Fonds consists of textual material related to the teaching and academic work of Morehart at UBC, as well as personal research and publications. There are also materials from Morehart’s personal life, including artwork, which consists primarily of several canvas boards and other flat materials, and personal correspondence. Materials include handwritten notes, printed documents, publications, photocopies of publications and articles, original artwork, journals, and the contents of several binders. Folder names are primarily taken from original folders. There are eight series: Artwork, Correspondence, Miscellaneous, Personal, Photographs, Research Materials/Articles, Sceattas Research Materials and Writings, and Teaching/Lecture Materials.

Fonds includes materials related to Steinberg’s work as at the University of British Columbia, some early work from his own university days, and materials pertaining to his work with the local Jewish community. Includes correspondence, research materials, drafts, manuscripts, and other materials.

Fonds consists of a scrapbook created by Muriel Grant, with newspaper and magazine clippings and event programmes attached to the pages.

Fonds consists of 20 cm of textual material, bound and unbound, and five photographs. They are organized by subject and document Harlow’s tenure as UBC’s University Librarian.

The collection is an assemblage of movie memorabilia (predominantly Noir and Western), 20cm x 25cm film-stills, 28 cm x 36 cm lobby cards, and ephemera amassed by Thompson as a part of her research for her books Hard-Boiled and Tall in the Saddle. Additionally, there are Science Fiction stills and posters, Spanish-language lobby cards, 36cm x 91cm insert posters, and miscellaneous stills from other 20th-century cinema.

Fonds consists of material created by Saltzman, primarily in relation to the various productions in broadcasting he was a part of. Material has been arranged in nine series: Early Career series, Mid-Career series, Canada AM and “701” series, General Career and Personal series, ACTRA series, Meteorology material series, Order of Canada series, Audiovisual series, and Photographs series.

Fonds consists primarily of correspondence between Ronald Baker and Roy Daniells. There is also some correspondence between Baker and Laurenda Daniells. Also included is a selection of poems and other verses, written by Daniells and collected by Baker. Materials are in two file folders.

The fonds consist of textual records related to the workshops and conferences that Hagler attended and publications he was involved in. The fonds also includes photographs that may have been taken at those conferences or included in published texts. The fonds is arranged into three series: Workshops and Conferences, Publications, and Photographs.

The fonds consists of the research on Le Fanu conducted by Roy Stokes. Records relate to the personal life and professional writing career of Le Fanu that were collected and composed by Roy Stokes. Records include: four original letters by or for Le Fanu, typed transcripts of letters, and correspondence between Stokes and various people and institutions throughout his research process; bibliographies by Roy Stokes and other authors; photographs and photo negatives of Beaumaris; newspapers and articles; photocopies of book chapters; and a poster and program for the Gate Theatre performance of “Carmilla”.

Fonds consists of 14 reel-to-reel audio tape recordings, including 13 recordings of poetry readings and lectures at UBC by various people, the most prominent being Allen Ginsberg, and one recording of German 120 course material by Dr. Marketa Goetz.

Fonds consists of textual, graphic and audiovisual material from Grace’s academic research on Malcolm Lowry, Sharon Pollock, Tom Thompson, the Canadian North, Canadian art, and Mina Hubbard. Series are based on individual projects, with a separate series for audiovisual materials and a final series for incoming general correspondence. Series are further sub-divided into sub-series.

Collection consists of the annotated first draft of Roy’s biography of Sherwood Lett, copies of tributes to Lett published after his death in 1964, and correspondence.

The collection spans the full range of years that the press was in operation and demonstrates the breadth of their letterpress work.

It contains a series with books such as artists’ books and chapbooks that were printed by the press and another that collects ephemeral material such as greeting cards and promotional material for businesses.

The collection consists of programs, tickets and program notes of Cinema 16 accumulated by A.C. Killip.

Fonds consists of issues of the Film Society newsletter the “Daily Crimes” (1965-1966), an informational pamphlet about the Society (1968), and programmes published by Cinema 16 (originally a subsidiary of the Society) and the Vancouver Film Society (1965-1966).

The collection of video tapes consists of three categories: raw footage of UBC events/activities primarily from the 1990s; footage shot by UBC film students for a documentary on the Fraser Canyon region; and a series of interviews with a veteran of the Spanish Civil War. Most recordings are in Betacam format, the remainder are VHS.

The fonds consists of records generated through the various activities of the Ceremonies Office. Included in the fonds are administrative records (1964-1984) as well as records that document the activities associated with Congregation (1950-2006), building openings (1951-1986) and numerous functions sponsored by the University (1962-1995). The fonds also include information about honorary degree recipients, congratulatory greetings to Presidents K. George Pedersen (1983), David Strangway (1985) and various other ceremonial activities. There are also audio recordings of special events around the University campus. For additional information, see Series Descriptions.

Throughout his education and political careers, the records were generated by William Bruneau and relate both to personal and professional interests.
The fonds is divided into seven series: correspondence, diaries, research, department of education, history of education quarterly, papers and publications, certificates. The research series is sub-divided into four sub-series. Materials include notes, correspondence, memoranda, papers, diaries, certificates and publications.

The fonds consists of records about Dr. Breen’s precedent-setting suit against Hancock House Publishing and Edwin Gould for copyright infringement of his doctoral thesis. These documents include court filings, notes, and rulings related to the lawsuit. The fonds also consist of records and materials related to the Asian-Pacific Economic Cooperation (APEC) protests of 1997, including Dr. Breen’s involvement, with both formal and informal documentation and complaints filed with the commission.

Fonds consists of the handwritten manuscript for George Bulhak’s book U.B.C. Panorama, published in 1945. Included are photographs and sketches by Bulhak intended for inclusion in the book and U.B.C. President N.A.M. MacKenzie’s handwritten “Foreword.” The manuscript was written in what was originally a bound ledger – isolated ledger entries can be found on the otherwise blank back pages, indicating that it may have been left as surplus at Burhak’s place of employment when he used it for his manuscript.

The fonds consists of indexes and research notes to sources of information about women at UBC, recordings of oral histories, and a photograph.

Fonds consists of documentation of the No Man Is An Island project and includes interview transcripts, correspondence, and consent forms of interviewees, in paper form. Also included is a USB stick containing digital transcripts and audio files from the interviews.

The fonds reflects George du Maurier’s life and career as an illustrator and writer. Graphic materials include 66 hand drawn illustrations and cartoons for Punch or Once A Week magazines as well as for books he authored himself. These graphic works were drawn primarily with black and brown ink or with graphite from 1856 through to his death in 1896. Also included with his graphic works is a print from the 1896 edition of Vanity Fair magazine. Records relating to personal correspondence written by or for du Maurier are also included in the fonds. First editions of "The Martian", "Trilby", and "Peter Ibbetson Volumes I and II" by du Maurier, as well as "Pictures of Life and Character" by John Leech and "Americans" drawn by C.D. Gibson, were also donated with the fonds that are now catalogued and available in the UBC library.

The collection consists of 67 black and white photographs of various sizes taken by Ulli Steltzer in the 1960s and 1970s. Subjects include Northwest Coast Indigenous peoples and artists, Black, LatinX and Indigenous peoples in the USA and Guatemala, and a small number of portraits and still-life. Specifically, the collection contains seven original prints from her important book Indian Artists at Work, including the iconic cover image of Mabel Taylor of Port Alberni weaving a basket, a beautiful portrait of Dempsey Bob carving a human figure, and Haida basket maker Florence Davidson gathering spruce roots, among others. It also contains 14 original prints from her book Coast of Many Faces, including the cover image (Sam Webber and his daughter Laura from Kingcome Inlet), and photos from the Nass River, Alert Bay, Port Neville, Ahouset, Massett and other coastal places. There are eight 1967 - 1968 photographs of Black Americans in the Mississippi Delta, Georgia, and Alabama as well as images of LatinX Americans and Vietnam War widows, as well as photographs of the Maya in Guatemala.

Fonds illustrates Mayrs’s work in visual arts, limited edition book design and publishing, and advertising and PR. It also contains records relating to his personal interests and family history.
The materials are arranged into three series, reflecting his different careers and personal life. Visual art and literary project records include: exhibition ephemera; photographic reproductions of Mayrs’s work; mockups, drafts, and unused material from projects; concepts and designs of unpublished and in-progress works; and correspondence related to his art practice. Advertising and PR project records include ads designed by Mayrs; administrative and ephemeral materials associated with Dome Advertising; and a small number of textual records relating to Mayrs’ work at Lovick BBDO. Personal records include Mayrs’ documentation of his family history; press clippings that profile Mayrs; and other photographs and ephemera that relate to his personal and aggregate professional life.

The fonds consists of handwritten and typed manuscripts of short stories [n.d.], a painting of a seascape (1933), and a scrapbook filled with assorted memorabilia gathered between 1916 and 1933.

The fonds consists of notes, manuscripts, drafts, galleys, and correspondence relating to McWhirter's published and unpublished novels, short stories, poetry, and radio plays. It also includes biographical and autobiographical information, non-fiction manuscripts, book reviews, material regarding McWhirter's editorship of "Words from Inside", translation records, teaching material, records relating to his time as Head of the Creative Writing Department and other personal and professional correspondence.

The fonds consists of eleven audiotapes, comprising over four hours of interviews with well-known Canadian artists, including B.C. Binning and Jack Shadbolt. The fonds consists of a single audiotape series, arranged alphabetically. In these interviews, Adaskin examines each artist's unique creative process through probing and often unorthodox questions.

The fonds consists of two series: the Roma Research series and a Publications series composed of copies of Cohn's publications. The first series includes material generated or collected by Cohn in the course of researching Roma. It includes audiotaped interviews of Rom with notebooks containing descriptions and analysis of the conversations; a computer-generated inventory of kinship ties among hundreds of North American Roma; a transcript of a New York trial (1962) of a Roma fortune teller; miscellaneous printed and published materials on Roma, collected by Cohn; and materials from a correspondence course for learning Romani (1969/70). The research series also contains photographs (1968-74) of Roma taken by Cohn throughout North America and Europe. The Publications series includes copies of Cohn articles (1959-1993) and a bibliography of his works (1950-1993).

Fonds consists of materials in various media created or acquired by Joe Schlesinger in the course of his professional career, along with materials documenting or commemorating the Kindertransport programme, and a few items of a more personal nature. It includes textual records such as scripts for his news reports and speeches, correspondence, notebooks, scrapbooks, newspaper and magazine clippings, honorary degrees and other awards, published items, posters, and miscellaneous writings. Also included are photographs, audiovisual recordings, and digital files.
The fonds is arranged in the following series: Scripts, Speeches, Correspondence, Notebooks, Scrapbooks, Clippings (sub-series Pieces by Schlesinger, Pieces about Schlesinger, and Other Pieces), Awards and Recognition, Time Zones, Winton/Kindertransport, Miscellaneous, Photographs, Audiovisual, and Digital Media.

The fonds consists of biographical material, family information, correspondence, speeches, publications, subject files, teaching and reference material, photographs, audio and videotapes and artifacts. The fonds also includes various forms of Black's artwork. A copy of a Black family history published by Myra Davey (née Black) in 2006 had a CD of digitized images.

The fonds consists of textual records, photographs, and audiovisual materials, spanning the period 1905-2001, related primarily to Gordon Goichi Nakayama’s career with the Anglican Church of Canada and missionary work, religious and secular research and writing projects (the latter primarily related to Japanese internment and the Japanese Canadian community), as well and his personal and family life and administrative affairs. The fonds is arranged by function and documentary form. The fonds consists of eight series: Personal and administrative records and correspondence; clippings and ephemera; photographs; writings and publications; diaries; notes and notebooks; church and missionary work records; and audio-visual materials

Records related to Nakayama’s roles with the Anglican Church in Vancouver, B.C., and Coaldale, Alta., and his global missionary work include travel documents and itineraries; incoming and outgoing correspondence; church financial records and reports; church publications and parishioner lists; licenses and certificates; conference materials; clippings and ephemera; diaries; notes and notebooks; and other materials.

Records relating to Nakayama’s religious and secular research and writing projects include manuscript and typescript drafts, as well as final published versions, of religious and biographical / autobiographical works, non-fiction works on the Japanese Canadian / Issei community, and poetry, as well as supporting materials, such as publishers’ contracts and correspondence and research materials.

Records related to Nakayama’s personal and family life and administrative affairs includes incoming and outgoing correspondence; address books and directories; maps; photographs; calligraphy and paintings on shikishi; medical records; travel documents and citizenship records; pension records; records and correspondence related to redress; legal documents; certificates, licenses, and membership cards; property and real estate records; banking and financial records; educational records; biographical information; clippings (many related to Joy Kogawa’s writing career), ephemera, and scrapbooks; notes and notebooks; and other materials.

Audio-visual materials consist of two films on three 16 mm film reels on the subject of World War II and Japanese culture.

Fonds consists of manuscripts and typescripts of Niven’s work, as well as personal documents such as clippings, correspondence and photographs. Fonds has been arranged into two series: Manuscripts and research notes and Correspondence and personal documents.

Collection consists of materials pertaining to Pre-Raphaelite artists Christina Rosetti, her brother Dante Gabriel Rossetti, Alice Boyd, and others associated with them, and include poetry broadsides, correspondence, photographs, personal papers (such as a notebook, an address book, and other textual records), and a framed silk embroidered panel. The contents of this collection were purchased from bookseller Edward Nudelman.

The Reg Innell Collection of Shelleyana consists of ephemera related to Percy Bysshe Shelley, one of the major English Romantic poets, collected over many years. Materials include scrapbooks, a photograph album, prints, newspaper clippings, postcards, letters and a medallion bearing Shelley’s image.

The fonds reflects Bernard and Jean Webber’s functions as leading members of the Cooperative Commonwealth Federation, teachers and education administrators, and advocates for local arts, history and Indigenous cultural regeneration. The fonds is comprised of 4 series; Political Papers series, Correspondence and Biographies series, Education and Employment Records series, and Community Activities series. Materials related to Indigenous arts, education and reconciliation are found throughout the fonds. Correspondence is its own series and is also found throughout, including copies of outgoing business correspondence.

Record types include newspaper clippings, correspondence, articles, scrapbooks, speeches, notes, drafts, reports, teaching materials, subject files and other material.

The fonds consists of records which document books and ephemera published by Rollin Milroy’s three printing presses: A Lone Press, Heavenly Monkey, and Heavenly Monkey Editions, as well as other independent and collaborative projects published by other printing presses. The records include setting copies, detailed layout schematics, dummies of final books, printing schedule sequences, proof impressions, make-ready copies, and various impression proof and waste/reject sheets, as well as printing blocks and printing plates, photographs, negatives and other documents related to the printing and publication process. The fonds also includes correspondence related to the production and publication of books, ephemera, newspaper articles and lecture notes written by Milroy on various subjects related to letterpress printing.

The fonds is arranged into the following five series: Heavenly Monkey publishing records, (1997-2010), Heavenly Monkey Editions publishing records (2002 – 2010), Other printing press publishing records (1996-2008), Correspondence (2002-2010), and Professional activity records (ca. 1980-2004).

Fonds documents several of Eva-Marie Kröller’s academic projects: her biography of British Columbia author George Bowering, Bright Circles of Colours (Talonbooks, 1992); essays on Roy Kiyooka and Emily Carr; her book Canadian Travellers in Europe, 1851-1900 (UBC Press, 1987); materials relating to her book Writing the Empire: The McIlwraiths, 1853-1948 (2021); an article entitled “Une femme bien en vue”: Adrienne Clarkson and the Media (2014); and an anthology of travel literature that she and historian Pierre Savard were planning, but which was not completed before Savard’s death in 1998 in addition to other various research materials. Also included are documents related to a workshop organized by SATE (Swiss Association of Teachers in English), and correspondence with Canadian authors. The materials consist of textual records (correspondence, notes, drafts, and readers’ reports), published materials, and a 3.5” computer floppy disk containing a digital manuscript of Bright Circles of Colours.

The fonds consists of textual records and artwork created by Ann Blades during the course of her career as an author and illustrator of Canadian children’s literature. The records date from circa 1967 to 2013, with particular concentration during the years immediately prior to the publication of Blades’ works. The fonds is especially strong in areas related to book production and sales, including, contracts, royalty reports, correspondence with publishers, literary agents and designers, layout materials, manuscripts, sketches, drawings and paintings. In addition, the creator has gathered a number of clippings and reviews which document the critical reception of her work.

The fonds is divided into 31 series. 26 of these series, the majority of the materials in the fonds, have been arranged by the creator according to book title (including both published and unpublished works) and therein according to textual records and artwork. This arrangement has been maintained by the processor with each title constituting a separate series. The remaining five series discuss Blades' personal activities, and her professional activities which were not related to a single book.

Book series include:
“Seasons,” Board Books - Production and Reviews (1986-1998),
<i>A Boy of Tache</i> - Reviews (1973-1977),
<i>A Candle for Christmas</i> - Production and Reviews (1982-2001),
<i>A Dog Came, Too</i> - Production, Reviews and Publicity (1989-2001, predominant 1989-1993),
<i>A Ride for Martha</i> - Production (1992-2001),
<i>A Salmon for Simon</i> - Production, Reviews and Awards (1978-1997),
<i>Adolph</i> - Production (1976?-1978),
<i>Anna’s Pet</i> - Production and Reviews (197?-1982),
<i>Anna’s Pet/Six Darn Cows</i> - Materials (1978-2006),
<i>Back to the Cabin</i> - Production, Reviews and Publicity (1993?-1999),
<i>By the Sea: An Alphabet Book</i> - Production, Publication, and Reviews (198-?-1994),
<i>Canadian Books for Children</i> - Production and Publication (1987-1988),
<i>Fowlini</i> - Production ([1971]-1978),
<i>Ida and the Wool Smugglers</i> - Production, Reviews and Publicity (1986-2001),
<i>Jacques the Woodcutter</i> - Production, Reviews and Materials (197?-1981),
<i>Mary of Mile 18</i> - Production, Reviews, Film (1971-2012),
<i>Mile 18 Summer Book</i> - Production (1970),
<i>Mother Goose: A Canadian Sampler</i> - Production and Publication (1992-1994),
<i>Pettranella</i> - Production and Reviews (1978-1994),
<i>Pond Seasons</i> - Production and Reviews (1994-2001),
<i>Six Darn Cows</i> - Production and Reviews (197?-1986),
<i>The Cottage at Crescent Beach</i> - Production, Reviews and Publicity (1974-1988, 2001),
<i>The Singing Basket</i> - Production, Reviews and Materials (1976, 1988-2004),
<i>Too Small</i> - Production and Reviews (1999-2001),
<i>Willemina's Christmas</i> - Production (1977-1982),
and <i>Wolf and the Seven Little Kids</i> - Production and Reviews (1998-1999).

General series include:
General Financial Materials (1981-2013), General Publicity Materials (1974-2004), Personal Materials (1967-2000), Presentations, Exhibitions, and Conferences (1975-2005), and Professional Correspondence (1970-2013).

The 2002, 2006, 2008, 2011, and 2014 accruals also included copies of Blades’ published works. All printed materials have been integrated with the library collections and are searchable via the UBC catalogue.

Since at least 2006, the creator has for many files left annotations or descriptions, which have been kept with the records. The 2011 accrual was well-organized and carefully labelled by Blades before it was officially gifted to the University of British Columbia in 2011. As a result, all file names are based upon the titles devised by the creator. Within each file, Blades grouped related materials and indicated the subject of the grouping with a labelled paper wrapper which she folded around a collection of documents. These paper wrappers have been preserved. File contents have been retained in their original order.

The contents of the fonds pertain to the life and work of Crawford Kilian. Materials include research and planning for novels, published and unpublished manuscripts, originals of published columns, personal and professional correspondence and appointment books. The focuses of Kilian’s writing are science fiction, educational systems and teaching, cultural issues and history, the economy, the environment, and technological developments, specifically the Internet. Writing material included in this fonds ranges from the 1960’s to the 2000’s. Other included material relates to Kilian’s time spent in China as an English teacher. The type of material in the fonds is primarily handwritten and typed paper records, but also includes newspaper, compact discs and publications.

The fonds consists of textual documents and audiovisual materials that relate to the filming and production of “Champions for Change.” The textual materials include synopsis and scripts, tape logs, shot lists, transcripts and interview transcripts. A number of the tapes (including #3, #9, #10, #16, #17, #20 and #21) are not transcribed. The audiovisual materials are 26 videotapes, including master copies of the three-part series “Champions for Change,” the master dub tape, and additional footage of interviews with key individuals. The individuals interviewed include Chantal Benoit, Jeff Adams, Chantal Petitclerc, B. MacPherson, Kristine Bacharach, Travis Engen, Dan Gangier, Eric Gagnon, and Rebecca Borneman. The tapes also include stock footage and B-roll shots.

The fonds consists of Eric Nicol’s business correspondence, drafts (handwritten notebooks and typescripts) for various writings, finished scripts for plays and shows, drafts, reference materials, reviews of his work, printed materials featuring his articles, subject files, royalty statements and other financial records regarding the publication of Nicol's books, as well as posters, newspaper clippings, awards, photographs and other ephemera which document Nicol's career as a writer. The fonds contains a file of his correspondence with The Vancouver Sun, which was kept by the Sun and later given to Nicol. His writings are categorized into radio scripts, television scripts, stage scripts, books, articles, short stories and other writings. Drafts and related materials of each category comprise a series.

The fonds consists of material arranged in three series: 1) Reviews, programmes, and correspondence concerning the career of Frances Adaskin; 2) Assorted writing by Frances Adaskin; and 3) Audio Tapes.

The fonds consists of literary correspondence, drafts of literary work, published books and articles, reviews of Drabek’s work, printed material accumulated for research purposes, a small amount of personal correspondence and family papers and some newspaper photographs of Drabek.

There is a series comprising material Drabek created through his administrative role as a representative to the Writers’ Union of Canada, BC Caucus and as President of the Federation of BC Writers, in addition to his work as a writer. It contains minutes of meeting, correspondence, newsletters, and other material.