The fonds consists of video recordings of various plays featured in the festival, photographs from some festival events and records pertaining to the administration of the festival. Administrative records take the form of promotional programs and posters, meeting minutes, agendas, memorandum, calendars, budgets, reports, newspaper clippings, notes, correspondence, handbooks, and some play scripts.

Fonds consists of administrative records pertaining to the activities of the Women’s Studies Program, the Centre for Research in Women’s Studies and Gender Relations, and research papers put out by the Centre and related bodies. Records include correspondence, minutes, annual reports, publications, course lists, student activities, program advertisements, reviews, bound publications of working papers and conference proceedings.

Fonds consists of records documenting the functions and activities of the Department of Plant Operations and the office of the Associate Vice-President Land and Building Services and includes correspondence, reports, minutes, clippings and other published materials, and audio-visual recordings.

In their original order as received by the Archives, there were no discernible series, so the files have been arranged in the following broad categories: Building Projects, Business Plans, Cliff Erosion, Committees, Comprehensive Community Plan, Electoral Area “A” Governance, Official Community Plan, Land and Building Services – Subject Files, and Audiovisual Materials.

Fonds consists of letters, printed emails, reports, newspaper clippings, drafts, minutes, newsletters and other materials.

The fonds consists of sketches, photocopies, and paintings of costume and set designs relating to plays that MacDonald has been the principal art director or set designer, as well as, correspondence and press coverage for The Overcoat.

The fonds consists of research material (1997-2002); correspondence (1994 to 2003); pre-production (1997-2001); production from 1997-2003; post-production (2000-2002); audio/video tapes (1997-2004); and photographs (2000-2001). The series has been separated into film-related terminology to retain the integrity of the filming process.

The fonds consists of 44 separate archival series most of which are based on specific production titles. For each title there is a digital master copy of the program(s). Each production includes a set of video and audio elements, the bulk of which are original shoot tapes. In addition there is also corresponding textual material that helps provide context and background for the development of the various projects. The textual and a/v materials have been described in separate sections of the inventory. For both sets of material the numbers assigned during the original cataloguing and creation of the database have been retained and appear in square brackets [ ] as part of the descriptions to allow for cross referencing as necessary.
First donation: This donation is Paperny Film's first to an archival repository and it represents 27 of the company's indigenous proprietary titles (1996-2004) of their approximately 55 non-fiction productions (1996-2007). The collection is comprehensive in that it offers digital master copies of each of the title/series included in this donation. There are 62 original masters that include over 50 hours of recordings. There is also a DVD copy of each of the master tapes to provide easy access to the information.
The collection features over 1900 a/v elements arising from some 27 separate productions. The scope of material includes: BetacamSP, MiniDV, Digial Betacam, DVD, VHS, CDs and digital audio tapes. The majority of the collection consists of original shoot tapes. There are over 1,000 hours of video recordings featuring prominent Canadian including Mortecai Richler, Henry Morgentaler, Jimmy Pattison, and Nancy Green.
In addition to the obvious importance of providing access to full interview interviews with and about prominent Canadians, the a/v elements are also quite instructive in helping communicate an understanding of the creative process that gave rise to particular productions.
The textual material extents to approximately 5.15 metres and also includes over 13,000 photographic images. The images document the various production shoots and, in some cases, include copies of historical photographs/documents that were used in the productions.
Examples of the types of records included with the textual material include: treatments, outlines, synopses, proposals; collected research materials; correspondence relating to development, production, publicity; original interview notes and transcripts, interview schedules; scripts (and drafts), storyboards; production schedules, production reports and daily call sheets; publicity stills, negatives, transparencies and digital photographs; marketing plans, publicity packages, one-sheets, press releases and coverage; transcripts of completed shows; EDL's (edited decision list), assembly notes, tape logs; credit rolls, final credits and super lists.
Of particular interest in the textual material are a set of handwritten notebooks created by David Paperny, Audrey Mehler and others. Seventeen in total, these notebooks are in Box 1 (3,4,5,6,11,12,13,14,15); Box 4 (3,8); Box 6 (17); Box 11 (23a); and Box 12 (8).
Second donation: The second donation from Paperny Film's represents 15 of the productions (1993-2006) including the Academy Award nominated The Broadcast Tapes of Dr. Peter. The collection offers digital master copies of each of the title/series included in this donation. There are 183 original masters and a DVD copy of each to provide easy access to the
information.
The collection features over 1200 AV elements arising from 15 separate productions, some of which have several seasons associated with them. The scope of material includes: BetacamSP, MiniDV, Digital Betacam, DVC Pro, DVCAM, Betacam SX, DVD, VHS, CDs and digital audio tapes. The majority of the collection consists of original shoot tapes.
There are roughly 75 cm of textual material in the newest accession.
Examples of the types of records included with the textual material include: episode synopses, outlines and storyboards; graphics; proposals; collected research materials; correspondence; original interview notes and transcripts; schedules; research notes and materials; scripts; publicity stills, negatives, transparencies and digital photographs; marketing plans, advertisements, publicity packages, one-sheets, press releases and coverage; and transcripts of completed shows.
The textual material also includes handwritten notebooks created by David Paperny, found in Box 77 (1-12) and Box 78 (1-8).

The records consist of correspondence, architectural plans, research grant proposals, research reviews, CVs, and videotapes of colloquia and other PWIAS events, and numerous other records relating to the mission and programs of the Peter Wall Institute for Advanced Studies.

Fonds consists of records documenting the functions and activities of UBC Infrastructure Development and older records documenting those functions, development and management of institutional facilities within the former units of UBC Utilities and Campus Planning and Development. Records include correspondence, technical diagrams, meeting minutes and information, strategic planning reports, news clippings, consultation documents.
Records related to development projects were kept in their original order in the Project Files and Development series. However, other documents had no discernible order and were arranged into the other series presented.

Fonds consists mainly of correspondence between Ellen Jaffe and Jane Rule, written between 1996 and 2001. The first series follows a letter Jaffe wrote to Rule in appreciation of the TVO film Fiction and Other Truths about her life and work. The rest of the letters deal with Jaffe asking to use quotes from the film in her book Writing Your Way and her visiting Rule on Galiano Island in 2001 to give her a copy of the book. The folder also includes a copy of Jaffe’s book, with the quotes from Jane Rule bookmarked.

The collection consists of exhibits, videotapes and documents collected for the Public Complaints Commission (PCC), correspondence and legal documents related to both the PCC and related legal actions, APEC Alert posters, information, pamphlets and ephemera, other material collected and created by Oppenheim with regard to the events surrounding APEC and the RCMP PCC, transcripts of the PCC proceedings, and a number of photographs.

The fonds consists of exhibits and submissions from assorted counsel, as well as notes relating to the BCCLA and their role in the APEC Inquiry.

Fonds consists of records that document the UBC Learning Exchange history and includes correspondence, reports, minutes, budgets and related financial records, written notes, published items, and audiovisual materials. It is arranged in six series: Administration, UBC-Okanagan, Chapman Awards, Programmes, Community Service Learning and Community Based Research, and Audiovisual.

Fonds consists of records that document the UBC Community Learning Initiative's history and includes correspondence, reports, minutes, written notes, and published items. It is arranged in two series: Administration and Programmes.

The fonds consists of seven incoming letters from Jane Rule to Ann Micou dating from 2003 to 2007. The last letter is dated October 8, 2007, and was written a little over a month before Jane Rule’s death. The fonds also includes four CD’s featuring Jane Rule reading a selection of her short stories including “House,” “A Chair for George,” “Seaweed & Song,” “You Cannot Judge a Pumpkin by the Smile Upon His Face,” “A Migrant’s Christmas,” “If There is No Gate,” “Home Movie,” “Blessed are the Dead,” and “Dulce.” Apparently, the recordings were produced in a small number for distribution to family and friends. The fonds also includes a copy of a videotape entitled Fiction and Other Truths: A Film About Jane Rule (Eds. Lynne Fernie, Aerlyn Weissman).

Fonds consists of documents regarding the formation of the College for Interdisciplinary Studies and the initial call for campus-wide input regarding the future of interdisciplinary studies at UBC. It includes brochures, annual reports, endowment deeds, and reports on the ongoing structure of CfIS, as well as papers relating to the 2010 External Review of the College. Note that while the series contains sections I and II of the 2010 External Review, it appears likely that there was once additional material as the index states that there were ten appendices.

Fonds consists of documentation of the No Man Is An Island project and includes interview transcripts, correspondence, and consent forms of interviewees, in paper form. Also included is a USB stick containing digital transcripts and audio files from the interviews.

Fonds consists of textual, graphic and audiovisual material from Grace’s academic research on Malcolm Lowry, Sharon Pollock, Tom Thompson, the Canadian North, Canadian art, and Mina Hubbard. Series are based on individual projects, with a separate series for audiovisual materials and a final series for incoming general correspondence. Series are further sub-divided into sub-series.

The fonds consists of copies of radio scripts from Woodcock's radio broadcasts, correspondence with George Orwell and poet Lance Godwin, and examples of Woodcock's early poetry.

Fonds consists of financial statements, correspondence, itineraries, publicity material, and a scrapbook pertaining to the administration and performances of Playhouse Holiday and some of its predecessors. Fonds includes administrative materials pertaining to the Playhouse Theatre Company's Audience Development Campaign. Fonds also includes scripts of Playhouse Holiday performances.