for the purpose of writing a history of the Holiday Theatre and to document the children's theatre movement in British Columbia. Also included is an audio recording of an interview conducted by Rushton.

Fonds consists of material created by Saltzman, primarily in relation to the various productions in broadcasting he was a part of. Material has been arranged in nine series: Early Career series, Mid-Career series, Canada AM and “701” series, General Career and Personal series, ACTRA series, Meteorology material series, Order of Canada series, Audiovisual series, and Photographs series.

Fonds consists of clippings, brochures, correspondence, and photographs relating to Fowler's activities as a UBC student. Also included are programmes from various university events, including the inauguration of UBC's Point Grey campus (1925). The fonds also contains programmes of performances of the UBC Players' Club (1928-1935) and the UBC Musical Society (1923-1933).

Fonds consists of a variety of materials, but the focus is on the literary works of Geoffrey Riddehough and includes drafts, manuscripts, and publications of his poetry and short stories. The fonds also contains a number of academic essays, research materials on Joseph of Exeter, and papers that Riddehough presented to various groups. There is also correspondence of both a professional and personal nature. Fonds consists of 3 sous‐fonds and 14 series: Pegeen Brennan sous‐fonds, Lemuel Robertson sous‐fonds, Doreen Nalos sous‐fonds, Murray and Marian Cowie sous‐fonds, Personal Information series, Published Materials series, Manuscripts and Unpublished Materials series, Assorted Poems: Miscellaneous series, Assorted Short Stories: Miscellaneous series, Lecture Notes and Papers Presented series, Joseph of Exeter Research Materials series, Coursework series, Notebooks and Scrapbooks series, Diaries series, Expense Ledgers / Accounts series, Correspondence series, Photographs series, and Miscellaneous series.

The fonds consists of correspondence, manuscripts, clippings and publications created or collected by Beatrice Cooke and her husband, Albert. The fonds also consists of correspondence written and received by Albert's father, Rev. Walter A. Cooke, including correspondence with Emily Carr. The fonds also include correspondence, photographs, clippings, and biographical material created by or relating to the Brender á Brandis family, a family of artists and writers with which Albert and Beatrice Cooke were acquainted. Fonds consists of two series: Brender á Brandis family (1963-1987) and the Cooke family (1860-1981).

The fonds consists of indexes and research notes to sources of information about women at UBC, recordings of oral histories, and a photograph.

The fonds consists of records generated through the various activities of the Ceremonies Office. Included in the fonds are administrative records (1964-1984) as well as records that document the activities associated with Congregation (1950-2006), building openings (1951-1986) and numerous functions sponsored by the University (1962-1995). The fonds also include information about honorary degree recipients, congratulatory greetings to Presidents K. George Pedersen (1983), David Strangway (1985) and various other ceremonial activities. There are also audio recordings of special events around the University campus. For additional information, see Series Descriptions.

The fonds consists of hand-written notes as well as published articles relating to artists in Canada between the early 17th century and the late 20th century. The fonds also consists of copies of correspondence between artists, as well as Walkers own correspondence with artists and the artistic world in general, both inside and outside Canada. The fonds consists of the following series and is largely arranged in its original order. 1) Canadian Artists 2) Records relating to Dear Nan: Letters to Emily Carr, Nan Cheney, and Humphrey Toms 3) Photographs.

Fonds consists of published and unpublished works, subject files, correspondence, minutes, reports, sound recordings and a photograph relating to Basil Stuart-Stubbs' position as University Librarian and Director of the School of Librarianship (School of Library, Archival and Information Studies) at UBC, his involvement with the UBC Press, and his academic interests and activities. Fonds has been arranged into the following nine series: Publications - General series (2001); Books and Booklets series (1966-1986); Published Articles series (1964-1991); Papers and Speeches series (1966-1990); Reports series (1969-1987); W. Kaye Lamb series (1988-1990); UBC Press series (1969-1985); Subject Files series (1975-1977); and UBC Senate Library Committee series (1969).

Fonds consists of correspondence, manuscripts, and reports relating to the content and publication of BC Studies as well as its relationship with other UBC bodies. Also included are financial records relating to the internal and external funding of the journal. The fonds is arranged in 6 series: Articles, Book Reviews, Printer's series, Correspondence, Financial Records, and Miscellaneous.

Fonds consists of materials that document the personal and professional activities of Abraham Rogatnick and includes handwritten notes and notebooks on historical and architectural subjects, index cards, typewritten speeches, writings, correspondence, and photographs. There are four series: Notes and Architectural Sketches, Photographs, Notebooks and Binders, and Personal Materials and Writing.

Fonds includes correspondence, notes, publications, maps, drawings, photographs, and presentation aids pertaining to Alan Sawyer’s academic research, writing, curatorial and appraisal work. Includes provenance information and research regarding Sawyer's private collection of art and artefacts including sales records, photographs, inventories, catalogues and correspondence.
Box 63 includes 3 rolls of unprocessed or unused film.

The fonds consists of 6,066 35 mm negatives of dress rehearsals of major UBC theatrical productions between 1961 and 1988. There are also some images of productions staged during summer school, as well as by the Extension and English departments (1954/55), and alphabetical and chronological listings of UBC productions between 1954 and 1988. The fonds also includes copies of programs from productions at the Frederic Wood Theatre (1964-1991).

This fonds contains records relating to Cameron MacLeod’s schooling, personal life, and work as an artist. The majority of the material spans from his childhood until his death in 1983, but the fonds also contains records relating to posthumous exhibitions of his artwork. Included in the fonds are schoolwork, personal reflections and journals, correspondence with family and friends, photographs, and examples of his artwork.

Fonds consists of textual, graphic and audiovisual material from Grace’s academic research on Malcolm Lowry, Sharon Pollock, Tom Thompson, the Canadian North, Canadian art, and Mina Hubbard. Series are based on individual projects, with a separate series for audiovisual materials and a final series for incoming general correspondence. Series are further sub-divided into sub-series.

Fonds consists of the handwritten manuscript for George Bulhak’s book U.B.C. Panorama, published in 1945. Included are photographs and sketches by Bulhak intended for inclusion in the book and U.B.C. President N.A.M. MacKenzie’s handwritten “Foreword.” The manuscript was written in what was originally a bound ledger – isolated ledger entries can be found on the otherwise blank back pages, indicating that it may have been left as surplus at Burhak’s place of employment when he used it for his manuscript.

The fonds consists of typescripts, handwritten drafts, notes and reviews relating to plays written, performed, or directed by Panych. Also included are photographs relating to his theatre career and biographical material, including school transcripts and video cassette tapes of an episode of Da Vinci's Inquest that Panych directed. The fonds comprises four series: Scripts and Manuscripts, Personal, Photographs and Audio/visual.

The fonds consists of correspondence with family, friends and with Earle Birney (1952-1994). It also includes articles, notes, photographs, and miscellaneous papers. There is a file folder of correspondence generated by Earle Birney to other correspondents.

Fonds consists of departmental records from Anthropology and Sociology (1964-2000); Canadian Sociology and Anthropology Association records (1970-1979); and material relating to the Simon Fraser University dispute concerning the Department of Political Science, Sociology and Anthropology (1969-1971). Ames assembled this group of records through his participation on the C.S.A.A. team, which studied the situation. The papers also include Ames's descriptions of the Board of Directors of the Canadian Museums Association (1980-1983) and the Shastri Indo-Canadian Institute (1967-1995). The material relating to the Shastri Institute includes records generated or collected by Ames and other members of the Institute at UBC. The names of other members are indicated in the file title. Also, the fonds contains manuscripts and drafts, records about Ames's research, courses taught by Ames, a variety of conferences and seminars, and records about Ames’ participation in several museum studies program reviews. Finally, the fonds also contain Ames' involvement with the Museum of Anthropology (MOA). Most records as Director and Acting Director of MOA are held at the MOA Archives. In total, there are 16 series: UBC Department of Anthropology and Sociology series, Canadian Sociology and Anthropology Association series, Department of Political Science, Sociology, and Anthropology (Simon Fraser University) Dispute series, Canadian Museums Association series, Shastri Indo-Canadian Institute series, Assorted Associations and Conferences series, Manuscripts, Drafts, and Papers series, General Correspondence series and a Biographical series, Course Materials series, Program Review series, Research series, Museum of Anthropology (MOA) series, Photographic series, Audio Cassette series and Computer Tape series (last three series were added were acquired in 2007).

The fonds consists of textual records, published materials, and photographs (loose and in scrapbooks), and includes biographical information, copies of speeches and articles (1942-1975). Also included are typed manuscripts of poems and short stories, a longer typescript entitled "Kootenay Chronicle," a copy of the Academic Policy Committee Report - UBC (1963). The correspondence and clippings were gathered during Cottingham's term as president of the BCTeachers Federation, and material relating to women's issues (1952-1963).

Fonds consists of correspondence, biographical material, published papers, notes, financial materials, clippings, photographs, ceremonial documents, and notebooks pertaining to Gage's personal and professional activities.

The fonds consists of two series: the Roma Research series and a Publications series composed of copies of Cohn's publications. The first series includes material generated or collected by Cohn in the course of researching Roma. It includes audiotaped interviews of Rom with notebooks containing descriptions and analysis of the conversations; a computer-generated inventory of kinship ties among hundreds of North American Roma; a transcript of a New York trial (1962) of a Roma fortune teller; miscellaneous printed and published materials on Roma, collected by Cohn; and materials from a correspondence course for learning Romani (1969/70). The research series also contains photographs (1968-74) of Roma taken by Cohn throughout North America and Europe. The Publications series includes copies of Cohn articles (1959-1993) and a bibliography of his works (1950-1993).

The fonds consists of correspondence, research/miscellaneous material, manuscripts/other writings by Chipman, subject file, collected printed/published materials and photographs.

Fonds documents several of Eva-Marie Kröller’s academic projects: her biography of British Columbia author George Bowering, Bright Circles of Colours (Talonbooks, 1992); essays on Roy Kiyooka and Emily Carr; her book Canadian Travellers in Europe, 1851-1900 (UBC Press, 1987); materials relating to her book Writing the Empire: The McIlwraiths, 1853-1948 (2021); an article entitled “Une femme bien en vue”: Adrienne Clarkson and the Media (2014); and an anthology of travel literature that she and historian Pierre Savard were planning, but which was not completed before Savard’s death in 1998 in addition to other various research materials. Also included are documents related to a workshop organized by SATE (Swiss Association of Teachers in English), and correspondence with Canadian authors. The materials consist of textual records (correspondence, notes, drafts, and readers’ reports), published materials, and a 3.5” computer floppy disk containing a digital manuscript of Bright Circles of Colours.

The fonds consists of records and ephemera pertaining to John Laurence Russell Meredith and his family from 1863 to 1990. Records and ephemera pertaining to his father’s life are of genealogical interest as they provide insight into who he was. Records pertaining to his sister’s death show the painstaking detail the family took in providing a meaningful burial for her. The UBC ephemera provides a glimpse into Laurence’s social life at UBC. The music and theatre programs show his interest in the arts from a young age. The photographs provide valuable information on who his family was, what Laurence liked to do, and the activities in which he participated. His diary, letters received by him, and a list containing the translation of various words and phrases of the language of the Kwakwaka'wakw First Nation provide insight into who he was as a person.

Fonds consists of materials in various media created or acquired by Joe Schlesinger in the course of his professional career, along with materials documenting or commemorating the Kindertransport programme, and a few items of a more personal nature. It includes textual records such as scripts for his news reports and speeches, correspondence, notebooks, scrapbooks, newspaper and magazine clippings, honorary degrees and other awards, published items, posters, and miscellaneous writings. Also included are photographs, audiovisual recordings, and digital files.
The fonds is arranged in the following series: Scripts, Speeches, Correspondence, Notebooks, Scrapbooks, Clippings (sub-series Pieces by Schlesinger, Pieces about Schlesinger, and Other Pieces), Awards and Recognition, Time Zones, Winton/Kindertransport, Miscellaneous, Photographs, Audiovisual, and Digital Media.

The fonds consists of biographical material, family information, correspondence, speeches, publications, subject files, teaching and reference material, photographs, audio and videotapes and artifacts. The fonds also includes various forms of Black's artwork. A copy of a Black family history published by Myra Davey (née Black) in 2006 had a CD of digitized images.

Fonds consists of correspondence, reports, teaching materials, notes and manuscripts for speeches, and publications acquired by Kenneth Argue in his professional career, personal papers, clippings, and photographs. The photographs are of family members, and friends and colleagues from outside UBC. The materials are arranged in the following series: Publications and Speeches, Course Materials, Personal Papers, and Photographs.

The fonds consists of correspondence, revisions, drafts, notes, theses materials, reviews, photographs and negatives pertaining to Messengers personal life, education, career, research and personal interests and the various publications that he was associated with. The fonds also includes game boards, notes, drafts and original word puzzles. Finally, the fonds contains the Ann Parshall Messenger sous-fonds.

Fonds consists of the personal papers of John Norris, including family papers, correspondence of both a personal and professional nature, notes of academic articles, lecture and class notes, as well as several photographs of Norris and his family. Fonds has been organized into seven series: Correspondence series; Family series; Political Career series; Hannah Institute series, Research Materials and Publications series; Teaching series; and Photographs series. Materials are arranged in alphabetical order unless otherwise indicated.

Fonds consists of textual material related to the teaching and academic work of Morehart at UBC, as well as personal research and publications. There are also materials from Morehart’s personal life, including artwork, which consists primarily of several canvas boards and other flat materials, and personal correspondence. Materials include handwritten notes, printed documents, publications, photocopies of publications and articles, original artwork, journals, and the contents of several binders. Folder names are primarily taken from original folders. There are eight series: Artwork, Correspondence, Miscellaneous, Personal, Photographs, Research Materials/Articles, Sceattas Research Materials and Writings, and Teaching/Lecture Materials.

The collection consists of materials created or acquired by Juta Kitching throughout her membership or role in FUSAC. The collection consists of textual, both typewritten and handwritten, as well as photographs (prints & negatives) and an audio recording. The textual information is a mixture of English, Finnish, Hungarian and Estonian. The collection is organized in the following series: Annual Conferences and Operational Proceedings.

The fonds consists of material related to David Aberle's research activities, academic work and writing. It includes the notebooks and journals of his fieldwork beginning in 1940-41 and continuing through 1991. These consist primarily of field notes and other notes made during and after those trips. The vast majority of this material relates to Aberle's work with the Navajo in Arizona. The fonds also includes notes, articles, data and codes relating to Aberle's research into kinship and language among the Navajo, Mongols and Athapaskans, and extensive research into Navajo culture and economy. The fonds also includes correspondence on a variety of academic subjects, including Aberle's teaching materials from UBC's Department of Anthropology and Sociology. His work includes several reports written as part of the Navajo-Hopi land dispute. The fonds includes research notes for many of Aberle's essays and articles, as well as chapters and appendixes of his books.

The fonds consists of a curriculum vitae, incoming and outgoing correspondence, lecture notes, course syllabi, speeches and papers, book reviews, lists of Howes publications, surveys, application forms for grants and academic leaves, research notes, committee minutes, photographs and architectural drawings. The fonds consists of 10 series: Personal Records, Correspondence, Course Materials, Conferences and Seminars, Asian Studies Department, Book Reviews, Professional Papers, Research Materials, Subject Files and Photographs. The records were organized according to either Howes original filing system or to its overall contents.

Fonds consists of textual records which document Dr. Marchak's scholarship and related professional and administrative activities, and includes correspondence, reports, typescripts of speeches and articles, written notes, contracts, journal off-prints, course materials, conference packages, and newspaper and magazine clippings.
The fonds is arranged in the following series: Published Works, Unpublished Works, Books Correspondence and Reviews, Universities, Organizations, & Associations, Political Science and Mahmoodi/Dutton Affairs, Correspondence Course, and Conferences. Some series are further divided into sub-series. Within each series and sub-series, the records have mostly been retained in their original order.

The fonds consists of minute books, membership lists (1916-1937), photographs, plays, financial records, programs and play announcements (1916-1961), scrapbooks (1916-1944), and ephemera.

The fonds consists of personal and professional materials created and collected by Professor Jacob Zilber. The fonds consists of screenplays, manuscripts, drafts, notes, and correspondences relating to Jacob Zilber's published and unpublished materials. The fonds also includes biographical and autobiographical material, clippings, teaching records and course materials. It also contains manuscripts by students, materials related to musician and composer Michael Zilber, Department of Creative Writing administrative records as well as various UBC committee records.
The fonds is divided into five series: Manuscripts, Screenplays, Monologues series (1950-1999); Administrative and Teaching Materials series (1964-1989); Personal Materials series (1950-1997); Photographs series (1947-1989); and Audiovisual Materials series (196?-1985).

The fonds consists of correspondence, manuscripts for publications, articles, speeches and reports by Verner, minutes of meetings of UBC and government committees on which Verner sat, and map research materials, 1941-1979. The papers also include almost 200 photographs, mostly snapshots, of Verner, friends and colleagues dating from the 1920s to 1979 and over 400 historical maps of North America, the Arctic and Asia, 1550-19__. Professor Verner organized his files into three subject areas relating to his work and interests: Personal, ca. 1921-1979, Adult Education, 1940s-1978, and Cartography, 1949- 1979. This arrangement has been maintained. Files within the three series are organized into sub-series, the order reflecting as closely as could be ascertained the original order of the papers as set up by Verner. In some cases this was difficult to determine as the materials were received as separate accessions over a number of years. In most cases the files are identified as Verner labeled them.

The fonds consist of scrapbooks of clippings, correspondence, photographs, and programs relating to the Players' Club's activities and the Frederic Wood Theatre's construction.

Fonds consists of Daniells' personal and professional incoming and outgoing correspondence, diaries, speeches, radio broadcasts, manuscripts, poetry, subject files, research files, postcards and postcard collections, clippings, financial records, audio material, photographs, memorabilia and printed material. Also included are the records of Roy's parents, James and Constance Daniells. The correspondence series contains thousands of letters from prominent literary figures such as Earle Birney, Robert Finch, Desmond Pacey, Northrop Frye, Herbert Davis, E.K. Brown, A.S.P. Woodhouse, as well as writers, poets, and artists such as Paul Hiebert (Sara Binks), Carol Coates, Max Maynard, Jack Shadbolt and others. His works are represented by manuscripts of his poetry, fiction, drama, scholarly work on Milton and modernism and Canadian literature, speeches and broadcasts, autobiography, diaries, and many letters to his family. The fonds also contains notes of sympathy received by Daniells' family after his death.

The collection includes 18 series: Administrative / Office Project Files (1971-1979); Chinese Organizations (1915-1972); Chinese Times (1914-1972); Scrapbooks (1961-1963); Miscellaneous Headlines, Notes, and Clippings (19--); Research Files (1885-1978); E.C. Mark Papers (ca.1940-1974); Chinese Benevolent Association (1933-1969); Financial Ledgers (19--); Chinese Community Research Project Survey (1974); The Chinese World (19--); Interviews with Leaders (19--); Newspapers, Periodicals, and Printed Material (1913-1979); Theses and Papers (1941-1978); Articles and Books (1931-1977); Photographs (ca.1918-1978); Microfilm and Audiotape (1973-1976); and Miscellaneous Restricted Material (19--) series.

Fonds consists of essays, articles, offprints, reviews, contracts, correspondence, a CV, a scrapbook, photocopies, maps, plans, notes, microfilm, and photographs about the personal lives and research of Philip and Helen Akrigg. Fonds contains two series: Research Collections (1580-1993) and Personal Material (1934-1999).

The fonds consists of a variety of materials, but the focus is the creative writing of Bullock, in many genres. Represented in collections are prose and poetry, both published and unpublished, along with hundreds of individual works, covering not only poetry and prose poems, but academic essays, autobiographical accounts, and plays, as well as a prodigious amount of notes. The fonds also contains material relating to Bullocks work as a translator and includes a variety of genres translated into English from the original French, German, or Italian. The fonds also includes correspondence of both a professional and personal nature. The correspondence from 1935 illustrates the business life of a professional writer; it also contains a wealth of personal correspondence that helps solidify Bullock's stature as a writer both locally and internationally. Impressive figures such as Marcel Bealu, Max Frisch, and Joy Kogawa are intermingled with less well-known artists, friends, and family in the correspondence, and provide valuable commentary, over nearly 70 years, into the creative path chosen by Bullock.
The fonds consists of 20 series and a single sub-series: Assorted Poems Series, Collected Poems Series, Prose Series (Lotte Bullock Sub-Series), Plays Series, Essays and Criticism Series, Artwork Series, Works in Translation Series, Correspondence Series, Notes Series, Reviews Series, Melmoth Vancouver Series, Photographs Series, Audiotape Recordings Series, Diaries Series, Biographical Notes Series, Conferences, Lectures, and Readings Series, Promotional Material Series, Financial Records Series, Published Material Series, and Miscellaneous Series.

The fonds consists of the following series: biographical material, personal correspondence (1912-1968), addresses (1914-1961), clippings both by and about Eastman (1912-1955), copies of published articles (1909-1957), lecture notes and research material, records relating to the Canadian Institute of International Affairs (1950-1962) and the United Nations Association of Canada (1952-1968), pamphlets/published material and photographs.

The fonds consists of approximately 1,750 35 mm. negatives of photographs taken between 1994 and 2008 by Longson. Over the years, several of her images were used to illustrate Christmas and other greeting cards for various University units. In addition, selective prints from the negatives have been scanned and added to the online photographic database. The fonds also includes printed and electronic samples of the cards created from the Longson images and digital copies of some photos stored on CDs.

The fonds consist of textual records related to the workshops and conferences that Hagler attended and publications he was involved in. The fonds also includes photographs that may have been taken at those conferences or included in published texts. The fonds is arranged into three series: Workshops and Conferences, Publications, and Photographs.

The fonds consists of Cyril Belshaw's personal and professional papers. The professional records chronicle both his involvement in numerous local, national, and international organizations (including the Academic Board for Higher Education in British Columbia, the Regional Training Centre for United Nations Fellows, the Social Science Research Council of Canada, the Pacific Sciences Association, UNESCO, and the Canadian Sociology and Anthropology Association), and his teaching and administrative activities at UBC. The records also include his original research material and data into various groups in the South Pacific, and other topics in anthropology. More personal records related to his education and family. Also included are materials about the disappearance and subsequent inquiry into the death of Betty Joy Belshaw. The materials include meeting minutes, course materials, publications, manuscripts, research journals, personal diaries and agendas, financial statements, press clippings, photographs, maps and audio-visual materials.

Fonds consists almost entirely of materials created or acquired by Harry Adaskin throughout his life and career. It includes the manuscripts for his autobiographies, correspondence, scripts for radio broadcasts and lectures, newspaper clippings, and concert programmes, photographs, films, and audio recordings. Also included are annotated copies of Adaskin's two autobiographies: A Fiddler's World (published in 1977), and A Fiddler's Choice (1982). Some outside correspondence addressed to his wife Frances after his death is also included. The fonds is organized in the following series: Autobiographies, Hart House String Quartet, Harry and Frances (Marr) Adaskin Concerts, Musically Speaking Scripts, New York Philharmonic Broadcasts, Tuesday Night Scripts, Miscellaneous Writings, Correspondence, Audio Tapes, Autographed Photographs, Audio Discs, and Film.

Fonds consists of correspondence, blueprints, minutes from Faculty, School Council and various committee meetings, handwritten notes, reports, draft proposals, public service announcements, flyers, course syllabi, curriculum revisions, class schedules, student lists, various publications of the School and its students, news clippings, display materials, photographs, slides, audio cassettes, a videocassette, a book and a medal. Fonds is arranged in 15 series: General History of SLAIS, Administrative, Faculty, Accreditation, School Committees, Courses, Students, Professional Associations, CLA Discovery '87, School Publications, Anniversaries, External Publications and Clippings, Audio Tapes, Photographs and Slides.

The fonds consists of correspondence from 1929 to 1990; biographical data/information from 1921 to 1991; literary works from 1938 to 1984; photographs from 1898 to 1984; interviews and talks/speeches given from 1942 to 1984; newspaper clippings from 1920 to 1990; newsletters and theatre souvenirs from 1922 to 1987.