The collection consists of materials created or acquired by Juta Kitching throughout her membership or role in FUSAC. The collection consists of textual, both typewritten and handwritten, as well as photographs (prints & negatives) and an audio recording. The textual information is a mixture of English, Finnish, Hungarian and Estonian. The collection is organized in the following series: Annual Conferences and Operational Proceedings.

This fonds consists of correspondence, minutes, reports, financial records, published materials and clippings, legal contracts and photographs created or acquired by the Asia Pacific Business Institute and document the administrative and financial activities of the organization. The records are arranged in the following series: Administrative, Clippings and Publications, Committees, Taskforces and Conferences, Correspondence, Financial, Organizational History, Legal, and Photographs.

Fonds contains records relating to the research of David C. Walker. This includes photographs of electron microscope images and illustrations regarding epithelial and endothelial tri-cellular corner tight junctions. Also included are notes, drafts, reviews, and final copies of four publications: “The role of epithelial cell tight junctions in tracheal permeability,” “The reassessment of the tricellular region of epithelial cell tight junctions,” “The structure of the tricellular junctions of pulmonary capillaries,” and “Tricellular corners: preferred sites for leukocyte emigration from the pulmonary vasculature of rabbits".

The collection consists of records associated with Librarian Ture Erickson's participation on the Day of Concern Committee in 1984. The material begins early in 1984 and continues through to the September "Day of Concern." Included are handwritten minutes of the meetings, printed material, correspondence, clippings, memorabilia, posters and copies of addresses given at the Robson Square Media Centre.

Fonds consists of material that reflects Charles van Sandwyk's development as an artist, illustrator and publisher of fine books in Vancouver. Materials include original artwork (watercolours, etchings), exhibition posters, book and book signing announcements, press proofs, broadsides, invitations, edition of the High Branch Society mail-outs (which include letters, cards, decorative envelopes, poems, and small copies of art), fabric banners, and medallions. Most of the items are signed by Charles. Some of these materials were brought together by Charles and the Joyce Williams Gallery; the arrangement of that material as it arrived has been maintained. Other materials were purchased from the creator and maintain the original order at the time of their acquisition.

This collection contains organizational material and associated publications related to Ken Heibert's activity as a member of the socialist group, Socialist Challenge/Gauch socialiste, and its latter manifestation as the New Socialist Group.

The fonds consists of records which document the origins of SDRI and reflect its activities during its first five years of existence, and includes correspondence, reports, minutes, financial records, and published materials. It is arranged in five series (Central Files, General Correspondence, UBC Correspondence, Subject Files, Research Projects) and one sous-fonds ("Women and Sustainable Development: Canadian Perspectives" Conference).

The fonds consists primarily of video recordings of interviews, meetings, seminars, performances, and local footage shot in Canada, the United Kingdom, the United States, East Timor and Indonesia. It consists of 178 video recordings including 97 beta tapes (large and small), 80 VHS tapes and a broadcast DVD and six audio recordings. Many of the video elements include both a beta and VHS copy. The fonds is divided into three series. The largest of the three series consists of beta and VHS tapes of raw footage and background research shot or collected by Brière from Canada, the United Kingdom, Indonesia and East Timor. This series also includes six audio recordings. There is a separate series of video recordings of lectures and interviews with Noam Chomsky regarding East Timor recorded during his visit to Vancouver in March 1996. The third series consists of beta masters of the finished documentary, including video in NTSC and PAL formats, and English, French and Swedish language versions.
Much of the content of "Bitter Paradise" consists of interviews with Canadian and foreign individuals engaged in the events in East Timor, either as businessmen, bureaucrats or politicians working with the Indonesian government on trade and development projects in East Timor, or as activists, dissidents, and supporters of the liberation movements within the island nation. In Canada, interviews with Warren Allmand, David Kilgour and Svend Robinson (federal Members of Parliament), David Webster of the East Timor Alert Network, Geoffrey Robinson (Amnesty International, now UCLA History Department), portray the interests of those supporting the resistance. At the same time, Colin Baker (Simons Engineering), David Mundy (Kilbourn Engineering) and Ron Richardson (Asia Pacific Foundation) identify business and development opportunities in East Timor and Indonesia for Canadian companies. There are insights on East Timor supplied through interviews with local and international actors, including Noam Chomsky and Carmel Budiardjo (an Indonesian dissident and founder of TAPOL). Also, with an Amnesty International prisoner of conscience, Constancio Pinto (former guerrilla fighter and currently Timor Leste Ambassador to Washington) and Muchtar Pakpahan, a labour leader jailed repeatedly in Indonesia who, in 2011, resigned as head of the Indonesian Labour Party. The documentary also includes live footage from international broadcasters (BBC, Australian Broadcasting Corp.) of the Dili Massacre (Santa Cruz Cemetery) in November 1991, when more than 260 protesters were killed by Indonesian troops. The broadcast filming of that event, first shown on ITV, the UK in 1992, was pivotal in the campaign to bring western nations to apply pressure for independence, achieved a decade later.
The fonds also contains archival film footage from the Portuguese era of East Timor, a film on projects being undertaken in the country by the Roman Catholic Church, smuggled footage of the East Timorese resistance movement in countryside, footage of Indonesian troops being trained in Australia and of the Indonesian invasion of East Timor.

Fonds consists of records that document Kevin Chong’s education, and writing and teaching careers. The records include typewritten manuscripts, written notes, annotated proofs, correspondence, research materials, teaching materials, newspaper and magazine clippings, publications, posters, photographs, and digital recordings. They are arranged in the following series: Manuscripts – Published Works, Manuscripts – Unpublished Works, Other Writings, The Redenbachers, Correspondence, Clippings, Vancouver Public Library, UBC, Columbia University, Publishing, Teaching, Research Materials, Other Publications, Grants, Competitions, and Writers’ Festivals, and Miscellaneous.

The fonds consists of textual records, both typewritten and handwritten, as well as CDs and newsprint.

The fonds consist of various committees' records associated with CICSR between 1986 and 1996. These are advisory committees that report on academic and campus computing, science education and continuing education at the University of British Columbia.
The fonds is maintained in the original order in which it was received. It is divided into seven files according to the subject matter. The fonds consist of textual materials including memoranda, correspondence, meeting minutes and agendas, reports, written notes and other printed materials.

The fonds consists of project background and administrative information as well as student-generated material arising from their oral interview exercise. The student material consists of two parts generated in 1987 and 1988. The first (Box 2) includes copies of questions, transcripts and student comments on the interviews. The inventory also lists the oral history tape number. The second includes only a copy of the students’ commentary.

The fonds consists of records which primarily document Sharon Kahn’s activities as Director of Employment Equity (1989-94) and Associate Vice-President, Equity (1994-2005). The records include correspondence, reports, minutes, clippings, and other published materials. They are arranged in two series: the Equity Office series, which documents in a general sense UBC’s Equity Office and Kahn’s activities as its head; and the Equity Cases series, which documents two high-profile cases with which Kahn and the Equity Office were involved.

Fonds consists of records documenting a review of the Department of Philosophy in 1988 and the Department’s response to that review, and the development of a five-year plan for the Department (1989-90).

The fonds consists of newspaper issues, photographs, and publishing notes from 1988-2011 which provide a look into the day-to-day function of creating the newspaper.

Fonds consists of audio recordings of interviews done with seven members of the Faculty Women’s Club.

The Tiananmen Square incident, also called June Fourth incident or 6/4, was a culmination of a series of protests and demonstrations in China in the spring of 1989 that culminated on the night of June 3–4 with a government crackdown on the demonstrators in Tiananmen Square in Beijing. Although the demonstrations and their subsequent repression occurred in cities throughout the country, the events in Beijing—and especially in Tiananmen Square, historically linked to such other protests as the May Fourth Movement (1919)—came to symbolize the entire incident.

Writing on the inside front cover of the photo album reads as follows:
"伟大的一九八九年 历史片断 4/27-5/18"
(Translation: Great 1989, historical pieces: April 27 to May 18)

Labels on the album pages indicate that the first 23 photographs in the album were taken on April 27, 1989, and the following 19 photographs were taken on May 4th, 1989.

Writing on the inside of the back cover reads as follows:

"四月至六月简史
四.十五，胡耀邦逝世，四.十五 - 四.二五，学生及北京市民自发进行悼念活动。四.二二，耀邦追悼会，三名学生在人民大会堂外台阶下跪请愿。四.二六，人民日报社论定学生运动为“动乱”。四.二七，举行了近百万人的示威游行。五.四游行。五.五 - 五.十二,平静。五.十三，北大，人大，清华有数百人于广场绝食。五.十五戈氏访华。五.十七百万人民声援大游行。游行声援持续至十九日白天。17，18，19三天电台作了真实报道。五.二十凌晨0:30分，李鹏宣布对北京部分地区戒严。时隔半个月，发生了六.三惨案，或说是六.三暴乱"。

(Translation: A brief history from April to June
On April 15, 1989, Yaobang Hu passed away. From April 15 to April 25, students and citizens of Beijing spontaneous mourned. On April 22, the memorial service held for Yaobang Hu, three students kneeled in protest outside the Great Hall of the People. On April 26, the People’s Daily editorial described the student effort as “turmoil”. On April 27, near one million people held demonstrations. The demonstrations continues on May 4. From May 5 to May 12, the streets are calm. On May 13th, hundreds of students from Peking University, Renmin University of China and Tsinghua University conducted a hunger strike in Tiananmen Square. On May 15, Gorbachev visited China. On May 17, millions of people took on the streets to hold a solidarity parade. The solidarity continued until May 19th. On May 17 through 19, Media continually made the real reports. At 12:30 am on May 20, Peng Li announced the implementation of martial law
in parts of Beijing. After half a month, on June 3 rd , massacre occurred — the 6/3 tragedy.)

The fonds consists of video recordings of various plays featured in the festival, photographs from some festival events and records pertaining to the administration of the festival. Administrative records take the form of promotional programs and posters, meeting minutes, agendas, memorandum, calendars, budgets, reports, newspaper clippings, notes, correspondence, handbooks, and some play scripts.

Fonds consists of Dr. Whittaker’s records as a member of the SSFC and MOST. It includes records of the meetings of various committees, councils, and panels in which Dr. Whittaker attended as well as records of various issues and topics related to SSFC and MOST activities. Fonds consists of minutes, pamphlets, correspondence, reports, newspaper clippings and publications.

This collection consists of ephemera that celebrates gender performance and lesbian identities. Materials span a wide time period, capturing both early and late 20th century LGBT culture.

In particular, there is a significant part of the collection dedicated to ephemera and published materials that feature early 20th century gender impersonators. Developed out of the English music hall scene of the 19th century, male impersonators in the early 20th century were primarily vaudeville acts that toured the United States. Their audiences were predominantly male with a focus on comedic delivery, something that represented a shift in the male impersonator tradition from the earlier 19th century.
Well-known male impersonators include Vesta Tilley, who was an active performer from the 1870s until the 1920s, and Hetty King, who performed from the 1890s until her passing in the 1970s. Both are featured in a number of postcards that are part of the collection.

The collection also includes several early 20th century anti-suffrage postcards that depict women in relationships with each other (as opposed to men) and include phrases that suggest they have supplanted a man’s role. Other items include a souvenir photograph and accompanying paper frame from a 1930s entertainment venue, the Howdy Club, and 6 negatives of First Lady Eleanor Roosevelt taken in 1939.

The collection also features materials from the 1980s and 1990s that belonged to Snider during that period. Highlights include several off-air recordings of episodes of the Vancouver Co-Op Radio show, ‘The Lesbian Show’ as well as t-shirts from the University of British Columbia and University of Victoria Womyn’s Centres.

The collection is made up of 11 cassette tapes containing 12.5 hours of audio, of the interviews that Angela Codina conducted with the leaders of the Tiananmen Square uprising. The collection also consists of the following textual materials: written transcripts that were later made of the interviews (at the behest of Geraldine Bowman); materials for a book written by Angela Codina; newspaper clippings; periodicals and journals; and correspondence. The collection also contains 274 photographic negatives and 448 colour photographs.

Fonds consists of administrative records pertaining to the activities of the Women’s Studies Program, the Centre for Research in Women’s Studies and Gender Relations, and research papers put out by the Centre and related bodies. Records include correspondence, minutes, annual reports, publications, course lists, student activities, program advertisements, reviews, bound publications of working papers and conference proceedings.

The fonds includes correspondences between George Wilkes, a member of The Canadian Tribute to Human Rights board and representatives from 26 of the 73 language groups represented on the monument; translations of the words meant to be inscribed; and different design ideas for the individual plaques.

The fonds consists of 16 audio recordings. There is a transcript for only one interview, that with Margaret Street. The file inventory is arranged by tape number with a short summary of the tape contents provided by Ann Carroll. There is also a link to a digitized copy of each interview.

Fonds consists of records documenting the functions and activities of the Department of Plant Operations and the office of the Associate Vice-President Land and Building Services and includes correspondence, reports, minutes, clippings and other published materials, and audio-visual recordings.

In their original order as received by the Archives, there were no discernible series, so the files have been arranged in the following broad categories: Building Projects, Business Plans, Cliff Erosion, Committees, Comprehensive Community Plan, Electoral Area “A” Governance, Official Community Plan, Land and Building Services – Subject Files, and Audiovisual Materials.

The fonds consists of records related to the Positive Women’s Network (PWN) various programs and projects, support and educational resources, and operations and administrative activities. The fonds reflects this in the following three series: Operations and Administration, Support and Education, and Programs and Projects.

The Operations and Administration series contains records related to the PWN’s administrative activities and day-to-day operations including the Board of Directors’ policies and procedures, operational budgets and applications for operational funding, correspondence with other organizations, strategic planning for the organization, and organizational budgets.

The Support and Education series consists of records related to the PWN’s various resources for training and supporting PWN members, their friends and family, health care providers, and the larger community as a whole. Record types include retreat materials, toolkits, pocket guides, training kits, educational materials, Positive Side newsletters, magazines, workshop materials, artwork, memorial and guest books, and other materials.

The Programs and Projects series features records related to the several programs and projects that the PWN launched either individually or as partners with other organizations.

Fonds consists of reports on programmes and activities for the School of Audiology and Speech Sciences, resulting from the School’s five-year academic reviews (1988-1992, 1992-1997, 1999-2005, 2006-2011).

Fonds consists of letters, printed emails, reports, newspaper clippings, drafts, minutes, newsletters and other materials.

The collection of video tapes consists of three categories: raw footage of UBC events/activities primarily from the 1990s; footage shot by UBC film students for a documentary on the Fraser Canyon region; and a series of interviews with a veteran of the Spanish Civil War. Most recordings are in Betacam format, the remainder are VHS.

The fonds consists of sketches, photocopies, and paintings of costume and set designs relating to plays that MacDonald has been the principal art director or set designer, as well as, correspondence and press coverage for The Overcoat.

The fonds consists of documents and records that would go on to compose The Pocket Desert radio documentary, which aired on CBC Radio’s Ideas, produced by Gayle Cornish, and co-created by Dr. Jeannette Armstrong and Dr. Geoffrey Scudder. The documentary concerns the unique desert climate and ecology in and around Osoyoos, British Columbia, and the significance of the land to Syilx Okanagan people. The fonds is organized into two series: 13.1 Production Files and 13.2 Broadcast Files.

Fonds consists of material related to a documentary film made by John Corry, entitled “Life's Imprint: Lithographs by Jack Shadbolt.” This 1994 film documents Canadian artist Jack Shadbolt’s production of a four-part colour lithograph, done over a 9-month period in collaboration with lithographer Torrie Groenig. The film was produced and directed by Corry, with the support of the National Film Board of Canada and Knowledge Network., and was originally broadcast on CBC, Bravo!, and Knowledge Network. It includes scenes from Shadbolt’s studio in Burnaby and the Limited Editions studio in Gastown.

Material includes the master tapes from filming, production notes, photographs, obituaries for Shadbolt (who died in 1998), and promotional and distribution documents.

Fonds consists of documentation of the “Racism: Breaking the Silence” workshops, organized by the UBC Multicultural Liaison Office and its Director, Dr. Joan Anderson. Included are recommendations arising from the first workshop (March 1993), President Strangway’s keynote address at the second workshop (June 1993) and Dr. Anderson’s response.

Fonds consists of audiovisual material created or compiled during production as well as 14 folders of written documentation related to the production of the film. It consists largely of interviews with Shatner, members of his family and associates, portions of previous roles portrayed by Shatner, as well as reminiscences from other prominent actors such as Leonard Nimoy, Kate Mulgrew, Patrick Stewart and Jason Alexander. There is also extensive footage of Shatner at his ranch, hosting his annual charity horseshow, touring his childhood home and McGill University, and his attempts to save the wild horses of Santa Cruz Island.
The content of this fonds is housed on several different video and audio formats: such as Betacam SP(small) and (large), Hi-8, VHS, U-Matic tape (¾ in.), audiocassette tape and DAT audio tape. Much of this audio and video material was used in the production of the final “cut” of the documentary, and content is represented across several of these formats, with audio content found in both audio and video formats.

The fonds consists of 44 separate archival series most of which are based on specific production titles. For each title there is a digital master copy of the program(s). Each production includes a set of video and audio elements, the bulk of which are original shoot tapes. In addition there is also corresponding textual material that helps provide context and background for the development of the various projects. The textual and a/v materials have been described in separate sections of the inventory. For both sets of material the numbers assigned during the original cataloguing and creation of the database have been retained and appear in square brackets [ ] as part of the descriptions to allow for cross referencing as necessary.
First donation: This donation is Paperny Film's first to an archival repository and it represents 27 of the company's indigenous proprietary titles (1996-2004) of their approximately 55 non-fiction productions (1996-2007). The collection is comprehensive in that it offers digital master copies of each of the title/series included in this donation. There are 62 original masters that include over 50 hours of recordings. There is also a DVD copy of each of the master tapes to provide easy access to the information.
The collection features over 1900 a/v elements arising from some 27 separate productions. The scope of material includes: BetacamSP, MiniDV, Digial Betacam, DVD, VHS, CDs and digital audio tapes. The majority of the collection consists of original shoot tapes. There are over 1,000 hours of video recordings featuring prominent Canadian including Mortecai Richler, Henry Morgentaler, Jimmy Pattison, and Nancy Green.
In addition to the obvious importance of providing access to full interview interviews with and about prominent Canadians, the a/v elements are also quite instructive in helping communicate an understanding of the creative process that gave rise to particular productions.
The textual material extents to approximately 5.15 metres and also includes over 13,000 photographic images. The images document the various production shoots and, in some cases, include copies of historical photographs/documents that were used in the productions.
Examples of the types of records included with the textual material include: treatments, outlines, synopses, proposals; collected research materials; correspondence relating to development, production, publicity; original interview notes and transcripts, interview schedules; scripts (and drafts), storyboards; production schedules, production reports and daily call sheets; publicity stills, negatives, transparencies and digital photographs; marketing plans, publicity packages, one-sheets, press releases and coverage; transcripts of completed shows; EDL's (edited decision list), assembly notes, tape logs; credit rolls, final credits and super lists.
Of particular interest in the textual material are a set of handwritten notebooks created by David Paperny, Audrey Mehler and others. Seventeen in total, these notebooks are in Box 1 (3,4,5,6,11,12,13,14,15); Box 4 (3,8); Box 6 (17); Box 11 (23a); and Box 12 (8).
Second donation: The second donation from Paperny Film's represents 15 of the productions (1993-2006) including the Academy Award nominated The Broadcast Tapes of Dr. Peter. The collection offers digital master copies of each of the title/series included in this donation. There are 183 original masters and a DVD copy of each to provide easy access to the
information.
The collection features over 1200 AV elements arising from 15 separate productions, some of which have several seasons associated with them. The scope of material includes: BetacamSP, MiniDV, Digital Betacam, DVC Pro, DVCAM, Betacam SX, DVD, VHS, CDs and digital audio tapes. The majority of the collection consists of original shoot tapes.
There are roughly 75 cm of textual material in the newest accession.
Examples of the types of records included with the textual material include: episode synopses, outlines and storyboards; graphics; proposals; collected research materials; correspondence; original interview notes and transcripts; schedules; research notes and materials; scripts; publicity stills, negatives, transparencies and digital photographs; marketing plans, advertisements, publicity packages, one-sheets, press releases and coverage; and transcripts of completed shows.
The textual material also includes handwritten notebooks created by David Paperny, found in Box 77 (1-12) and Box 78 (1-8).

The fonds consists of research material (1997-2002); correspondence (1994 to 2003); pre-production (1997-2001); production from 1997-2003; post-production (2000-2002); audio/video tapes (1997-2004); and photographs (2000-2001). The series has been separated into film-related terminology to retain the integrity of the filming process.

The fonds consists of approximately 1,750 35 mm. negatives of photographs taken between 1994 and 2008 by Longson. Over the years, several of her images were used to illustrate Christmas and other greeting cards for various University units. In addition, selective prints from the negatives have been scanned and added to the online photographic database. The fonds also includes printed and electronic samples of the cards created from the Longson images and digital copies of some photos stored on CDs.

The records consist of correspondence, architectural plans, research grant proposals, research reviews, CVs, and videotapes of colloquia and other PWIAS events, and numerous other records relating to the mission and programs of the Peter Wall Institute for Advanced Studies.

The collection spans the full range of years that the press was in operation and demonstrates the breadth of their letterpress work.

It contains a series with books such as artists’ books and chapbooks that were printed by the press and another that collects ephemeral material such as greeting cards and promotional material for businesses.

Fonds consists of records documenting the functions and activities of UBC Infrastructure Development and older records documenting those functions, development and management of institutional facilities within the former units of UBC Utilities and Campus Planning and Development. Records include correspondence, technical diagrams, meeting minutes and information, strategic planning reports, news clippings, consultation documents.
Records related to development projects were kept in their original order in the Project Files and Development series. However, other documents had no discernible order and were arranged into the other series presented.

Fonds consists mainly of correspondence between Ellen Jaffe and Jane Rule, written between 1996 and 2001. The first series follows a letter Jaffe wrote to Rule in appreciation of the TVO film Fiction and Other Truths about her life and work. The rest of the letters deal with Jaffe asking to use quotes from the film in her book Writing Your Way and her visiting Rule on Galiano Island in 2001 to give her a copy of the book. The folder also includes a copy of Jaffe’s book, with the quotes from Jane Rule bookmarked.

The collection consists of exhibits, videotapes and documents collected for the Public Complaints Commission (PCC), correspondence and legal documents related to both the PCC and related legal actions, APEC Alert posters, information, pamphlets and ephemera, other material collected and created by Oppenheim with regard to the events surrounding APEC and the RCMP PCC, transcripts of the PCC proceedings, and a number of photographs.

The fonds consists of reports and background material arising from the Student Services Review (1998), minutes from the Student Services (1998-2000) and Enrolment Services Management Committee (2001-2002) meetings, course calendars and other publications from Student Services, and posters.

Collection consists of primary resources and related materials created and used by Canadian women composers. Each series is dedicated to one of the participating composers, which currently consists of Deborah Carruthers, Dorothy Chang, Zosha Di Castri, Lori Freedman, Barbara Monk Feldman, Ana Sokolović, Chiyoko Szlavnics, and Elizabeth Raum. Materials include a variety of records, such as original scores, manuscripts, working drafts, photographs, prints, published articles, correspondence, and materials used as inspiration in the artists' work. Going forward, the collection is expected to evolve and incorporate additional Canadian women composers.

The fonds consists of exhibits and submissions from assorted counsel, as well as notes relating to the BCCLA and their role in the APEC Inquiry.

The fonds consists of published material, correspondence, proofs, manuscripts, reviews, broadsheets, polymer plates, photographs, artwork, orders, posters and promotional material.

The fonds consists of forty-one interviews with thirty eight colleagues, family, students and friends of Margaret Ormsby. In addition to the 50 cassette tapes there is also general information about the project as well as textual material for each interview consisting of a tape release form signed by the interviewee, a biographical information sheet and a detailed "timed tape guide".