Subseries - Susan Schuppli

Title and statement of responsibility area

Title proper

Susan Schuppli

General material designation

Parallel title

Other title information

Title statements of responsibility

Title notes

Level of description


Reference code

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area


  • 1986-[1999?] (Creation)

Physical description area

Physical description

22.5 cm of textual records and other material

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator


Custodial history

Scope and content

Subseries documents the curator files of Susan Schuppli, Director/Curator of the Or Gallery from September 1991 to December 1993.

Exhibitions represented in this subseries include:

  • Bill Burns, “When Pain Strikes” (September 10-28, 1991)
  • Laura Lamb, “There are more things in heaven and earth, than are dreamt of in your philosophy, Horatio” (October 8-26, 1991)
  • Marian Penner Bancroft, “Holding” (November 5-23, 1991)
  • Sutapa Biswas, “Synapse” (December 3-21, 1991)
  • Jamelie Hassan, “The Conference of the Birds” and “Baghdad Commemorative Billboard Project” (January 14 – February 1, 1992)
  • Marianne Nicolson, “A House of God” (February 4-22, 1992)
  • Henry Tsang, “Love Stories” (March 3-22, 1992)
  • Lisa Kokin (USA), “Unearthing”, installation (April 7-25, 1992)
  • Paul Landon, “Heavy Weather”, (May 12-30, 1992)
  • Jean Macrae, “Two Walking Days” (June 9-27, 1992)
  • Kathryn Walter, “Regarding Places”, installation in an office space on the 7th floor of the Dominion Building, and “A Working Project”, Gallery installation (July 7-25, 1992)
  • Deborah Koenker, “Bar-ba-loot” (September 8 – October 3, 1992)
  • Frances Grafton, “Stripped of Sense” (October 8-30, 1992)
  • Patrick Mahon, “Spectacular Viewhome” (November 10-28, 1992)
  • Clare Gomez-Edington, “Don’t Let Them See You Coming” (December 8-23, 1992)
  • Julie Arnold, “List” (February 9-27, 1993)
  • Holly Owen, “Les Demoiselles de la Transfiguration; How Will We Recognize our Allies?” (March 2-27, 1993)
  • Andrew Forster, “my favourite things” (April 6 – May 1, 1993)
  • Carol Sawyer, “Vessels” (May 11 – June 5, 1993)
  • Sarindar Dhaliwal, “Heart, Home & Hearth” (June 9 – July 3, 1993)
  • Ingrid Bachmann, “Berlin Stories” (July 6-31, 1993)
  • Susan Stewart, “Lovers and Warriors: Aural/Photographic Collaborations” (October 2-30, 1993)
  • Donna Nield, “Cicatrix” (November 9 – December 4, 1993)
  • Kathy Slade, “by dint of groping” (December 7-31, 1993)

Notes area

Physical condition

Immediate source of acquisition


Language of material

Script of material

Location of originals

Availability of other formats

Restrictions on access

Terms governing use, reproduction, and publication

Finding aids

Generated finding aid

Associated materials

Related materials


Physical description

Subseries includes: 22.5 cm of textual records, 294 slides, 254 negatives, 123 photographs, 10 contact sheets, 7 film transparencies, and 1 swatch of fabric.

Alternative identifier(s)

Standard number area

Standard number

Access points

Subject access points

Place access points

Name access points

Genre access points

Control area

Description record identifier

Rules or conventions


Level of detail

Dates of creation, revision and deletion

Language of description

Script of description


Accession area

Related subjects

Related people and organizations

Related places

Related genres