The collection consists of six incoming letters, four handwritten by Emily Carr to Ann Smith (1936, 1940, 1941 and 1943) and the other two from Alice M. Carr (1945, 1953).

The fonds consists of two diaries which chronicle Sprague's 1906 trip from Edinburgh to Hope, B.C.

Fonds consists of two scrapbooks created by a Vancouverite about American movie stars of the silent movie era and photographs of those stars including Ramon Novarro, Richard Dix, Lillian Gish, Gloria Swanson, and Isabell Starr.

The fonds consists of drafts, research notes, galley proofs, and other materials related to Stephen's book "Winged Canoes at Nootka and Other Stories of the Evergreen Coast," as well as typed transcripts from her radio programs "Indian Trails," "Story Time," and other pieces of reporting. The fonds also includes creative writing drafts - short stories, radio dramas, and plays adapted for radio - and research related to an unpublished book about Alberta. Personal files include photographs, correspondence, and historical family records dating back to the 19th century. Materials related to Stephen's involvement with the Canadian Women's Press Club and the Vancouver branch of the Canadian Authors Association are also part of this fonds.

The Vancouver Women in Focus Society fonds reflect their activities in video production and distribution, gallery exhibitions, activism and lobbying, community engagement, and research. Materials include correspondence, office files, newsletters, grant applications, sales and rental records, legal documents, catalogues and bibliographies, clippings, posters and flyers, meeting minutes, books, newspaper clippings, and financial records. The fonds also contains several non-WIF records relating to feminist and women’s issues, general art and film, as well as local and federal politics that reflects the context of the time and place in which Women in Focus were operating.

Records relating to the first series, the Administrative series, includes files dealing with the maintenance and upkeep of the society such as: meeting minutes, sales and rental agreements, artist contracts, artist resumes, notes, lease information, WIF newsletters, and legal and court documents. The series also consists of two subseries: Financial and Correspondence.

Records relating to the second series, the Production and Distribution series, include files dealing the Women in Focus Society’s production and distribution of feminist video and film. Production records include: meetings and records from the production committee; files relating to various individual productions; and publicity for WIF productions. Distribution records include: distribution statistics; catalogues; distribution information and research; and distribution correspondences.

Records relating to the third series, the Gallery series, include files dealing with the Women in Focus Society’s art gallery events. Gallery records include: records relating to the gallery committee; artist submissions; publicity for gallery shows; research into potential gallery shows; gallery guides; information relating to specific shows; and gallery sign in books.

Records relating to the fourth series, the Events series, include files dealing with the Women in Focus Society’s various events that they hosted or participated in. Event records include: publicity for events; project budgets and logistics research; correspondences and press releases about events; documents relating to workshops; research relating to participating in other events. Many records in the Events series relate to project-specific grant applications in the Administrative series.

Records relating to the fifth series, the Resources and Reference series, include files dealing with the Women in Focus Society’s research into related organizations and various of topics of interest. Records related to other organizations include: publicity for non-WIF productions; newsletters from other organizations; and artist profiles. Records relating to topics of interest cover political and social issues as they relate to women and/or art. These records range from the late 1960s to the early 1990s. These files include: government publications; magazines; newsletters; newspapers; zines; pamphlets; and photocopies of books.

The fonds consists of the unpublished manuscripts of It Seems to Me, Faith and Fancy, and Broken Crystals. These typescripts date from the period 1935-1950 when Williams was travelling across Canada. The fonds also includes printed and published poems (1936-1945).

The fonds consists of Winson's correspondence, a personal reminiscence of Winson by his wife (Ethel Leaf Winson), and another memoir entitled "From Small Beginnings," together with a historical account of Lady Tweedsmuir's visit to Abbotsford in 1939. In addition, there are other brief manuscript memoirs by Mrs. Winson, clippings of J.W. Winson's journalistic articles (some relating to A.W. Findlay), miscellaneous clippings, documents confirming Winson's various appointments and the copyright to Wildwood Trails.

The collection consists of research material for Betty Keller's book, "Pauline: The Life of Pauline Johnson". It includes photocopies of letters to, from, and about Pauline Johnson, copies of printed material, as well as two articles about Johnson. Johnson, also known by her Mohawk stage name Tekahionwake, was a Canadian poet, author and performer who was popular in the late 19th and early 20th centuries. Her father was a hereditary Mohawk chief of mixed ancestry and her mother was an English immigrant.

The fonds consists of subject files, office files, printed material, videos, photographs, and slides relating to home economic topics such as cooking and kitchen and laundry planning presented by Beatrice Millar on behalf of the British Columbia Hydro Home Service Centre. Photographs consist of slides used in the BC Hydro home economics program, publication production photographs, as well as photographs of BC Hydro and Beatrice Millar in a television studio.

The fonds consists of postcards acquired in her travels, mainly in Europe and including Vienna, Paris, and various locations in Italy as well as Canada, United States, New Zealand, Japan, and Barbados. There is also a small amount of correspondence.

The fonds consists of records spanning the period 1955-2013 that reflect Blanche Howard’s literary career, political interests, professional and volunteer work, as well as her personal and family life. Records related to Howard’s literary career include incoming and outgoing correspondence with publishers, agents, friends and family, colleagues and fellow writers, among others; literary works, including novels, short stories, essays, articles, book reviews, speeches, and plays in various editorial and publication stages; notes, outlines, and proposals; research materials; grant applications; contracts and royalty or revenue statements; biographical, publicity, and promotional materials; photographs, newspaper clippings, and ephemera; and other materials. Records related to Howard’s political interests and professional and volunteer work include correspondence with Iona Campangola, Capilano College, and members of The Writers' Union of Canada, among others; Vanier Institute of the Family correspondence and board meeting minutes; Moodyville Theatre correspondence, meeting minutes, and financial records; and other materials. Records related Howard’s personal and family life include photographs of Howard’s family, as well as photographs of Bruce Howard during his political career; personal ephemera; correspondence, including with writer and friend Carol Shields; and other materials.

The fonds reflects Leonard and Kitty Maracle's involvement in the British Columbia Association of Non-Status Indians (BCANSI), as well as various other Aboriginal organizations, committees, clubs, programs, projects and events. The fonds consists of correspondence, meeting minutes, proposals and reports, notes, publications, newspaper clippings, photographs and various ephemera relating to Aboriginal rights and political activity primarily in British Columbia but also throughout Canada. The fonds also contains some of Leonard and Kitty’s personal papers, including correspondence, family photographs, writings and notes.

The fonds is divided into seventeen series: British Columbia Association of Non-Status Indians (BCANSI); Other Indian and Metis Associations; Native Women's Organizations and Other Issues Related to the Status of Women; Native Housing; Native Arts and Crafts; Centers; Program and Projects; Indian Clubs; Committees and Councils; Events; Subject Case Files; Native People and the Criminal Justice System; Surveys and Cooperative; Other Organizations; Government; Workshops, Addresses, General Reports, Resumes and Lists of Organizations; and, Printed Material, Audiovisual Materials and Miscellaneous.

The fonds consists of 71 holograph letters from Ethel Wilson to Cheney, as well as correspondence from Wallace Wilson, Mary [Dodds] and Dorothy McNair. There is also correspondence between Nan Cheney and various artists, including Emily Carr, between the years 1938 and 1984. Cheney's subject files on Canadian artists are included in the fonds, along with newspaper and periodical clippings, memorabilia, photographs and manuscripts.

Fonds consists of textual and graphic material related to the activities of the Fuller siblings as traveling musicians, particularly during their American tour from 1913 to 1917, including correspondence, financial documents such as contracts and receipts, and photographs and drawings from their tours. Fonds also includes printed material such as programs and sheet music which the Fuller family had printed and sold.
Fonds is arranged into series according to the type of documentation: Correspondence, Business and concert documents, Sheet music and lyrics and Photographs and drawings.

Fonds consists of research compiled by art historian and curator Patricia Ainslie. The research relates to both her published writing and her curatorial work at the Glenbow museum in Calgary, AB. Materials include research notes; photocopies of articles and images; correspondence with artists, other curators, and archival institutions; planning documents and lists; photographs of artists and artwork; interviews on audio cassette, DVD, and as transcripts; manuscripts for some of her published work; and exhibition pamphlets.

The contents of this collection pertain to the Santo Tomas Interment Camp in the Philippines during WWII. The camp was active from 1942 to 1945 and housed over 4,000 prisoners-of-war.

Records reflect the internal administrative structure and functioning of the camp, daily life of internees, the political activities surrounding the camp, and the personal experiences of Barbara and Leonard McCann.

Fonds consists primarily of correspondence, published materials, and other documentation related to Potrebenko's writing career and publications. Also included are materials she accumulated in relation to her involvement with local labour activism.

Fonds consists of a scrapbook related primarily to Wooton's work as a Vancouver Parks Board superintendent, but also containing several personal documents such as photographs, cards and Wooton's Free Mason certificates. Parks board related material in the scrapbook includes newspaper clippings, photographs of Vancouver parks, beaches, pools and other facilities, correspondence and manuscript notes. The scrapbook appears to have been maintained by Wootton's wife, Marion Wootton, as it contains a number of letters of condolence to her after Mr. Wootton's death. Fonds also contains a separate photograph, of the Vancouver Parks Board Commissioners 50th anniversary lunch, October 29 1939.

The fonds consists of the business records created and/or collected by Lazara Press and its founder Penny Goldsmith, predominately from the early 1980s to the late 1990s. The records are loosely divided into two main categories: administrative and publication records. The administrative records contain material documenting the different functions of Lazara Press, including promotional/distribution information, financial records, memberships information, and correspondence Lazara Press had with other printing presses and booksellers in Canada and in Europe. Other administrative records include materials pertaining to projects Goldsmith was involved in, either as a representative of Lazara Press or of her own initiative.

The publication records contain material relating to the publication process of the various broadsheets, chapbooks, volumes of poetry, plays, short stories, and essays printed by Lazara Press. These records include drafts and manuscripts, layouts and prototypes, as well as the published editions of many of these works. Other records include correspondence between Lazara Press and various authors, contracts, promotional information, reviews, and distribution lists.

The fonds is divided into eleven series: Promotion and distribution; Lazara Press business records; Literary associations and publishing groups; Literary festivals and book fairs; Publishers; Editing + consulting; Penny Goldsmith articles; Other projects; Lazara published books; Broadsides and chapbooks; and Discussion series. The last three series are further divided into subseries, typically by author name but occasionally by the title of a publication.

Fonds consists of letters, clippings and other documentation sent from Claire Culhane to Yvonne Schmitz during the period 1979 until Culhane's death in 1996. Subject matter pertains mainly to issues of prisoner's rights, but also touches upon personal matters. Files are arranged as they arrived from the donor.

The fonds consists of records created and collected by Jackie Maniago which includes records associated with her involvement in various advocacy efforts in Vancouver, British Columbia, and Canada.

In particular, the fonds includes records related to the Community Living movement, deinstitutionalization in British Columbia, and advocating for the rights of persons who are intellectually disabled.

The fonds has been arranged into the following 10 series: Woodlands Parents' Group; Community Living Society; Community Brokerage Service Society; Family Link; British Columbia Association for Community Living; Canadian Association for Community Living; Community Living Coalition; Subject Files; Advocacy Initiatives; and The Roeher Institute. These series reflect Jackie Maniago's activities and participation in these organizations and her own interests.

The main types of records within the fonds include correspondence, meeting minutes, news articles, photographs, interviews, event programs, publications, newsletters, conference proceedings, and speeches.

This group of letters consists, with minor exceptions, of correspondence from Sister Mary Gonzaga (Georgiana Barrie) (1825-1873), a Sister of Mercy from Bermondsey, to her sister Julia (Mrs. Edward Boodle) during the Crimean War. There are a few letters that were written after the Crimean War. A few letters were written by Mrs. Boodle to Gonzaga and one letter was written to Boodle by Alfred Green. There are also assorted reproductions of photographs, certificates, and drawings related to Sister Mary Gonzaga and the Sisters of Mercy.

The majority of the collection consists of over 200 pencil handwritten copies of Martha May Beardmore’s accounts of her work during the First World War in Serbia and Salonika. There are also notes on a presentation she attended, newspaper clippings, and fragmentary documents about the First World War. At the end of the collection is a covering letter from her husband, Harry Beardmore to the UBC librarian which gives some biographical information.

This fonds consists of records related to Darryl Adams' activities as a political and social justice activist as well as his personal life. The fonds consists of three series: personal life and administrative records; activism involvement series; and activism collections series.

Records relating to the first series, Adams' personal life and administrative files include: personal correspondence received by Adams; photographs collected, taken of or by Adams'; school records and club memberships memorabilia; news clippings and other articles; and work related records such as research materials and correspondence.

Records relating to the second series, the activism involvement series, include material created or used by groups that Adams was involved in such as the Vancouver American Exiles Association (VAEA), as well as the Galindo Madrid Case of the 1970s. These records include meeting minutes; correspondence; conference, seminar, and workshop materials; materials by or about other communist, socialist, or leftist organizations; papers, articles, speeches, critiques, letters, and reports on related topics; ephemera and publications, such as newsletters, journals, and clippings; and sound recordings such as interviews Adams' gave on behalf of VAEA.

The last series consists of three major collections that Adams obtained over his lifetime. The first collection is the lefty literature collection that consists of newspapers, magazines, periodicals, booklets and bulletins, and other publications related to leftist themes. The second collection is a poster collection and the last collection is a button collection.

Items in the collection were gathered by Barbara Hodgson. Many of the items were reproduced in Hodgson’s non-fiction publications In the Arms of Morpheus: The Tragic History of Laudanum, Morphine and Patent Medicines (2001) and Opium: A Portrait of the Heavenly Demon (1999). Hodgson was particularly interested in representations of opium production, transportation, sale, and ingestion, as well as similar representations of laudanum and patent medications containing morphine. Geographical areas depicted include China, countries in South Asia, and countries in the Middle East. Many representations of opium ingestion in the collection are orientalist in nature; individuals who have South Asian, Chinese, or Middle Eastern heritage are depicted in a racist, exoticized manner by Western film or medicine companies in order to lend an aura of “glamour” to various products.

The collection spans 223 books searchable through the UBC Library Catalogue and the following archival files created by Hodgson: Trade Cards; Postcards and Stereo Cards; Movie Stills; Portraits of Writers and Performers; Pharmaceutical Documents, U.S. Federal Order Forms, Medication Advertisements, and Stamps; Print Copies of Engravings; and Canadian Customs Tariff Book, 1897. As is apparent from this list, archival documents were aggregated based on their form. Principle documentary forms in the collection include the following: trade cards created by Victorian-era patent medicine companies; postcards; stereo cards; film stills from a variety of films; copies of film reviews; photographs; postage stamps; advertisements; handwritten prescriptions; pharmacy stock lists; U.S. Treasury Department order forms; anti-narcotic postage stamps; a package of Stanback Headache Powder; print copies of engravings; and a Canadian customs tariff book from 1897.

The fonds consists of records related to the Positive Women’s Network (PWN) various programs and projects, support and educational resources, and operations and administrative activities. The fonds reflects this in the following three series: Operations and Administration, Support and Education, and Programs and Projects.

The Operations and Administration series contains records related to the PWN’s administrative activities and day-to-day operations including the Board of Directors’ policies and procedures, operational budgets and applications for operational funding, correspondence with other organizations, strategic planning for the organization, and organizational budgets.

The Support and Education series consists of records related to the PWN’s various resources for training and supporting PWN members, their friends and family, health care providers, and the larger community as a whole. Record types include retreat materials, toolkits, pocket guides, training kits, educational materials, Positive Side newsletters, magazines, workshop materials, artwork, memorial and guest books, and other materials.

The Programs and Projects series features records related to the several programs and projects that the PWN launched either individually or as partners with other organizations.

The fonds consists of records generated and assembled by Mary Olga Park related to her personal life and associations, materials related to her career as a self-published writer, artist, and spiritual teacher as well as records related to the psychic experiences that she encountered throughout her life. Records span from Park’s early years in England to 1985, and were predominantly created in Vancouver British Columbia. Records from 1986 – 2017 were either added by Susan McCaslin, or Park’s son, Robert Park. The fonds is arranged into three series: Artistic, Literary, and Musical projects, Personal and Administrative Records and Psychic Records.

The Artistic, Literary, and Musical Projects series features drafts of Park’s musical transcriptions and annotated sheet music collection, hymnal book collection, sketches, pastel, and charcoal artwork, and her literary works in various genres, notably drama and poetry. The fonds also includes materials of her published and self-published works, and educational materials related to both her Sunday school position, and her spiritualist teachings. Record types include publications, drafts (typed, handwritten, and hand-annotated), correction notes, poems, manuals, procedures and instructions for her “learners,” Sunday school teaching material, prayers, study series material, sketchbooks and artworks, musical transcriptions, sheet music, and recordings.

The Personal and Administrative Records series contains records related to the personal life and administrative affairs of Park. Park kept detailed subject files on many different religious and spiritual phenomena, spiritualist writers, and completed her own Bible studies. She also corresponded with family, friends, and her “learners.” Record types include Bible study notes and annotations, family history research, education certificates, childhood books, religious and spiritualist publications, newspaper clippings and ephemera, diaries, notes, and personal notebooks, professional and personal correspondence, subject files on spiritualist matters, astrological charts, audio cassettes, photographs, and a postcard collection.

The Psychic Records series aggregates records Park kept throughout her adult life recording various psychic phenomena which she experienced. The records are textual accounts of clairvoyance, clairaudience, “out-of-the-body” experiences, dream visions and soul sight, voices, manifestations, astral encounters, precognition, and healing. Park often referred back to these notes at later dates and annotated their meanings to her as they informed occurrences in her everyday life. These records informed much of her teachings and publications, but were kept separately in her original record-keeping environment.

The fonds consists of records related to Kathryn Shoemaker's illustrative works, and includes final artwork and sketches, as well as draft texts, dummy copies, resource materials, published reviews and correspondence, including the author and publisher, relating to the production of the work.

The fonds consists of records related to Gaudin's medical career in obstetrics and gynaecology. Record types include Gaudin's certificate of membership to the Royal College of Obstetricians and Gynaecologists, and studies and commentary on obstetrical and gynaecological cases. The majority of these studies are bound together in a volume presented to the Royal College by Gaudin.

The fonds consists of materials related to Mabel Taylor's nursing career and international travels. The materials document the professional life and world travel of an independent woman in the first half of the twentieth century. Record types include diplomas and certificates of nursing, travel documents including Taylor's passport and visas, correspondence related to job openings, as well as Taylor's written exam for obtaining a drivers' license in Durban, South Africa.

The collection reflects the careers and interests of the Farris family, who were prominent members of the Vancouver elite. Their status as a family of lawyers and educated individuals often allowed them the opportunity to travel and attend noted events such as the Royal Ascot Racecourse, and encounter several distinguished individuals, such as Prime Ministers Louis St. Laurent and Pierre Trudeau, Lieutenant Governor Walter Owen, and Queen Elizabeth II and Prince Philip, Duke of Edinburgh. The collection consists chiefly of correspondence, photographs, matters of estate, family history, notebooks, manuscripts, legal memorabilia, and family memorabilia of John Wallace de Beque Farris, Evlyn Keirstad Farris, John Lauchlan Farris, and Dorothy Farris.