The fonds consists of the personal records of Gilean Douglas which were produced and received during her personal and literary activities . It includes manuscripts of poems, articles, short fiction and books ; material generated and collected by Douglas during her involvement with various organizations ; notes and drafts of various writings ; research materials ; an extensive professional, fan and personal correspondence; financial records ; legal records ; lists and inventories ; records of publication ; clippings. There are journals and engagement books dating from 1911, notebooks and address books, and scrapbooks containing clippings of Douglas' published articles and poems . There are also scrapbooks and correspondence generated by her parents dating back to the 1880s. There is a notable gap in records dating from 1929 to 1932.

Photographic records date from the 1890s to the I990sand include prints, framed portraits, slides, negatives and film strips. A large assortment of photos documents her family and childhood. Douglas started taking photographs as a child. By her early twenties she was an accomplished photographer, using her own pictures to illustrate her writings. Photographs taken by her during the 1920s through the early 1940s are for the most part found in the albums. Pictures taken in the 1950s and 1960s fall into 3 main categories : black & white photos of the B .C. coast taken during her trips on the boats of the Columbia Coast Mission, color and black & white photos of communities in B .C. and eastern Canada taken during her trips for the W.I ., and pictures of Channel Rock . Unfortunately the slides and pictures taken on WI trips are unlabelled and for the most part can only be identified as to general location and date. During the 1970s and 1980s the photographs are almost exclusively of Channel Rock. A representative sample of these is included in this series ; others may be found at the Cortes Museum and Archives.

Aside from Douglas' own photographs, there are several interesting groups of other people's pictures in this collection: an album with pictures of overseas service during World War I, a group of labelled photographs of Baffin Island, Pangirtung, etc. taken in 1926/27 by an RCMP officer, and photographs from a trip around the world on a freighter in 1919.

The records offer insight into Douglas' personal history and literary development . They document, in words and pictures, an unusual and interesting life which began at the turn of the twentieth century.

The fonds consists of photographs and negatives from the Georgia Straight newspaper photograph files, depicting demonstrations, conflicts, picnics, concerts, musicians, celebrities and other events and individuals.

The fonds consists of engravings (mainly lino-cuts and some wood blocks) of flowers, trees, animals, insects, birds, sea creatures, floral and key designs, and erotica as well as other designs.

The fonds consists of manuscript notebooks as well as handwritten and typewritten copies of his poetry.

The fonds consists of material pertaining to Bowering's private and professional life. Included are thirteen pages of draft typed and handwritten poetry, as well as 44 incoming letters and sixteen postcards (1962-1970) from Earle Birney.

The collection contains three binders of 198 cards from a variety of First Nations Northwest Coast artists, predominantly Robert Davidson, but also including Bill Reid, Roy Henry Vickers, Arthur Thompson, Joe David, David Seymour, Ron Hamilton, Stan Greene, Freda Diesing, Ken Mowatt, Richard Hunt, and others. The cards were collected by the MacDonalds starting in the 1960s. Many of the cards were intended by the artists for use in local potlatches, weddings, housewarmings, graduations, births, funerals, and other major life events and include inscriptions and/or notes from the artists to the MacDonalds.

The fonds consists of photocopies of Hann's autobiography, reminiscences of Alberta and B.C., newspaper and magazine clippings (1910-1940), three unidentified letters (one dated 1930), and maps of Southeast England, Ontario (1912), Spain and Portugal. Scrapbooks in the collection contain clippings, printed material and correspondence on various topics. The fonds also includes photographs of classical art and architecture, buildings and monuments.

The fonds consists of correspondence (both personal and business), manuscripts of novels, short stories (some untitled), and poetry, as well as reviews of Ethel Wilson's work, contracts, photographs, awards, diaries (1938-1942) and subject files. Files created by MacMillan Company of Canada relating to the publication of some of Ethel Wilson's novels have been added to the fonds. Included are subject files relating to "Hetty Dorval", "The Innocent Traveller", "The Equations of Love", "Love and Salt Water", and "Mrs. Golightly and Other Stories" as well as articles of short works and articles, clippings, and correspondence regarding Ethel Wilson (1944-1972).

The fonds consists of eleven manuscripts of poetry and two prose manuscripts. Of the poetry, Lilith is unbound and Sons of the Sun is handwritten. The two prose manuscripts are My Dream Garden and Twilight Stories.

The fonds consists of broadcast scripts and speeches; manuscripts of plays, poetry, and prose; notebooks; diaries; scrapbooks and correspondence. The fonds also includes subject files, printed materials, fan mail, financial records and many subgroups relating to other family members and photographs.

The fonds consists of materials pertaining to the activities of the Advisory Committee on Cultural Policy and the Federal Cultural Policy Review Committee. Included are briefs, files, press clippings and committee publications.

Fonds consists primarily of records created by Coupland from approximately 1980 to 2012. The fonds includes: drafts of Coupland’s major literary works, personal and artistic photographs, visual art material (such as collages, paintings, printouts of digital collages and sculpture maquettes), items of clothing and leather goods, technical notes and designs for Coupland’s website, conceptual sketches and designs, correspondence, and other records.

The fonds consists of journals, worksheets, photographs, correspondence, and printed material, including exhibition catalogues reflecting Doris Shadbolt's research and publishing activities into the life and works of Emily Carr. The final accrual in 2010 contains further documentation related to her activities as a writer and researcher, curator of the Vancouver Art Gallery, active participant in the local, national and international artistic community, lecture and guest speaker. The fonds includes correspondences, notebooks, calendars, lecture and speaking notes, research notes, articles and other collected materials related to Shadbolt's independent research on a variety of topics related to local, national and international art and artists, annotated books, photographs and sound recordings.

The fonds consists of records generated and assembled by David Watmough related to his life and career as a novelist, short story writer, playwright, monodramatist and performer, poet, critic, broadcaster, journalist, and teacher. The fonds includes series of records arranged in twenty divisions, with the greatest portion related to writing and literary production: novels, short stories, plays and dramas, monodramas, poetry and songs, nonfiction books, diaries and journals, essays, collections and anthologies, recordings, reading scripts and performance files, radio and television broadcast scripts and project files, film scripts, lectures, addresses, and orations, journal articles, interviews, and reviews of books, exhibitions and theatre performances, as well as correspondence, finance and business files, subject files including published material about Watmough and copies of published material by him, and ephemera and miscellanea. The arrangement of records in files by the creator has been respected where such order exists. The fonds contains textual records, both manuscript and typewritten as well as computer generated, some printed, published material, an occasional sketch or drawing, several sound recordings of Watmough performing, a small number of electronic records, and a number of photoprints and slides kept with the original files where possible. Some monodramas have been retained in the original bindings provided for performance by the creator.

The fonds consists of correspondence (1987) and poetry and prose written or collected by Tarasoff. Also included in the fonds are notations for the writings to be set to music, arranged by Colleen Coburn, and recordings of Tarasoff performing the songs, explanatory notes about the lyrics, and related correspondence. Record types include poetry, prose, song lyrics, musical notations, copyright certificates, correspondence, and audio cassettes.

The fonds consists of correspondence, memorabilia, maps, addresses, photographs, legal documents, sketches, seals and clippings generated or collected by the Bulwer family between 1263 and 1941, including Baron Henry Lytton Bulwer.

The fonds consists of materials relating to the work of projectionists, theatre management and safety. Fonds includes newspaper clippings and audio cassettes of interviews with retired union members conducted in 1988.

The collection consists of ninety-one albums of postcards and photographs pertaining to views and scenes mainly in British Columbia, but also including Alberta, Saskatchewan, Manitoba, Ontario, Quebec and the Yukon as well as Europe. The views of British Columbia include views of the Rocky Mountains, Vancouver, Victoria, Mayne Island, and Buttle Lake (pre-1911) as well as those of logging (Capilano Timber Co., 1917-1920), mining (Granby Consolidated Mining, Smelting and Power Co. and Consolidated Cariboo Hydraulic Mining Co.) railways (Canadian Pacific Railway, Grand Trunk Pacific Railway, Esquimalt and Nanaimo Railway, and Great Northern Railway) and shipping. In addition, there are postcards and photographs of the Hudson's Bay Company Kamchatka Venture, 1921, U.S. Civil War portraits and New Zealand shipping.

The fonds consists of publications (1972-1981), readings (1975-1979), draft manuscripts, correspondence (1973-1992), journals (1972-1990), a scrapbook (1978), subject files and cassettes. The fonds also includes 25 photographs pertaining to Jankola's life and career and a sub-fonds relating to Hester Browne.

Fonds consists of correspondence pertaining both to business matters and to Sinclair's writing (1905-1946), as well as personal correspondence with family and friends. Also included are manuscripts of short stories, novelettes and novels. Printed material contained in the fonds includes short stories, poetry, novelettes and novels. Fonds also contains photographs and photographic negatives, as well as log books, notebooks, maps/guidebooks, and ephemera.

The fonds consists of correspondence files including founding operations and editorial issues; project files include planning and production of books (collaborations with I. H. Finlay and illustrators Edwina Ellis and Colin Paynton), pamphlets, broadsheets, etc.; general printing files cover printed ephemera and job printing including design files and promotional and background materials; financial files include invoices and bank records.

The fonds consists of records relating to the ABPBC’s activities. Records cover the period of time from the ABPBC’s inception to 2015 and pertain primarily to the book publishing industry in the province of British Columbia. The ABPBC’s activities included applying for funding from a range of provincial and federal organizations and governments, holding meetings, advocating for their members to the provincial government, promoting their members, undertaking special projects, and researching areas pertinent to the provincial book publishing industry. Specific administrative activities the organization undertook included maintaining its multi-level membership base, managing finances and funding applications, electing executive teams, and overseeing various projects.

The fonds spans five accruals, organized into four distinct sets of series. These sets of series are represented in the PDF finding aid attached.

The collection contains a variety of artifacts, and includes children's games, items related to the Gold Rush, and various odd items tangentially related to Rare Books and Special Collections and University Archives collecting interests.

The fonds consists of records pertaining to Turner's activities in the CCF and the NDP in British Columbia. Included are manuscripts of Vancouver Workers' Theatre dramas and poetry, subject files on Israel, clippings, pamphlets on cooperative farming, and records from the CCF Agricultural Committee and the Trade Union Committee.

The fonds consists of correspondence, manuscripts, including scripts for Beachcombers, printed material, photographs, financial record, ephemera and research sources. The papers relate to his activities as a climber, free-lance writer, and columnist for the Victoria Daily Times (1963-1972) as well as containing correspondence of a personal nature . The correspondents include William Morrow and Company, ACTRA, Ronald Chambers, Leone Edgar, Elsie Norman and Willis Kingsley Wing. In addition to articles and stories by and about him, a scrapbook includes a series on the Mt. Waddington expedition.

The fonds consists of curators' reports (1925-1937), presidential addresses (1932-1958) and assorted publications and printed material.

The fonds consists of audio cassettes of interviews (100) with a variety of personalities (79) from the fields of entertainment, politics, and the professions relating to their careers and issues of the day recorded on radio talk show programmes at KSFO San Francisco (1), CKNW Vancouver (57), KGO San Francisco (10), CJOR Vancouver (23), WNIS Norfolk (3), XRA San Diego (5), and KCBS San Francisco (1) from 1960 to 1990. Some of the tapes include questions from listeners to the talk show guests. The people interviewed by Art Finley included some of the prominent personalities and newsmakers of the 1970s and early 1980s: Mohammed Ali, Joan Baez, Bill Graham, Germaine Greer, Henry Heimlich, Yousuf Karsh, John Lennon, Henry Morgentaler, Huey Newton, Pierre Trudeau, and Gore Vidal.

The fonds consists of biographical material which include poems, speeches and photographs, correspondence dating from 1905 to 1938, and subject files containing clippings, pamphlets and handwritten notes. As well, there are manuscripts in the forms of essays, articles, speeches, and poems, notebooks, scrapbooks of memorabilia and illustrations used for Dalton's books. The fonds also includes published works and reviews.

The fonds consists of business and personal correspondence, manuscripts of poems, short stories, essays, and radio plays. The fonds also includes scrapbooks, printed material, and some financial records.

The fonds consists of a personal scrapbook, a university degree certificate, the manuscript of her novel Resignation (Shikataganai), correspondence, clippings on the subject of women, Japanese-Canadians and other ethnic groups, and printed material relating to several courses which she took. The fonds also includes two binders of material on guidelines for novel-writing and descriptive cataloguing, a dramatized version of her novel as well as her M.A. projects.

The Angeli-Dennis collection consists of the diaries (1855-1913), manuscripts, financial records and correspondence of William Michael Rossetti. Also included are the manuscripts, correspondence and financial records of Dante Gabriel Rossetti (1842-1882), Christina Georgina Rossetti (1853-1894), Ford Madox Brown (1852-1993), Gabriele Rossetti and other members of the Rossetti family. In addition, the collection includes materials of Robert Browning, Thomas Landseer, William North, Algernon Swinburne and James Thomson.

The fonds consists of 33 original letters free Ethel Wilson to Margaret Andrew, undated, ca 1950 - 1970, 2 original letters from Ethel Wilson to [Margaret Ae_lrew] n .d . and 3 original letters from Ethel Wilson to Geoffrey Andrew, n.d. Also included is one photocopied letter from Ethel Wilson to Mary [McAlpine Dobbs], and an obituary for Lilias Torrance Newton.

The fonds consists of minutes (1949-1983), subject files (1952-1984), agreements (1960-1985), constitutions and by-laws (1963-1985), membership cards and applications (1963-1984). Also included are records of the Writers' Guild (B.C. Branch) which consist of correspondence (1977-1985), minutes of the B.C. Branch (1980-1984), minutes of the ACTRA Writers' Guild national meetings (1977-1985), papers and reports (1979/80) and a Writers Directory (1981).

The fonds consists of biographical material about Ravenhill, incoming and outgoing correspondence (1939-1951), a draft of "Glimpses of a Long Life" (1951) and two proofs of "Memoirs of an Educational Pioneer" (1951). The fonds also includes printed material (pertaining to health, welfare and education), memos, clippings, memorabilia and nineteen photographs used primarily as illustrations for "Memoirs...".

The fonds consists of Pound's letters, addresses, criticisms and biographical sketches. It also includes material pertaining to Charles G.D. Roberts and Bliss Carman. There is also general information about Pound, Roberts and Carman, with manuscripts of poetry and prose, newspaper and magazine clippings, scrapbooks, photographs of Canadian authors and poets, and other items.

The fonds consists of books by and about Robert Burns and 18th century Scotland and Donaldson's correspondence and papers relating to the development of his Burns collection.

The fonds consists of moving images, sound recordings and photographs created during Alan Twigg's production of the film Spilsbury's Coast and accompanying textual materials, as well as moving images and textual materials created during his production of the BC Book World television series. The fonds also consists of textual, photographic, sound recordings, and moving images related to Twigg's interest in and association with writer George Woodcock, particulaly in the early 1990s. Additionally, the fonds includes files of textual and photographic materials related to authors of British Columbia, created as part of Twigg's role as publisher of BC Bookworld.