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Fonds consists primarily of records created by Coupland from approximately 1980 to 2012. The fonds includes: drafts of Coupland’s major literary works, personal and artistic photographs, visual art material (such as collages, paintings, printouts of digital collages and sculpture maquettes), items of clothing and leather goods, technical notes and designs for Coupland’s website, conceptual sketches and designs, correspondence, and other records.
Coupland, Douglas
Icelandic Archives of British Columbia fonds
The IABC fonds reflects the community collecting practices that the IABC undertook to preserve the history of Icelanders in British Columbia. Fonds is arranged in eight subfonds that reflect the various community organizations from which the archives originally collected.
Fonds documents the IABC’s commitment to preserving the lived experiences of its Icelandic community and is arranged into seven series that correspond to the IABC’s activities: administration and operation; providing educational programs and collecting biographies as well as written and oral histories; collecting Icelandic music; compiling a collection of Icelandic newspapers and publications; holding exhibits and events; acquiring photographic collections; and lastly acquiring collections of textual records, ephemera, and artifacts from its community.
Fonds also contains eight other subfonds of textual, photographic, audiovisual, and ephemeral material of Vancouver-based Icelandic Societies including the Sólskin Society, the Icelandic Canadian Club of British Columbia (ICC of BC), the Icelandic National League of North America (INL of NA), Icelandic Care Home Höfn Society, the Scandinavian Cultural Society (SCS), Ströndin Internet Radio, the Danish Archives, and the Icelandic Lutheran Church.
Icelandic Archives of British Columbia
Fonds consists of material that reflects Charles van Sandwyk's development as an artist, illustrator and publisher of fine books in Vancouver. Materials include original artwork (watercolours, etchings), exhibition posters, book and book signing announcements, press proofs, broadsides, invitations, edition of the High Branch Society mail-outs (which include letters, cards, decorative envelopes, poems, and small copies of art), fabric banners, and medallions. Most of the items are signed by Charles. Some of these materials were brought together by Charles and the Joyce Williams Gallery; the arrangement of that material as it arrived has been maintained. Other materials were purchased from the creator and maintain the original order at the time of their acquisition.
Van Sandwyk, Charles
The fonds consists of extensive correspondence, administrative and financial records, advertisement and catalogue samples, typescripts and manuscripts of poetry by K.S. Keys, Dennis Lee, and J. Michael Yates, published books of poetry, and duplicate covers of published Press books. Correspondence is primarily between Kanchenjunga Press and various libraries (public and university), printers, book reviewers (including the New York Times Book Review), and booksellers. Administrative records are primarily planning documents, project files including Reading Tour 1974-1975, and ISBN logging records. Financial records include banking records for Canada and the US, invoices, and receipts.
Kanchenjunga Press
The fonds consists of records produced by Jim Wong-Chu, records associated with Jim Wong-Chu's involvement in various cultural and artistic communities in Vancouver, British Columbia, San Francisco, California, and other areas in the northwestern United States and Canada.
In particular, the fonds includes records related to: Canadian cultural and literary communities; Asian Canadian writers; social justice and historical issues related to discrimination of Chinese and other Asian ethnic groups; and Canada and Vancouver's Chinese and other Asian cultural communities.
The fonds has been arranged into the following 9 series: Asian American communities; Asian Canadian communities; Asian Canadian Writers Workshop; Correspondence; Go for Broke Festivals; Manuscripts; Personal works; Personal Records; Vancouver Asian Heritage Month Society; and Vancouver Chinese Cultural Centre.
In addition to the series listed above, there is one sub-fonds which includes records created by Garrick Chu, a close-friend and colleague of Jim Wong-Chu.
The main types of records within the fonds include correspondence, meeting minutes, schedules, manuscripts, posters and event flyers, photographs, event programs, financial statements and budgets, publications and articles, reports, conference proceedings, and speeches.
Wong-Chu, Jim
Archives Collective collection
Collection contents include materials related to various lesbian and gay organizations in Vancouver and Toronto, as well as political activities in the New Democratic party, left-wing organizations, presses and radio. The Gay Liberation movement is widely represented, with Labour, Socialist and Marxist, Women’s Liberation, and First Nations organizations peppered throughout the collection. Significant attention is given to Gay Alliance Towards Equality, the John Damien, Gay Tide and Body Politic legal battles, and Anita Bryant. There is also a significant presence of materials relating to CRFO Co-op Radio.
It was collected and donated by James Thomas, Founder of the Archives Collective. Significant donations were made to the Archives Collective by Randy Notte, a writer and gay advocate based out of Victoria and then Toronto and Vancouver; these donations document his wide range of involvement in the NDP and Socialist groups throughout Canada, especially as they have to do with gay and lesbian rights at that time. Files 2-20 to 6-07 are related to Notte’s activities. The collection is divided into two series, Subject Files (1919-1989) and Archive Administration (1979-1989).
Collection includes materials in the form of letters; pamphlets; posters; political materials, including a number of NDP related items collected by Randy Notte; materials relating to the functions of Gay and Lesbian organizations in Vancouver, Victoria and globally; newspapers and newspaper clippings; and other ephemera.
Archives Collective
Fonds contains materials arising from Anna Banana’s activities in the Mail Art network, her collecting of published materials and artworks, her performance art, exhibitions of her work and others, promotion of her activities, the production of various publications including VILE magazine, and the creation of visual art including artist trading cards, artistamps, collage, drawings and paintings. Materials were created in Victoria and Vancouver from 1964-1973, San Francisco from 1973 to 1982, Vancouver from 1982 to 1995 and the Sunshine Coast from 1995 to 2020, as well as on various tours and travels throughout this whole period. Materials are often focused on the neodadaist movements of San Francisco in the 1970s and beyond, as well as involvement in the Mail Art Network and performance art, and Anna’s personal and professional life.
The fonds is divided into 10 series: Mail art and correspondence, Interactive/performance art, Anna Banana’s publications, Artworks, Artist Trading Cards, Artistamps, Exhibitions, Photographs, Press, Collected publications. Records include textual materials, particularly letters, postcards, books, periodicals, zines, and other published materials; graphic materials such as envelope art, photographs, collage, xerox art, ink and pencil drawings, and watercolour; and other items such as CDs, DVDs, and various artefacts.
Banana, Anna
The fonds consists of records generated in the course of research for the biographies of John Diefenbaker and Lester B. Pearson. Interviewees include Donald Cameron, Jack Davis, Grace MacInnis, Stuart Keate, Norman McKenzie and Harold Winch. Fonds includes recorded interviews and their transcripts and video tapes of an interview with Grace MacInnis.
Stursberg, Peter, 1913-
The fonds consists of published material, correspondence, proofs, manuscripts, reviews, broadsheets, polymer plates, photographs, artwork, orders, posters and promotional material.
Greenboathouse Press
These papers consist of 5 metres of Stuart Keate's personal papers which he kept in files at the office or at home. They span the years 1918(?) to his death in 1987. The bulk of the collection dates from 1943 to 1987. The majority of the records are textual records. Other media include 268 photographs, one negative and 14 tape recordings.
The papers cover four main areas of interest. Firstly, they provide background information on policy and editorial decisions made by Keate, his superiors and his staff when he was publisher at the Vancouver Sun, the Victoria Daily Province and Bureau Chief for Time Magazine in Montreal.
Information concerning publishing and editorial decisions can be found in those files of memos and correspondence between Keate and Bruce Hutchison, Max Bell, R .A . Malone, G .N .M . Currie, F .P . Pulbications Limited and Allan Fotheringham and a few other members of The Vancouver Sun staff. These will mainly be found in the Victoria Daily Times and The Vancouver Sun files. There are also some files in Keate's home files. Files of letters and ideas for his book, Paper Boy, which was published in 1980, provide further information on policy and editorial positions as well as much information on newspaper magnate Max Bell about whom he wanted one day to write a book.
Secondly, these papers provide an insight into Keate's wide range of interests, activities and involvement in the community and public affairs particularly in the 1960s and 1970s. There are copies of over 150 speeches written by Keate. There are a series of notes, letters and a report he prepared for the federal government as a neutral mediator in 1966 dealing with the CBC's handling of personnel of the program, "This Hour Has Seven Days." Numerous correspondence files with service, recreational and community groups as well as scrapbooks, tape recordings and photographs of sportsmen and political figures furnish a picture of a man keenly interested in his city, province, and country.
Thirdly, the files cover his experiences as an information officer for the Department of National Defence - Naval Service during the second World War. They consist of correspondence with his wife, with the Department of National Defense Naval Office and a diary written while on board the ship the HMSS Uganda in 1945.
Fourthly, they show Keate, the author, at work. There are a number of drafts as well as correspondence relating to his book, Paper Boy. Various manuscripts in the collection also document his writing activities.
Keate, Stuart
The fonds consists of family papers including genealogical findings and legal documents concerning land owned by his family in the New Westminster District (Whonnock), 1870-1910; correspondence and newsclippings; records gathered or kept by Spilsbury on Spilsbury and Hepburn Ltd. and its successors in radio communications, 1940-1985; records of Queen Charlotte Airlines Ltd., 1946-1955; and a large collection of ca. 6000 photographs (including cartes-de-visite and cabinet cards) negatives, and slides, mainly taken by Spilsbury. The photographs consist mainly of images relating to Savary Island, Vancouver Island and other area of B.C.'s coast where Spilsbury lived and carried out his activities. As well as images of early native and logging sites and towns and topography of B.C., they also provide a record of Spilsbury's paintings. Photographs also depict Spilsbury's English relatives (1870-1906), friends and family at New Westminster, Whonnock and Savary Island, logging operations at Theodosia Arm in the 1930s, aircraft and personnel of Queen Charlotte Airlines, and equipment and personnel of Spilsbury and Hepburn.
Spilsbury, Jim, 1905-
Jim Hamm Doukhobor Research Collection
The Jim Hamm Doukhobor Research Collection consists of two VHS copies of the documentary film, The Spirit Wrestlers, and other materials relating to the production of the film such as Betacam SP videos (camera masters), VHS videos screening copies, 35mm slides, digital photos on CD, audio cassettes and transcripts of the interviews in hard copy and on CD. In addition, footage logs, printed material, photographs and photocopies of photographs relating to the film have been created or collected, 1999-2002.
Hamm, Jim
The fonds consists mainly of his personal manuscripts and his activities relating to his work as published by Harbour Publishing Company. Much of his incoming and outgoing correspondence as well as subject files relate to books he has published or is planning to do so in the future. Major writers and/or correspondents include Anne Cameron, Pat Lane, Margaret Laurence, and Tom Wayman. A publication log kept by Hubert Evans (1928-1967) is also included.
White, Howard, 1945-
Harbour Publishing Company fonds
The fonds consists primarily of manuscripts and proposals (published and unpublished) submitted to the Harbour, as well as correspondence, financial records, subject files, and sales, marketing, and promotional files for the company as well as specific authors and publications.
Harbour Publishing Company
The fonds consists of Eric Nicol’s business correspondence, drafts (handwritten notebooks and typescripts) for various writings, finished scripts for plays and shows, drafts, reference materials, reviews of his work, printed materials featuring his articles, subject files, royalty statements and other financial records regarding the publication of Nicol's books, as well as posters, newspaper clippings, awards, photographs and other ephemera which document Nicol's career as a writer. The fonds contains a file of his correspondence with The Vancouver Sun, which was kept by the Sun and later given to Nicol. His writings are categorized into radio scripts, television scripts, stage scripts, books, articles, short stories and other writings. Drafts and related materials of each category comprise a series.
Nicol, Eric Patrick
The fonds consists of broadcast scripts and speeches; manuscripts of plays, poetry, and prose; notebooks; diaries; scrapbooks and correspondence. The fonds also includes subject files, printed materials, fan mail, financial records and many subgroups relating to other family members and photographs.
Harris, Ellen
The fonds consists of records generated and assembled by David Watmough related to his life and career as a novelist, short story writer, playwright, monodramatist and performer, poet, critic, broadcaster, journalist, and teacher. The fonds includes series of records arranged in twenty divisions, with the greatest portion related to writing and literary production: novels, short stories, plays and dramas, monodramas, poetry and songs, nonfiction books, diaries and journals, essays, collections and anthologies, recordings, reading scripts and performance files, radio and television broadcast scripts and project files, film scripts, lectures, addresses, and orations, journal articles, interviews, and reviews of books, exhibitions and theatre performances, as well as correspondence, finance and business files, subject files including published material about Watmough and copies of published material by him, and ephemera and miscellanea. The arrangement of records in files by the creator has been respected where such order exists. The fonds contains textual records, both manuscript and typewritten as well as computer generated, some printed, published material, an occasional sketch or drawing, several sound recordings of Watmough performing, a small number of electronic records, and a number of photoprints and slides kept with the original files where possible. Some monodramas have been retained in the original bindings provided for performance by the creator.
Watmough, David
Fonds consists of records created and accumulated by Dave Barrett relating to his personal, political, and professional life. Within the fonds there are appointment books recording information about Dave Barrett's private and political life, personal records, records created by Dave Barrett in the course of creating his autobiography, records created during Mr . Barrett's political career, and records created during Dave Barrett' s work with CJOR.
Barrett, David
The fonds consists of textual records and artwork created by Ann Blades during the course of her career as an author and illustrator of Canadian children’s literature. The records date from circa 1967 to 2013, with particular concentration during the years immediately prior to the publication of Blades’ works. The fonds is especially strong in areas related to book production and sales, including, contracts, royalty reports, correspondence with publishers, literary agents and designers, layout materials, manuscripts, sketches, drawings and paintings. In addition, the creator has gathered a number of clippings and reviews which document the critical reception of her work.
The fonds is divided into 31 series. 26 of these series, the majority of the materials in the fonds, have been arranged by the creator according to book title (including both published and unpublished works) and therein according to textual records and artwork. This arrangement has been maintained by the processor with each title constituting a separate series. The remaining five series discuss Blades' personal activities, and her professional activities which were not related to a single book.
Book series include:
“Seasons,” Board Books - Production and Reviews (1986-1998),
<i>A Boy of Tache</i> - Reviews (1973-1977),
<i>A Candle for Christmas</i> - Production and Reviews (1982-2001),
<i>A Dog Came, Too</i> - Production, Reviews and Publicity (1989-2001, predominant 1989-1993),
<i>A Ride for Martha</i> - Production (1992-2001),
<i>A Salmon for Simon</i> - Production, Reviews and Awards (1978-1997),
<i>Adolph</i> - Production (1976?-1978),
<i>Anna’s Pet</i> - Production and Reviews (197?-1982),
<i>Anna’s Pet/Six Darn Cows</i> - Materials (1978-2006),
<i>Back to the Cabin</i> - Production, Reviews and Publicity (1993?-1999),
<i>By the Sea: An Alphabet Book</i> - Production, Publication, and Reviews (198-?-1994),
<i>Canadian Books for Children</i> - Production and Publication (1987-1988),
<i>Fowlini</i> - Production ([1971]-1978),
<i>Ida and the Wool Smugglers</i> - Production, Reviews and Publicity (1986-2001),
<i>Jacques the Woodcutter</i> - Production, Reviews and Materials (197?-1981),
<i>Mary of Mile 18</i> - Production, Reviews, Film (1971-2012),
<i>Mile 18 Summer Book</i> - Production (1970),
<i>Mother Goose: A Canadian Sampler</i> - Production and Publication (1992-1994),
<i>Pettranella</i> - Production and Reviews (1978-1994),
<i>Pond Seasons</i> - Production and Reviews (1994-2001),
<i>Six Darn Cows</i> - Production and Reviews (197?-1986),
<i>The Cottage at Crescent Beach</i> - Production, Reviews and Publicity (1974-1988, 2001),
<i>The Singing Basket</i> - Production, Reviews and Materials (1976, 1988-2004),
<i>Too Small</i> - Production and Reviews (1999-2001),
<i>Willemina's Christmas</i> - Production (1977-1982),
and <i>Wolf and the Seven Little Kids</i> - Production and Reviews (1998-1999).
General series include:
General Financial Materials (1981-2013), General Publicity Materials (1974-2004), Personal Materials (1967-2000), Presentations, Exhibitions, and Conferences (1975-2005), and Professional Correspondence (1970-2013).
The 2002, 2006, 2008, 2011, and 2014 accruals also included copies of Blades’ published works. All printed materials have been integrated with the library collections and are searchable via the UBC catalogue.
Since at least 2006, the creator has for many files left annotations or descriptions, which have been kept with the records. The 2011 accrual was well-organized and carefully labelled by Blades before it was officially gifted to the University of British Columbia in 2011. As a result, all file names are based upon the titles devised by the creator. Within each file, Blades grouped related materials and indicated the subject of the grouping with a labelled paper wrapper which she folded around a collection of documents. These paper wrappers have been preserved. File contents have been retained in their original order.
Blades, Ann
The fonds consists of records which document books and ephemera published by Rollin Milroy’s three printing presses: A Lone Press, Heavenly Monkey, and Heavenly Monkey Editions, as well as other independent and collaborative projects published by other printing presses. The records include setting copies, detailed layout schematics, dummies of final books, printing schedule sequences, proof impressions, make-ready copies, and various impression proof and waste/reject sheets, as well as printing blocks and printing plates, photographs, negatives and other documents related to the printing and publication process. The fonds also includes correspondence related to the production and publication of books, ephemera, newspaper articles and lecture notes written by Milroy on various subjects related to letterpress printing.
The fonds is arranged into the following five series: Heavenly Monkey publishing records, (1997-2010), Heavenly Monkey Editions publishing records (2002 – 2010), Other printing press publishing records (1996-2008), Correspondence (2002-2010), and Professional activity records (ca. 1980-2004).
Heavenly Monkey
The fonds consists of records collected and created in the course of Southam's research into the life and work of H.R. MacMillan. Fonds includes interview notebooks, sound cassettes, press clippings, and correspondence.
Southam, Harvey Stevenson, b. 1948
Fonds illustrates Mayrs’s work in visual arts, limited edition book design and publishing, and advertising and PR. It also contains records relating to his personal interests and family history.
The materials are arranged into three series, reflecting his different careers and personal life. Visual art and literary project records include: exhibition ephemera; photographic reproductions of Mayrs’s work; mockups, drafts, and unused material from projects; concepts and designs of unpublished and in-progress works; and correspondence related to his art practice. Advertising and PR project records include ads designed by Mayrs; administrative and ephemeral materials associated with Dome Advertising; and a small number of textual records relating to Mayrs’ work at Lovick BBDO. Personal records include Mayrs’ documentation of his family history; press clippings that profile Mayrs; and other photographs and ephemera that relate to his personal and aggregate professional life.
Mayrs, Charles
World War I British press photograph collection
The collection consists of photography of every aspect of World War I - from cadet training to soldiers' graves. Every theatre of war is represented, but the majority of prints were taken in Europe, particularly on the battlefields of France and Belgium. In Britain, there are prints of Gibson Girls welding ships or carting coal. There are prints of royalty and military commanders, including Greek, Belgian and Japanese aristocracy. The technology of war is illustrated in the numerous prints of planes, ships, tanks and guns of all kinds. The collection is strong in portraying the average "Tommy" and his role in the war.
Collection consists of Al Sens’ professional records, produced and received in the process of his career in cartoon and animation illustration. Material spans his career from the 1950s to the 2010s. The collection is arranged into two series according to record type: publications series and original illustration series.
Sens, Al
The fonds consists of moving images, sound recordings and photographs created during Alan Twigg's production of the film Spilsbury's Coast and accompanying textual materials, as well as moving images and textual materials created during his production of the BC Book World television series. The fonds also consists of textual, photographic, sound recordings, and moving images related to Twigg's interest in and association with writer George Woodcock, particulaly in the early 1990s. Additionally, the fonds includes files of textual and photographic materials related to authors of British Columbia, created as part of Twigg's role as publisher of BC Bookworld.
Twigg, Alan
Federationist Publishing Company fonds
The fonds consists of the company minute book (1936-1945) for the Federationist Publishing Company.
Federationist Publishing Company
The fonds consists of correspondence and writings of R.A. Shiomi and material relating to the activities of, and Shiomi's participation in, the Japanese Canadian Citizens Association. There is also some material on the issue of the internment of Japanese Canadians during World War II.
Shiomi, R.A. (Richard Alan), 1947-
Fisherman Publishing Society fonds
The fonds consists of correspondence, a scrapbook, minutes, historical collections including ships' logs and the Harry Allison papers. Fonds includes photographs of the Fisherman Publishing Society, depicting labour and union activity, fish and fishing vessels, and the men and women who worked in the fishing industry.
Fisherman Publishing Society
The fonds consists of photographs of mines, mining activities, and mining personnel created and collected for use in the Western Miner and its predecessor publications, The Miner and the British Columbia Miner. Images include aerial views as well as ground level shots of mine sites, buildings, townsites, mining, milling, smelting and other mineral processing operations. The photographs include exteriors and interiors of mines and buildings, crews at work, and a collection of portraits of company executives, staff and Canadian politicians. Mining equipment is featured including excavators, diamond drills, continuous miners, loaders, shuttle cars, muckers, ore conveyors, and drilling rigs.
Western Miner
The fonds includes records of the International Military Tribunal for the Far East (1946-47). It includes trial transcripts, biographical information on defendants, prosecution evidence, and copies of contemporary news accounts and interpretations of the trials. Research notes including printed materials, photographs, ephemera, and interview transcripts used for the writing of hundreds of short articles, news programmes, and full-length books (manuscripts also included in the collection), correspondence, and radio programme transcripts reflect Conde's integral involvement in Asian foreign affairs.
Conde, David W.
Fonds consists of records related to the documentary film which Ewashen directed entitled In search of utopia: the Doukhobors, produced under the name Gemini Cooperative for the Performing Arts. Other individuals involved in the film included Ray Gallon, Koozma Tarasoff and Ken Innes. Records consist of two copies of the film on reels, a shot book containing copies of historical photographs and correspondence, contracts and other textual records related to the production and promotion of the film, and a teacher’s manual and study guide.
Ewashen, Larry
Jim Hamm documentary video collection
The Jim Hamm Documentary Film Collection consists of materials relating to three of his documentary films: "The Air We Breathe" (1996), "Between the Rock and a Hard Place" (1997) and "Turning Down the Heat" (1999). "The Air We Breathe" was a co-production of Jim Hamm and the National Film Board. It is an examination of the problem of smog in relation to political decisions, dependency on automobiles, and social-cultural forces. Hamm acted as co-producer, script writer and director. The film was broadcast on the CBC, WTN, SCN, Knowledge Network and Access Alberta. "Between the Rock and a Hard Place" was produced in association with CBC Newsworld. It is the story of Newfoundlanders who leave their home province after the collapse of the cod fishery, ironically finding work in the exploit of another natural resource in Fort Nelson, British Columbia. The film was aired on CBC Newsworld and on CBC Newfoundland. "Turning Down the Heat" was co-produced with the National Film Board in association with CBCs program "The Nature of Things," narrated by David Suzuki. The film showcases viable solutions to climate change by reducing greenhouse gas emissions. Hamm acted as director, co-producer and co-script writer. The film was aired on "The Nature of Things," and has other screenings nationally and internationally. Storage issues dictate that the textual materials relating to these films and the audio visual materials be separated, so the fonds therefore contains the series: "The Air We Breathe" Textual Materials series, "Turning Down the Heat" Textual Materials series, "Between the Rock and a Hard Place" Textual Materials series, "Turning Down the Heat" Audio/visual Materials series, "The Air We Breathe" Audio/visual Materials series, and "Between the Rock and a Hard Place" Audio/visual Materials series. The largest division of the collection is the audio/visual materials.
Hamm, Jim
Vancouver Irish Prisoner of War Committee fonds
The fonds primarily contains the organizational, administrative, and operational records of the V.I.P.O.W.C. and the Irish Solidarity Committee dating from 1977 to 1994. The fonds also includes 165 audio cassettes of Saoirse Eirleann. The fonds divides into three series: The Textual Material Series, the Saoirse Eirleann Audio Cassette Series, and the Events Material Series.
Vancouver Irish Prisoner of War Committee
The fonds consists of academic materials and writings, prose, poetry, incoming and outgoing correspondence with family, especially his mother, Viola Fraser (nee Huggan), friends and co-workers; colour and black & white photographs portraying a variety of subjects; posters, notebooks, printed materials such as newspaper clippings and serials, and a variety of other ephemera created and/or collected and/or used by Fraser in Vancouver.
Fraser, Donald Murray
The fonds consists of audio cassettes of interviews (100) with a variety of personalities (79) from the fields of entertainment, politics, and the professions relating to their careers and issues of the day recorded on radio talk show programmes at KSFO San Francisco (1), CKNW Vancouver (57), KGO San Francisco (10), CJOR Vancouver (23), WNIS Norfolk (3), XRA San Diego (5), and KCBS San Francisco (1) from 1960 to 1990. Some of the tapes include questions from listeners to the talk show guests. The people interviewed by Art Finley included some of the prominent personalities and newsmakers of the 1970s and early 1980s: Mohammed Ali, Joan Baez, Bill Graham, Germaine Greer, Henry Heimlich, Yousuf Karsh, John Lennon, Henry Morgentaler, Huey Newton, Pierre Trudeau, and Gore Vidal.
Finley, Art, 1926-
Fonds reflects Blondal's personal life and work as a writer, radio broadcaster, university student and researcher whose interests include religion, philosophy, psychology and criminology in the 1940s and 1950s. Records are arranged into four series, spanning from about 1929 to 1963, including documents that were added by her husband following her death in 1959.
Blondal, Patricia
The fonds consists of the business records created and/or collected by Arsenal Pulp Press, predominately from the early 1980s to the late 2000s. These records consist of correspondence, manuscripts, proofs, reviews, catalogues, broadsheets, advertisements, flyers, clippings concerning Arsenal publications and the Press, artwork, financial and sales records, ledgers, legal records, minutes and other organizational material.
The fonds was originally divided into the following four series: Correspondence; Editorial; Administrative; and Special projects. The Correspondence series contains the following subseries: General correspondence, Editorial correspondence and Correspondent-specific correspondence. The Editorial series contains the following subseries: Early manuscripts, General literary manuscripts, Published/printed material, Artwork, and Supplementary editorial records. The Administrative series contains the following sub-series: General administrative records, History/operational records, Minutes/agendas and newsletters, Financial records, Ledgers, Legal records, Sales/service fee reports, and Marketing/distribution records. The Special projects series contains three sub-series: Three-Cent Pulp, Arsenal Collaborative Library and the 3-Day Novel Contest. A fifth series was added with the accrual made in 2011, titled Editorial and production.
Arsenal Pulp Press
Fonds consists of Jim Coleman's published articles from multiple newspapers (predominantly the Globe & Mail and Vancouver Province), and magazine articles published in both Maclean's and Saturday Night magazines. The fonds also consists of original manuscripts from Coleman's two books: Hoofprint on my Heart, and Long Ride on a Hobby Horse.
Coleman, Jim
Fonds consists of material related to a documentary film made by John Corry, entitled “Life's Imprint: Lithographs by Jack Shadbolt.” This 1994 film documents Canadian artist Jack Shadbolt’s production of a four-part colour lithograph, done over a 9-month period in collaboration with lithographer Torrie Groenig. The film was produced and directed by Corry, with the support of the National Film Board of Canada and Knowledge Network., and was originally broadcast on CBC, Bravo!, and Knowledge Network. It includes scenes from Shadbolt’s studio in Burnaby and the Limited Editions studio in Gastown.
Material includes the master tapes from filming, production notes, photographs, obituaries for Shadbolt (who died in 1998), and promotional and distribution documents.
Corry, John
Fonds consists of records related to Robert Duncan’s role as producer of the National Film Board of Canada’s documentary "Volcano: An Inquiry into the Life and Death of Malcolm Lowry" (1976). Principal work on the film spanned from 1974 to 1976.
Textual records in the fonds consist of transcripts of interviews conducted for the documentary and documents related to planning, research, production, and post-production activities for the film. Interview transcripts are arranged by film roll number and chronological order. Film production documents include correspondence, financial documents, forms, memoranda, notes, schedules, permits, promotional materials, ephemera, film proposals, copies of newspaper articles, and other material. Photographs include black and white stills of Lowry and his friends and family used in the film, as well as black and white prints of behind-the-scenes photographs taken during filming. Film production documents are arranged in loose chronological order or based on the creator’s original arrangement. The fonds is arranged into two series: Interview and film transcripts; film production documents.
Duncan, Robert Alexander Bremner
The fonds consists of the business records created and/or collected by Lazara Press and its founder Penny Goldsmith, predominately from the early 1980s to the late 1990s. The records are loosely divided into two main categories: administrative and publication records. The administrative records contain material documenting the different functions of Lazara Press, including promotional/distribution information, financial records, memberships information, and correspondence Lazara Press had with other printing presses and booksellers in Canada and in Europe. Other administrative records include materials pertaining to projects Goldsmith was involved in, either as a representative of Lazara Press or of her own initiative.
The publication records contain material relating to the publication process of the various broadsheets, chapbooks, volumes of poetry, plays, short stories, and essays printed by Lazara Press. These records include drafts and manuscripts, layouts and prototypes, as well as the published editions of many of these works. Other records include correspondence between Lazara Press and various authors, contracts, promotional information, reviews, and distribution lists.
The fonds is divided into eleven series: Promotion and distribution; Lazara Press business records; Literary associations and publishing groups; Literary festivals and book fairs; Publishers; Editing + consulting; Penny Goldsmith articles; Other projects; Lazara published books; Broadsides and chapbooks; and Discussion series. The last three series are further divided into subseries, typically by author name but occasionally by the title of a publication.
Lazara Press
Macmillan Company of Canada fonds
The fonds consists of subject files pertaining to the publication of some of Ethel Wilson's novels, including Hetty Dorval, The Innocent Traveller, The Equations of Love, Love and Salt Water and Mrs. Golightly and Other Stories. The fonds also includes manuscripts of other short works as well as articles, newsclippings, and correspondence regarding Ethel Wilson.
Macmillan Company of Canada
The fonds consists of correspondence, articles, speeches, radio scripts, briefs to government commissions, as well as clippings and printed material, and drafts of Woodward's book "Adventures in Free Enterprise: The Shape of Things to Come" (1965).
Woodward, Eugene Sidney
The fonds consists of subject files, office files, printed material, videos, photographs, and slides relating to home economic topics such as cooking and kitchen and laundry planning presented by Beatrice Millar on behalf of the British Columbia Hydro Home Service Centre. Photographs consist of slides used in the BC Hydro home economics program, publication production photographs, as well as photographs of BC Hydro and Beatrice Millar in a television studio.
Millar, Beatrice
The fonds consists primarily of correspondence with accompanying newspaper clippings, diaries and photographs. Fonds includes school notes and correspondence of his daughter, lieutenant colonel June Whaun.
Whaun, Thomas Moore
The fonds consists of photographs, correspondence, printed material and notes gathered and generated by Wilkins pertaining to the early development of television in Great Britain.
Wilkins, Harold T.
Weekly Gazette and Home News fonds
The fonds consists of correspondence of the Weekly Gazette with its clientele for 1918.
Weekly Gazette and Home News
Vancouver Cooperative Radio fonds
The fonds consists of 129 reel-to-reel tapes relating to the production of radio programmes on labour including the proceedings of the Vancouver and District Labour Council, Oct., 1977 - May, 1981 (32 tapes) proceedings of British Columbia Federation of Labour conventions, 1975-1979 (64 tapes), proceedings of various union meetings or discussion on specific unions (20 tapes) and other topics relating to the activites of labour such as democracy in Chile (13 tapes).
Vancouver Cooperative Radio
Telecommunications Workers Union research collection
The collection consists of records covering the period from the granting of the Victoria and Esquimalt Telephone Company charter in 1880 to 1982 when B.C. Telephone Company employees were laid off without notice. It includes union minutes, arbitration details, correspondence, press clippings, constitutions, agreements, and financial reports relating to the Telecommunications Workers Union of B.C.
The fonds consists of drafts, research notes, galley proofs, and other materials related to Stephen's book "Winged Canoes at Nootka and Other Stories of the Evergreen Coast," as well as typed transcripts from her radio programs "Indian Trails," "Story Time," and other pieces of reporting. The fonds also includes creative writing drafts - short stories, radio dramas, and plays adapted for radio - and research related to an unpublished book about Alberta. Personal files include photographs, correspondence, and historical family records dating back to the 19th century. Materials related to Stephen's involvement with the Canadian Women's Press Club and the Vancouver branch of the Canadian Authors Association are also part of this fonds.
Stephen, Irene Simmons