Series consists of three volumes of Holland's diary entries.

Series consists of compositions by composer Elizabeth Raum. Contents include: handwritten notes, sketches, handwritten and typewritten scores with handwritten notations and edits, and descriptions of the compositions by Raum. Pieces included in the series are: The Man Watching; Olmutz Concerto; Legend of Heimdall; River Rhapsodie; Victims of Eagles; First and Gracious Sight; and Carol in Three-Three Time.

This series contains materials accumulated by Ian McDonald related to the writing of his book “The Red Baron of IBEW Local 213” written about his father, Les McDonald. Materials include digital sound recordings of interviews, research articles, notebooks, consent forms, a draft royalty agreement, a draft chapter and a press marketing questionnaire.

Series consists of an outline for a book on the history and rules of Canadian football.

Series consists of extensive research notes, draft manuscripts and source materials used by Williams in conducting family history research. Copies of "The Bowerman Family, 1379 to the Present: English, American, Canadian" [CS 71 B69 W4] and "The Samuel Williams, Jemima Platt Family" [CS 90 W54] are available in Special Collections as well as in the fonds. Series also includes three postcard albums collected by M.Y. Williams' mother, Carrie Williams and numerous photographs.

Series consists of reprints gathered by M.Y. Williams, reflecting his broad interest in geology and natural history. Series is arranged alphabetically by author and, on rare occasions, by subject.

Series consists of photocopied materials from The Chinese World.

Series consists of six file drawers of index cards generated by M.Y. Williams in his research and one box of index cards documenting his map collection.

Series consists of various published materials in the areas of geography and literature.

Series consists of ledgers and other material about Vancouver and Victoria Chinatowns.

Series consists of restricted materials removed from the collection by E. Wickberg.

Series consists of newspaper and magazine clippings collected by Soward.

Series consists of incoming and copies of outgoing correspondence. Series is arranged alphabetically by correspondent or subject.

Series consists of various headlines, notes, and clippings.

Series consists of the texts of interviews with various leaders in the B.C. Chinese community.

Series contains photograph albums of various railways, elevators, and bridges associated with Swan's career as an engineer. Series also holds two other photographs outside of albums containing Swan and his associates and military Battalion.

Series consists of manuscripts and sections of manuscripts from poems, novels, plays, essays, and other written works by Hood.

Files consisting of many short texts, or untitled texts, have simply been named "Manuscripts." In all other cases, existing file names have been respected or, where available, have been attributed by the archivist according to the manuscript contained in the file.

The series consists of undated handwritten notes and printed material about Turnbull's classes at UBC.

Series consists of programmes, pamphlets, brochures, and memorabilia collected by Sage.

Series consists of a small notebook containing typed copies of poems from Tao Te Ching by Lau Tzu, translated by Gia-fu Feng and Jane English, printed by Wildwood House, London. Also included in the notebook is Land of the Reed Plains: Ancient Japanese Lyrics from the Manyoshu, translated by Kenneth Yasunda.

Series consists of offprints and publications collected by Sage.

Series consists of the text of speeches, notes, a draft manuscript, conference proceedings, reports, correspondence, printed material, and photographs about the field of Education.

Includes papers and emails exchanged between James Birren and James E. Thornton and other miscellaneous documents. Please ask archives staff regarding access to digital copies.

This series consists of files related to Brown's various interests. Major topics include companies similar to those for which Brown was a director, interests in Hawaii, materials related to the Yukon, and various groups in which Brown was involved, including several cancer research societies, the Metropolitan Opera (New York), and social clubs in Canada.

This series consists of materials related to Brown's married life and childhood, materials with little to no relevance to his work, and the contents of Brown's scrapbook. A great majority of the series contains documents and correspondence related to functions the Browns hosted. Smaller, though notable, items include the script of a play, school papers, and song lyrics all written by Brown.

File consists of newspaper and magazine clippings collected by Hood, some of which relate to his publications.

Series consists of assorted memorabilia collected by Somerset, including a photocopy of a land grant to John Somerset and other related documents.

Series consists of notes, photostated documents, and published material collected by Sage in carrying out his research. Series contains two subseries: B.C. History and Canadian History subseries.

Series consists of photocopies of Coulthard's idea book, pamphlets, and a collection of annotated, published books that influenced Coulthard in her musical compositions and lyrics.

Series consists primarily of family photographs. Other photograph subjects include scenes of Vancouver, particularly Stanley Park, as well as images and objects of historical interest. A small amount of textual material,a drawing, and a print are also included.Files names and order have been respected where they existed.

Series consists of unidentified notes and other materials.

Series consists of articles and reports about education and children's play.

Series consists of various published journals collected by Scarfe.

Series consists of the text of addresses given by Scarfe.

Series consists of clinic notes.

Series consists of final scores, edited scores, notes, and a musical program related to Dorothy Chang’s composition Gateways: Double Concerto for Erhu and Piano. Gateways was commissioned by Nicole Ge Li and Corey Hamm of the Piano-Erhu Project (PEP). Players of the erhu and piano, respectively, they began PEP as a means of exploring the tonal, musical, and cultural blends between two iconic Eastern and Western instruments. For her addition to PEP’s mission, Chang reflected on how she might address the issue of ‘east meets west,’ especially given the solo instruments’ highly distinct and disparate sonic characteristics, performance practices, and musical traditions. Gradually, the piece evolved as a patchwork of musical fragments, moments, and memories gathered from her own multicultural experiences as a first-generation Chinese American, a Western expatriate living in Taiwan, and now an immigrant to Canada. Woven into the three movements are references to a 90’s Chinese pop song, a children’s rhyme, opulent Romanticism, American minimalism, and other influences both subtle and not. The title refers to a Tang Dynasty poem that depicts a gateway as both an opportunity and a barrier, reflecting a deep yearning for a faraway time, place, or memory. The work premiered April 14, 2018 at the VSO Annex Theatre; Ge Li and Hamm served as soloists; William Rowson conducted members of the Vancouver Symphony Orchestra.

Series consists of both published sacred, secular, and popular music as well as hand-copied, transcribed music, collected by the members of the Icelandic community in Vancouver. Records include manuscript sheet music, part books, solo sheet music, and etude books; as well as vinyl recordings of various Icelandic music. Documents are arranged into files according to genre of music and language.

The music was collected from V. Baldwinson, the Icelandic Lutheran Church choir, H. Johnson, G. Thorleifson, Anna Camb, Gwen Dowding, E. Sigmar, R. Einarson, J. Goodmundson, R. Rasmussen, O. Stefanson, T. Thorsteinsson, O. Howardson, T. Friđliefosn, R. Ásgeirsson, j. Reykdal, A. Sveinsson, S. Sigurdson, and B. Gudmundson.

Series consists of genealogical charts, notes, correspondence, photographs, and wills from members of the Warren family.

Series consists of original graphic scores, conductor's score, working templates, notes, art prints, and photographs related to the work ‘slippages’ by Montréal based composer and interdisciplinary artist Deborah Carruthers. In 2017, Carruthers served as the inaugural Artist in Residence at the Peter Wall Institute for Advanced Studies, University of British Columbia (UBC). Deborah teamed up with science researchers at the institution as well as the UBC School of Music to find a way to creatively combine sound, science, and visual art for the purpose of increasing public awareness of the climate crisis. Carruthers conducted field work for the project in the Columbia Icefield along the border of British Columbia and Alberta. Inspired by the threatened glacial landscape, Carruthers returned to her Montréal studio and completed a series of paintings, 27 of which were selected and arranged to produce a graphic score. Graphic scores use visual symbols to represent music rather than traditional music notation. Because of their emphasis on the visual, graphic scores are frequently considered works of art in and of themselves. Moving from sight to sound is accomplished through the creation of a geography of the orchestra on a sheet of transparent plastic which is then used to map over Carruthers’ art works and determine which instruments take responsibility for which parts of the images. ‘Slippages’ premiered Friday, October 5th, 2018, at the Chan Centre for the Performing Arts with the UBC Symphony Orchestra under the baton of the symphony’s Director, Dr. Jonathan Girard. Project documentation includes a notebook holding hand-written texts revealing assimilation of glacial theory, inspirational preliminary sketches, and unique inserts; an audio/video recording of the premier; and a copy of a video component to be shown above the orchestra as it performs the work.

Series consists of documentation of the Allard School of Law History Project, including interview consent forms, printouts from the project website, and two USB drives containing digitized copies of the consent forms and digital recordings of the interviews. Access copies are available. However, access to digital-born material will be given on a case-by-case basis; please contact archives staff. Appendix III in the finding aid lists the filenames and formats present on the digital media.

Series consists of scores, sketches, notes, edited drafts, correspondence, inspirational materials, and photographs related to Zosha Di Castri’s composition Sprung Testament: Duo for Violin and Prepared Piano. The work is a collaborative piece between composer/pianist Di Castri and violinist Jenny Koh. Koh was planning a series of concerts for National Sawdust, an innovative arts institution located in Brooklyn, New York, and reached out to various composers/performers to participate. Koh set the theme of the concert, asking each composer to engage with the idea of rebirth and evolution. In response, Di Castri wrote Sprung Testament which encapsulates the concepts of spring and rebirth. In their conversations, the two musicians questioned the journey one goes through in life to transcend personal struggles. Di Castri used sticky mounting putty to modify the piano, thereby creating unique sounds and highlighting Koh’s theme of transformation. Print photographs of the prepared piano can be found in the "Images" file of the fonds. Koh and Di Castri premiered Sprung Testament at National Sawdust on March 15th, 2018.

Series consists of Reed's (unpublished) memoirs, as well as some autobiographical notes and correspondence.

This book was published in 2012 and featured several contributing authors who wrote the chapters. At least some of the chapters were originally printed as articles in scholarly journals. Series consists of drafts, correspondence, and editorial notes.

Series consists of musical scores, notes, sketches, concert programs, DVDs, and audio CDs pertaining to three distinct pieces composed by Lori Freedman: Reimsix, To The Bridge, and Concerto Now and Then. Each piece is unique and pertains to a specific era during Freedman’s long musical career. Reimsix was composed by Freedman in 2011 for the flute, clarinet, violin, cello, percussion and piano. To The Bridge was composed in 2014 for bass clarinet (clarinet in B-flat) and voice. This piece is composed of five miniatures connected by four bridges, hence the naming of the song. The bridge is where the miniatures arrive or depart from a place. Freedman explains her perspective as, “playing music is equally about composition as it is about interpretation and the spontaneous combination of the two — improvisation.” With this piece, Freedman wants to focus on the interconnection between the composer, the performer and the audience. Concerto Now and Then was composed in 2020 for any five musicians. It has previously been performed with a violin, clarinet, cello, alto saxophone, and double bass.

Series consists of additional copies of newsletters, roasters, CDs and artifacts.

This series contains records regarding Kilian's associate, Scott Morrison.

This book was published in 2010. It replaced the 2000 work published by PEP, Young Adolescents meat Literature. Series consists of drafts, editorial notes, and correspondence.

This series consists of published or printed materials.

Series primarily consists of photographs taken of the Icelandic Lutheran Church, parish leaders, and prominent members of the Church’s congregation.

Series consists of three data DVDs provided by Patricia Galloway with digitized versions of some of the materials.