Fonds reflects Lee’s professional career, investment ventures, engagement with political and social communities, and life with friends and family. It offers particular insight into the social aspects of Lee’s life, as she kept many of the invitations, programs, and other ephemera relating to events that she attended because of her community involvement and philanthropy across all aspects of her life. In addition to a variety of textual records relating to her business ventures, volunteering, and military service, the fonds contains a significant number of photographs that were taken or otherwise collected by Lee and reflect the full range of her life’s facets.

The fonds is divided into five series: Entrepreneurship, investing, and business; Military service; Community and political activity; Personal records; and Photographs.

The entrepreneurship, investing, and business records series relates to Lee’s activities as a businesswoman and investor. Records in this series include financial and legal records, marketing materials, and certificates of recognition.

The military service records series relates to Lee’s time in the ambulance corps and subsequent involvement with initiatives in support of veterans. Records include a limited number of original materials from Lee’s period of service; correspondence and other records including meeting minutes and ephemera documenting Lee’s involvement veterans’ advocacy and recognition efforts.
The community and political activity records series relate to Lee’s involvement in Chinese Canadian community projects and the Social Credit and Conservative parties of Canada. Records in this series include ephemera, correspondence, and meeting minutes that document her involvement with these groups.

The personal records series relates to Lee’s travels as well as her life outside of her work and volunteer efforts. Records include correspondence, ephemera, and certificates.

The photographs series relates to a large number of photo albums and loose photographs that reflect all aspects of Lee’s life.

The collection consists of research material for Betty Keller's book, "Pauline: The Life of Pauline Johnson". It includes photocopies of letters to, from, and about Pauline Johnson, copies of printed material, as well as two articles about Johnson. Johnson, also known by her Mohawk stage name Tekahionwake, was a Canadian poet, author and performer who was popular in the late 19th and early 20th centuries. Her father was a hereditary Mohawk chief of mixed ancestry and her mother was an English immigrant.

The fonds consists of correspondence, newspaper clippings, minutes, memoranda, personal notes, diaries, photographs, videos and an assortment of ephemera created or collected by Carney over her years in federal politics. The fond consists predominantly of materials reflecting Carney's political life. Records from her years in the Official Opposition (1980-1984) and in government (1984-1988) consist of parliamentary reports, minutes from Neighbourhood Nights and correspondence from constituents. The majority of materials reflect Carney's tenure as Minister of Energy, Mines and Resources (1984-1986), and Minister of International Trade (1986-1988). For dates during the evolution of both the Atlantic and Western Accords, these records include correspondence between Carney and provincial premiers, Prime Minister Brian Mulroney, and provincial Ministers of Energy. Records from the FTA include a copy of the Canada-U.S. Free Trade Agreement, correspondence with Simon Reisman, Finance Minister Michael Wilson, Mulroney, and other Cabinet Ministers. FTA materials also include correspondence and newspaper clippings from the tenth anniversary of the FTA. The records also include copious handwritten notes from Carney's participation on the Priorities and Planning Committee of the Cabinet. The fonds also includes records from State Visits of the Prince and Princess of Wales and American Vice-President George Herbert Walker Bush to Expo 86, as well as State Visits by President and Mrs. Reagan of the United States and President and Mrs. Mitterrand of France. The fonds also contains records documenting Carney's career as a Senator, including a series dedicated to the Task Force on Barriers to Women in the Public Service. Also, the records contain a series of Carney's School of Community and Regional Planning teaching materials as well as limited amounts from both her private life and her career as an economic journalist.
The 2011 accrual (Boxes 47-60) consists of correspondence, newspaper clippings, personal notes, reports, photographs, tapes and videos created collected by Carney during her time as a Senator. There is also further material regarding the reception of her autobiography and material from the operations of Gemini North.

Fonds consists of research compiled by art historian and curator Patricia Ainslie. The research relates to both her published writing and her curatorial work at the Glenbow museum in Calgary, AB. Materials include research notes; photocopies of articles and images; correspondence with artists, other curators, and archival institutions; planning documents and lists; photographs of artists and artwork; interviews on audio cassette, DVD, and as transcripts; manuscripts for some of her published work; and exhibition pamphlets.

The fonds reflects Patrice Pratt’s political and labour union careers and her community organization involvement. Records in the fonds relate to Pratt’s various roles within the Federal and Provincial NDP, as President of the BCNDP and as a constituency, committee, council, and party member, the BCGEU and BC Federation of Labour. Records consist of professional and personal correspondence, reports, communications, reference and resource material, convention materials, pamphlets and programs, newspaper clippings, agendas, minutes, resolutions, constitutions, policies, membership lists, campaign and platform materials, publications, campaign buttons, banners and other material. The fonds is divided into three series: Federal NDP, Provincial NDP and Labour Unions. The Provincial NDP series consists of two subseries: BCNDP President and BCNDP Associations, Committees and Advocacy.

As Pratt held various roles simultaneously throughout her career and much of her union work informed her political career, this overlap is reflected in her files. Records are divided into series based on the role held by Pratt at the beginning of the process, resulting in some record dates falling outside the official boundaries of the role she was working in.

The fonds contains correspondence, notebooks, and other literary manuscripts of many of the authors represented in the Colbeck Book Collection. The fonds also contains records generated by Colbeck, through his activities as a book dealer and collector, and in the process of cataloguing his collection for UBC. Finally, the fonds contains records created by the Librarian in charge of the Colbeck collection, generated in the process of cataloguing and maintaining that collection. The fonds is arranged in three series based on units that have been amalgamated into the current collection: Manuscript collection ([18--]-1914); Book and manuscript collecting records ([19--]-1988); and Colbeck Book Collection and Colbeck Librarian records (1968-1988).

The fonds consists of 71 holograph letters from Ethel Wilson to Cheney, as well as correspondence from Wallace Wilson, Mary [Dodds] and Dorothy McNair. There is also correspondence between Nan Cheney and various artists, including Emily Carr, between the years 1938 and 1984. Cheney's subject files on Canadian artists are included in the fonds, along with newspaper and periodical clippings, memorabilia, photographs and manuscripts.

The fonds consists of manuscript copies of "Education in the Bulkley Valley" and "University Extension School of the '30's", both written in the 1930s. The fonds also includes a transcript of her memoirs about her life in the Bulkley Valley, 1914-1962. Relating mainly to pioneers in the Aldermere, Telkwa, Round Lake, and Hubert areas of B.C., the manuscript served as a regional gazetteer of local history and has been published as Rubber Boots for Dancing.

Fonds consists of a scrapbook created by Muriel Grant, with newspaper and magazine clippings and event programmes attached to the pages.

The collection consists of 53 photographs of well-known 20th century opera singers, composers, musicians, and directors, as well as a performance program and a print of a portrait painting, given to and collected by Pauline Donalda as mementos of her career. The majority of the photographs are signed and dedicated to Pauline Donalda by their subjects, often with personal comments.

Collection documents Misty Rose’s career as an exotic dancer from 1979 to 1990 primarily in the Lower Mainland and other locations in British Columbia. The collection includes both colour, and black and white studio photographs of Misty Rose in various scenes, poses, with accompanied props. Newspaper articles and clippings appear in the collection, featuring advertisements, promotional material, event information, and articles about establishments and individuals. Other textual materials includes agency business cards, newsletters, and performer engagement contracts facilitated by various agencies including International Artists, Westcoast Artists, Stripper Entertainment Agency, Choice Entertainment Ltd., The Agency, The Rose Agency and Mink Agency Talent Representatives. Stationary, contracts, memorandums and communications from hotels and establishments where Misty Rose performed also appear in the collection.

The fonds consists of records related to Gaudin's medical career in obstetrics and gynaecology. Record types include Gaudin's certificate of membership to the Royal College of Obstetricians and Gynaecologists, and studies and commentary on obstetrical and gynaecological cases. The majority of these studies are bound together in a volume presented to the Royal College by Gaudin.

The Mavis Hall collection comprises of a variety of printed and photographic materials collected by Margery McCuaig, Hall’s mother, during a trip to Japan, sponsored by the Japanese Tourism Ministry and the Japanese Government Railways, from July-August, 1939.

The collection contains commercially-produced slides, postcards and souvenir photographs, as well as Board of Tourism publications, prints, and a few personal items and memorabilia of McCuaig, such as a passport, scrapbook, and autograph book. McCuaig also collected ephemera from the time she spent on the cruise ship, including daily ship menus, news bulletins, travel brochures, and entertainment programmes, that exhibit her experiences onboard.

The fonds consists of the unpublished manuscripts of It Seems to Me, Faith and Fancy, and Broken Crystals. These typescripts date from the period 1935-1950 when Williams was travelling across Canada. The fonds also includes printed and published poems (1936-1945).

The fonds consists of records generated and assembled by Mary Olga Park related to her personal life and associations, materials related to her career as a self-published writer, artist, and spiritual teacher as well as records related to the psychic experiences that she encountered throughout her life. Records span from Park’s early years in England to 1985, and were predominantly created in Vancouver British Columbia. Records from 1986 – 2017 were either added by Susan McCaslin, or Park’s son, Robert Park. The fonds is arranged into three series: Artistic, Literary, and Musical projects, Personal and Administrative Records and Psychic Records.

The Artistic, Literary, and Musical Projects series features drafts of Park’s musical transcriptions and annotated sheet music collection, hymnal book collection, sketches, pastel, and charcoal artwork, and her literary works in various genres, notably drama and poetry. The fonds also includes materials of her published and self-published works, and educational materials related to both her Sunday school position, and her spiritualist teachings. Record types include publications, drafts (typed, handwritten, and hand-annotated), correction notes, poems, manuals, procedures and instructions for her “learners,” Sunday school teaching material, prayers, study series material, sketchbooks and artworks, musical transcriptions, sheet music, and recordings.

The Personal and Administrative Records series contains records related to the personal life and administrative affairs of Park. Park kept detailed subject files on many different religious and spiritual phenomena, spiritualist writers, and completed her own Bible studies. She also corresponded with family, friends, and her “learners.” Record types include Bible study notes and annotations, family history research, education certificates, childhood books, religious and spiritualist publications, newspaper clippings and ephemera, diaries, notes, and personal notebooks, professional and personal correspondence, subject files on spiritualist matters, astrological charts, audio cassettes, photographs, and a postcard collection.

The Psychic Records series aggregates records Park kept throughout her adult life recording various psychic phenomena which she experienced. The records are textual accounts of clairvoyance, clairaudience, “out-of-the-body” experiences, dream visions and soul sight, voices, manifestations, astral encounters, precognition, and healing. Park often referred back to these notes at later dates and annotated their meanings to her as they informed occurrences in her everyday life. These records informed much of her teachings and publications, but were kept separately in her original record-keeping environment.

The fonds consists of postcards acquired in her travels, mainly in Europe and including Vienna, Paris, and various locations in Italy as well as Canada, United States, New Zealand, Japan, and Barbados. There is also a small amount of correspondence.

The fonds consists of correspondence, photographs, sound recordings, and notes produced by McAlpine (formerly known as Mary McAlpine Dodds) and related authors, friends, and family. Correspondents include Ethel Wilson, Wallace Wilson, Margaret Laurence, Beverly Mitchell, Nan Cheney, Dorothy Livesay, and others.

The fonds consists of mainly of subject files, reports, and printed material concerning social and political issues in British Columbia relating to families, the law and fertility, violence against women, children in society, including minutes and correspondence with the Canadian Federation of Societies for Population Planning and the Family Planning Federation of Canada.

The majority of the collection consists of over 200 pencil handwritten copies of Martha May Beardmore’s accounts of her work during the First World War in Serbia and Salonika. There are also notes on a presentation she attended, newspaper clippings, and fragmentary documents about the First World War. At the end of the collection is a covering letter from her husband, Harry Beardmore to the UBC librarian which gives some biographical information.

Fonds consists of records created or acquired by Marjorie V. Smith in the course of her work at the Centre for Continuing Education, and include correspondence, course materials, reports, photographs, and published materials. The records are arranged in five series: East Indian Programs, Multiculturalism, Indians, Reports on Workshops, and Publications. The arrangement is based on the order in which they were kept in Smith's office and transferred to the Archives.

Fonds consists of a scrapbook related primarily to Wooton's work as a Vancouver Parks Board superintendent, but also containing several personal documents such as photographs, cards and Wooton's Free Mason certificates. Parks board related material in the scrapbook includes newspaper clippings, photographs of Vancouver parks, beaches, pools and other facilities, correspondence and manuscript notes. The scrapbook appears to have been maintained by Wootton's wife, Marion Wootton, as it contains a number of letters of condolence to her after Mr. Wootton's death. Fonds also contains a separate photograph, of the Vancouver Parks Board Commissioners 50th anniversary lunch, October 29 1939.

Previously known as the "Ethel Johns Research Collection", the fonds consists of records generated during Street's writing of the biography of Ethel Johns. It includes correspondence (1969-1974) with publishers and the Canada Council which funded the project; transcripts of interviews with students, friends and associates (1969-1970); copies of Johns' addresses and publications (including portions of an unfinished autobiography); and draft manuscripts for the book "Watch-Fires on the Mountains".

The fonds consists of one album of photographs taken by Sage between September 1945 and August 1946 at a relocation camp near Tashme, B.C. where she was a social worker. The photographs include general views of the scenery, individuals and groups and some smaller buildings. In addition to the camp shots, there are also pictures of Japanese Canadians preparing for relocation. The album also includes a newspaper clipping, post card and a typescript article about the Tashme Camp. The fonds also includes a small body of correspondence written by Margaret Sage to her parents Walter and Nelda Sage and to her brother Donald (1945/46).

The fonds consists of photocopied research material relating the following individuals - Clifford Sifton, George Foster, Robert Borden, R.B. Bennett, W.S. Fielding, T.A. Crerar, A.K. Cameron and Charles A. Dunning. Also included are minutes, agenda papers and reports from the Historic Sites and Monuments Board of Canada on which Prang served from 1973 to 1979.

The fonds consists of records pertaining to Hardwick's teaching career. Included are documents, letters, entrance exams and photographs.

The fonds consists of 141 letters written by 83 Canadian authors who received letters from the school requesting their books, a photograph, and a letter relating to their literary career. The photographs, with two exceptions, were not retained with letters and the books were placed in the school library; but the letters, many with their envelopes addressed to Miss Margaret Cowie, were passed by Margaret Cowie to a friend and eventually donated to the UBC Library. The correspondents include Marius Barbeau, Frank Burnett, Bliss Carman, Mazo de la Roche, Francis Dickie, Hubert Evans, Nellie McClung, L.M. Montgomery Macdonald, Isabel E. MacKay, Charles Mair, Emily Murphy, Charles G.D. Roberts, Constance Skinner, Robert Stead, and A.M. Stephen. Most of the letters were written between 1925 and 1928.

The fonds consists of forty-one interviews with thirty eight colleagues, family, students and friends of Margaret Ormsby. In addition to the 50 cassette tapes there is also general information about the project as well as textual material for each interview consisting of a tape release form signed by the interviewee, a biographical information sheet and a detailed "timed tape guide".

The Malcolm Lowry Manuscripts Collection includes textual records, photographs, and a variety of audio-visual materials organized into sous-fonds by creator. The Collection is predominantly textual records; the majority of materials are correspondence and manuscripts, many of which have been microfilmed.

The core of the Malcolm Lowry Manuscripts Collection is the Malcolm Lowry Papers, and the content of the Collection is consequently thematic. Materials pertaining to Malcolm Lowry’s life and works were collected by RBSC from a variety of sources, including Lowry’s friends and family.

As of the 2023 rearrangement of the Collection, the records are arranged in sous-fonds as follows:

SF01 Malcolm Lowry Papers
SF02 Margerie Lowry Papers
SF03 Earle Birney Papers
SF04 Harvey Burt Papers
SF05 Victor Doyen Papers
SF06 Anthony Kilgallin Papers
SF07 Carol Betty Atwater Papers
SF08 William McConnell Papers
SF09 David Markson Papers
SF10 Einar Neilson Papers
SF11 William Templeton Papers
SF12 Lowry Family Papers
SF13 Photographs
SF14 Microfilm
SF15 Douglas Day Papers
SF16 Rudy Wurlitzer Papers
SF17 Francillon and Nadeau Papers

The fonds consists of materials related to Mabel Taylor's nursing career and international travels. The materials document the professional life and world travel of an independent woman in the first half of the twentieth century. Record types include diplomas and certificates of nursing, travel documents including Taylor's passport and visas, correspondence related to job openings, as well as Taylor's written exam for obtaining a drivers' license in Durban, South Africa.

This collection consists of ephemera that celebrates gender performance and lesbian identities. Materials span a wide time period, capturing both early and late 20th century LGBT culture.

In particular, there is a significant part of the collection dedicated to ephemera and published materials that feature early 20th century gender impersonators. Developed out of the English music hall scene of the 19th century, male impersonators in the early 20th century were primarily vaudeville acts that toured the United States. Their audiences were predominantly male with a focus on comedic delivery, something that represented a shift in the male impersonator tradition from the earlier 19th century.
Well-known male impersonators include Vesta Tilley, who was an active performer from the 1870s until the 1920s, and Hetty King, who performed from the 1890s until her passing in the 1970s. Both are featured in a number of postcards that are part of the collection.

The collection also includes several early 20th century anti-suffrage postcards that depict women in relationships with each other (as opposed to men) and include phrases that suggest they have supplanted a man’s role. Other items include a souvenir photograph and accompanying paper frame from a 1930s entertainment venue, the Howdy Club, and 6 negatives of First Lady Eleanor Roosevelt taken in 1939.

The collection also features materials from the 1980s and 1990s that belonged to Snider during that period. Highlights include several off-air recordings of episodes of the Vancouver Co-Op Radio show, ‘The Lesbian Show’ as well as t-shirts from the University of British Columbia and University of Victoria Womyn’s Centres.

The fonds consists of biographical material, correspondence (1928-1946), minutes, subject files, clippings and printed material pertaining to the Cooperative Commonwealth Federation in British Columbia. Amongst Shepherd's papers are those of his wife, Dorothy H. Shepherd, which relate to her work as an executive member of the South Westminster CCF Women's Club (1942-1959).

The contents of this collection pertain to the Santo Tomas Interment Camp in the Philippines during WWII. The camp was active from 1942 to 1945 and housed over 4,000 prisoners-of-war.

Records reflect the internal administrative structure and functioning of the camp, daily life of internees, the political activities surrounding the camp, and the personal experiences of Barbara and Leonard McCann.

The fonds reflects Leonard and Kitty Maracle's involvement in the British Columbia Association of Non-Status Indians (BCANSI), as well as various other Aboriginal organizations, committees, clubs, programs, projects and events. The fonds consists of correspondence, meeting minutes, proposals and reports, notes, publications, newspaper clippings, photographs and various ephemera relating to Aboriginal rights and political activity primarily in British Columbia but also throughout Canada. The fonds also contains some of Leonard and Kitty’s personal papers, including correspondence, family photographs, writings and notes.

The fonds is divided into seventeen series: British Columbia Association of Non-Status Indians (BCANSI); Other Indian and Metis Associations; Native Women's Organizations and Other Issues Related to the Status of Women; Native Housing; Native Arts and Crafts; Centers; Program and Projects; Indian Clubs; Committees and Councils; Events; Subject Case Files; Native People and the Criminal Justice System; Surveys and Cooperative; Other Organizations; Government; Workshops, Addresses, General Reports, Resumes and Lists of Organizations; and, Printed Material, Audiovisual Materials and Miscellaneous.