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Western Canada Tour Scrapbook

This scrapbook was initially included with the A.M. Pound papers. It was felt that since the scrapbook was about A.M. Stephen (compiled by him, and after his death, by his wife, Irene Stephen) it should be included with the Stephen papers. The scrapbook covers the time from 1928, when Stephen made his much publicized tours of Western Canada, to 1963, when Stephen's last edition of poems (compiled by his wife) was published. The scrapbook includes newspaper articles, book reviews, letters (mainly to Mrs. Stephen), and other assorted memorabilia. (Note written by Robert Gore.)

Printed Material

Printed material has been glued into both scrapbooks. The pages have been numbered and general notes in each item's record refer to page numbers in the scrapbooks. The brochures located in folder 02-02 were advertisements for Stephen's publications.

Scrapbook

This subseries is Brown's personal scrapbook. Originally contained in a three-ring binder with tabbed dividers, each divided section has been made its own file. The materials have been removed from the original plastic page protectors, and clipped together where multiple items appeared on one page. Originally there was also a divider labeled "1958," but this section was empty.

Some materials have Bawden's notes showing they were originally filed elsewhere.

Asian immigration and Settlement

Subseries consists of records related to Asian immigration to and settlement in North America. These records pertain predominantly to Chinese immigration and settlement in British Columbia, but also include records pertaining to other Asian diaspora as well as other regions of Canada and the United States. These records document early Asian immigration and settlement following the gold rush, such as the Chinese role in the construction of the transcontinental railway, where Chinese workers were assigned the most dangerous jobs, and anti-Asian sentiment in Canada. Other records in this subseries include materials related to Canadian immigration policy and multiculturalism in Canada, Chinese-language educational materials and children's books, Chinese business and residential directories, city directories for Vancouver and Victoria, and materials related to the Sino-Japanese War. As immigration in this context pertains both to first-generation immigrants as well as their families and descendants, records in this subseries also illustrate the Asian experience in Canada and highlight the development of Asian communities, including social, cultural, religious, political, sporting, and educational activities as well as the activities of organisations such as Chinese trade societies, the Chinese Benevolent Association, the Chinese Canadian Association, and the Chinese National League of Canada.

This subseries also contains an extensive collection of early photographs of Asian-Canadians and Asian-Americans. Some highlights include historical class photographs from Vancouver's Strathcona School, street scenes from the Vancouver, Victoria, and San Francisco Chinatowns, wedding portraits, and the 1915-1918 photograph album of Jue Fong, then a Chinese-American teenager, which offers rare candid photographs from that time period.

These records in this subseries are varied and include published monographs, pamphlets, directories, catalogues, magazines, maps, government reports, legislation, petitions, memoranda, meeting minutes, speeches, contracts, forms, certificates, licenses, tickets, passenger lists, immigration papers, taxes, invoices and receipts, donation books and fundraising materials, staff rosters, school workbooks, samples of Chinese calligraphy, newspaper clippings, posters and broadsides, newsletters, brochures and advertisements, correspondence, postcards, invitations and event programmes, restaurant menus, artefacts, ephemera, memorabilia, scrapbooks, and photographs, photo albums, and photographic negatives.

Publishers, Agents & Representatives

This sub-series includes correspondence from book publishers, solicitors, literary agents, and author’s representatives. These groups are both Canadian and American based.

Promotional Material

This sub-series includes articles related to each book, including original and
copied articles with handwritten notes on several. Science fiction, literary, and
academic publications from Canada, the United States and Europe are
represented. There are also promotional book jackets included.

Periodicals

Sub-series predominantly contains material related to the Alcuin Society
Journal Amphora and newsletter Notes from the Alcuin Society, including proofs, manuscript material and reference information. Woodblocks used in the illustration of the Amphora are also included. Material related to proposed and unpublished articles is also included.

Lumb Stocks collection

Biographical sketch:
Lumb Stocks (b. 1887 in Leicester, England, d. 1947 in Penticton, BC) immigrated to Kelowna in 1910. He traveled back in England in 1915 to marry his wife, Marion. Together they had five children: Peter, Beryl, Jack, Daphne, and David.

In Vernon, Stocks purchased a camera from G.H.E. “Huddy” Hudson. Soon Stocks was offered a job by Hudson and he joined his photography studio. He became a partner and took over operations of the firm in 1916 when Hudson returned to England during WWI, renaming the enterprise “Hudson-Stocks & Co.” After deciding to stay permanently in England, Hudson asked Stocks in 1918 to buy out his partnership. Instead Stocks made a purchase from Hudson and his Penticton partner, Ken Chadwick, for the photography firm there and moved his family to the Penticton area.

Lumb Stocks’ second son, Jack Stocks, took over the business upon his father’s death in 1947, and maintained the Stocks Photography until his own untimely death in 1979.

Scope and content:
Subseries consists of photographic record captured by Lumb Stocks and/or Jack Stocks and/or on behalf of Stocks Camera Shop, Penticton BC. These are commercial, professional photographs and the collection features an insignificant number of portraits or candid shots. The majority of the photographs were created during the lifetime of Lumb Stocks, and a minority by Jack Stocks, his successor.

Subseries documents landscapes, city scenes, events, disasters, buildings, and landmarks associated with Penticton, BC, primarily during the first half of the twentieth century.

Suite of postcards features a small subset of hand-tinted examples.

Penticton Herald photograph collection

Subseries consists of an acquisition by Doug Cox of a collection of photographic negatives from the newspaper The Penticton Herald.

Coverage includes themes such as the cultural events, sports, rodeo, telecommunications, buildings and community infrastructure, aviation, industry, disasters.

Penticton area research collection

Subseries consists of a photographic and oral history record of Penticton civic life from approximately 1910 through the mid 1970s, with predominant coverage during the middle decades of the twentieth century. Materials relate to sports, cultural events, landmarks and buildings, industry, transportation & infrastructure, and agriculture. Many of the photographs can likely be attributed to the Penticton Herald.

Archibald Murchie collection

Biographical sketch:
Archibald Murchie (1852-1930) immigrated to Victoria, BC as an adult. His brother, Thomas Murchie would go on to found Murchie’s Tea and name his own son Archibald Murchie (1892-1925, and not to be confused with his namesake). Following his calling to become an evangelist minister for the Spiritualist Church (an off-shoot of the Church of England), he set off into the interior of BC to preach as a missionary.

Although Murchie had dabbled in photography prior to coming to Canada, his career began in earnest when he arrived in Williams Lake, BC, in 1893. Wherever his missionary calling took him, Murchie brought along his camera. Marcus Smith, famed CPR engineer and previous associate of Murchie’s by function of their common membership to the Spiritualist Church, hired Murchie to photograph the creation of a bridge over the Fraser River at Sheep Creek. Work on this project was slow enough to afford Murchie to engage in side trips to Quenel, BC, and farther north. Here he made a connection with the Reverend A. H. Cameron who suggested he establish a parish in Princeton. After this failed, Murchie returned to the Cariboo and set up a photography studio in Ashcroft, BC.

In 1911 Murchie moved again to the Okanagan Valley and in 1916 at age 64 he married Amy Wood. His last attributed photograph was taken in 1918.

Scope and content:
Landscapes showing developing infrastructure in the interior of British Columbia in the later 19th and early 20th century, with especially robust coverage of the construction of railroads and bridges, as well as some mining operations. Features group portraits of work crews.

Historical mining research collection

Subseries consists of collected materials with pertinence to the mining industry in the late 19th and early 20th century in the Kootenay, Boundary, and Similkameen regions of British Columbia.
Includes collected photographs, clippings, government publications, maps (mineral claims) and textual records.

Subseries documents the Nickel Plate and Mascot mines near Hedley, BC, and several short-lived mining boom towns in the Kootenays and Boundary country (Phoenix, Camp McKinney) as well as Blakeburn and Coalmont (also now abandoned) in the Similkameen.

George Meeres collection

Biographical sketch:
George Albert Meeres (1878-1972), photographer and artist, was born in Grimsby, England in 1878. He emigrated to Canada in 1906. In 1910, he and partner Arthur John Lawrence purchased a photo studio from James Fenton in Russell, Manitoba. The partnership of Lawrence & Meeres continued until 1917 when it was dissolved. Meeres carried on under the name of George A. Meeres, Photographer, until 1925 when he sold the business and moved to Nelson, B.C. He purchased the Campbell Art Gallery, changing its name to George A. Meeres, Photographer. After a short time in Grindrod, he moved to Vernon, B.C., opening Meeres' Photographic and Art Studio in 1940. He specialized in portraits, wedding photos, and hand colouring. His studio operated in Vernon until 1968 and George Meeres died in Vernon in 1972 at the age of 94.

Scope and content:
Subseries consists of professional photographs captured by George Albert Meeres. Geographies documented centre on the Okanagan, Shuswap, and Thompson regions ranging from Osoyoos, BC (southern boundary of coverage) to Revelstoke, BC (north-eastern boundary of coverage) and Chase, BC (northwestern boundary of coverage). Includes Penticton, Oyama, Winfield, Okanagan Centre, Vernon, Lumby, Armstrong, Falkland, Enderby, Salmon Arm, Grindrod, Sicamous, Malakwa, Tappen – with predominant coverage of Vernon, BC. A suite of photographs within the subseries provides coverage of the Armstrong Fall Fair, later termed the Interior Provincial Exhibition (IPE) during the 1940s and early 1950s.

Scenes captured depict landscapes, street scenes, industry, and labour, with special attention paid to the orchard and forestry industries.

Joe Harris collection

Biographical sketch:
Joseph Gleason Harris (b. 1910 July 6, d.1994 December 26) arrived in Penticton in 1917. At age 16 he was invited by Frank Richter, Jr., to the Richter Ranch in Keremeos, from which point he visited the Cathedral Mountains for the first time. Later, in 1939, Harris and Herb Clark of Keremeos launched a pack horse business which would take tourists to visit the Cathedrals. In 1944 he entered the ranching industry and in 1946 took over what was previously Ralph Overton’s ranch. This site was later home to Apex Mountain Guest Ranch. 1946 also saw the launch of a heavy equipment business.

Joe Harris and Margaret “Peggy” Burgess married 1945 April 4 and they made their home in Penticton. Together they raised seven children.

Joe Harris also was heavily involved in civic service. Harris served as the chairman of the Central Welfare Committee for fifteen years throughout the 1930s and 1940s. From 1950-1957, Harris also served as an Alderman on the Penticton City Council. Harris was a member of the Penticton Hospital Board for sixteen years and initiated a local volunteer search and rescue group. Harris participated in many local rescues himself.

Harris was also instrumental in local heritage initiatives and worked as the curator of the R.N. Atkinson (Penticton) Museum from 1973-1984. His deep knowledge of the history of the area poised him to deliver educational lectures to various organizations and to serve as president of the Penticton branch of the Okanagan Historical Society for five years.

Harris was an avid photographer, and won many awards. His photographic record documents local places and events throughout the 1930s, 1940s, and 1950s.

Harris was a close associate and valuable historical source for Doug Cox during his writing career.

Scope and content:
Subseries consists of original photographs taken by Joe Harris as well as some pieces collected by Joe Harris and then subsequently transferred to the custody of Doug Cox. Predominant photographic coverage relates to the Cathedral Mountains, south of Keremeos, BC, during the 1930s. Includes a sequence of interviews with Joe Harris, and some associated transcripts.

Lillian Estabrooks collection

Biographical sketch:
Lillian Estabrooks (née Gibson), occasionally known as Bill Gibson, (b. 1902 August 1 in Almada, SK, d. 2003 August 17 in Penticton, BC) grew up in Keremeos. She and husband Richard (Dick) Estabrooks had three children. In 1981 under the pen name Bill Gibson she collaborated with Doug Cox to publish Under The K: Memories of Growing Up in Keremeos. Lillian Estabrooks was also a regular contributor to the Okanagan Historical Society annual reports.

Scope and content:
Subseries consists of materials with provenance or pertinence to Lillian Estabrooks. Subseries is predominantly composed of photographs taken, collected, or otherwise attributed to Lillian Estabrooks, primarily during the years 1913-1920. Subseries also includes collected manuscripts, family trees, and notes, and one interview by Doug Cox with “Billy Estabrooks.”

Historical photograph collection

Subseries consists of photographs collected by Doug Cox in service to his historical research and writing. Materials derive from a wide variety of provenancial and subject contexts, which are resolved at the item level.

Sharron J. Simpson Photographs

Series consists of photographs taken by, or collected by, Sharron J. Simpson. Subjects documented include sawmill operations, 1999 reunion of former S.M.S. Ltd. employees, and the Okanagan fruit industry, as well as deliberate photographs taken preserving images of S.M.S. memorabilia.

Simpson, Sharron J.

Sharron J. Simpson Research Files

Series consists of materials documenting Sharron J. Simpson’s efforts to collect external information about various aspects of her family history centering mainly on the history of S.M.S. Ltd., but not including research particular to the Simpson Covenant, which is kept separate.
In addition to the collection of published materials (predominantly newspapers) the series also includes recorded oral histories and select transcripts.

Simpson, Sharron J.

Simpson Covenant Court Case

Series documents Sharron J. Simpson’s activism as the leader of a legal initiative challenging the proposed dissolution of the Simpson Covenant, a restrictive land sale agreement made between her grandfather, Stanley M. Simpson and the City of Kelowna in 1946.
To explain the context of the creation of the covenant: following a mill fire on S.M.S. Ltd. land on what is now Kelowna’s downtown waterfront (around the area known as Manhattan Point) S.M. Simpson sold this land to the City of Kelowna with the understanding that S.M. would sell at a reduced rate, and the City of Kelowna would agree that the land be used for civic or community (not commercial) purposes. In the 2000s, the City of Kelowna moved to dissolve the so-called “Simpson Covenant,” and in response Sharron J. Simpson launched a court challenge to enforce the maintenance of the covenant.
Series contains correspondence, legal documents (including petitions, reasons for judgment, affidavits, civic records and land title office records, City of Kelowna memoranda, press clippings and press releases, appraisal records, etc.).

Simpson, Sharron J.

Crown Zellerbach Canada (Southern Interior Wood Products) Labour Relations

Subseries consists of documentation of Crown Zellerbach Canada’s interactions with its workers, as well as their labour union, the International Woodworkers’ Association.
Subseries contains primary instance documents including forms (blank and completed), collective agreements, meeting minutes, seniority lists, job categorization lists, correspondence, committee rosters, contracts, bulletins, etc.

Crown Zellerbach Canada

Crown Zellerbach Canada (Southern Interior Wood Products) Operations Files

Subseries consists of partial documentation of the substantial forestry, logging, and sawmill operations conducted by Crown Zellerbach Canada (Southern Interior Wood Products) during the 1960s through 1980s. Predominantly, this subseries is comprised of prepared reports, prospectuses, industrial profiles, and descriptions of assets, work processes, and mill specifications.

Crown Zellerbach Canada

Crown Zellerbach Canada (Southern Interior Wood Products) Photographs

Subseries consists of photographs created or acquired by Crown Zellerbach Canada Ltd. This aggregation consists of photographs concerning the former S.M. Simpson Ltd. mills as well as other mills purchased by Crown Zellerbach Canada at the same time.
The majority of these images are contact prints of aerial photographs from commercial photography studios, commissioned by Crown Zellerbach Canada:
Hans Giesen of British Columbia Ltd.
Jennings Ltd. Photography
Images depict sites, workers, events, processes, and capital projects at Crown Zellerbach mills, including those holdings in Enderby, Armstrong, Falkland, Monte Lake, Lumby, and Kelowna.

Crown Zellerbach Canada

S.M. Simpson Ltd. Artifacts

Subseries consists of various artifacts in wood, metal, fabric, paper and other materials, generated in the normal pursuit of business by S.M. Simpson and/or deliberately created as souvenirs.

S.M. Simpson Ltd.

S.M. Simpson Ltd. Retrospectives

Subseries consists of various compiled manuscripts and informally published materials either relating directly to the historical narrative of S.M. Simpson Ltd. or to aspects of its operations.
Date range extends beyond the corporate existence of S.M. Simpson Ltd but is included in the series and parent series because of its pertinence to the company.

S.M. Simpson Ltd. Plywood Plant

Subseries consists of compiled records, photographs, and memorabilia commemorating and documenting the development, launch, and reception of the S.M. Simpson Ltd. Plywood plant between the years 1957 and 1959.

S.M. Simpson Ltd.

S.M. Simpson Ltd. Labour Relations Files

Subseries consists of documentation of the interactions between S.M. Simpson Ltd. and its workforce.
Includes union documents featuring collective agreements, union charters, legal records of dispute, seniority lists, wage lists, payroll records, and pension plan documents,

S.M. Simpson Ltd.

S.M. Simpson Ltd. Civic Engagement

Subseries contains documentation of the awarding of the Freedom of the City of Kelowna to S.M. Simpson in 1957
Includes declaration, speaking notes, and other documents. Related photographs available in S.M. Simpson Photographic Record subseries.

S.M. Simpson Ltd.

S.M. Simpson Ltd. Publicity Files

Subseries contains newspaper clippings, copies of newspaper clippings, and tear sheets from publications which provide press coverage of the activities of S.M. Simpson Ltd. and which were published during the operational tenure of the business.
Subjects covered include the opening of the plywood plant in 1957, labour union disputes and strikes, mill fires, land sales, news of the acquisition of S.M. Simpson Ltd. By Crown Zellerbach Canada Ltd., and various advertisements placed by the company.
Related retrospective press coverage written and published recently, particularly in reference to the Simpson Covenant can be found in the Simpson Covenant series of the Sharron J. Simpson sous fonds.

S.M. Simpson Ltd.

S.M. Simpson Ltd. Administrative Files

Subseries contains documentation of the auxiliary functions of S.M. Simpson Ltd. carried out in support of substantive mill and wood processing operations.
Includes correspondence, meeting minutes, organizational chart, and document register.

S.M. Simpson Ltd.

S.M. Simpson Ltd. Operations Files

Subseries consists of contractor information, mill operations specifications and rules, notes, reports, customer and sales information, compiled descriptions of forestry sites, strategic planning, and geographical resources

S.M. Simpson Ltd.

S.M. Simpson Ltd. Financial Files

Subseries consists of remaining financial records describing the debits and credits of S.M. Simpson prior to the founding of S.M. Simpson Ltd, as well as those generated as a natural by-product of operations of the enterprise, S.M. Simpson Ltd.
Contents of series include banking records, invoices, company financial reports, and payroll & remittances to Workman’s Compensation (currently known as WorkSafe BC).

S.M. Simpson Ltd.

S.M. Simpson Ltd. Legal Files

Subseries consists of legal records including contracts, briefs, land titles, licenses, patents created by S.M.S. Ltd.

S.M. Simpson Ltd.

S.M. Simpson Ltd. Photographs

The subseries consists of commissioned commercial photography (portraits, candids, aerials) carried out primarily by three firms (Aero Surveys Ltd., ca. 1948 to 1958; Jennings Ltd. Photography, ca. 1971 to 1974; and Hans Giesen of British Columbia Ltd. ca.1973). None of these firms have a current detectable presence. Other commercial photographers include Jack Cash Photographic Studio, Pope's Studio, Paul Ponich, Kermode Studio, and Ribelin Photography. Of these, only Pope's Studio is clearly still extant. Other photographs originate from the mill(s) proper, and yet others have been collected from third parties' personal photo collections (acquired or copcopied) by Sharron J. Simpson. There are a total of approximately 2,350 images in the form of photographs, scans & photocopies on paper, slide transparencies, negatives, and contact prints documenting mill business (under various nomenclature and ownership) during the years ca. 1910 to 1994, in colour and black & white, with sizes ranging from oversize posters to 10x12cm prints.

S.M. Simpson Ltd.

Incorporation Records and Directors' Reports

Sub-series consists of early records ofthe British Columbia Packers' Association, including a proposal to create the Association written by Henry Doyle in February, 1922, as well as the Association's Certificate of Incorporation, and Directors' reports for 1904 to 1907.
Title based on contents of sub-series.

Statistics and Reports

Sub-series consists of statistics and reports collected by the B.C. Canners Association from various canneries and fishing centres.
Title based on contents of sub-series.

Minutes, Resolutions, Agreements

Sub-series consists of minutes, resolutions, and agreements of the British Columbia Canners' Association, Fraser River Canners' Association, Rivers Inlet Canners, and other related associations .
Title based on contents of sub-series.

Correspondence

Sub-series consists of correspondence and related minutes and other documents of the British Columbia Canners' Association, Fraser River Canners' Association and the Rivers Inlet Canners.
Title based on contents of sub-series.

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