The fonds consists of Ujjal Dosanjh’s private records from 1977 to 2015, comprising of all aspects of Donsanjh’s life in Canada. A prominent portion relates to his lifelong advocacy of Indo-Canadian issues. Particular matters addressed include Sikh extremism, the Khalistan movement, the bombing of Air India flight 182, and the Komagata Maru incident. Many records of a long political career, split between the provincial level; as a BC MLA, attorney general, and premier; and the federal level in the roles Minister of Health and a member of parliament; document the years between 1979 to 2011. These records are wide ranging and diverse in terms of their topics and functions. An extensive collection of scrapbooks contains contemporary media reaction related to Dosanjh's political and community work.
The fonds is arranged into six series: Media and Publicity, Authorship, Advocacy and Indian/South Asian Issues, General Correspondence, Provincial Political Career, and Federal Political Career.

The collection of video tapes consists of three categories: raw footage of UBC events/activities primarily from the 1990s; footage shot by UBC film students for a documentary on the Fraser Canyon region; and a series of interviews with a veteran of the Spanish Civil War. Most recordings are in Betacam format, the remainder are VHS.

The collection consists of copies of Christmas and April examinations arranged by year, then alphabetically by course.

Fonds consists of textual materials which document the responsibilities and activities of the Technical Committee on the Endowment Lands, and includes correspondence, agendas and minutes, reports, and published materials.

Fonds consists of minutes (1965-1989), copies of the Bulletin (1941-1975), drafts of constitutions and by-laws, financial records (1968-1994), photographs and printed material. Also included are correspondence, reports and schedules relating to S.S.A. sponsored concerts and film festivals.

The collection consists of materials acquired by Special Collections and the University Archives and maintained for purposes of historical research. It includes reports, correspondence, committee minutes, course materials, architectural and other drawings, newspaper and magazine clippings, press releases, posters, brochures, and other published materials. The materials are arranged alphabetically by subject or name (e.g. organisations, University departments, events, buildings/places, and individuals).

Fonds consists of documentation of the activities of the UBC Student Christian Movement during the early 1930s and includes a minute book for the SCM “Grad Group” (1930-35), two small SCM promotional pamphlets (1934), and assorted correspondence (1933-34).

The fonds consists of 16 audio recordings. There is a transcript for only one interview, that with Margaret Street. The file inventory is arranged by tape number with a short summary of the tape contents provided by Ann Carroll. There is also a link to a digitized copy of each interview.

The fonds consists of correspondence with both published and prospective authors, other university presses, distributors, agents and departmental staff, reviews and newspaper clippings about published material; minutes of meetings, and reports of financial standing; grant applications, and program and award descriptions. The fonds has been divided into the following series and sub-series: Correspondence (comprised of the following sub-series: Bill C.Y. Li; Jane C. Fredeman and Tony Blicq; Institute of Pacific Relations); Financial; Committees; Grants, Awards, and Programs; Administration and Organization; Other Publishers, Agents and Distributors; Published Works; and Reviews.

Collection consists primarily of event flyers, programmes and calendars published to promote various performing arts productions at UBC. Also included are companion guides for some theatre productions. Materials are arranged in three categories: Theatre Productions, Musical Productions, and Performing Arts – General. Within each category the materials are organized by department, organization, or production series.

Collection consists of printed items such as bookmarks, gift cards, calendars and other promotional items created by UBC Library Vault.

The collection consists of unique and rare materials related to Igor Stravinsky, first edition scores, programs, writings, articles, and newspaper clippings about Stravinsky, and photographs of the composer.

The fonds consists of records that document the origins and establishment of the UBC Computing Centre as well as financial, technical, organizational, and administrative records through the time it was known as Computing Services and University Computing & Communications. It includes the CIPS Sous-fonds, and twelve series: Early Computing Centre Series; Pre-1969 Series; 1969-1978 Series; Systems Hardware Operations Committee Series (SHOC); Software Committee Series; Manuals and Technical Information Series; UBC Computing Centre Newsletter Series; 1979-1989 Alphabetical Series; 1973-1996 Chronological Series; UBC Computing Centre Documentation Series 1965-1991; Jim Tom's Office Series 1986-1997, Miscellaneous Series 1972-1996; and Photograph Series.

Fonds consists of issues of the Film Society newsletter the “Daily Crimes” (1965-1966), an informational pamphlet about the Society (1968), and programmes published by Cinema 16 (originally a subsidiary of the Society) and the Vancouver Film Society (1965-1966).

The collection consists of off-prints and copies of articles and reports arranged alphabetically by faculty member name.

Fonds consists of a scrapbook put together by the UBC women’s curling team. The scrapbook contains team lists and statistics, programmes, newspaper clippings, and photographs, and documents UBC women’s curling from 1959 to 1984.

The fonds consists of correspondence, inventories of books, order forms and invoices which document the bookselling operations of the business.

The collection consists of 20 audio recordings one of which is a recording of the UBC 50th anniversary commemorative ceremonies on 1 October 1965, and the others being CBC interviews with prominent alumni and former faculty on 7-8 September 1965.

The fonds consists of a family history, correspondence, the legal documents of Sir Joseph Trutch, diaries and financial reports of John Trutch and transcripts from Charlotte Morgan-Kelly. The fonds deals with personal matters, the career of Sir Joseph Trutch as civil engineer and public official and the engineering career of John Trutch.

Fonds consists of records documenting the administration of TRIUMF and includes Board of Management minutes and meeting dockets, committee minutes, and reports. Also included are reports and published proposals documenting the origins and ongoing development of TRIUMF. The records are arranged in the following series: Board of Management, Finance Committee, Audit Committee, and Reports.

The Tremaine Arkley Croquet Collection contains over 2,400 paintings, illustrations, engravings, advertisements, photographs and other ephemera depicting the game of croquet throughout the years. The images range from fine art to cartoons and everything in between, and show the rise in the game’s popularity in England and America in the 19th and 20th centuries. Many items in the collection show gender roles, as croquet was one of the first games that men and women played together.

The collection consists of materials gathered by Karl Ruppenthal as course aids for subjects taught mainly at Stanford University as part of the Transportation Management Program. The bulk of the collection consists of copies of transportation industry publications, published regulatory decisions and reports and related documents, and transcripts of addresses and speeches by other individuals, along with related correspondence and newspaper and magazine clippings. There are no papers in the collection generated by Ruppenthal himself, apart from copies of letters requesting materials from corporations and regulatory bodies, and some written notes. The collection is organized in series based on the following broad subject areas: Pipelines, Civil Aeronautics Board, Ocean Transportation, Case Leads (case studies for the Stanford course Business 380), Consulting with Consultants (conference), Australian Travel Material, Emergency Board Reports, Noise and Environmental Pollution, Transportation Co-ordination and Consolidation, Transportation Economics and Regulations, Rail Mergers, Rail Transportation Labour, Skyliner (TWA employee newsletter), Roberts Bank Superport, and Air California.

The fonds consists of records relating to the organization of and labour relations activities of Transport Labour Relations and its predecessor, the Automotive Transport Relations Association (1960-1984). Records include minutes of the Board of Directors, briefs, reports, agreements (both proposed and ratified), legal documentation, and correspondence.

Fonds consists of records generated by TRAS in the course of raising funds for, and administering funds to, overseas partners. The fonds is organized into the following series: administrative records (1962-1990) and project records (1964-1997). The film “Initiation of a Dalai Lama” was brought to UBC by John Conway in May 1988 to be deposited with the records of TRAS. Documentation from 1970 with the film suggests the film was borrowed from UBC Audio-Visual Services Extension Department by Dr. Shotaro Iida for use by the Dalai Lama.

The fonds consists of records pertaining to Tom Wayman’s literary career and his involvement with the Industrial Workers of the World (IWW). Writing records include juvenalia, published writing, anthologies edited by Wayman, and correspondence with publishers, including royalty statements, book reviews, and legal agreements. Contents also include research materials Wayman collected for his various writing projects and correspondence with other writers and anthology editors. The IWW records include research on the IWW’s history, administrative records such as meeting minutes, publications (promotional and informational), and photographs.

The fonds consists of documents made and received in the course of pursuing activities and interests in labour and communist issues. Fonds includes books, correspondence, magazines, manuscripts, newsletters, pamphlets, press clippings, and reports.

The Tiananmen Square incident, also called June Fourth incident or 6/4, was a culmination of a series of protests and demonstrations in China in the spring of 1989 that culminated on the night of June 3–4 with a government crackdown on the demonstrators in Tiananmen Square in Beijing. Although the demonstrations and their subsequent repression occurred in cities throughout the country, the events in Beijing—and especially in Tiananmen Square, historically linked to such other protests as the May Fourth Movement (1919)—came to symbolize the entire incident.

Writing on the inside front cover of the photo album reads as follows:
"伟大的一九八九年 历史片断 4/27-5/18"
(Translation: Great 1989, historical pieces: April 27 to May 18)

Labels on the album pages indicate that the first 23 photographs in the album were taken on April 27, 1989, and the following 19 photographs were taken on May 4th, 1989.

Writing on the inside of the back cover reads as follows:

"四月至六月简史
四.十五，胡耀邦逝世，四.十五 - 四.二五，学生及北京市民自发进行悼念活动。四.二二，耀邦追悼会，三名学生在人民大会堂外台阶下跪请愿。四.二六，人民日报社论定学生运动为“动乱”。四.二七，举行了近百万人的示威游行。五.四游行。五.五 - 五.十二,平静。五.十三，北大，人大，清华有数百人于广场绝食。五.十五戈氏访华。五.十七百万人民声援大游行。游行声援持续至十九日白天。17，18，19三天电台作了真实报道。五.二十凌晨0:30分，李鹏宣布对北京部分地区戒严。时隔半个月，发生了六.三惨案，或说是六.三暴乱"。

(Translation: A brief history from April to June
On April 15, 1989, Yaobang Hu passed away. From April 15 to April 25, students and citizens of Beijing spontaneous mourned. On April 22, the memorial service held for Yaobang Hu, three students kneeled in protest outside the Great Hall of the People. On April 26, the People’s Daily editorial described the student effort as “turmoil”. On April 27, near one million people held demonstrations. The demonstrations continues on May 4. From May 5 to May 12, the streets are calm. On May 13th, hundreds of students from Peking University, Renmin University of China and Tsinghua University conducted a hunger strike in Tiananmen Square. On May 15, Gorbachev visited China. On May 17, millions of people took on the streets to hold a solidarity parade. The solidarity continued until May 19th. On May 17 through 19, Media continually made the real reports. At 12:30 am on May 20, Peng Li announced the implementation of martial law
in parts of Beijing. After half a month, on June 3 rd , massacre occurred — the 6/3 tragedy.)

The collection is made up of 11 cassette tapes containing 12.5 hours of audio, of the interviews that Angela Codina conducted with the leaders of the Tiananmen Square uprising. The collection also consists of the following textual materials: written transcripts that were later made of the interviews (at the behest of Geraldine Bowman); materials for a book written by Angela Codina; newspaper clippings; periodicals and journals; and correspondence. The collection also contains 274 photographic negatives and 448 colour photographs.

The fonds comprises the business records of Sharp & Thompson and later Thompson, Berwick, Pratt & Partners, dating from 1912 to 1974. The records consist of signed contracts, specifications, minutes, correspondence, quotations, financial statements, reports, signed Forms of Tender, memoranda, photographs and architectural drawings. They document the planning and construction of the University of British Columbia buildings designed and overseen by the architectural firm. Also, They document the architectural firm's activities on buildings in Vancouver, the province of British Columbia and elsewhere. Some of the files represent unsuccessful bids on jobs. There are original, blueprint and ozalid architectural drawings in this collection. The drawings of University buildings consist mainly of original drawings and blueprints. The drawings of buildings in Vancouver and elsewhere are few in number and are mostly ozalid reproductions.

The Thomas K. Fleming research collection consists of materials related to the settler colonial history of British Columbia, and more broadly, the Pacific Northwest and Canada. Record types include correspondence, newsletters, press clippings, printed materials, notes, maps, legal documents, as well as Fleming`s stamp collection and associated records. Historical records in the collection include content primarily from the nineteenth to early twentieth century on such subjects as forestry, travel, commerce, and postal history. The collection has been arranged into two series: Historical Records and Research Subject Files series, and Stamp Collection and Related Materials series.

Fonds consists of a large coloured, bird's-eye sketch of the campus and 2 bound volumes containing plans and descriptions for the individual buildings.

The fonds consists of thirteen series of records pertaining to the activities of Thomas Berger, including two series of files arranged with reference to file classification schemes, related to party politics and to the Sardar Sarovar Projects Independent Review, as well as eleven series of subject files generally arranged alphabetically, related to the Royal Commission on Family and Children’s Law, the Mackenzie Valley Pipeline Inquiry, the Advisory Commission on Indian and Inuit Health Consultation, a proposed United Nations Environmental Programme inquiry on whales and whaling, Japanese Canadians’ redress, the Alaska Native Review Commission, the Canadian Judicial Council and its investigation concerning Berger, the University of British Columbia President’s Ad Hoc Committee on British Columbia Native Indian People and Communities, the Simon Fraser University J. S. Woodsworth Chair committee, speeches given by Berger (arranged by event in subseries of two to seven year periodic groups), and subject files related to aboriginal peoples, the Arctic and the north in general.
There are also files related to his resignation from the Supreme Court of Canada in 1981. The files were used by Berger when he wrote his autobiography <em>One Man’s Justice: A Life in the Law</em>.

The arrangement by the records’ creator of series and file order within series has been respected. Several series contain files housed in multiple folders, indicated by notes where applicable.

The fonds consists of the incoming and outgoing correspondence of Rev. Thomas Crosby and his wife, Emma Douse Crosby, manuscripts, documents, printed material, photographs, and sketches pertaining to missionary work and family life. The correspondence includes letters written and received by Thomas Crosby on behalf of the Port Simpson people relating to land issues and letters written by Emma Crosby to her mother during her early years at Port Simpson.

The fonds consists of typescripts, galley proofs and introductory paragraphs of The Waking: Poems, 1933-53.

The fonds consists of page proofs for Boggs book entitled The International Trade Balance in Theory and Practice (1922), articles and clippings (1912-1925), and class records (1921-1925).

Fonds consists of records which document the administration of the Centre, including the records of the Management Committee (1962-70) and the Board of Directors (1971-81), and include minutes, reports, and correspondence.

The fonds consists of documents and records that would go on to compose The Pocket Desert radio documentary, which aired on CBC Radio’s Ideas, produced by Gayle Cornish, and co-created by Dr. Jeannette Armstrong and Dr. Geoffrey Scudder. The documentary concerns the unique desert climate and ecology in and around Osoyoos, British Columbia, and the significance of the land to Syilx Okanagan people. The fonds is organized into two series: 13.1 Production Files and 13.2 Broadcast Files.

Collection consists of records collected by Catherine B. Clement towards her research project on the 1923 Chinese Exclusion Act that will mount a 100th year commemorative exhibition in 2023. The collection includes Chinese Immigration and other registration and identification certificates contributed by individuals, families and organizations across Canada.

Fonds consists of audiovisual material created or compiled during production of the film. It consists largely of interviews with Suzuki, members of his family and associates, filmed presentations by Suzuki, video clips from the CBC program, "The Nature of Things", and film of Suzuki and family members in various locations in British Columbia, Ontario and elsewhere. There are also stock shots and newscast clips related to environmental issues, and a copy of Suzuki’s debate with Philippe Rushton on the question of race and genetics.
The content of this fonds is housed on several different video and audio formats: Betacam SP, Hi-8, VHS, U-Matic tape (¾ in.), reel audio tape (¼ in.), audiocassette tape and DAT audio tape. Much of this audio and video material was used in the production of the final "cut" of the documentary, and content is represented across several of these formats, with audio content found in both audio and video formats. The larger volume of the content was recorded in the field (especially on Hi-8 and Betacam SP tape) and subsequently copied to VHS tape for editing. Detailed investigation of the VHS tapes against the Hi-8 and Betacam SP tapes will reveal whether the entire content of the latter has been copied to the former in all instances.
The original order of the content was preserved by format and the finding aid is organised on this principle. In addition, a second "intellectual" ordering of the content is provided as an appendix to the file listing: in that document the set of time-coded VHS tapes that were used for editing purposes have been utilised as the central feature of the fonds. It is hoped that this will permit researchers to see relationships that exist between the several formats.
The textual records were turned over to the University Archives by Peter Davis in 2015.

The fonds consists of research material (1997-2002); correspondence (1994 to 2003); pre-production (1997-2001); production from 1997-2003; post-production (2000-2002); audio/video tapes (1997-2004); and photographs (2000-2001). The series has been separated into film-related terminology to retain the integrity of the filming process.