Series consists of personal and miscellaneous correspondence of Miki, including letters. greeting and post cards, pamphlets. booklets, poems, and photographs. Includes correspondence with other writers, friends, colleagues, and students, as well as with publications to which he sent submissions. Includes also some correspondence of an academic nature.

The following committees made annual reports to the BCHNPPG. Series consists of textual, graphic, and audio records generated by and related to the committees of the BCHNPPG. Committee reports may be attached to the executive minutes or be filed with their respective committees.

Series is arranged in the following subseries:

1. Executive
2. Archives
3. Biographical
4. Editorial Board
5. Membership Information and Lists
6. RNABC Memorial Book
7. Memorial Nursing Portrait Collection
8. Oral History
9. Pages of History
10. Scholarship
11. Website
12. Treasurer
13. Advisory
14. Program

Series consists of records pertaining to winemaking and viticulture at Quails’ Gate Vineyard Estate and Winery. Series includes both analogue and digital records. Series includes records such as photographs, videos, maps, surveys, and tasting notes.

Series documents Mayrs’s personal interests as well as family history. In particular it traces his passion for running, his correspondence on behalf of his personal political views, and some of his activities from when he was growing up (i.e. his work as a paper boy).

Record types include: a genealogy, recollections of Mayrs’s family history written by the creator, press clippings that mention Mayrs, speeches and letters written by Mayrs for friends and personal milestones, photographs and ephemera that relate to his personal and aggregate professional life.

Series consists of promotional and marketing records from Quails’ Gate Vineyards Estate Winery. Series includes both analogue and digital records. Series includes records such as wine labels and profiles, promotional ephemera such as brochures and posters, video tapes, as well as photographs of the vineyard and the estate’s accommodations.

Series documents Pratt’s roles in the British Columbia Government Employees Union, the British Columbia Federation of Labour and the United Way. Numerous academic papers, related to the NDP, socialism, and other related issues written by Alan Whitehorn and sent to Pratt are included in this series. Records related to Pratt’s role as the BCGEU Election Coordinator of the Political Action Working Group, as well as her retirement in 2007. Subject files relate to various women’s issues, BC Benefits, Charlottetown Constitutional Agreement, the Gove Inquiry, Ontario NDP-Labour Union relations, and other labour-related issues. Union professional materials include correspondence, discussion papers, briefs, government reports, committee minutes and agendas, and background papers. 1994 Federal NDP Convention Materials appear in this series as Pratt attended this conference as a BCGEU representative. Some records relate to Pratt’s association with the United Way. Pratt’s labour-related work is closely tied to her political career; where possible these records have been separated by role, however some overlap may be present among the Provincial and Labour Union series. Record types include correspondence, reference material, committee records, reports, newspaper clippings, news release, communications, collected speeches, publications, event programs, a photograph and button.

Series consists of original drawings, scores, handwritten notes and revisions, book/booklets and other materials relating to Szlavnics’ Gradients of Detail. Gradients of Detail was composed by Szlavnics in 2005 especially for Montreal-based string quartet Quatuor Bozzini. Szlavnics compositional process is closely affiliated with her line drawings which became the graphical representation of the score. This visual score was essential to represent the slow sustains and glissandi found throughout this work. The scores are meant to be read from left to right as time (in seconds) and from up to down as the high to low frequency range of pitch, though she cautions against reading this visual representation as exact pitches. These visual artworks must also serve to be art in and of themselves, as that would guarantee that the musical score translated out of it will be strong, according to Szlavnics. She says the forms in Gradients of Detail line drawings are related to the seed pods of the milkweed plant which she drew in Canada in the fall of 2004 just after her father passed away.

Kapocs (“The Link”) is a newsletter created and distributed by alumni of the Sopron Division of Forestry to document the stories and activities of Sopron graduates. The contents of Kapocs are written almost entirely in Hungarian.

Series documents Mayrs’ visual art work—including his paintings, cartoons, and fine press limited edition books—and exhibitions that have featured it.
Records in this series include photographic reproductions of a large number of Mayrs’s paintings, drawings, books, and other artwork; promotional materials from exhibitions such as posters, flyers, exhibit catalogs; drafts and copies of both published and unpublished political cartoons; original and photographic reproductions of penwork, photographs, and other artwork created by Mayrs specifically for his books, including for un-published and in-progress works; and press clippings and correspondence specifically pertaining to Mayrs’s work in the visual arts.

The series includes copies of Thorton's CVs and resumes and an autobiography Telling My Life Story. Also included are coloured prints, awards and recognitions.

Series consists of an outline for a book on the history and rules of Canadian football.

Series consists of extensive research notes, draft manuscripts and source materials used by Williams in conducting family history research. Copies of "The Bowerman Family, 1379 to the Present: English, American, Canadian" [CS 71 B69 W4] and "The Samuel Williams, Jemima Platt Family" [CS 90 W54] are available in Special Collections as well as in the fonds. Series also includes three postcard albums collected by M.Y. Williams' mother, Carrie Williams and numerous photographs.

Records consist primarily of slides along with several photographs. The slides reflect projects that Cardew designed and built, including key projects such as the CN Pavilion at Expo ‘86, Lignum Sawmill Offices, Crown Life Building (now known by its address at 1500 West Georgia), the Stone {Yunesit’in} Band School and the Morris and Helen Belkin Art Gallery at the University of British Columbia, as well as his most well- known exhibition Peter Cardew, Ordinary Buildings. There are also slides of various buildings that may have served as inspiration for his designs.

Records include architectural drawings of some of Cardew’s most well-known projects including the Crown Life Building (now known by its address at 1500 West Georgia), the Morris and Helen Belkin Art Gallery at the University of British Columbia, the Calgary Folk Music Festival Hall, the CN Pavilion at Expo ’86, the Lignum Sawmill Offices, Reigning Champ Stores, and the Yunesit’in First Nation (also known as Stone Band) School, as well as private homes, offices and furniture. Drawings are both stapled and loose, hand drawn and printed, on a variety of media such as tracing paper, bond paper and vellum.

This series contains a wide variety of predominantly unbound, ephemeral materials produced by the press. The types of materials in the series includes business cards and promotional flyers, greeting cards and postcards, wedding and event invitations, calendars, and product packaging.

Most of the material was produced for local businesses or individuals. The series also includes some of the press’s own promotional flyers, business cards, and in-house designed cards.

Series includes newspaper articles and lecture notes written by Milroy on the subjects of letterpress printing and the book in the digital age, as well as photographs and a negative strip.

The series consists of handwritten and typed drafts and manuscripts of McWhirter's novels. The material is arranged into published and unpublished material. In addition, the accrual in 2020 contains "Too Tall for You," an annotated synopsis of a current project.

Series consists of reprints gathered by M.Y. Williams, reflecting his broad interest in geology and natural history. Series is arranged alphabetically by author and, on rare occasions, by subject.

Series consists of photocopied materials from The Chinese World.

Series consists of musical scores, notes, sketches, concert programs, DVDs, and audio CDs pertaining to three distinct pieces composed by Lori Freedman: Reimsix, To The Bridge, and Concerto Now and Then. Each piece is unique and pertains to a specific era during Freedman’s long musical career. Reimsix was composed by Freedman in 2011 for the flute, clarinet, violin, cello, percussion and piano. To The Bridge was composed in 2014 for bass clarinet (clarinet in B-flat) and voice. This piece is composed of five miniatures connected by four bridges, hence the naming of the song. The bridge is where the miniatures arrive or depart from a place. Freedman explains her perspective as, “playing music is equally about composition as it is about interpretation and the spontaneous combination of the two — improvisation.” With this piece, Freedman wants to focus on the interconnection between the composer, the performer and the audience. Concerto Now and Then was composed in 2020 for any five musicians. It has previously been performed with a violin, clarinet, cello, alto saxophone, and double bass.

This series consists of records that were created and received throughout Lee’s life that relate to her service in the St. John’s Women’s Ambulance Corps.

Records include original materials from Lee’s period of service such as her registration card and her copy of the elementary drill manual. The majority of this series is records relating to the commemoration and recognition of World War II and its veterans and Lee’s involvement in organizing to make such events happen. These records include correspondence and ephemera relating to her participation in Canada’s Memory Project; meeting minutes and ephemera documenting Lee’s involvement with the ANAVETS Pacific unit 280 and Chinese Canadian Military Museum Society groups; and several awards and certificates of recognition that Lee received for her service.

This series contains books that were printed and in some cases designed by the press. It covers a wide variety of styles of book, including artists’ books, exhibit catalogs, chapbooks, and experimentally designed and typeset versions of works in the public domain

Of particular note in this series are pre-published editions of several of the works of Vancouver artist Charles Mayrs, a selection of materials designed for and by the Alcuin Society, a group dedicated to book design, and a copy of the artist's book 'Loci' by Vancouver-based artist Allyson Clay.

Series contains copies of books and ephemera issued by A Lone Press (1998-1999) and Heavenly Monkey (1999- 2010) and includes setting copies, detailed page layout schematics, dummy of final book, final printing schedule and sequence, proofs and impressions, make-ready copies, printing plates, printing blocks, photographs and various other documents used in the creation of each item.

Series consists of six file drawers of index cards generated by M.Y. Williams in his research and one box of index cards documenting his map collection.

Series consists of various published materials in the areas of geography and literature.

Series consists of ledgers and other material about Vancouver and Victoria Chinatowns.

Series consists of restricted materials removed from the collection by E. Wickberg.

This series contains minutes, correspondence, reports, a summary of projects, printed material, memorabilia, photographs, newspaper clippings, amongst other records. Committees in this series include the Research Committee (1947-1959), President's Finance Committee (1951-1962), Committee on Appointments, Re-appointments and Promotions (1951-1959 and 1968-1973), Committee of Academic Deans (1962-1973), Board of Governor's Committees (1969), Geological Science Centre Committee (1969-1971), Aquatic Facilities – President's Planning Coordinating Committee (1975-1977), Committee on Gerontology (1976-1980), Audit Committee (1977), Faculty Review Committees (1979-80), B.C. Forecasting Committee (1978-1983), and the Budgetary Reduction Committee (1984). Also included are committees on developing a downtown presence for UBC, discrimination and harassment, ethics, employee and family assistance, art, First Nations research, FOIPPA, Japanese studies, and many others. President's Task Force on International Education, Liaison Recruiting and Admissions are also present. President Committee records can also be found in the Continuing and Permanent File series, the Central Office file series and the Senate Committee series. The latest accrual of Committee records is digital-born records from the President's Advisory Committee on Campus Enhancement or PACCE. These records include minutes on the committee's activities and an annual report from 2019-2020.

The series is divided into two subseries, Textual Materials and Electronic Backups. Textual materials consist of manuscripts of novels and short stories. The arrangement, primarily chronological by published work, also reflects two peculiarities of his writing style. First, he labelled some as the final draft prematurely rather than numbering successive drafts. Some of his novels, therefore, have several "final" drafts. As best as possible, these have been arranged in chronological order. Also, during the creative process and modification of draft versions, Maillard created what he calls "spin-off," including ideas that are developed on the side but never added into storyboards developing the arrangement of the scenes and pages removed from a draft version. Other segments of the spin-off are unidentifiable beyond the novel to which they belong; these have been given a letter designation (A, B, C) to indicate which files were found together. The letter does not imply any sense of order, chronological or otherwise. Spin-offs with uncertain chronology have been filed at the end of each manuscript sub-series with specific research notes and related miscellaneous files. Some files contain UBC-related correspondence. The electronic backup consists of copies of the textual materials.

This series collects albums that created by Lee throughout her life. The albums are primarily thematic in nature and reflect Lee’s connections to political and community groups, her hairdressing career, and her personal life with her family and friends.
In addition to photos of Lee herself, there are many photographs that feature her triplets; politicians and celebrities that Lee encountered throughout her life including Grace McCarthy, Bill Van Der Zalm, and their families; and members of the Chinese Canadian Military Museum Society and Vancouver Chinese Canadian Activity Centre groups.

This series contains published journal papers by Granirer. In addition, the series comprises paper corrections, correspondence, and work with Anthony Lau, including math propositions and a notebook.

Series consists of incoming and copies of outgoing correspondence. Series is arranged alphabetically by correspondent or subject.

Series consists of various headlines, notes, and clippings.

Series consists of the texts of interviews with various leaders in the B.C. Chinese community.

Series consists of newspaper and magazine clippings collected by Soward.

Series consists of photographs, including scans and born digital photographs, depicting Peter Carl Anderson as subject. Spanning childhood, career, and life leading toward retirement. Many productions, not related to Caravan Farm Theatre, are described in the digital file names.

Series consists of musical scores, handwritten notes and sketches, and a manuscript of the printed first version of Il divertimento barocco (“Baroque Fun” in Italian) 1999 with hand-written edits and other unique manuscript material related to the work’s revision in 2019/2020. The piece was commissioned by the Orchestre baroque de Montréal with funding from Canada Council for the Arts and completed by Sokolovic in 1999, when it was performed at the Salle Pierre-Mercure in Montréal on November 4th. It was originally written for violin, harpsichord, and string ensemble, but has also been performed by baroque flute, violin, viola da gamba, and harpsichord at the Galerie Montcalm in Gatineau, QC in 2012.

Series consists of artifacts, general files, photographs, sound recordings and ephemera (publicity predominant).

Series consists of records documenting the history of the Volkov/Vokkoff family and includes correspondence, a cloth mail-bag which once held much of the correspondence, official documents such as passports and marriage certificates, hand-written accounts of family history by Mikhail Mikhailovich Volkoff, transcriptions of correspondence and family history manuscripts translated into English from the original Russian, and digital copies of these transcriptions stored on CDs. Files are arranged in chronological order. Many manuscripts, correspondence, and official documents are written in Russian (Cyrillic alphabet). Some official documents originating from Harbin, Manchuria, are written in Chinese. Some manuscripts are hand-bound.

Series consists of programmes, pamphlets, brochures, and memorabilia collected by Sage.

The series consists of undated handwritten notes and printed material about Turnbull's classes at UBC.

Series consists of genealogical charts, notes, correspondence, photographs, and wills from members of the Warren family.

Series consists of final scores, edited scores, notes, and a musical program related to Dorothy Chang’s composition Gateways: Double Concerto for Erhu and Piano. Gateways was commissioned by Nicole Ge Li and Corey Hamm of the Piano-Erhu Project (PEP). Players of the erhu and piano, respectively, they began PEP as a means of exploring the tonal, musical, and cultural blends between two iconic Eastern and Western instruments. For her addition to PEP’s mission, Chang reflected on how she might address the issue of ‘east meets west,’ especially given the solo instruments’ highly distinct and disparate sonic characteristics, performance practices, and musical traditions. Gradually, the piece evolved as a patchwork of musical fragments, moments, and memories gathered from her own multicultural experiences as a first-generation Chinese American, a Western expatriate living in Taiwan, and now an immigrant to Canada. Woven into the three movements are references to a 90’s Chinese pop song, a children’s rhyme, opulent Romanticism, American minimalism, and other influences both subtle and not. The title refers to a Tang Dynasty poem that depicts a gateway as both an opportunity and a barrier, reflecting a deep yearning for a faraway time, place, or memory. The work premiered April 14, 2018 at the VSO Annex Theatre; Ge Li and Hamm served as soloists; William Rowson conducted members of the Vancouver Symphony Orchestra.

Series contains photograph albums of various railways, elevators, and bridges associated with Swan's career as an engineer. Series also holds two other photographs outside of albums containing Swan and his associates and military Battalion.

Series consists of manuscripts and sections of manuscripts from poems, novels, plays, essays, and other written works by Hood.

Files consisting of many short texts, or untitled texts, have simply been named "Manuscripts." In all other cases, existing file names have been respected or, where available, have been attributed by the archivist according to the manuscript contained in the file.

The series contains records pertaining to the AUCE’s efforts to advocate for their members and bargain as a collective unit. Record types include agendas, minutes, and dockets of the Annual Conventions and Special Conventions held by AUCE, agenda and minutes of the meetings of the General Membership, contracts documenting the collective agreements between the workers and employers, and records of conferences, strikes, working conditions, news releases, as well as training records on stewardship, bargaining, striking and picketing.
While many of the records relate directly to equal pay, increased benefits, and cost-of-living increases, the advocacy and bargaining efforts of the union also changed in response to the changing provincial government and University of British Columbia administrative measures.
With the 1983 election and the introduction of the Social Credit Government, the union worked with other labor organizations throughout the province, forming the province-wide Solidarity Coalition to resist the conservative measures being proposed through legislation. The records also reflect the related efforts to defeat Bill 19, introduced by Bill Vander Zalm in 1987, which directly affected labour unions and their right to strike.
The union also directly opposed choices made by the UBC administration including a decision to bring in Ritchie & Associates, a management consulting firm to assess efficiency in the workplace, as well as budget cut-backs. This resulted in the formation of the UBC. Campus Community Alliance. These and other specific efforts are documented in the series.

This series consists of research compiled by Fred Hume on the history of athletics at UBC. Included is a chronological outline of the history of many of the university’s sports teams and the development of sporting facilities at the university. Materials also contain research on coaches and profile write-ups on sports people for the UBC Sports Hall of Fame. Football programs can be found in this series 1952-2019.

Series consists of newsletters produced by the Chemical Engineering Department. The 2003-2019 issues were deposited in the Archives by the Department in 2019.

Series consists of offprints and publications collected by Sage.

Series consists of the text of speeches, notes, a draft manuscript, conference proceedings, reports, correspondence, printed material, and photographs about the field of Education.