The fonds consists of an album created by former UBC student Arthur Evan Boss. It contains over 560 small black and white photographs, of which approximately the first half relate to UBC and taken between 1917 and 1924. The 232 UBC images include many views of students and student life at the original Fairview campus. As well as posed individual shots of students, there are many photographs of various student activities, including the annual class picnic. Although there is limited duplication of images already in the Archives, the photographs are, for the most part, unique, and a large majority of them have captions with enough information for identifying individuals. Images in the second half of the album lack detailed description and do not appear to relate to UBC.

The fonds reflects the process of creating the documentary film Bevel Up: Drugs, Users and Outreach Nursing (entitled “Taking Health to the Streets” during production). Bevel Up is a co-production between the Street Nurse Program of the British Columbia Centre for Disease Control (BCCDC) and the National Film Board of Canada (NFB), with financial support from Health Canada and the BC Nurses’ Union (BCNU), and was created in collaboration with Canada Wild Productions Ltd. (Nettie Wild and Betsy Carson).

Filmed over six months in 2006, and over two years in production, Bevel Up was created in collaboration with the street nurses and a crew which included director Nettie Wild, cinematographer Kirk Tougas, producer Betsy Carson, and editor Mike Brockington.

Bevel Up is a 45-minute film, shot in the style of cinema verite (showing people in everyday situations), at the heart of a four-and-a-half-hour interactive DVD that features separate menus on a range of professional, ethical, and legal issues related to the delivery of health care to drug users. There is also an accompanying teaching guide.

The documentary was the brainchild of Caroline Brunt, a street nurse with the B.C. Centre for Disease Control and is designed to help student nurses and seasoned professionals working with drug using populations. Bevel Up: Drugs, Users and Outreach Nursing follows a team of street nurses as they reach out to youth, sex workers and street entrenched men and women in the alleys and hotels of Vancouver’s Downtown East Side. Most importantly, the nurses reflect on attitudes that can make or break the relationship needed to successfully provide practical and nonjudgmental health care.

Materials include master tapes of raw footage, edited video and audio tapes, final copies of the interactive DVD and teaching manual, CDs containing the French translation of the teaching manual, a promotion trailer, a publicity clip reel, printed annotated transcripts, press kits, publicity posters, magazine reviews, a distribution chart and a publicity report.

The collection contains a variety of artifacts, and includes children's games, items related to the Gold Rush, and various odd items tangentially related to Rare Books and Special Collections and University Archives collecting interests.

The fonds consists of 1,398 glass plate negatives, glass lantern slides, celluloid prints and celluloid negatives, the majority of which were taken by Lilian Bland. The photographs reflect the varied and unique life of Lilian Bland and her family. The fonds includes several photographs of the Mayfly, the bi-plane Lilian famously designed, constructed, and flew. Other photographic subjects include horse-riding and horse-racing, Lilian's fathers' artwork, her husbands' travels in China, family photographs, birds and bird-watching, her travels in Europe, California, and British Columbia, and photographs documenting her years spent as a settler living on the Quatsino Sound in Vancouver Island and in California with her family.
Other record types in the fonds include Lilian Bland’s unpublished memoir, and the original enclosures for the photographs including boxes, envelopes, and box lists.
The finding aid for the fonds, attached as a PDF, includes a spreadsheet of images as they were received upon donation to Rare Books and Special Collections. A brief description created by the donor is available for each image in the finding aid.

This collection consists of materials related to early British Columbia history in the years when BC was still a British colony, prior to joining Canada in 1871. The collection consists of colonial government documents (proclamations, messages, acts, and rules and regulations) effecting the daily life of British Columbians. These include real estate titles, road works, railways, local, legal and financial matters, labour, and infrastructure. The collection includes proclamations by James Douglas, who was the first governor of BC and served from 1858-1864.

Personal and professional records of Kustaa Adolf Ketola, including personal documents, correspondence, International Woodworkers of America pamphlets, newspapers, and magazines. The personal documents include his passport and his military service pass. Correspondence consists of Christmas postcards from his family in Finland and letters from his sisters, friends, and family friends describing their lives in Finland, which provides context about the impact that World War II had upon Finland and Finnish migrants to Canada. I.W.A. pamphlets describe the values, goals, and struggles of union workers in 1940s North America. Fonds also contains small pocket calendars or planners written in Finnish and denoting important holidays, metric conversions, and information about the United States.

Fonds consists of records that reflect McKenzie's law and political career. Records include correspondence, speeches and articles, ephemera collected by him, scrapbooks documenting various campaigns and printed materials related to C.C.F. and labour movements.

A small portion of records were created by McKenzie's brother, Arthur McKenzie. These include correspondences and articles written by Arthur in the form of clippings.

The fonds reflects Winch's various interests in the cause of humanity ranging from capital punishment to the protection of fur-bearing animals. The files also contain much valuable information on the activities of the C.C.F. and his role within the party. To a lesser extent, the files contain information on his earlier activities within the labour movement and events during the depression of the 1930's.

The fonds consists of letters created or received by Paul Tiessen regarding the movie-going practices and environments of Malcolm Lowry. Letters were created from 1968-1988 and address five main topics of Tiessen’s queries: Lowry’s early years (1909-1927); visit to Bonn, Germany (1928); education at the University of Cambridge (1929-1932); time in the United States, particularly Hollywood; and settlement and activities in Vancouver, especially in relation to the local Film Society movement. Significant correspondents represented in the collection include the following: Russell Lowry, brother of Malcolm Lowry; Margerie Lowry, Malcolm Lowry’s widow; Muriel Bradbrook, Cambridge professor and author of a Lowry biography; Rachael Low, film historian; Gerald Noxon, Lowry’s Canadian friend; Christopher Isherwood, author and Hollywood reader of one of Lowry’s film scripts; and Earl and Esther Birney, Lowry’s friends and attendees of Vancouver Film Society screenings.

Letters are arranged in subject files dedicated to particular correspondents (e.g. Russell Lowry) or areas of Tiessen’s inquiry (e.g. Lowry’s time in Germany). Letters in files are arranged chronologically. Documentary forms include correspondence (handwritten and typed), copies of the Malcolm Lowry Newsletter, newspaper clippings, a pamphlet from the British Film Institute, photocopies of various journal articles, and library photoduplication order forms.

Fonds consists of over 4,600 photographic prints, negatives, glass lantern slides, and postcards, the majority of which were either taken or collected by Robinson. Many of the photographs relate to Robinson’s work as an Anglican missionary in Japan in the 1890’s through the 1920’s. These photographs document a unique time in the Japan’s history: the Meiji-Taisho period when the country was transitioning away from being a feudal society and beginning to open up to the West. This collection is one of the few comprehensive records of this time period. Subject matter of the photographs includes everyday life, work, and scenery in Japan, as well as the lives and works of missionaries.

Also included in the collection are photographs from Canada and the Robinson family’s travels around the world, as well as reproductions of missionary and religious texts or graphics.

While many of the photographs were taken by Robinson, others were taken by his children, professional photographers, or unidentified individuals.

The fonds also includes 10 maps of Japan used during Robinson’s missionary work, some with annotations of proposed Canadian jurisdictions in Japan.

The Exhibit Archive consists of the evidence submitted by 51 Plaintiffs regarding the land claim area, and materials submitted by the Defense relating to the underlying title of the Crown to these lands. Textual records include correspondence, by-laws, land titles and drafts, research documents, affidavits, cross-examination transcripts, legal documents and reports, published material, genealogy charts, collections of sacred oral traditions, copies of records from the Hudson’s Bay Company and early settlers, written accounts of oral histories, trap-line data, expert testimonies of anthropologists, historians, linguists, biologists, and archaeologists, including all the background materials used by lawyers in the case. Other non-textual materials include maps and overlays, photographs, sound recordings of oral histories and songs, and audio-visual materials.