The collection of video tapes consists of three categories: raw footage of UBC events/activities primarily from the 1990s; footage shot by UBC film students for a documentary on the Fraser Canyon region; and a series of interviews with a veteran of the Spanish Civil War. Most recordings are in Betacam format, the remainder are VHS.

Collection consists primarily of event flyers, programmes and calendars published to promote various performing arts productions at UBC. Also included are companion guides for some theatre productions. Materials are arranged in three categories: Theatre Productions, Musical Productions, and Performing Arts – General. Within each category the materials are organized by department, organization, or production series.

Collection consists of the annotated first draft of Roy’s biography of Sherwood Lett, copies of tributes to Lett published after his death in 1964, and correspondence.

The collection is an assemblage of movie memorabilia (predominantly Noir and Western), 20cm x 25cm film-stills, 28 cm x 36 cm lobby cards, and ephemera amassed by Thompson as a part of her research for her books Hard-Boiled and Tall in the Saddle. Additionally, there are Science Fiction stills and posters, Spanish-language lobby cards, 36cm x 91cm insert posters, and miscellaneous stills from other 20th-century cinema.

The collection consists of materials created or acquired by Juta Kitching throughout her membership or role in FUSAC. The collection consists of textual, both typewritten and handwritten, as well as photographs (prints & negatives) and an audio recording. The textual information is a mixture of English, Finnish, Hungarian and Estonian. The collection is organized in the following series: Annual Conferences and Operational Proceedings.

The collection consists of materials acquired by Special Collections and the University Archives and maintained for purposes of historical research. It includes reports, correspondence, committee minutes, course materials, architectural and other drawings, newspaper and magazine clippings, press releases, posters, brochures, and other published materials. The materials are arranged alphabetically by subject or name (e.g. organisations, University departments, events, buildings/places, and individuals).

The collection consists of off-prints and copies of articles and reports arranged alphabetically by faculty member name.

The collection consists of records collected by Professor David Macaree in his research on early 18th Century English literature. It includes transcribed typed copies of the complete works of David Crawford (or Crawfurd) (ca. 1700); a copy of an article written by Macaree about Crawford (1961); and photocopies of early political pamphlets by Daniel Defoe (ca. 1700-1714).

The fonds consists of project background and administrative information as well as student-generated material arising from their oral interview exercise. The student material consists of two parts generated in 1987 and 1988. The first (Box 2) includes copies of questions, transcripts and student comments on the interviews. The inventory also lists the oral history tape number. The second includes only a copy of the students’ commentary.

The collection consists of programs, tickets and program notes of Cinema 16 accumulated by A.C. Killip.

The collection consists of two catalogues (1927, 1935) of ethnological specimens presented by Frank Burnett to UBC and minutes of the University of British Columbia's President's Committee on the Musuem (1941-1944).

The fonds consists of typewritten research notes relating to historical sources of information about salmon canning in British Columbia.

The collection consists of duplicate copies of Community Arts Council of Vancouver (CACV) records given to Melva Dwyer. The records are made up of two series. The first includes general material about the organization - Annual Reports (1953-1956, 1967), Special Projects (1955-1967) including reports of the Vancouver Festival Society, Council Briefs and records from the British Columbia Arts Resources Conferences (1957-1960). The second series comprises records specifically from the Civic Arts Committee of the Community Arts Council of Vancouver.

The collection consists of miscellaneous records of the Western Canada Art Circuit generated between 1950 and 1970. It includes correspondence, reports, minutes of annual meetings, financial statements, and published materials (in particular exhibit catalogues).

The collection includes 18 series: Administrative / Office Project Files (1971-1979); Chinese Organizations (1915-1972); Chinese Times (1914-1972); Scrapbooks (1961-1963); Miscellaneous Headlines, Notes, and Clippings (19--); Research Files (1885-1978); E.C. Mark Papers (ca.1940-1974); Chinese Benevolent Association (1933-1969); Financial Ledgers (19--); Chinese Community Research Project Survey (1974); The Chinese World (19--); Interviews with Leaders (19--); Newspapers, Periodicals, and Printed Material (1913-1979); Theses and Papers (1941-1978); Articles and Books (1931-1977); Photographs (ca.1918-1978); Microfilm and Audiotape (1973-1976); and Miscellaneous Restricted Material (19--) series.

The Malcolm Lowry Manuscripts Collection includes textual records, photographs, and a variety of audio-visual materials organized into sous-fonds by creator. The Collection is predominantly textual records; the majority of materials are correspondence and manuscripts, many of which have been microfilmed.

The core of the Malcolm Lowry Manuscripts Collection is the Malcolm Lowry Papers, and the content of the Collection is consequently thematic. Materials pertaining to Malcolm Lowry’s life and works were collected by RBSC from a variety of sources, including Lowry’s friends and family.

As of the 2023 rearrangement of the Collection, the records are arranged in sous-fonds as follows:

SF01 Malcolm Lowry Papers
SF02 Margerie Lowry Papers
SF03 Earle Birney Papers
SF04 Harvey Burt Papers
SF05 Victor Doyen Papers
SF06 Anthony Kilgallin Papers
SF07 Carol Betty Atwater Papers
SF08 William McConnell Papers
SF09 David Markson Papers
SF10 Einar Neilson Papers
SF11 William Templeton Papers
SF12 Lowry Family Papers
SF13 Photographs
SF14 Microfilm
SF15 Douglas Day Papers
SF16 Rudy Wurlitzer Papers
SF17 Francillon and Nadeau Papers

Collection is made up of items collected by the UBC library, for an exhibition related to punk in the Irving K. Barber Learning Center lobby. It consists mostly of vinyl’s, with two textual records relating to the history of hardcore punk and D.O.A., both created by D.O.A. Vinyl records are predominantly by D.O.A., Pointed Sticks and The Dishrags, as well as other Vancouver based punk bands. The vinyl records were all pressed in 70s or early 80s, or re-pressings of records from that same period. The re-pressings contain extensive liner notes and other ephemera.

Collection documents Misty Rose’s career as an exotic dancer from 1979 to 1990 primarily in the Lower Mainland and other locations in British Columbia. The collection includes both colour, and black and white studio photographs of Misty Rose in various scenes, poses, with accompanied props. Newspaper articles and clippings appear in the collection, featuring advertisements, promotional material, event information, and articles about establishments and individuals. Other textual materials includes agency business cards, newsletters, and performer engagement contracts facilitated by various agencies including International Artists, Westcoast Artists, Stripper Entertainment Agency, Choice Entertainment Ltd., The Agency, The Rose Agency and Mink Agency Talent Representatives. Stationary, contracts, memorandums and communications from hotels and establishments where Misty Rose performed also appear in the collection.

The Reg Innell Collection of Shelleyana consists of ephemera related to Percy Bysshe Shelley, one of the major English Romantic poets, collected over many years. Materials include scrapbooks, a photograph album, prints, newspaper clippings, postcards, letters and a medallion bearing Shelley’s image.

The collection spans the full range of years that the press was in operation and demonstrates the breadth of their letterpress work.

It contains a series with books such as artists’ books and chapbooks that were printed by the press and another that collects ephemeral material such as greeting cards and promotional material for businesses.

This collection consists of ephemera that celebrates gender performance and lesbian identities. Materials span a wide time period, capturing both early and late 20th century LGBT culture.

In particular, there is a significant part of the collection dedicated to ephemera and published materials that feature early 20th century gender impersonators. Developed out of the English music hall scene of the 19th century, male impersonators in the early 20th century were primarily vaudeville acts that toured the United States. Their audiences were predominantly male with a focus on comedic delivery, something that represented a shift in the male impersonator tradition from the earlier 19th century.
Well-known male impersonators include Vesta Tilley, who was an active performer from the 1870s until the 1920s, and Hetty King, who performed from the 1890s until her passing in the 1970s. Both are featured in a number of postcards that are part of the collection.

The collection also includes several early 20th century anti-suffrage postcards that depict women in relationships with each other (as opposed to men) and include phrases that suggest they have supplanted a man’s role. Other items include a souvenir photograph and accompanying paper frame from a 1930s entertainment venue, the Howdy Club, and 6 negatives of First Lady Eleanor Roosevelt taken in 1939.

The collection also features materials from the 1980s and 1990s that belonged to Snider during that period. Highlights include several off-air recordings of episodes of the Vancouver Co-Op Radio show, ‘The Lesbian Show’ as well as t-shirts from the University of British Columbia and University of Victoria Womyn’s Centres.

The collection consists of 67 black and white photographs of various sizes taken by Ulli Steltzer in the 1960s and 1970s. Subjects include Northwest Coast Indigenous peoples and artists, Black, LatinX and Indigenous peoples in the USA and Guatemala, and a small number of portraits and still-life. Specifically, the collection contains seven original prints from her important book Indian Artists at Work, including the iconic cover image of Mabel Taylor of Port Alberni weaving a basket, a beautiful portrait of Dempsey Bob carving a human figure, and Haida basket maker Florence Davidson gathering spruce roots, among others. It also contains 14 original prints from her book Coast of Many Faces, including the cover image (Sam Webber and his daughter Laura from Kingcome Inlet), and photos from the Nass River, Alert Bay, Port Neville, Ahouset, Massett and other coastal places. There are eight 1967 - 1968 photographs of Black Americans in the Mississippi Delta, Georgia, and Alabama as well as images of LatinX Americans and Vietnam War widows, as well as photographs of the Maya in Guatemala.

Collection consists of primary resources and related materials created and used by Canadian women composers. Each series is dedicated to one of the participating composers, which currently consists of Deborah Carruthers, Dorothy Chang, Zosha Di Castri, Lori Freedman, Barbara Monk Feldman, Ana Sokolović, Chiyoko Szlavnics, and Elizabeth Raum. Materials include a variety of records, such as original scores, manuscripts, working drafts, photographs, prints, published articles, correspondence, and materials used as inspiration in the artists' work. Going forward, the collection is expected to evolve and incorporate additional Canadian women composers.

Collection consists of materials pertaining to Pre-Raphaelite artists Christina Rosetti, her brother Dante Gabriel Rossetti, Alice Boyd, and others associated with them, and include poetry broadsides, correspondence, photographs, personal papers (such as a notebook, an address book, and other textual records), and a framed silk embroidered panel. The contents of this collection were purchased from bookseller Edward Nudelman.

RBSC's holdings of the Korean Canadian Heritage Archive consist of UBC's General Collection, which was one of the two sub-collections of UBC's portion of the KCHA. The creators of this collection divided the collection into nine series based on the physical formats of the materials. The series are as follows: Ephemera, Books, Grey Literature, Multimedia, Correspondence, Manuscripts, Newspaper Clippings, Serials, and Personal Documents.

The Uno Langmann Family Collection of B.C. Photographs, donated by Uno and Dianne Langmann and Uno Langmann Limited, consists of more than 20,000 rare and unique early photographs from the 1850s to the 1970s. It is considered the premiere private collection of early provincial photos, and an important illustrated history of early photographic methods. The photographs were taken by a wide range of photographers. Some well-known photographers represented in the collection include William Notman, Charles MacMunn, Frederick Dally, Charles Horetzky, Charles Gentile, Philip Timms, Yucho Chow, R. Maynard, and Leonard Frank.

This finding aid will provide access to the collection in the interim period while UBC Library digitizes the collection. For updates on the collection and its digitization, please visit http://langmann.library.ubc.ca

The collection consists of unique and rare materials related to Igor Stravinsky, first edition scores, programs, writings, articles, and newspaper clippings about Stravinsky, and photographs of the composer.

224 bookbinding tools and presses, ranging in age from 60 years old to 100 years old, used by Dorothy Burnett, the first independent craft binder to set up shop in Vancouver.

The collection contains records related to Oscar Orr’s career in law, his professional and political affiliations, and records relating to his role as a prominent resident in the province of British Columbia. There are also historical records that Orr gathered as part of his collection. The collection consists of five series: British Columbia records; American records; Canadian provinces and politics records; Britain and Europe; and Books and miscellaneous records. The series contain correspondence, autographed clippings and notes, invitations and miscellaneous documents of prominent political individuals, businessmen, and royalty.
The series British Columbia records contains Orr’s correspondence with prominent and political members in British Columbia in the early to late 1900s. The series includes the autographs of BC political members as well as prominent BC court officials. Also includes a letter from Dan Cranmer of Alert Bay regarding a possible potlatch. The series American records contains documents and autographs of prominent US political, literary, and war figures. Records in this series date back to the 18th century and were part of the collection Orr gathered as part of his interest in history. The series Canadian provinces and politics records include early 19th century documents relating to the Canadian political landscape as well as Orr’s own correspondence with Canadian politicians and court officials. The series Britain and Europe contains records and autographs of British and European political, literary, and military figures, dating back to 1698. Books and miscellaneous records include books, newspapers, photographs and other records from Orr’s collection that relate to his interest in history.

The collection comprises records acquired by Peter Moogk about aspects of British Columbia’s history, including the British Columbia Electric Railway Company’s interurban train lines (predominantly from 1909-1958), and photographic representations of persons (especially white settlers, from 1870-1960), places, events and activities in the province.

The collection includes six series: British Columbia Electric Railway Company Records, Portraits of Persons in British Columbia, Photos of places, streets, and architecture in British Columbia, Photos of events and activities in British Columbia, British Columbia ephemera and Records from British Columbia Penitentiary.

Records relating to the first series, British Columbia Electric Railway Company Records, include: photographs; postcards; original BCER documents, such as union agreements and timetables; BCER employee publications; transit tokens; signs and posters from within Vancouver streetcars; and a copy of a CJOR radio script.

Records relating to the second series, Portraits of Persons in British Columbia, include: photographs and handwritten notes by Moogk about Vancouver photographers operating from 1858-1920.

The focus of the third series, Photos of places, streets, and architecture in British Columbia, is photographs of structures and places of British Columbia, notably building exteriors and interiors, and street views from 1880-1959.

The fourth series, Photos of events and activities in British Columbia, includes photos of notable events and public activities (predominantly dating 1911-1941), as well as everyday life, and also includes handwritten and photocopied information on the provenance of the photos and activities depicted.

The fifth series, British Columbia ephemera, is mostly paper ephemera representing the variety of business and activity in the province from 1890 to 1990, and includes menus, theatre programs, business correspondence, and Chinese textbooks as well as some photographic materials.

The sixth series, Records from British Columbia Penitentiary, includes textual records and photographs relating to the British Columbia penitentiary.

The Irving Guttman Collection is a large collection of photographs of different people and places in the opera world. There are two different parts of this photographic collection: The first part of the collection includes pictures of Mr. Guttman directing and coaching opera performers, or posing with opera enthusiasts from across the globe. A large bulk of these first photographs are of Mr. Guttman's production of the operas, Norma, Tosca, Traviatta, and Aida. However, other operas such as Madam Butterfly, Daughter of the Regiment, Othello, Carmen and more are included in the Collection.

The second part of the collection consists of autographed portraits of opera performers, and other operatic stakeholders. The list of operatic singers, conductors, composers and directors, includes but is not limited to: Luciano Pavarotti, Placido Domingo, Leonard Bernstein, Joan Sutherland, Cristina Deutekom, Montserrat Caballé, John Alexander, Tracy Dahl, Marilyn Horne, Linda Roark-Strummer, Huguette Tourangeau, Renata Tebaldi, Clarice Carson, Regina Resnik, Mary Costa, Irene Salemka, Cecilia Bartoli, Judith Forst, Ermanno Mauro, and Sylvia Sass.

Lastly, there is a collection of congratulatory letters to Mr. Guttman for his 25th anniversary as artistic director of the Edmonton Opera.

Collection consists of letters, newspaper clippings, and articles relating to Sir William Osler’s career and involvement with the Medical Library Association.

Collection consists of Al Sens’ professional records, produced and received in the process of his career in cartoon and animation illustration. Material spans his career from the 1950s to the 2010s. The collection is arranged into two series according to record type: publications series and original illustration series.

The collection consists of 53 photographs of well-known 20th century opera singers, composers, musicians, and directors, as well as a performance program and a print of a portrait painting, given to and collected by Pauline Donalda as mementos of her career. The majority of the photographs are signed and dedicated to Pauline Donalda by their subjects, often with personal comments.

Collection consists of historical material regarding the Pre-Raphaelite artist and illustrator Arthur Hughes collected by Leonard Roberts and Maj. Greville Chester. The collection includes a large body of correspondence from Arthur Hughes to Susan Lushington, a variety of letters to other correspondents, 9 photographs of Hughes and his wife and daughters, examples of Hughes' illustrations and research materials such as family notes and reminiscences and copied articles.

The collection consists of documents, archival records, photographs, ephemera and artifacts related to three broad themes: British Columbia history, immigration and settlement and the Canadian Pacific Railway Company. Included are the archival fonds of the Yip family and Yip Sang Company, the Dart Coon Club and Chinese Freemasons of Victoria, Hugh G. Robinson (regarding the S.S. Greenhill Park Explosion), Rev. MacDonnell (regarding the Clandonald colony of Scottish immigrants in Alberta) and the British Columbia Coast Steamship Service. Includes documents, ephemera and artifacts of the Canadian Pacific Railway Company, including records of travelers on CPR rail and steamships.

Collection consists of printed items such as bookmarks, gift cards, calendars and other promotional items created by UBC Library Vault.

The Tremaine Arkley Croquet Collection contains over 2,400 paintings, illustrations, engravings, advertisements, photographs and other ephemera depicting the game of croquet throughout the years. The images range from fine art to cartoons and everything in between, and show the rise in the game’s popularity in England and America in the 19th and 20th centuries. Many items in the collection show gender roles, as croquet was one of the first games that men and women played together.