The fonds consists of the minutes of the inaugural meeting of the party.

A compilation of theatre programs, season brochures, flyers, newsletters, tickets, annotations, and newspaper clippings, all pertaining to performances held primarily in Vancouver, British Columbia, by various companies and organizations.

The following organizations are represented in the collection: Angry Actors, Arts Club Theatre Company, Avenue Theatre, Avon Theatre, Axis Theatre Company, Bard on the Beach Shakespeare Festival, Carousel Theatre for Young People, Centennial Drama Club (Coquitlam, B.C.), Centennial Theatre (North Vancouver, B.C.), Christ Church Cathedral Women's Parish Guild (Victoria, B.C.), Citadel Theatre (Edmonton, Alta.), City Stage Theatre, Coconut Theatre Society, Coliseum Theatre (Victoria, B.C.), Comedy Syndicate (Victoria, B.C.), Communications Committee of B.C. Native Youth Conference, Criterion Theatre Trust (London, England), Dark Horse Theatre, David Y. H. Lui Productions, Deep Cove Stage Society, Dominion Drama Festival, Dominion Theatre, Dramadillo Theatre Company (Auckland, New Zealand), Empress Theatre, English Suitcase Theatre Company, Ensemble Theatre Company, Erlanger Theatre, Festival Habitat / United Nations Conference on Human Settlements, First Impressions Theatre (North Vancouver, B.C.), Five Corners Theatre, Full Circle First Nations Performance, Gateway Theatre, Georgia Auditorium, Globe Theatre (London, England), Greater Vancouver One-Act Play Festival, Greater Vancouver Professional Theatre Alliance, Green Thumb Theatre for Young People, Grinning Dragon Theatre Company Society, Hands On Theatre Cooperative, Haymarket Theatre (London, England), Headlines Theatre Company, Hippodrome Productions, His Majesty's Theatre (Montreal, Que.), Hotel Vancouver, Killarney Secondary School, Kitsilano Secondary School, Kitsilano Showboat Society, Labor Theater, Lyric Theatre (London, England), Lyric Theatre (Vancouver, B.C.), Magic Owl Theatre, Magnetic North Theatre Festival, Maskelyne's Magical Revue, Massey Theatre, McPherson Playhouse (Victoria, B.C.), Metro Theatre, Music Theatre Group, Musical Theatre Society of Lord Byng High School, Nanaimo Festival Heritage Theatre Society, National Theatre School of Canada, New Play Centre, New Theatre (London, England), Neworld Theatre, Noh=Kyogen: The National Theatres of Japan, North Vancouver Island Drama Festival, Novus Theatre Society, Open Theatre Company, Orpheum Theatre, Pacific Theatre, Pantages Theatre, Playwrights Theatre Centre, Plumstick Productions, Post Modern Productions, Presentation House Theatre (North Vancouver, B.C.), Queen Elizabeth Theatre, Rising Tide Theatre (Trinity, N.L.), Robson Square Media Centre, Rotary Club (Victoria, B.C.), Royal Victoria Theatre, Ruby Slippers Theatre, Savoy Theatre (London, England), Sea Theatre Society, See Seven Theatre Project, Shakespeare Memorial (Stratford-upon-Avon, England), Shaw Festival (Niagara-on-the-Lake, Ont.), Sir Barry Jackson's Company of British Players, Snake in the Grass Moving Theatre, Soulpepper Theatre Company, South Vancouver Island Zone B.C.D.A., St. James Theatre (Vancouver, B.C.), St. Katherine's School Dramatic Society (Wantage, England), Stage Eireann Dramatic Society, Standard Theatre (Johannesburg, South Africa), Strand Theatre (Vancouver, B.C.), Studio 58, Sunshine, Tamahnous Theatre Workshop Society, Theatre B.C., Theatre in the Park, Theatre in the Raw, Théâtre la Seizième, Theatre Terrific Society, Theatre Under the Stars, Touchstone Theatre Company, United Players of Vancouver Theatre Company, Upintheair Theatre, Urban Ink Production Society, Vagabond Players, Vancouver Arena Theatre, Vancouver Dinner Theatre, Vancouver East Cultural Centre, Vancouver East Theatre, Vancouver Fringe Festival, Vancouver Little Theatre Association, Vancouver Musical Theatre, Vancouver Playhouse, Vancouver Repertory Theatre Company, Vancouver Shakespeare Society, Vancouver Technical School / Vancouver Technical School Press, Vancouver Theatre, Vancouver Theatre of Action, Vancouver TheatreSports League, Vancouver Youth Theatre, Victoria City Temple, Victoria College (B.C.). Players Club, Victoria High School, Victoria Theatre Foundation, Village Productions, Walker Theatre (Winnipeg, Man.), Waterfront Theatre, West Vancouver Little Theatre Guild, Westcoast Actors' Society, Wild Horse Summer Theatre Company (Fort Steele, B.C.).

The collection also includes one box of material from miscellaneous Vancouver and non-Vancouver area organizations and venues.

Correspondence, clippings, 2 framed calligraphic pieces, 1 framed hand-drawn, hand-coloured map, 1 leatherbound guestbook, 2 scrapbooks, 5 bone folders, 1 leatherbound box, and 8 metal stamps all relating to Dorothy Burnett, a bookbinder who lived and worked in Vancouver, British Columbia.

Fonds includes correspondence between the Fee Packaging Service Corporation and its employees (primarily R.F. Marshall) as well as clients. Correspondence between the company and its clients include letters, telegrams and questionnaires pertaining to the installation of machinery for packaging lard or other compounds. The corporation's principle customers included Swift and Company, Proctor and Gamble Company and Wilson and Company. The Fee Packaging Service Corporation also corresponded with other companies such as Oscar Mayer, Hormel Company, and Bell Packing Company.

The collection includes a number of administrative records (10.5 cm) dating from the Society's creation in 1976 up to 2004. It includes newsletters (1cm) for the years between 1986 and 2004.

The collection consists of five scrapbooks with materials and photographs mainly related to the Canadian Pacific Railway and the career of E.D. Cotterell. One scrapbook is dedicated to the Quebec Conference in 1943, a high-level military discussion which included Winston Churchill, British prime minister, US President Franklin D. Roosevelt, and various Chiefs of Staff. Prime Minister William Lyon Mackenzie King was host. In addition, the collection contains material related to the visit of the British King (George) and Queen in Canada in 1939, as well as other royal visits.

The collection is made up of 11 cassette tapes containing 12.5 hours of audio, of the interviews that Angela Codina conducted with the leaders of the Tiananmen Square uprising. The collection also consists of the following textual materials: written transcripts that were later made of the interviews (at the behest of Geraldine Bowman); materials for a book written by Angela Codina; newspaper clippings; periodicals and journals; and correspondence. The collection also contains 274 photographic negatives and 448 colour photographs.

The fonds consists of records collected by Clay Perry related to the International Woodworkers of America – Canada (IWA). It primarily consists of records generated by the union in the course of its operation, records created by the Royal Canadian Mounted Police, who gathered surveillance on the IWA-Canada and its predecessors for several years, as well as research material collected and created by Perry himself, including transcripts of interviews, news clippings, scrapbooks, and pamphlets and booklets on unions in British Columbia.
The fonds is comprised of the following series: Union records series; Legal records and police files series; and Research materials series.

The Union records series contains records related to the main functions of the IWA, the WIUC, and IWA local chapters, including Local 1-357, of which Perry was a member. These functions included: financial administration, executive elections, producing literature and newsletters, strike activities, and correspondence. Record types include constitutions and by-laws of the union, conference materials, minutes of meetings, press releases, informational pamphlets, correspondence, bulletins and newsletters, news clippings, and executive reports.

The Legal records series contains records related to the IWA’s legal activities, including court disputes over negotiations, strikes, and employee and bargaining rights. It also contains records generated by the RCMP in gathering information on the IWA. Record types include court records, appeals, depositions, legal acts, and police reports on union activity.

The Research materials series comprises materials collected or created by Perry in his research of the history of the union. The series contains news-clippings and scrapbooks related to the IWA and the labour movement in Canada, research notes, transcripts of interviews and oral histories given by union members, publications related to the IWA, the labour movement, and communism, and theses of labour scholars on the IWA.

23 manuscripts containing pages cut and pasted from Sansom's A History of Japan, as well as accompanying handwritten notes.

The Tremaine Arkley Croquet Collection contains over 2,400 paintings, illustrations, engravings, advertisements, photographs and other ephemera depicting the game of croquet throughout the years. The images range from fine art to cartoons and everything in between, and show the rise in the game’s popularity in England and America in the 19th and 20th centuries. Many items in the collection show gender roles, as croquet was one of the first games that men and women played together.

The collection contains materials related to Ian McDonald's Master's thesis research on the International Brotherhood of Electrical Workers (IBEW), Local 213 “Class conflict and political factionalism: a history of Local 213 of the International Brotherhood of Electrical Workers, 1901-1961," and related to the activities of his father, Les McDonald, a trade union activist who belonged to Local 213 but was eventually suspended for leading the Lenkurt strike of 1966. Les McDonald was also a multi-sport athlete, and is credited with introducing the triathlon into the Olympics; some materials in the collection relate to Les McDonald's involvement in various sport and environmental organizations, as well as some of his personal papers. In addition to what he received from his father, Ian McDonald was also given papers by former IBEW Local 213 business manager Art O’Keeffe and Barry Sharbo, a board member of the Canadian Union of Electrical Workers (UE), as well as Alfie Huston, the former President of the International Brotherhood of Electrical Workers (IBEW) Local 213 from 1985-1988, which are included within the collection.

The collection is largely comprised of newspaper and photocopied journal articles, correspondence between members of IBEW Local 213, legal documentation, newsletters and other printed ephemera related to IBEW Local 213.

The collection also contains sound recordings of interviews with numerous figures in IBEW Local 213 created by Ian McDonald during his thesis research. McDonald's thesis, submitted for the completion of a Master of Arts in History at Simon Fraser University, can be found in the Summit database: http://summit.sfu.ca/item/6361.

The collection also contains background materials accumulated by McDonald while writing his book “The Red Baron of IBEW 213,” including digital sound recordings of interviews, research articles, notebooks, consent forms, a draft royalty agreement, a draft chapter and a press marketing questionnaire.

Contains the operational records of the Vancouver Fishermen's Settlement Services from 1943 to 1974. Records include annual and monthly financial summaries, meeting minutes, manager's reports, insurance agreements, and correspondence.

The collection consists of documents from the late nineteenth and early twentieth centuries related to mining in the area around Princeton, British Columbia. Many of the documents pertain to Alfred St. George Hamersley’s involvement with mining in this region, mostly notably with the Vermilion Forks Mining and Development Company. Records also relate to W.J. Waterman and Ernest Waterman’s activities in the mining industry of this region, particularly Ernest Waterman’s role as manager of the Vermillion Forks Mining and Development Company. Business of the Anglo-American Gold and Platinum Hydraulic Mining Company Limited Liability, the Princeton Water Power Company, and the London and Vancouver Finance and Development Company Limited is also documented.
Records are arranged into files that correspond to items in the collection. Document types include correspondence, sales of shares, land, and mineral rights, business and mining licenses, lease agreements, land registries, and Government of British Columbia receipts. A map of the region is also included.

Fonds consists of Emery's photographs, correspondence, newspaper clippings, identification cards and ephemera. The records document Emery's service as a nurse during World-War Two, as well as her experiences of World-War One, and her life and career as a nurse in Vancouver and New Brunswick.
The fonds is comprised of two series; Nursing Records and Personal Records.
The Nursing Records series includes a photograph album captioned in detail by Emery covering her year of service overseas from 1944 to 1945, as well as immigration documents, certificates, and correspondence related to her nursing career.
The Personal Records series is comprised of correspondence with friends and family, as well as photographs of Emery, her family, and acquaintances.

The collection consists of eighteen legal records from England, dating from 1525 to 1820, documenting leases, mortgages, indentures and similar acts. As a collection, the records contextualize economic transactions during the Early Modern period, and provide an understanding of the legal system of ownership and commerce. They contain place names and the names of people involved in the acts, and where legible these have been listed as access points in the finding aid.

The fonds consists of materials collected by the Potters Guild of British Columbia. The fonds primarily consists of news clippings, photographs, and notes related to one of the members of the Guild, Santo Mignosa. Topics include ceramic and pottery exhibitions, techniques, awards, and educational workshops.

This fonds consists of documents, archival records, photographs, ephemera, and artifacts pertaining to the life and work of Hanne Wassermann Walker. These materials relate to several broad themes: health and fitness, travel, friends and family, immigration to North America, and art/photography. Hanne's collection provides a window into the early 20th century physical culture movement; the experience of Jewish Europeans in the lead-up to, during, and after World War II; and the landscapes of British Columbia between the 1940s and 1970s. The fonds is comprised of manuscripts and published materials, correspondence, government records, photographs (including negatives, metadata, and albums), and more. In addition to Hanne's extensive collection of letters, postcards, personal and official records, and assorted odds and ends (e.g. household receipts, business cards, recipes, etc.), the fonds also contains the records of her husband, George Dickson Walker.

The fonds consists of records pertaining to the Pacific fishery industry. It includes Doyle's manuscript of Rise and Decline of the Pacific Salmon Fisheries, correspondence, thirty volumes of notebooks, legal documents, notes, reports, speeches, and clippings. The fonds also includes numerous photographs, statistics on B.C. companies and canneries, printed material, a scrapbook, maps and information about the B.C. Canners' Association, B.C. Packers' Association, the Select Standing Committee on Marine and Fisheries, and the Parliamentary Fisheries Committee.

Collection is made up of items collected by the UBC library, for an exhibition related to punk in the Irving K. Barber Learning Center lobby. It consists mostly of vinyl’s, with two textual records relating to the history of hardcore punk and D.O.A., both created by D.O.A. Vinyl records are predominantly by D.O.A., Pointed Sticks and The Dishrags, as well as other Vancouver based punk bands. The vinyl records were all pressed in 70s or early 80s, or re-pressings of records from that same period. The re-pressings contain extensive liner notes and other ephemera.

The fonds consists of records generated in the course of research for the biographies of John Diefenbaker and Lester B. Pearson. Interviewees include Donald Cameron, Jack Davis, Grace MacInnis, Stuart Keate, Norman McKenzie and Harold Winch. Fonds includes recorded interviews and their transcripts and video tapes of an interview with Grace MacInnis.

Fonds contains materials arising from Anna Banana’s activities in the Mail Art network, her collecting of published materials and artworks, her performance art, exhibitions of her work and others, promotion of her activities, the production of various publications including VILE magazine, and the creation of visual art including artist trading cards, artistamps, collage, drawings and paintings. Materials were created in Victoria and Vancouver from 1964-1973, San Francisco from 1973 to 1982, Vancouver from 1982 to 1995 and the Sunshine Coast from 1995 to 2020, as well as on various tours and travels throughout this whole period. Materials are often focused on the neodadaist movements of San Francisco in the 1970s and beyond, as well as involvement in the Mail Art Network and performance art, and Anna’s personal and professional life.

The fonds is divided into 10 series: Mail art and correspondence, Interactive/performance art, Anna Banana’s publications, Artworks, Artist Trading Cards, Artistamps, Exhibitions, Photographs, Press, Collected publications. Records include textual materials, particularly letters, postcards, books, periodicals, zines, and other published materials; graphic materials such as envelope art, photographs, collage, xerox art, ink and pencil drawings, and watercolour; and other items such as CDs, DVDs, and various artefacts.

The fonds consists of textual records, photographs (prints and Negatives), pictorial images, postcards, statistical information, and maps. All of the records reflect Moses B. Cotsworth's involvement in calendar reform and his efforts to make his 13-month calendar more widely known throughout the world. Administrative records of his International Fixed Calendar League as well as papers reflecting his interests in mathematics, astronomy and astrology are included. The records have been arranged into the following series: Correspondence and Personal Notes; Newspaper Articles; Pamphlets on Calendar Reform and Related Material; Posters and Related Material; Records Relating to Egypt (Pyramids, Sphinx); Records Relating to Stonehenge; Statistical Charts and Graphs; and Records Relating to Miscellaneous Subjects.

The collection consists of records relating to the Pioneer Strike of 1939.

The Reg Innell Collection of Shelleyana consists of ephemera related to Percy Bysshe Shelley, one of the major English Romantic poets, collected over many years. Materials include scrapbooks, a photograph album, prints, newspaper clippings, postcards, letters and a medallion bearing Shelley’s image.

The collection consists of video capture of Redlich Pond between the years 2007 and 2018, showing changes to its appearance and biodiversity over time, and one appeal to action in the form of a letter.

The fonds reflects Patrice Pratt’s political and labour union careers and her community organization involvement. Records in the fonds relate to Pratt’s various roles within the Federal and Provincial NDP, as President of the BCNDP and as a constituency, committee, council, and party member, the BCGEU and BC Federation of Labour. Records consist of professional and personal correspondence, reports, communications, reference and resource material, convention materials, pamphlets and programs, newspaper clippings, agendas, minutes, resolutions, constitutions, policies, membership lists, campaign and platform materials, publications, campaign buttons, banners and other material. The fonds is divided into three series: Federal NDP, Provincial NDP and Labour Unions. The Provincial NDP series consists of two subseries: BCNDP President and BCNDP Associations, Committees and Advocacy.

As Pratt held various roles simultaneously throughout her career and much of her union work informed her political career, this overlap is reflected in her files. Records are divided into series based on the role held by Pratt at the beginning of the process, resulting in some record dates falling outside the official boundaries of the role she was working in.

The fonds consists of John Goodwin’s professional career at MacMillan Bloedel. The bulk of the records relate to the Pine Hill, Alabama project by the Linerboard and Packaging Group. Additional records relate to pre-planning and long range studies on viability of production outside of B.C., including the US and UK sites. Several other projects included in this fonds relate to the Powell River region project, the Bag and Specialty division, and the Bulk Packaging division of MacMillan Bloedel. Specific administrative record types include: business assessments, historical reports, inter-office memos, strategy reviews, proposals, management strategies, strategic direction and long-range plans, and presentations.

The collection pertains to D.T. Willis’ career and involvement in construction projects throughout British Columbia predominately between 1948 and 1962. The collection includes numerous groups of photographs documenting the opening of the Hope-Princeton Highway, BC Department of Public Works construction projects and personnel, Engineering Conferences, BC Public Works Events and a 1948 image of the original 1880's wagon trail between Hope and Cache Creek, BC. Numerous photographs have annotations on the back, identifying subjects, dates, and contextual information. Textual materials also appear in the Collection, including a commemorative pamphlet for the Hope-Princeton Highway opening, car mileage recordings for several roadways, photograph indexes and identification sheets.

Volunteer members and elected directors of the Federation of Mountain Clubs of British Columbia (FMCBC) created and kept records as part of their work carrying out the Federation’s major mandate: organizing mountain clubs from throughout the province of British Columbia to represent collective interests for self-propelled access to wilderness areas.

Ranging in date from the 1970’s to ca. 2018, records in the fonds document the FMCBC’s major activities in support of their mandate: administrative and executive activities, the creation of various committees and work undertaken by these committees, advocacy for various lands and parks throughout the province to be considered and maintained for public access, and educating and communicating to both members and the public on topics of relevant interest.

While the FMCBC as an organizational body created the majority of these records, some records in the fonds were created by related organizations, such as the British Columbia Mountaineering Club, governmental committees, or natural resource extraction companies. The majority of records within the fonds are textual, though some other record types are present, including maps, photographs and ephemera.

The fonds contains the following series: Administrative and Executive series, Committees Series, Lands and Parks series, and Education and Communication series.

The collection comprises records acquired by Peter Moogk about aspects of British Columbia’s history, including the British Columbia Electric Railway Company’s interurban train lines (predominantly from 1909-1958), and photographic representations of persons (especially white settlers, from 1870-1960), places, events and activities in the province.

The collection includes six series: British Columbia Electric Railway Company Records, Portraits of Persons in British Columbia, Photos of places, streets, and architecture in British Columbia, Photos of events and activities in British Columbia, British Columbia ephemera and Records from British Columbia Penitentiary.

Records relating to the first series, British Columbia Electric Railway Company Records, include: photographs; postcards; original BCER documents, such as union agreements and timetables; BCER employee publications; transit tokens; signs and posters from within Vancouver streetcars; and a copy of a CJOR radio script.

Records relating to the second series, Portraits of Persons in British Columbia, include: photographs and handwritten notes by Moogk about Vancouver photographers operating from 1858-1920.

The focus of the third series, Photos of places, streets, and architecture in British Columbia, is photographs of structures and places of British Columbia, notably building exteriors and interiors, and street views from 1880-1959.

The fourth series, Photos of events and activities in British Columbia, includes photos of notable events and public activities (predominantly dating 1911-1941), as well as everyday life, and also includes handwritten and photocopied information on the provenance of the photos and activities depicted.

The fifth series, British Columbia ephemera, is mostly paper ephemera representing the variety of business and activity in the province from 1890 to 1990, and includes menus, theatre programs, business correspondence, and Chinese textbooks as well as some photographic materials.

The sixth series, Records from British Columbia Penitentiary, includes textual records and photographs relating to the British Columbia penitentiary.

The fonds consists predominantly of photographic slides depicting the creation and openings of the sculptures, as well as articles discussing the symposium, its intent and outcomes.

The fonds consists of legal documents collected by John Keenlyside over the last thirty five years. The documents give insight into the formation of British Columbia's legal system when it consisted of two colonies. The legal records (including writs, testimony, judgements, and other court documents) were produced by judges, magistrates, defendants, claimants, and other relevant parties. Some figures of historical significance who created legal records in this fonds are the first judge in BC, the first Attorney General, and BC's earliest clergy, businessmen, and other prominent figures from the colonial period.

This fonds also consists of documents related to the British Columbia Provincial Police force and various Japanese-Canadian and civil rights groups.

The collection consists of archival records, printed materials, photographs, maps, posters, artefacts and paintings all related to the Klondike Gold Rush. Records span the activities of individuals, organizations, companies, and government bodies related to the Klondike Gold Rush, the Yukon, Alaska, and the Northwest Territories from ca. 1860 to 2003. The collection documents the journeys of, and commerce created by individuals and groups of people from around the world who left their homes to join the Gold Rush; it also contains materials documenting the presence of Indigenous peoples throughout the Yukon.

The collection reflects the development of regional infrastructure and transportation in the Yukon and Alaska, including the creation of the White Pass and Yukon Route railway line. Many materials in the fonds originated from the construction and development of specific town sites and communities located in the Yukon, including Dawson City, Carcross, Forty Mile, and White Horse.

Other materials document the creative works of individuals seeking to record and share stories about the Klondike in various forms, including photographs, journals, poetry, music and theatre.

The collection is comprised of the following series: Textual Records, Photographic Materials, Cartographic Materials, Graphic Materials, and Objects. Each series is majorly comprised of the record type described in the title, and materials within each series are described at the item level.

Fonds consists of the compiled works and supporting documents of Peter Carl Anderson with reference to his career as playwright, actor, writer, and artist. The fonds is arranged into nine series: Acting; Art; Awards; Correspondence; Photographs; Personal Publicity; Writing; Produced Plays; and Caravan Farm Theatre files.

The fonds consists of financial records of the Humbird family and records of various companies in which they had interests, including: Victoria Lumber and Manufacturing Company, Limited; Clearwater Timber Company; Humbird Lumber Company, Limited; Jacob Humbird Holding Company; White River Lumber Company; and Seaboard Shipping Company Limited.

Fonds also includes photographs, family financial records (distinct from company financial records), legal records, maps, correspondence, and press clippings. Photographs include photograph albums of the Victoria Lumber and Manufacturing Company Limited, an album of photographs pertaining to the family's interests in Mason and Clayton, Wisconsin, and Sandpoint, Idaho, and photographs of family members and employees of the companies. Family financial records include records pertaining to the estates of Jacob Humbird and the elder John A. Humbird, as well as financial record books of John A. Humbird and Thomas J. Humbird. Legal records include contracts, tie notices and permits, wills, and various land use records. Some maps show various company holdings, others are road maps. Correspondence is divided between company business and historical research about the companies (by family members). Press clippings are predominantly about the Chemainus and Mason operations.

The fonds consists of two separate streams of documentation. The first consists of documents, photographs, and artifacts pertaining to the operations of a succession of sawmills and wood manufacturing plants founded by Stanley Merriam Simpson) and assumed by his son, Horace B. Simpson in the Okanagan area.
The second stream consists of the materials generated by Sharron J. Simpson, a Kelowna author, publisher, and activist. Sharron J. Simpson's records within this aggregation are primarily in relation to legal proceedings against the City of Kelowna in pursuit of the maintenance of the Simpson Covenant, which limits use of waterfront land on a former mill site sold by S.M. Simpson to the City under restrictive terms of sale in 1946. In the 2000s, the City sought to dissolve the Covenant; Sharron J. Simpson founded a society to challenge this initiative.
In total fonds consists of approximately 2,642 photographs, in various forms, including some duplicates. Records provide documentation of legal proceedings, finances, substantial mill operations, safety initiatives, administration, civic engagement, publicity, and labour relations relating to mill business, general family research, and writing samples. Artifacts include exemplars of production and souvenir materials.

The fonds consists of scrapbooks, correspondence, logs, photographs and subject files relating to Alveys career, and the activities of the Women's Royal Canadian Naval Service. The fonds also includes the scrapbooks of former W.R.C.N.S., Grace Brodie and Dorothy Isherwood. The fonds divides into seven series: Subject Files - 1940-1985, Scrapbooks 1942-1977, Canadian Navy, Logs - 1943-1944, Photographs and posters - [ca.1940?]-1958, Women's Royal Canadian Naval Service - 1942-1984, WRCNS Reunions - 1950-1985.

The fonds consists of administrative files including operating and project grants; correspondence; artist and project files relating to events, productions and exhibitions; and promotional and publicity materials. Some files include photographs and drawings.

The fonds have been arranged into nine series: general programming, administrative, exhibitions, Front Magazine, Luminous Sites, media arts and video program, new music, performance art, and publicity and promotional materials. As much as possible, the files are arranged as they were by the original curators and program administrators. Early records (1973-1983) for all the programs are grouped together. Video program files were separated starting in 1976 when the program began. Following 1983, the programs each had individual curators.

The fonds consists of administrative records, correspondence, publications, newspaper clippings, and educational and promotional materials related to the operations of the Canadians for Democracy in Chile (C.D.C.) and its relationships with various domestic (Canadian) and international organizations. Records reflect the C.D.C.’s functions as a public information resource and activist organization and its close working relationship with the Vancouver Chile Association and various labour organizations. C.D.C. also regularly corresponded with provincial and federal Canadian government offices concerning Canada’s relationship with Chile, particularly its economic relationship. Contents include: posters, leaflets, and other promotional materials for events, conference, and boycotts; published materials (including editions of Chile News, newsletters, and bound copies of conference and UN proceedings); newspaper clippings about activism, Chilean refugees in Canada, and conditions in Chile; correspondence; administrative records; and event photographs.

The fonds consists of extensive correspondence, administrative and financial records, advertisement and catalogue samples, typescripts and manuscripts of poetry by K.S. Keys, Dennis Lee, and J. Michael Yates, published books of poetry, and duplicate covers of published Press books. Correspondence is primarily between Kanchenjunga Press and various libraries (public and university), printers, book reviewers (including the New York Times Book Review), and booksellers. Administrative records are primarily planning documents, project files including Reading Tour 1974-1975, and ISBN logging records. Financial records include banking records for Canada and the US, invoices, and receipts.

The fonds consists of records relating to Bawtree’s time on two important legislative committees: The Committee on Crown Corporations and The Select Standing Committee on Agriculture (SSCA). The SSCA was tasked by the Legislature to make a complete review of agriculture in the province, including the production, processing and distribution of food products within the province. As a result, there are reports from numerous meetings taken throughout different cities in BC from various agricultural groups that aided in the different phases of the research report on the entire food system of BC. These records include: bounded reports, transcripts, photographs, correspondence, expense reports, articles, and handwritten notes.

Fonds consists of material that reflects Charles van Sandwyk's development as an artist, illustrator and publisher of fine books in Vancouver. Materials include original artwork (watercolours, etchings), exhibition posters, book and book signing announcements, press proofs, broadsides, invitations, edition of the High Branch Society mail-outs (which include letters, cards, decorative envelopes, poems, and small copies of art), fabric banners, and medallions. Most of the items are signed by Charles. Some of these materials were brought together by Charles and the Joyce Williams Gallery; the arrangement of that material as it arrived has been maintained. Other materials were purchased from the creator and maintain the original order at the time of their acquisition.

Fonds consists of materials documenting the activities of the National Association of Japanese Canadians (NAJC) during four general time periods: the pre-redress period (including records by the National Japanese Canadian Citizens’ Association before it became the NAJC), the birth and development of the redress movement in the 1980s, the implementation of redress following the September 1988 settlement (1988 – 1992), and the post-implementation period (1993-present). The fonds has been arranged in the following seven series: NAJC Presidents, NAJC Business, Conferences and Other Events, Finance, Communications, Community Development, and Reference Material.

The fonds consists of partial records of the Port Albion Cannery’s parent companies. In rough chronological order, these are: the Langara Fishing and Packing Company, Ltd.; Nootka Packing Company, Ltd.; Banfield Packing Company, Ltd.; Nootka-Banfield Packing Company, Ltd.; and the Canadian Fishing Company. Records include: invoices, inventories, correspondence, agreements/contracts, licenses, payroll ledgers, government statistics records and copies of legislation (particularly changes made during WWII to staffing and supply chains), and various reports (predominantly production reports). Correspondence is primarily between branches and “head office” and between the various companies and their suppliers, contractors, and government offices mostly concerned with licensing and equipment inspections. Head office appears to refer both to the offices of the Nootka-Banfield Packing Company, Ltd., and later the Canadian Fishing Company, which purchased Nootka-Banfield in 1945, though the Canadian Fishing Company letterhead appears in the records much earlier than 1945. A set of blueprints for bunkhouses is also included in the fonds, though there are no dates or location information appended; as the bulk of the fonds (physically and chronologically) is the Nootka-Banfield records, the blueprints are filed as part of that series.