Series consists of photographs and slides prepared for use in the film and companion book for Manufacturing Consent. It also includes several portraits of Chomsky and some photographs of window displays at Vancouver bookstores which coincided with the film/book’s release.

Series consists of research material specifically collected for the book, correspondence, manuscripts, graphic material and publicity materials relating to the creation and publication of the companion book to the movie Manufacturing Consent. The series also includes several versions of working manuscripts, most of which are annotated, copies of the published book in digital and analogue form.

Series consists of clippings, circulars, media releases, media kits and other promotional material relating to the film Manufacturing Consent. Series also includes movie release information, film festival programs and awards, correspondence and articles published in response to the film’s release and educational materials prepared alongside the TV and VHS releases of the film. It also includes some graphic material ready for the promotion of the film.

Fonds consists of textual and audiovisual material relating to the production of the movie "Manufacturing Consent: Noam Chomsky and the Media", released in 1992, and the companion book by Mark Achbar published in 1994. The filmmakers chose to capture
the majority of their work on film, rather than video, for several reasons. Firstly, during the 1980’s, video resolution was significantly lower than film negative and in an effort to ensure the image resolution was high film was chosen as the predominant medium.
As well, the NFB (National Film Board) was equipped primarily for film shooting, processing and editing. Finally, the motivation to participate in film festivals, which wanted film rather than video, compelled the filmmakers to use film as their medium. Some small format video, captured using rented broadcast quality video gear, was used for long talks or events which would have been uneconomical to shoot in film. The audiovisual material includes original camera negatives, audio and video tapes and sound bites used as research material and in the making of the film as well as some post-production rough cuts, alternative versions and promotional material relating to the distribution of the film and subsequent video. The textual material includes pre and post-production materials as well as production logs and graphical materials. Much of the post-production material relates to the promotion of the film and the media coverage of the film and of Noam Chomsky.

Series consists of various audio and visual formats as well as textual records. Film, video, sound and music logs directly relate to the audiovisual materials. The series also includes film proposals, project profiles, correspondence between Noam Chomsky regarding the development of the project, as well as letters written in support of the film. Most audiovisual material has been catalogued according to the original numbering system given the material by the creator but has been re-housed. The material also retains original box numbers created by Anna Sikorski for Necessary Illusions, which can be disregarded in the new arrangement.

Series consists of articles, clippings, fliers, pamphlets, essays, graphics and correspondence relating to the production of the movie Manufacturing Consent: Noam Chomsky and the Media. Many of the files consist of articles featuring Noam Chomsky, his work and ideas, and media controversies prevalent in the late 1980s and early 1990s, including the situation in East Timor and the first Gulf War.

Fonds consists of materials documenting the lives and careers of Lorne and May Brown and includes two self-published biographies (Lorne Brown Remembered and May Brown – A collection of stories), four photographs of Lorne Brown, a newspaper clipping about Camp Deka, and some of Lorne Brown’s UBC personnel records.

The series includes correspondence relating to articles exchanged for editing between colleagues and advisees; applications for numerous Research Grants which summarize his various ongoing research projects, presentations that he made; and several Curriculum Vitae from 1966-1992.

This series consists of drafts, correspondence, and originals, including his major poetic opus “Double Star and Other Verses.”

This series consists of incoming and outgoing letters of correspondence. Harrison and other correspondents would often exchange drafts of articles for review and feedback. In addition, Harrison and the correspondents discuss ongoing projects, inquire about research, and provide references for each other. Some correspondence is personal.

The fonds consist of Harrison's personal and professional materials related to his career, including correspondence, laboratory notes, teaching notes, and manuscripts. The fonds is divided into four series: Professional Life series (1966-2008); Undergraduate and Graduate Education (1941-A); Correspondence series (1973-2002), and Poetry series (1966-1968). A film is also included, entitled Asymmetry and Dissipation, or, Life is so Irreversible – listed in the Archives as UBC Film # 111.

This series consists of laboratory diaries, research notes, and class notes created when Harrison was in his undergraduate and graduate years. Harrison’s Ph.D. Thesis entitled “Studies in Catalytic Parahydrogen Conversions,” is included in this series.

The Publications series consists of Peterat's many publications and works that appeared in anthologies, journals, and reports.

The Administration series contains materials related to Peterat’s time in the Department of Home Economics and her education. There is much correspondence in many different forms, detailed accounts of what Peterat did for in the Department in the form of both her university cv and official accounting of her work, many of the certificates and awards that she received, and information related to her education for the University of Alberta. The series also contains photographs of Peterat and much information and photos from the Intergenerational Landed Learning project she led from 2002-2007.

The fonds contains correspondence, reports, and information about the Home Economics Department from Professor Peterat’s time working in the Home Economics Department at UBC. There is much correspondence that Peterat received from colleagues and students all over the world, publications and reports, and material related to the Landed Learning Program. These materials are divided into three different series. There are also photographs depicting her and her projects at UBC.

Series consists of records documenting the programmes administered by the Learning Exchange, incorporating the principles of Community Service Learning and Community Based Research. Records include correspondence, reports, minutes, budgets and related financial records, written notes, and published items. Files are arranged in alphabetical order.

Series consists of two audiovisual recordings which document various Learning Exchange programmes.

Series consists of records documenting the Chapman Awards, which recognize outstanding student volunteer involvement and leadership. Records include correspondence, reports, and student applications. Files are arranged in chronological order.

Series consists of records documenting the establishment of the UBC-Okanagan Learning Exchange and includes correspondence, reports, budgets, and written notes. Files are arranged in chronological order.

Series consists of records documenting the various programmes administered by the UBC Learning Exchange and includes correspondence, reports, minutes, budgets and related financial records, written notes, and published items. Files are arranged in alphabetical order.

Series consists of records documenting the administration of the UBC Learning Exchange and includes correspondence, reports, budgets, written notes, and minutes or meeting summaries. Files are arranged in alphabetical order.

Fonds consists of records that document the UBC Learning Exchange history and includes correspondence, reports, minutes, budgets and related financial records, written notes, published items, and audiovisual materials. It is arranged in six series: Administration, UBC-Okanagan, Chapman Awards, Programmes, Community Service Learning and Community Based Research, and Audiovisual.

Series includes a bound, five-volume set of Dr. Lowe’s memoirs along with a bound single-volume history of the Burpee family by Isaac Burpee. It also includes correspondence (copies and originals) and other genealogical records.

Fonds consists of academic and personal works of Dr. Lawrence Lowe, by himself or in collaboration with others. Also included are a collection of genealogical materials pertaining to the Burpee and Lowe branches of his family along with a copy of Lowe’s 1994 curriculum vitae.

Series consists of articles and other works written by Dr. Lawrence Lowe, by himself or in collaboration with others. Also included is Lowe’s 1994 curriculum vitae.

The fonds consists of records and ephemera pertaining to John Laurence Russell Meredith and his family from 1863 to 1990. Records and ephemera pertaining to his father’s life are of genealogical interest as they provide insight into who he was. Records pertaining to his sister’s death show the painstaking detail the family took in providing a meaningful burial for her. The UBC ephemera provides a glimpse into Laurence’s social life at UBC. The music and theatre programs show his interest in the arts from a young age. The photographs provide valuable information on who his family was, what Laurence liked to do, and the activities in which he participated. His diary, letters received by him, and a list containing the translation of various words and phrases of the language of the Kwakwaka'wakw First Nation provide insight into who he was as a person.

Fonds consists of records documenting the functions and activities of the Department of Plant Operations and the office of the Associate Vice-President Land and Building Services and includes correspondence, reports, minutes, clippings and other published materials, and audio-visual recordings.

In their original order as received by the Archives, there were no discernible series, so the files have been arranged in the following broad categories: Building Projects, Business Plans, Cliff Erosion, Committees, Comprehensive Community Plan, Electoral Area “A” Governance, Official Community Plan, Land and Building Services – Subject Files, and Audiovisual Materials.

The fonds consists of several series including: Correspondence (189--1985); Family and Early Papers (1802-1992); Subject Files (1947-1977); Speeches, Articles and Publications; (1925-1974); Biographical Material (1908-1990, 2009); Canada Council (1950-1972), Canadian National Commission for UNESCO (1957-1974), Canadian Universities Foundation (1962/63), Canadian-American Committee (1957-1976), Carnegie Foundation (1951-1963), Centenary Council (1962-1969), Centennial Commission (1964- 1977), John and Mary Markle Foundation (1952-1971), Koerner Foundation (1962-1978), League of Nations Society (1926-1940), Nova Scotia Grants Committee (1962-1974); Massey Commission (1949-1956), Senate (1966-1968); Travels (1954-1978); University of East Africa Commission (1962-1963); Wartime Information Board (1942-1945); Financial Records (1928-1982); Printed/Published Material (1909-1982); and Photographs (1900- 1977). There is also the Margaret (Margie) Thomas MacKenzie sous-fonds.

The fonds contain materials that document William Fredeman's professional activities and personal life. It consists of correspondence, reports, copies of articles, course materials, a journal, clippings, microfilms and photocopies of original manuscripts, written notes and other research materials, photographs, videocassettes, a set of index cards, and a metal seal bearing the logo of the Journal of Pre-Raphaelite & Aesthetic Studies. The materials are arranged in the following series: Colbeck Collection, JPRAS (Journal of Pre-Raphaelite & Aesthetic Studies), Emily Faithfull and the Victorian Press, Victorian Poetry, T.J. Wise and UBC Materials, Mosher Books, Correspondence, Subject Files, Miscellaneous, Microfilm, and Audiovisual Materials. The photographs and videocassettes are stored separately.

The fonds consists of signed menus and meeting notices (1960-1972), membership lists (1961-1970), correspondence (1961-1977), undated poems written by Roy Daniells about Radish members, and miscellaneous documents.

The series consists of handwritten and typewritten manuscripts by Chong, many of which are untitled, undated, or otherwise unidentified. Some of them date to his years in high school and university.

Series consists of documents relating to the duties and activities of the Vancouver Public Library Board of Trustees. Kevin Chong served as a VPL trustee for two years (2003-04).

Series consists of materials documenting Chong’s time as a student at the University of British Columbia and includes correspondence, course materials, written assignments, and published materials.

Series consists of materials that document Chong’s time in the creative writing programme at Columbia University and includes correspondence and course materials.

Series consists of materials documenting Kevin Chong’s relationships in the publishing industry and includes correspondence, agreements, publishers’ catalogues, annotated off-prints, and readers’ reports.

Series consists of published materials that Kevin Chong collected based on his interest and involvement in the Vancouver alternative music and literary scenes and includes magazines, zines (self-published items), posters, and other published materials.

Series includes CVs, correspondence, written notes, photographs, and a CD-DA recording of an interview with Kevin Chong.

The series consists of clippings from newspapers and magazines and includes examples of Chongs’s published fiction and non-fiction writing and reviews of his books.

Series consists of materials documenting Kevin Chong’s teaching activities at UBC and the Vancouver Film School, and includes correspondence and course materials.

Series consists of materials documenting Chong's former rock group, The Redenbachers, and includes set lists, song lyrics, posters, and correspondence. Materials are undated. Kevin Chong provided the date range.

Series consists of Kevin Chong’s personal and professional correspondence and includes letters and postcards.

Series consists of materials collected or created during Chong’s research activities, both in connection with his writing projects and otherwise, and includes written notes, correspondence, and photocopied published materials.

Series consists of materials documenting various arts funding programmes, writers’ festivals, and writers’ prizes that Chong was interested in or involved with, and includes correspondence and published materials.

Fonds consists of records that document Kevin Chong’s education, and writing and teaching careers. The records include typewritten manuscripts, written notes, annotated proofs, correspondence, research materials, teaching materials, newspaper and magazine clippings, publications, posters, photographs, and digital recordings. They are arranged in the following series: Manuscripts – Published Works, Manuscripts – Unpublished Works, Other Writings, The Redenbachers, Correspondence, Clippings, Vancouver Public Library, UBC, Columbia University, Publishing, Teaching, Research Materials, Other Publications, Grants, Competitions, and Writers’ Festivals, and Miscellaneous.

Series consists of typewritten manuscript drafts, many of which include handwritten notes and annotations of works by Kevin Chong that were eventually published, broadcast, or performed. They are arranged into sub-series: Books, Short Fiction, Broadcast Works, and Stage Works. Within each sub-series, files documenting each work are grouped and arranged chronologically by the work’s publication date.

Some manuscripts have dates included with them, and these are noted in the file list. Dates in square brackets are estimates, either provided by Chong or inferred by the materials themselves.

Series consists of typewritten manuscript drafts, many of which include handwritten notes and annotations, of works by Kevin Chong that were never, or have yet to be, published, broadcast, or performed.

Some manuscripts have dates included with them, and these are noted in the file list. Dates in square brackets are estimates, either provided by Chong or inferred by the materials themselves.

Series consists of textual records relating to Ralston’s personal life and interests and includes correspondence, newspaper clippings, and minutes.

Series consists of textual records documenting Ralston’s relationships with various historical and political organizations and includes correspondence, newsletters, minutes, and conference materials.

The Series consists of day books and similar bound volumes, which Ralston used to track his activities and appointments. Of twenty items originally received, five-day books were retained as a sampling to illustrate how Ralston organized his life and activities

Series consists of textual records relating to Ralston’s Canada Council-funded leave to conduct research at the Public Records Office in London, UK, and includes correspondence and written notes.