The collection consists of records relating to the 1935 On-to-Ottawa Trek and its 50th Anniversary. Included are copied posters, newsletters, proclamations, legal documents, and photographs relating to the original Trek as well as audio tapes, clippings and itineraries from the 1985 anniversary events.

Fonds documents the Or Gallery’s work supporting contemporary and experimental art practices via exhibitions, projects, and publications. Represented exhibitions are listed under Exhibition records series and the relevant Curator files subseries.

Fonds also reflects the Or Gallery’s administration and operation as an organization and as a physical gallery space. Records consist of photographic materials, correspondence, ephemera, proofs, mock-ups, and other material documenting: the curation, installation, and display of exhibitions; the administration and operation of the Or Gallery; and the design process of Or Gallery publications and ephemera.

The fonds is arranged into five series: Exhibition records; Curator files; Administration; Vancouver Anthology; and Publications and ephemera.

The fonds consists of Banfield's photographs of Point Grey, Britannia Beach, friends, Vancouver scenery and ships in Vancouver harbour.

The fonds reflects Patrice Pratt’s political and labour union careers and her community organization involvement. Records in the fonds relate to Pratt’s various roles within the Federal and Provincial NDP, as President of the BCNDP and as a constituency, committee, council, and party member, the BCGEU and BC Federation of Labour. Records consist of professional and personal correspondence, reports, communications, reference and resource material, convention materials, pamphlets and programs, newspaper clippings, agendas, minutes, resolutions, constitutions, policies, membership lists, campaign and platform materials, publications, campaign buttons, banners and other material. The fonds is divided into three series: Federal NDP, Provincial NDP and Labour Unions. The Provincial NDP series consists of two subseries: BCNDP President and BCNDP Associations, Committees and Advocacy.

As Pratt held various roles simultaneously throughout her career and much of her union work informed her political career, this overlap is reflected in her files. Records are divided into series based on the role held by Pratt at the beginning of the process, resulting in some record dates falling outside the official boundaries of the role she was working in.

Fonds consists of research compiled by art historian and curator Patricia Ainslie. The research relates to both her published writing and her curatorial work at the Glenbow museum in Calgary, AB. Materials include research notes; photocopies of articles and images; correspondence with artists, other curators, and archival institutions; planning documents and lists; photographs of artists and artwork; interviews on audio cassette, DVD, and as transcripts; manuscripts for some of her published work; and exhibition pamphlets.

Fonds reflects Blondal's personal life and work as a writer, radio broadcaster, university student and researcher whose interests include religion, philosophy, psychology and criminology in the 1940s and 1950s. Records are arranged into four series, spanning from about 1929 to 1963, including documents that were added by her husband following her death in 1959.

The fonds consists of records pertaining to O’Neal’s work as a union organizer and representative, primarily, though not exclusively, for the International Brotherhood of Pulp, Sulphite and Paper Mill Workers. The fonds consists of correspondence, reports, meeting minutes, memos, newspaper clippings and press releases, labour agreements and negotiation records, and CCF to NDP transition records. Unions represented in the fonds include the International Brotherhood of Pulp, Sulphite and Paper Mill Workers, the United Paper Workers International Union, and a number of B.C. locals, including Local 603, Local 612, and Local 695, among others.

The fonds consists of transcripts of interviews with pioneers of the socialist and Cooperative Commonwealth Federation movements in Canada (1961) by Paul Fox.

Fonds consists of records related to the organization of the Paul Robeson Memorial Concert and the accompanying oral history project. Textual series in this fonds include financial records, oral history project plans and concert planning. There is also a series which contains the audio recordings of the interviews conducted by the committee.

The collection consists of research material for Betty Keller's book, "Pauline: The Life of Pauline Johnson". It includes photocopies of letters to, from, and about Pauline Johnson, copies of printed material, as well as two articles about Johnson. Johnson, also known by her Mohawk stage name Tekahionwake, was a Canadian poet, author and performer who was popular in the late 19th and early 20th centuries. Her father was a hereditary Mohawk chief of mixed ancestry and her mother was an English immigrant.

Fonds reflects Lee’s professional career, investment ventures, engagement with political and social communities, and life with friends and family. It offers particular insight into the social aspects of Lee’s life, as she kept many of the invitations, programs, and other ephemera relating to events that she attended because of her community involvement and philanthropy across all aspects of her life. In addition to a variety of textual records relating to her business ventures, volunteering, and military service, the fonds contains a significant number of photographs that were taken or otherwise collected by Lee and reflect the full range of her life’s facets.

The fonds is divided into five series: Entrepreneurship, investing, and business; Military service; Community and political activity; Personal records; and Photographs.

The entrepreneurship, investing, and business records series relates to Lee’s activities as a businesswoman and investor. Records in this series include financial and legal records, marketing materials, and certificates of recognition.

The military service records series relates to Lee’s time in the ambulance corps and subsequent involvement with initiatives in support of veterans. Records include a limited number of original materials from Lee’s period of service; correspondence and other records including meeting minutes and ephemera documenting Lee’s involvement veterans’ advocacy and recognition efforts.
The community and political activity records series relate to Lee’s involvement in Chinese Canadian community projects and the Social Credit and Conservative parties of Canada. Records in this series include ephemera, correspondence, and meeting minutes that document her involvement with these groups.

The personal records series relates to Lee’s travels as well as her life outside of her work and volunteer efforts. Records include correspondence, ephemera, and certificates.

The photographs series relates to a large number of photo albums and loose photographs that reflect all aspects of Lee’s life.

The fonds consists of photographs of early logging in British Columbia, including those of the Knox Bay Camp (1890s-1929), and Anderson's reminiscences about his life.

The fonds reflects Peter Cardew’s professional career as an architect, predominantly since 1966, the year that he emigrated to Canada. Over his career, Cardew designed schools, exhibition buildings for Expo ‘86 held in Vancouver, B.C., condominiums, private homes, office buildings, libraries, art galleries, retail establishments and furniture. Records include slides and photographs of buildings that may have served as inspiration for his designs, as well as those that he designed and built. Records also include building permits for select projects, and an exhibit catalogue for one of his best known exhibitions: Peter Cardew, Ordinary Buildings, an exhibition of his drawings first held in the Charles H. Scott Gallery at the Emily Carr Institute of Art and Design in Vancouver, B.C. Records also include numerous awards that Cardew received for his designs, certificates which document his membership in various professional associations, as well as posters for various speaker series in which he participated. The fonds also includes records related to the operation of Cardew’s firm, Peter Cardew Architects, such as account ledgers, stamps, and the firm profile.

The fonds is divided into three series: Slides and Photographs, Professional Documents and Other Materials, and Architectural Drawings.

Records consist of slides, photographs, negatives, legal documents, building permit applications, awards certificates and medallions, exhibit catalogues, magazine profiles, posters, newspaper clippings, account ledgers, diplomas, furniture designs, and architectural drawings.

The fonds consists of a typescript of Dent's article on B.C.'s first nurses' strike in 1980, two articles on nurses' collective bargaining, and a staff representative manual for the Registered Nurses' Association of B.C. (1978). Also included is a typescript entitled "The Beginning", which details the history of the collective bargaining of nurses.

Fonds consists of personal and business records of Peter Faminow, related to his personal and family life, career as a lawyer and a politician, and his interests and involvement in the Doukhobor community. Records include correspondence, clippings and scrapbooks, photographs, audio recordings, papers, speeches, and other textual records. The fonds is arranged into the following series: Family records, Records related to education, Records related to law practice and career, Doukhobor related files, Scrapbooks and clippings, and Audio recordings.

Fonds consists of mostly typewritten journal entries by Peter McNelly during his time with the Barrett government, with a few handwritten notes and newspaper clippings. Personal journal accounts give an insider perspective on the Barrett government in the 1970s, on a week-by-week basis. Provided source material for the book The Art of the Impossible by Geoff Meggs and Rod Mickleburgh, 2013.

The fonds consists of records generated in the course of research for the biographies of John Diefenbaker and Lester B. Pearson. Interviewees include Donald Cameron, Jack Davis, Grace MacInnis, Stuart Keate, Norman McKenzie and Harold Winch. Fonds includes recorded interviews and their transcripts and video tapes of an interview with Grace MacInnis.

The fonds reflects Philip J. Thomas’ involvement with the folk song community. This includes his research into British Columbian folk songs and his publications on the subject. The fonds also reflects his role as an art teacher, including cards he received from his students and photographs of paintings created by his students. The fonds also contains evidence of his personal life and career, both prior to and during his involvement with the folk song community, and some evidence of his role as a musician, including records related to performances and musical composition.
Material includes articles, music sheets, correspondence, photographs, and a film reel. The first three accruals of the fonds were arranged into three series: Research, Publications, and Folk Song Societies and Festivals. Upon receiving the 2020 accrual, the archivist added the following three series: Music, Art, Personal and Career.

The collection consists of records relating to the Pioneer Strike of 1939.

The fonds consists of partial records of the Port Albion Cannery’s parent companies. In rough chronological order, these are: the Langara Fishing and Packing Company, Ltd.; Nootka Packing Company, Ltd.; Banfield Packing Company, Ltd.; Nootka-Banfield Packing Company, Ltd.; and the Canadian Fishing Company. Records include: invoices, inventories, correspondence, agreements/contracts, licenses, payroll ledgers, government statistics records and copies of legislation (particularly changes made during WWII to staffing and supply chains), and various reports (predominantly production reports). Correspondence is primarily between branches and “head office” and between the various companies and their suppliers, contractors, and government offices mostly concerned with licensing and equipment inspections. Head office appears to refer both to the offices of the Nootka-Banfield Packing Company, Ltd., and later the Canadian Fishing Company, which purchased Nootka-Banfield in 1945, though the Canadian Fishing Company letterhead appears in the records much earlier than 1945. A set of blueprints for bunkhouses is also included in the fonds, though there are no dates or location information appended; as the bulk of the fonds (physically and chronologically) is the Nootka-Banfield records, the blueprints are filed as part of that series.

The fonds consists of records related to the Positive Women’s Network (PWN) various programs and projects, support and educational resources, and operations and administrative activities. The fonds reflects this in the following three series: Operations and Administration, Support and Education, and Programs and Projects.

The Operations and Administration series contains records related to the PWN’s administrative activities and day-to-day operations including the Board of Directors’ policies and procedures, operational budgets and applications for operational funding, correspondence with other organizations, strategic planning for the organization, and organizational budgets.

The Support and Education series consists of records related to the PWN’s various resources for training and supporting PWN members, their friends and family, health care providers, and the larger community as a whole. Record types include retreat materials, toolkits, pocket guides, training kits, educational materials, Positive Side newsletters, magazines, workshop materials, artwork, memorial and guest books, and other materials.

The Programs and Projects series features records related to the several programs and projects that the PWN launched either individually or as partners with other organizations.

The fonds consist of a day book, author unknown, listing his/her activities at Pot Latch Creek between March 1912 and July 1913.

The fonds consists of materials collected by the Potters Guild of British Columbia. The fonds primarily consists of news clippings, photographs, and notes related to one of the members of the Guild, Santo Mignosa. Topics include ceramic and pottery exhibitions, techniques, awards, and educational workshops.

Fonds consists of minutes and agendas, correspondence, publications, reports, photographs, pamphlets, scrapbooks, newspaper clippings, artifacts, and other textual records related to Pro-CAN’s mission of: improving abortion access for women; defending their legal rights; protecting providers and clinics from harassment and violence; destigmatizing abortion; and educating the public about reproductive rights. The records include those necessary to fulfill its functions of managing and administrating the organization, advocating and lobbying, and ensuring safety and security, as well as those used as resources. Resources and subject files span the topics of abortion history in Canada and abroad, legal matters, grey literature, information about similar external organizations, and related topics in the news. Pro-CAN also kept extensive files on anti-choice groups and individuals along with their behaviors, photographs, and letters.

The fonds consists of the Quadra Club's correspondence and minute books (1925-1932).

This fonds consists of records relating to the Queer Arts Festival hosted by SUM Gallery. The records are separated by festival year, as follows:
• 2006: Joy Along the Continuum
• 2007/2008: Gender Twist
• 2009: Faerie Tales
• 2010: Queertopia
• 2011: Games People Play
• 2012: Random Acts of Queerness
• 2013: Transgression Now
• 2014: ReGenerations
• 2015: Trigger: Drawing the Line
• 2016: Stonewall was a Riot
• 2017: UnSettled
• 2018: DECADEnce
• 2019: rEvolution
• 2020: Wicked
• 2021: DISPERSED: it’s not easy being green

Records consists of newspaper articles; QAF programs, brochures, booklets, and other promotional materials; Pride booklets and promotional materials; legal documents like licenses and permits; music scores; scripts – opera libretto; press reviews and patron comments; artist statements; and internal staff documents like checklists, prep notes, price lists, job duties, conferences, board meetings, stages and staging notes.

The fonds includes records pertaining to Rachel Epstein’s involvement with LARA (correspondence, promotional and educational materials, project files), the establishment of the FLIS (a LARA initiative), International Women’s Day event and committee organization records, and research on the history of domestic and farm workers in B.C. ranging from the late 19th century to the mid-20th.

The fonds predominantly consists of the Household Accounts series, which includes documents supporting the daily activities of the Ralston family from 1956-2003, including bank statements, life insurance documents, receipts, correspondence, and three photographs of Mollie. The Income Tax Files series consists of tax returns and supporting documentation for the years 1965-1996. The fonds also contains a Construction and Upkeep of House series with files related to the construction of the Ralston’s house on West 28th Avenue in Vancouver, built in 1969. The Educational Notes series includes notes written by Keith, Mollie, Bruce and Delia during their grade school and university educations, and includes notes from 1935 to the 1970s.

Fonds consists of administrative and operational records of the Red Cedar Shingle and Handsplit Shake Bureau, maintained by the B.C. office (formerly the British Columbia Division). Records include correspondence, circulars, incorporation documents, clippings and other textual records, as well as a number of photographs. Fonds is arranged into three series: Administrative files, Certigrade activities bulletins and other circulars, and Advertisements and literature.

The fonds consists primarily of records relating to Philip Farmer’s work as chair of the 1977-1978 Regional District Review Committee of the British Columbia Legislature. Committee records include reports, maps, statues and by-laws, memoranda and correspondence, press clippings, annual requisitions and budgets, public hearing briefs or exhibits, and other textual records. There is also a copy of minutes from a meeting held by the Regional District Review Committee on December 15th, 1977.