The collection contains a variety of artifacts, and includes children's games, items related to the Gold Rush, and various odd items tangentially related to Rare Books and Special Collections and University Archives collecting interests.

The fonds consists of 1,398 glass plate negatives, glass lantern slides, celluloid prints and celluloid negatives, the majority of which were taken by Lilian Bland. The photographs reflect the varied and unique life of Lilian Bland and her family. The fonds includes several photographs of the Mayfly, the bi-plane Lilian famously designed, constructed, and flew. Other photographic subjects include horse-riding and horse-racing, Lilian's fathers' artwork, her husbands' travels in China, family photographs, birds and bird-watching, her travels in Europe, California, and British Columbia, and photographs documenting her years spent as a settler living on the Quatsino Sound in Vancouver Island and in California with her family.
Other record types in the fonds include Lilian Bland’s unpublished memoir, and the original enclosures for the photographs including boxes, envelopes, and box lists.
The finding aid for the fonds, attached as a PDF, includes a spreadsheet of images as they were received upon donation to Rare Books and Special Collections. A brief description created by the donor is available for each image in the finding aid.

The fonds consists of letters created or received by Paul Tiessen regarding the movie-going practices and environments of Malcolm Lowry. Letters were created from 1968-1988 and address five main topics of Tiessen’s queries: Lowry’s early years (1909-1927); visit to Bonn, Germany (1928); education at the University of Cambridge (1929-1932); time in the United States, particularly Hollywood; and settlement and activities in Vancouver, especially in relation to the local Film Society movement. Significant correspondents represented in the collection include the following: Russell Lowry, brother of Malcolm Lowry; Margerie Lowry, Malcolm Lowry’s widow; Muriel Bradbrook, Cambridge professor and author of a Lowry biography; Rachael Low, film historian; Gerald Noxon, Lowry’s Canadian friend; Christopher Isherwood, author and Hollywood reader of one of Lowry’s film scripts; and Earl and Esther Birney, Lowry’s friends and attendees of Vancouver Film Society screenings.

Letters are arranged in subject files dedicated to particular correspondents (e.g. Russell Lowry) or areas of Tiessen’s inquiry (e.g. Lowry’s time in Germany). Letters in files are arranged chronologically. Documentary forms include correspondence (handwritten and typed), copies of the Malcolm Lowry Newsletter, newspaper clippings, a pamphlet from the British Film Institute, photocopies of various journal articles, and library photoduplication order forms.

Fonds consists of over 4,600 photographic prints, negatives, glass lantern slides, and postcards, the majority of which were either taken or collected by Robinson. Many of the photographs relate to Robinson’s work as an Anglican missionary in Japan in the 1890’s through the 1920’s. These photographs document a unique time in the Japan’s history: the Meiji-Taisho period when the country was transitioning away from being a feudal society and beginning to open up to the West. This collection is one of the few comprehensive records of this time period. Subject matter of the photographs includes everyday life, work, and scenery in Japan, as well as the lives and works of missionaries.

Also included in the collection are photographs from Canada and the Robinson family’s travels around the world, as well as reproductions of missionary and religious texts or graphics.

While many of the photographs were taken by Robinson, others were taken by his children, professional photographers, or unidentified individuals.

The fonds also includes 10 maps of Japan used during Robinson’s missionary work, some with annotations of proposed Canadian jurisdictions in Japan.

The collection contains three binders of 198 cards from a variety of First Nations Northwest Coast artists, predominantly Robert Davidson, but also including Bill Reid, Roy Henry Vickers, Arthur Thompson, Joe David, David Seymour, Ron Hamilton, Stan Greene, Freda Diesing, Ken Mowatt, Richard Hunt, and others. The cards were collected by the MacDonalds starting in the 1960s. Many of the cards were intended by the artists for use in local potlatches, weddings, housewarmings, graduations, births, funerals, and other major life events and include inscriptions and/or notes from the artists to the MacDonalds.

The fonds consists of subject files pertaining to the publication of some of Ethel Wilson's novels, including Hetty Dorval, The Innocent Traveller, The Equations of Love, Love and Salt Water and Mrs. Golightly and Other Stories. The fonds also includes manuscripts of other short works as well as articles, newsclippings, and correspondence regarding Ethel Wilson.

Fonds consists primarily of records created by Coupland from approximately 1980 to 2012. The fonds includes: drafts of Coupland’s major literary works, personal and artistic photographs, visual art material (such as collages, paintings, printouts of digital collages and sculpture maquettes), items of clothing and leather goods, technical notes and designs for Coupland’s website, conceptual sketches and designs, correspondence, and other records.

The fonds consists of correspondence, drafts and research material arising from the publication of his two publications, "A Malcolm Lowry Catalogue" and "Malcolm Lowry: A Bibliography".

The fonds consists of correspondence and literary typescripts which chronicle Wilson's varied career as minister, criminal and prisoner. Fonds includes personal and other correspondence regarding the author's literary work, as well as literary contract and copyright documents.

The fonds consists of correspondence (both personal and business), manuscripts of novels, short stories (some untitled), and poetry, as well as reviews of Ethel Wilson's work, contracts, photographs, awards, diaries (1938-1942) and subject files. Files created by MacMillan Company of Canada relating to the publication of some of Ethel Wilson's novels have been added to the fonds. Included are subject files relating to "Hetty Dorval", "The Innocent Traveller", "The Equations of Love", "Love and Salt Water", and "Mrs. Golightly and Other Stories" as well as articles of short works and articles, clippings, and correspondence regarding Ethel Wilson (1944-1972).

The fonds consists mainly of his personal manuscripts and his activities relating to his work as published by Harbour Publishing Company. Much of his incoming and outgoing correspondence as well as subject files relate to books he has published or is planning to do so in the future. Major writers and/or correspondents include Anne Cameron, Pat Lane, Margaret Laurence, and Tom Wayman. A publication log kept by Hubert Evans (1928-1967) is also included.

The fonds consists of administrative files including operating and project grants; correspondence; artist and project files relating to events, productions and exhibitions; and promotional and publicity materials. Some files include photographs and drawings.;The fonds have been arranged into nine series: general programming, administrative, exhibitions, Front Magazine, Luminous Sites, media arts and video program, new music, performance art, and publicity and promotional materials. As much as possible, the files are arranged as they were by the original curators and program administrators. Early records (1973 1983) for all the programs are grouped together. Video program files were separated starting in 1976 when the program began. Following 1983, the programs each had individual curators.

The fonds consists of records generated and assembled by David Watmough related to his life and career as a novelist, short story writer, playwright, monodramatist and performer, poet, critic, broadcaster, journalist, and teacher. The fonds includes series of records arranged in twenty divisions, with the greatest portion related to writing and literary production: novels, short stories, plays and dramas, monodramas, poetry and songs, nonfiction books, diaries and journals, essays, collections and anthologies, recordings, reading scripts and performance files, radio and television broadcast scripts and project files, film scripts, lectures, addresses, and orations, journal articles, interviews, and reviews of books, exhibitions and theatre performances, as well as correspondence, finance and business files, subject files including published material about Watmough and copies of published material by him, and ephemera and miscellanea. The arrangement of records in files by the creator has been respected where such order exists. The fonds contains textual records, both manuscript and typewritten as well as computer generated, some printed, published material, an occasional sketch or drawing, several sound recordings of Watmough performing, a small number of electronic records, and a number of photoprints and slides kept with the original files where possible. Some monodramas have been retained in the original bindings provided for performance by the creator.

The fonds consists of biographical material, correspondence, constitutions, lists, and financial records. It also contains printed material which includes manuscripts of poetry and prose, announcements and programmes for the Vagabond Club (1915-1921), as well as ephemera and photographs. Also included are sous-fonds relating to the Comrades Club and Charles Hill-Tout (1892-1944). Fonds includes material relating to club history created by Jackie Hooper.

The fonds consists of reports from the annual meetings of the Club, which include minutes, treasurer's reports, financial records and lists of book selections (1946-1984). The fonds also includes minutes of meetings of the Book Club and related material for the period 1946 to 1984.

The fonds consists of moving images, sound recordings and photographs created during Alan Twigg's production of the film Spilsbury's Coast and accompanying textual materials, as well as moving images and textual materials created during his production of the BC Book World television series. The fonds also consists of textual, photographic, sound recordings, and moving images related to Twigg's interest in and association with writer George Woodcock, particulaly in the early 1990s. Additionally, the fonds includes files of textual and photographic materials related to authors of British Columbia, created as part of Twigg's role as publisher of BC Bookworld.

The fonds consists of records pertaining to Turner's activities in the CCF and the NDP in British Columbia. Included are manuscripts of Vancouver Workers' Theatre dramas and poetry, subject files on Israel, clippings, pamphlets on cooperative farming, and records from the CCF Agricultural Committee and the Trade Union Committee.

The collection consists of material relating to Malcolm Lowry. Included are six letters, typed manuscripts pertaining to "Under the Volcano" and "Lunar Caustic", pencil sketches, newspaper clippings of articles about Lowry (1960-1963), photographs of Lowry and his wife, Margerie Bonner and memorabilia.

The fonds consists of correspondence (1987) and poetry and prose written or collected by Tarasoff. Also included in the fonds are notations for the writings to be set to music, arranged by Colleen Coburn, and recordings of Tarasoff performing the songs, explanatory notes about the lyrics, and related correspondence. Record types include poetry, prose, song lyrics, musical notations, copyright certificates, correspondence, and audio cassettes.

The fonds consists of extensive correspondence that reflects Swan's personal life and professional work as collector of Indian artifacts, as well as several cashbooks, estate records and miscellaneous items. The fonds also includes the official records of Swan's work as Notary Public, U.S. Commissioner, Pilot Commissioner, Hawaiian Consul, and Commissioner of Oregon.

The fonds consists of family papers including genealogical findings and legal documents concerning land owned by his family in the New Westminster District (Whonnock), 1870-1910; correspondence and newsclippings; records gathered or kept by Spilsbury on Spilsbury and Hepburn Ltd. and its successors in radio communications, 1940-1985; records of Queen Charlotte Airlines Ltd., 1946-1955; and a large collection of ca. 6000 photographs (including cartes-de-visite and cabinet cards) negatives, and slides, mainly taken by Spilsbury. The photographs consist mainly of images relating to Savary Island, Vancouver Island and other area of B.C.'s coast where Spilsbury lived and carried out his activities. As well as images of early native and logging sites and towns and topography of B.C., they also provide a record of Spilsbury's paintings. Photographs also depict Spilsbury's English relatives (1870-1906), friends and family at New Westminster, Whonnock and Savary Island, logging operations at Theodosia Arm in the 1930s, aircraft and personnel of Queen Charlotte Airlines, and equipment and personnel of Spilsbury and Hepburn.

The fonds primarily reflects Spears career as a writer and artist. Some documentation from her youth, such as early artistic works and school papers, are also included. In addition to actual works of art, the records illustrate such activities as publishing books and articles, touring and exhibiting her work. Strongly represented are works which came from Spears presence at meetings, conferences and festivals, which include many drawings of poets and authors. Major accruals of works from the Canadian League of Poets AGMs, drawings of birth scenes, drawings from neo-natal units, and materials from the midwifery trial are arranged into their respective series; one series consists of research notes from Spears novel The Flourish; and the Artistic and literary projects files series contains material from many different writing, drawing and publishing activities. Artworks consist mostly of drawings on paper, with graphite or pastel as the medium. Textual materials include correspondence, clippings, contracts, posters and programs from appearances, and research notes.

The collection consists of more than 250 items documenting the work and life of composer Igor Fyodorovich Stravinsky (1882-1971) including autographed letters, postcards, musical quotations, miniature manuscripts, photographs, programs and other printed material. There are items relating to Stravinsky's performances in Vancouver in 1952 and 1965.

The items are listed in the Annotated Catalogue of the H. Colin Slim Stravinsky Collection, available in the UBC Library (ML 134 S96 S54 2002). A selection of them can be viewed online.

Fonds consists of correspondence pertaining both to business matters and to Sinclair's writing (1905-1946), as well as personal correspondence with family and friends. Also included are manuscripts of short stories, novelettes and novels. Printed material contained in the fonds includes short stories, poetry, novelettes and novels. Fonds also contains photographs and photographic negatives, as well as log books, notebooks, maps/guidebooks, and ephemera.

The fonds consists of Shadbolt's private journals, notebooks, lecture notes, sketch books from his work with the Art Students' League of New York, 1948-1949 as well as 6 sketchbooks from the 1960s, a collection of his loose drawings and studies, an extensive collection of photographs of Shadbolt's paintings, including colour transparencies, slides of a photographic work entitled "Year", family photographs, personal and professional incoming correspondence, his picture reference file of postcards and magazine clippings, exhibition catalogues and other printed material. Correspondents include John Macdonald, Wilfred Watson, Max Maynard, Jock Firestone, Molly Bobak, George Swinton, and Ron Thom.

The fonds consists of journals, worksheets, photographs, correspondence, and printed material, including exhibition catalogues reflecting Doris Shadbolt's research and publishing activities into the life and works of Emily Carr. The final accrual in 2010 contains further documentation related to her activities as a writer and researcher, curator of the Vancouver Art Gallery, active participant in the local, national and international artistic community, lecture and guest speaker. The fonds includes correspondences, notebooks, calendars, lecture and speaking notes, research notes, articles and other collected materials related to Shadbolt's independent research on a variety of topics related to local, national and international art and artists, annotated books, photographs and sound recordings.

The fonds consists of material pertaining to Scott's career as a newspaper editor, including with newspapers such as the Sackville Post and Vancouver News-Advertiser, as well as material relating to his political, educational and literary endeavours and interests. Included are biographical materials, incoming and outgoing letters (1838-1923), subject files, articles and essays by Scott (1875-1922), ephemera, photographs, maps and printed material.

The fonds consists of a personal scrapbook, a university degree certificate, the manuscript of her novel Resignation (Shikataganai), correspondence, clippings on the subject of women, Japanese-Canadians and other ethnic groups, and printed material relating to several courses which she took. The fonds also includes two binders of material on guidelines for novel-writing and descriptive cataloguing, a dramatized version of her novel as well as her M.A. projects.

The fonds consists of biographical material about Ravenhill, incoming and outgoing correspondence (1939-1951), a draft of "Glimpses of a Long Life" (1951) and two proofs of "Memoirs of an Educational Pioneer" (1951). The fonds also includes printed material (pertaining to health, welfare and education), memos, clippings, memorabilia and nineteen photographs used primarily as illustrations for "Memoirs...".

The fonds consists of Pound's letters, addresses, criticisms and biographical sketches. It also includes material pertaining to Charles G.D. Roberts and Bliss Carman. There is also general information about Pound, Roberts and Carman, with manuscripts of poetry and prose, newspaper and magazine clippings, scrapbooks, photographs of Canadian authors and poets, and other items.

The Penkill collection consists of records of William Bell Scott, Alice Boyd and Margaret Courtenay. The collection includes five hundred letters from Scott to Alice Boyd, and a large number of letters to Scott and Boyd from other artists and writers. Also in the collection are the letters from Arthur Hughes and letters concerning the 1872 illness of Dante Gabriel Rossetti. The collection also includes the diaries of W.B. Scott, Alice Boyd and Margaret Courtenay.

The fonds consists of correspondence, publicity material, circulation files and art materials.

The fonds consists of correspondence, diaries, log books, manuscripts, photographs, records books, gallery files, subject files, and printed material relating to Onleys career as an artist, including a record of work, sales, donations, and disputes with Revenue Canada about the taxation of visual artists. A sketchbook entitled "LEternite Cest De Trouver De Que Tu As Deja" combines the poetry of Claude Peloquin with 51 watercolours by Onley relating to his Arctic voyages.

The fonds consists primarily of material generated by Edward Odlum (1850-1935). It includes drafts of Edward Odlum's A Dictionary of Classical Antiquity, references to the Israelite movement and material he wrote and collected about Japan (1888-1927). It also includes editorial cartoons (1939-1943) which were collected [by Victor?] after Edward's death.

The fonds consists of correspondence, financial records and manuscripts generated through the publishing activity of November House.

The fonds consists of correspondence carried with peers and publishers, manuscripts of works both published and unpublished, and critics' reviews of published material. Correspondence with Derek Healey and Tibor Serly provide the framework for collaborations created, primarily by mail, with each person. Fonds includes revisions to "A Leviathon" and "The White Man from the Sea".

The fonds consists of records created and collected by John A. Munro in the course of his research and writing on the careers of Gordon Churchill, John George Diefenbaker, Jack Horner, Carl Nickle, Lester B. Pearson, H.H. Stevens, David J. Walker, W.A.C. Bennett, Derrick Humphreys, Gordon Wilson, a holocaust survivor, Michel Mielnicki, and the Edelweiss Credit Union. It also includes Munro's works on Canadian External Relations, 1936-1939, the Atherton railway accident case, the Alaska Boundary Dispute, "Tai Tai", the China experiences of Dr. and Mrs. Ralph Outerbridge (includes diaries, 1938-1950 and manuscripts), material relating to the publication of "Beyond the Moongate", research on British Columbia and Confederation, and a biography on Senator David A. Croll. Fonds includes a notebook of Lester B. Pearson and a letter to Pearson from Norman Hiller regarding the Riddell incident and material relating to screenplays, including "Blue Ribbon".

The fonds consists of general correspondence, research material, clippings, ephemera, a contract and multiple drafts of her novel, "The Illumination of Alice Mallory".

The fonds consists of her photocopies of archival and printed material that she gathered in writing her book about Ginger Goodwin, British Columbia's legendary labour leader who was shot on Vancouver Island during World War I while evading the draft.

The fonds consists of correspondence, manuscripts, including scripts for Beachcombers, printed material, photographs, financial record, ephemera and research sources. The papers relate to his activities as a climber, free-lance writer, and columnist for the Victoria Daily Times (1963-1972) as well as containing correspondence of a personal nature . The correspondents include William Morrow and Company, ACTRA, Ronald Chambers, Leone Edgar, Elsie Norman and Willis Kingsley Wing. In addition to articles and stories by and about him, a scrapbook includes a series on the Mt. Waddington expedition.

The fonds consists of business and personal correspondence, manuscripts of poems, short stories, essays, and radio plays. The fonds also includes scrapbooks, printed material, and some financial records.

The fonds consists of letters to Markson from Margerie Lowry (131), Douglas Day (20), Conrad Knickerbocker (13), and Peter Churchill (1). The letters relate to Malcolm Lowry and his writing. The fonds also includes two rejection letters regarding "Through the Panama", and two handwritten poems by Lowry and one draft of a telegram.

The collection consists of material created by Lowry and others, including Margerie Bonner Lowry, Earle Birney, Dorothy Templeton, and Carol Betty Atwater pertaining to his life and work. It includes correspondence, signed autograph letters and postcards, multiple drafts of manuscripts, poems, phonograph records, clippings, reviews, articles, essays, typescripts, unpublished material and photographs. Photographs include snapshots and professional photographs or Malcolm and Marjorie Lowry, their friends, their houses, and their travels in B.C., the United States, Mexico, and Europe (primarily between 1939 and 1957). Collection also includes Malcolm Lowry's personal copy of his first novel, "Ultramarine", with his pencil notes and edits throughout.

The fonds consists of family papers relevant to the life and work of Malcolm Lowry, collected by Russell Lowry and including early autograph letters of Malcolm, other relevant correspondence with his parents, Arthur and Evelyn Lowry, records relevant to the family and Malcolm's estate, personal memoire of family relationship by Russell Lowry, extensive correspondence of Russell with most scholars, including Gordon Bowker, Muriel Bradbrook, Ann Smith, and Sherrill Grace, who have studied Malcolm's life and work since the early 1970s.

The fonds consists of financial records, correspondence, sound recordings, photographs, subject files and related printed material pertaining to their activities such as workshops, readings, fundraising, and publishing. Most of the files relate to general administration, funding, publications and author subject files that include unpublished manuscripts.

The fonds consists of records chronicling the development of the Leon and Thea Koerner Foundation from 1955 to 2015. It includes grant applications, reports and related correspondence pertaining to the Foundation's activities. Box 96 contains personal items related to Koerner that decorated the foundation offices.

The fonds consists of approximately 400 incoming letters from the Pre-Raphaelites (such as Ford Madox Brown, William Bell Scott, and D.G. Rossetti) and other nineteenth century artists to James Leathart and his wife (1853-1896).

The fonds consists of incoming and outgoing letters (1958-1976), including letters from well-known Canadian poets, as well as incoming greeting cards (undated), financial records, and memorabilia. Included also are manuscripts of poetry, prose (titled and untitled short stories), prose poetry, an unfinished and untitled novel, essays, plays and printed poetry. The fonds also includes a 1971 notebook, notes, reviews (1970-1977), photographs, drawings and printed material.

The fonds consists of materials pertaining to the activities of the Advisory Committee on Cultural Policy and the Federal Cultural Policy Review Committee. Included are briefs, files, press clippings and committee publications.

The fonds consists of engravings (mainly lino-cuts and some wood blocks) of flowers, trees, animals, insects, birds, sea creatures, floral and key designs, and erotica as well as other designs.