The fonds consists of an incomplete run of annual reports (1906-1950) for the Victoria Lumbering and Manufacturing Company in Chemainus, B.C.

The fonds consists of photograph albums depicting Turner's activities as managing director of the Fraser River Gold Dredging Company, including scenes of equipment, placer mining sites, and aspects of life in Lytton, including a native funeral procession. Includes scenes of Turner's voyage to Canada aboard ships and trains.

The fonds consists of records created or received by the Wah Shun Company of Vancouver. Fonds includes contracts, correspondence, cheque books, invoices, and photographs.

The fonds consists of correspondence, documents, reports, clippings and printed materials relating to basketball (1930s, 1945-1946) and Hardwick's involvement in the C.A.B.C. and B.C.A.B.A.. Also included is an article by Walter Hardwick entitled "Basketball in Canada, 1939".

The fonds consists of administrative files including operating and project grants; correspondence; artist and project files relating to events, productions and exhibitions; and promotional and publicity materials. Some files include photographs and drawings.

The fonds have been arranged into nine series: general programming, administrative, exhibitions, Front Magazine, Luminous Sites, media arts and video program, new music, performance art, and publicity and promotional materials. As much as possible, the files are arranged as they were by the original curators and program administrators. Early records (1973-1983) for all the programs are grouped together. Video program files were separated starting in 1976 when the program began. Following 1983, the programs each had individual curators.

The fonds consists of Ujjal Dosanjh’s private records from 1977 to 2015, comprising of all aspects of Donsanjh’s life in Canada. A prominent portion relates to his lifelong advocacy of Indo-Canadian issues. Particular matters addressed include Sikh extremism, the Khalistan movement, the bombing of Air India flight 182, and the Komagata Maru incident. Many records of a long political career, split between the provincial level; as a BC MLA, attorney general, and premier; and the federal level in the roles Minister of Health and a member of parliament; document the years between 1979 to 2011. These records are wide ranging and diverse in terms of their topics and functions. An extensive collection of scrapbooks contains contemporary media reaction related to Dosanjh's political and community work.
The fonds is arranged into six series: Media and Publicity, Authorship, Advocacy and Indian/South Asian Issues, General Correspondence, Provincial Political Career, and Federal Political Career.

A compilation of theatre programs, season brochures, flyers, newsletters, tickets, annotations, and newspaper clippings, all pertaining to performances held primarily in Vancouver, British Columbia, by various companies and organizations.

The following organizations are represented in the collection: Angry Actors, Arts Club Theatre Company, Avenue Theatre, Avon Theatre, Axis Theatre Company, Bard on the Beach Shakespeare Festival, Carousel Theatre for Young People, Centennial Drama Club (Coquitlam, B.C.), Centennial Theatre (North Vancouver, B.C.), Christ Church Cathedral Women's Parish Guild (Victoria, B.C.), Citadel Theatre (Edmonton, Alta.), City Stage Theatre, Coconut Theatre Society, Coliseum Theatre (Victoria, B.C.), Comedy Syndicate (Victoria, B.C.), Communications Committee of B.C. Native Youth Conference, Criterion Theatre Trust (London, England), Dark Horse Theatre, David Y. H. Lui Productions, Deep Cove Stage Society, Dominion Drama Festival, Dominion Theatre, Dramadillo Theatre Company (Auckland, New Zealand), Empress Theatre, English Suitcase Theatre Company, Ensemble Theatre Company, Erlanger Theatre, Festival Habitat / United Nations Conference on Human Settlements, First Impressions Theatre (North Vancouver, B.C.), Five Corners Theatre, Full Circle First Nations Performance, Gateway Theatre, Georgia Auditorium, Globe Theatre (London, England), Greater Vancouver One-Act Play Festival, Greater Vancouver Professional Theatre Alliance, Green Thumb Theatre for Young People, Grinning Dragon Theatre Company Society, Hands On Theatre Cooperative, Haymarket Theatre (London, England), Headlines Theatre Company, Hippodrome Productions, His Majesty's Theatre (Montreal, Que.), Hotel Vancouver, Killarney Secondary School, Kitsilano Secondary School, Kitsilano Showboat Society, Labor Theater, Lyric Theatre (London, England), Lyric Theatre (Vancouver, B.C.), Magic Owl Theatre, Magnetic North Theatre Festival, Maskelyne's Magical Revue, Massey Theatre, McPherson Playhouse (Victoria, B.C.), Metro Theatre, Music Theatre Group, Musical Theatre Society of Lord Byng High School, Nanaimo Festival Heritage Theatre Society, National Theatre School of Canada, New Play Centre, New Theatre (London, England), Neworld Theatre, Noh=Kyogen: The National Theatres of Japan, North Vancouver Island Drama Festival, Novus Theatre Society, Open Theatre Company, Orpheum Theatre, Pacific Theatre, Pantages Theatre, Playwrights Theatre Centre, Plumstick Productions, Post Modern Productions, Presentation House Theatre (North Vancouver, B.C.), Queen Elizabeth Theatre, Rising Tide Theatre (Trinity, N.L.), Robson Square Media Centre, Rotary Club (Victoria, B.C.), Royal Victoria Theatre, Ruby Slippers Theatre, Savoy Theatre (London, England), Sea Theatre Society, See Seven Theatre Project, Shakespeare Memorial (Stratford-upon-Avon, England), Shaw Festival (Niagara-on-the-Lake, Ont.), Sir Barry Jackson's Company of British Players, Snake in the Grass Moving Theatre, Soulpepper Theatre Company, South Vancouver Island Zone B.C.D.A., St. James Theatre (Vancouver, B.C.), St. Katherine's School Dramatic Society (Wantage, England), Stage Eireann Dramatic Society, Standard Theatre (Johannesburg, South Africa), Strand Theatre (Vancouver, B.C.), Studio 58, Sunshine, Tamahnous Theatre Workshop Society, Theatre B.C., Theatre in the Park, Theatre in the Raw, Théâtre la Seizième, Theatre Terrific Society, Theatre Under the Stars, Touchstone Theatre Company, United Players of Vancouver Theatre Company, Upintheair Theatre, Urban Ink Production Society, Vagabond Players, Vancouver Arena Theatre, Vancouver Dinner Theatre, Vancouver East Cultural Centre, Vancouver East Theatre, Vancouver Fringe Festival, Vancouver Little Theatre Association, Vancouver Musical Theatre, Vancouver Playhouse, Vancouver Repertory Theatre Company, Vancouver Shakespeare Society, Vancouver Technical School / Vancouver Technical School Press, Vancouver Theatre, Vancouver Theatre of Action, Vancouver TheatreSports League, Vancouver Youth Theatre, Victoria City Temple, Victoria College (B.C.). Players Club, Victoria High School, Victoria Theatre Foundation, Village Productions, Walker Theatre (Winnipeg, Man.), Waterfront Theatre, West Vancouver Little Theatre Guild, Westcoast Actors' Society, Wild Horse Summer Theatre Company (Fort Steele, B.C.).

The collection also includes one box of material from miscellaneous Vancouver and non-Vancouver area organizations and venues.

Correspondence, clippings, 2 framed calligraphic pieces, 1 framed hand-drawn, hand-coloured map, 1 leatherbound guestbook, 2 scrapbooks, 5 bone folders, 1 leatherbound box, and 8 metal stamps all relating to Dorothy Burnett, a bookbinder who lived and worked in Vancouver, British Columbia.

Fonds includes correspondence between the Fee Packaging Service Corporation and its employees (primarily R.F. Marshall) as well as clients. Correspondence between the company and its clients include letters, telegrams and questionnaires pertaining to the installation of machinery for packaging lard or other compounds. The corporation's principle customers included Swift and Company, Proctor and Gamble Company and Wilson and Company. The Fee Packaging Service Corporation also corresponded with other companies such as Oscar Mayer, Hormel Company, and Bell Packing Company.

The collection includes a number of administrative records (10.5 cm) dating from the Society's creation in 1976 up to 2004. It includes newsletters (1cm) for the years between 1986 and 2004.

Fonds consists of material that reflects Charles van Sandwyk's development as an artist, illustrator and publisher of fine books in Vancouver. Materials include original artwork (watercolours, etchings), exhibition posters, book and book signing announcements, press proofs, broadsides, invitations, edition of the High Branch Society mail-outs (which include letters, cards, decorative envelopes, poems, and small copies of art), fabric banners, and medallions. Most of the items are signed by Charles. Some of these materials were brought together by Charles and the Joyce Williams Gallery; the arrangement of that material as it arrived has been maintained. Other materials were purchased from the creator and maintain the original order at the time of their acquisition.

Fonds consists of records relating to the landscape and postcard photography of Dorse McTaggart. McTaggart owned and operated his own postcard business. His photographs and postcards feature scenes from throughout British Columbia, including mountains and other nature scenes, parks, towns, historic sights and landmarks, recreation, bridges, museums, and industrial sites. Dorse’s photography went beyond this subject matter, including portraits and weddings, but this material is not included in the fonds.

Materials in the fonds include negatives, transparencies, photographic prints, and published postcards, which represent the various stages of postcard production. It appears that Dorse produced many of his postcards by shooting on 4x5 film, then creating a 4x5 film positive from which to print the postcard on his own printing press. The fonds also includes a journal kept by Dorse in which he wrote down brief descriptions of photographs that he took, marketing books that he used to show his postcards to potential buyers, and a small amount of correspondence and other textual records.

Items have been arranged into five series that maintain the organization they had when received by Rare Books and Special Collections. It is not clear if this organization was that of Dorse, Walter, or a combination of both.

Fonds consists of material related to a documentary film made by John Corry, entitled “Life's Imprint: Lithographs by Jack Shadbolt.” This 1994 film documents Canadian artist Jack Shadbolt’s production of a four-part colour lithograph, done over a 9-month period in collaboration with lithographer Torrie Groenig. The film was produced and directed by Corry, with the support of the National Film Board of Canada and Knowledge Network., and was originally broadcast on CBC, Bravo!, and Knowledge Network. It includes scenes from Shadbolt’s studio in Burnaby and the Limited Editions studio in Gastown.

Material includes the master tapes from filming, production notes, photographs, obituaries for Shadbolt (who died in 1998), and promotional and distribution documents.

The fonds consists of photographs and textual records which belonged to the Inouye family. The records are related mostly to the father, Zennosuke Inouye and his involvement with the Surrey Berry Farmers Cooperative and his youngest daughter, Kiyooki (Beverly) Inouye. The fonds has been arranged into the following series: Surrey Berry Farmers Cooperative records, correspondence, ephemera, land records, photographs, military records, financial records, and voting records.

Fonds consists of documents spanning Bunce’s career in the forestry sector, covering both his paid and volunteer work. The bulk of the material relates to his work as a forestry consultant at Reid, Collins & Associates and his work on several national forestry committees. Additional material relates to his years as a graduate student, his early career, his involvement with various professional associations, and his years as part owner of a woodlot near Maple Ridge, BC. Also included are articles he published and notes from presentations that he gave.

The archivist removed some documents that had come with the original donation, but that did not have significant value. These included duplicates, published material available elsewhere, personal documents (such as hotel reservations and journal subscription receipts), and loose documents that had no context. Also removed were documents that contained personal and/or confidential information, such as school transcripts of individuals besides Bunce and private documents of company's for whom Bunce did consulting work.

Some works that Bunce had collected, but not authored, were removed from this fonds and added to the library’s general collection.

The fonds consists of the minutes of the inaugural meeting of the party.

The fonds consists of unbound pages from the guest register of the Wigwam Inn, North Vancouver as well as several pages of accounts.

Collection contains correspondence relating to Florence Nightingale. The majority of the letters are addressed to Nightingale while others are sent from her or involve other correspondents discussing Nightingale. Letters date from 1877 to 1965. There are also newspaper clippings, transcripts, notes, and envelopes that all relate to Florence Nightingale. There are also photographs of Florence Nightingale and prominent people in her life.

The collection is comprised of family records of the Darwin Fox family. Most of the collection consists of letters and observations, with a few photographs and newspaper clippings. The dates range between 1821 and 1935. There is a great variety of content and correspondents. The principal correspondents are William Darwin Fox (1805-1880) and his cousin Charles Robert Darwin (1809-1882). Others include the Rev. W.D. Fox, Henry Doubleday, William C. Hewitson and Richard Owen. Many of the letters are detailed accounts of supplies the various men have and need in their pursuit of “natural history”. Much of the discussions in the correspondence and the written observations concern insects, birds and eggs. In addition, there is correspondence relating to familial matters between family members.

The first part of the collection contains letters between Haldane from his mother, Mary Elizabeth Haldane (née Burdon Sanderson) and other family members regarding familial matters. These letters range from 1883 to1926. There are other letters pertaining to Mary Elizabeth Haldane and Edinburgh professors that are in the collection as well ranging from 1887 to 1922. Haldane’s personal documents, including his birth certificate and university certificates are also in this collection, ranging between 1878 to1897.

His reports, tables and correspondences are contained within, as well as his papers and speeches. These are largely undated and concern topics such as miners’ eye problems, tuberculosis in the Navy, regulation of normal breathing, functions of sweat, kinetic theory of gases, death by suffocation and the like. According to H.M. Sinclair: “Mrs. Haldane told me that her husband destroyed his MS as soon as the paper was published, and these lectures and addresses to various societies were not published. Haldane always wrote his addresses out in full, and this collection is mainly written in full in his own hand.”

A section of the collection contains reports and correspondence of Haldane’s work with the use of gas in WWI. H.M. Sinclair states that the collection is: “A most important collection of papers relating to his and Douglas's researches in World War I when gas was first used. Included are long autograph letters from Douglas (who was in the field in France), very out spoken about the military authorities and giving full descriptions of the casualties and attempts to prevent them.”

Finally, there are 2 drafts of an unpublished book written by Haldane on vitalistic physiology. H.M. Sinclair notes that: “The first draft is copiously corrected . . . This has been entirely rewritten in nine chapters of the final draft. . . . This very interesting book was never published, but illustrates the state of physiology at the turn of the century as seen by a young graduate of about 30 years.”

This accumulation of materials constitutes the background for the final report on the Hoxsey Cancer Clinic in Dallas, Texas, which was published by the Queen’s Printer in Victoria in 1958. The collection consists of correspondence, account sheets, newspaper clippings, brochures, patient records, interview transcriptions and the final draft of the committee report.

Collection consists of letters addressed to Dr. Alexander Marcet, one from William Prout and the remainder from William Chas. Wells. The letters date from 1811 to 1817. The letters discuss various experiments on urine, the research of Professor Prevost on radiant heat, and Mrs. Marcet’s work on political economies.

The Milnor Roberts fonds consists of letters, reports, notes, accounts, drawings and maps, photographs and printed material relating to his mine field work. Much of the material relates to the work carried out near Camp Robertson and Camp Wilson on behalf of Western Coal and Iron. Roberts' reports to Metropolitan Trust Co., New York, concerned lands acquired by the company from Western Steel Corporation in 1913.

Fonds reflects a portion of Walker Gill Wylie’s career in gynecology and hospital management. Contents include manuscripts of reports, lectures, and papers produced by Wylie. There are also several periodicals from various professional associations that he was associated with. There is also a letter regarding the provenance of the fonds after Wylie’s death.

Collection consists of historical material regarding the Pre-Raphaelite artist and illustrator Arthur Hughes collected by Leonard Roberts and Maj. Greville Chester. The collection includes a large body of correspondence from Arthur Hughes to Susan Lushington, a variety of letters to other correspondents, 9 photographs of Hughes and his wife and daughters, examples of Hughes' illustrations and research materials such as family notes and reminiscences and copied articles.

This fonds consists of records related to Darryl Adams' activities as a political and social justice activist as well as his personal life. The fonds consists of three series: personal life and administrative records; activism involvement series; and activism collections series.

Records relating to the first series, Adams' personal life and administrative files include: personal correspondence received by Adams; photographs collected, taken of or by Adams'; school records and club memberships memorabilia; news clippings and other articles; and work related records such as research materials and correspondence.

Records relating to the second series, the activism involvement series, include material created or used by groups that Adams was involved in such as the Vancouver American Exiles Association (VAEA), as well as the Galindo Madrid Case of the 1970s. These records include meeting minutes; correspondence; conference, seminar, and workshop materials; materials by or about other communist, socialist, or leftist organizations; papers, articles, speeches, critiques, letters, and reports on related topics; ephemera and publications, such as newsletters, journals, and clippings; and sound recordings such as interviews Adams' gave on behalf of VAEA.

The last series consists of three major collections that Adams obtained over his lifetime. The first collection is the lefty literature collection that consists of newspapers, magazines, periodicals, booklets and bulletins, and other publications related to leftist themes. The second collection is a poster collection and the last collection is a button collection.

The collection comprises records acquired by Peter Moogk about aspects of British Columbia’s history, including the British Columbia Electric Railway Company’s interurban train lines (predominantly from 1909-1958), and photographic representations of persons (especially white settlers, from 1870-1960), places, events and activities in the province.

The collection includes six series: British Columbia Electric Railway Company Records, Portraits of Persons in British Columbia, Photos of places, streets, and architecture in British Columbia, Photos of events and activities in British Columbia, British Columbia ephemera and Records from British Columbia Penitentiary.

Records relating to the first series, British Columbia Electric Railway Company Records, include: photographs; postcards; original BCER documents, such as union agreements and timetables; BCER employee publications; transit tokens; signs and posters from within Vancouver streetcars; and a copy of a CJOR radio script.

Records relating to the second series, Portraits of Persons in British Columbia, include: photographs and handwritten notes by Moogk about Vancouver photographers operating from 1858-1920.

The focus of the third series, Photos of places, streets, and architecture in British Columbia, is photographs of structures and places of British Columbia, notably building exteriors and interiors, and street views from 1880-1959.

The fourth series, Photos of events and activities in British Columbia, includes photos of notable events and public activities (predominantly dating 1911-1941), as well as everyday life, and also includes handwritten and photocopied information on the provenance of the photos and activities depicted.

The fifth series, British Columbia ephemera, is mostly paper ephemera representing the variety of business and activity in the province from 1890 to 1990, and includes menus, theatre programs, business correspondence, and Chinese textbooks as well as some photographic materials.

The sixth series, Records from British Columbia Penitentiary, includes textual records and photographs relating to the British Columbia penitentiary.

Contains photographs and textual records related to MacMillan Bloedel Limited, collected by Ralph Shaw Sr., who was an employee at the company.

The fonds consists of records generated and assembled by Mary Olga Park related to her personal life and associations, materials related to her career as a self-published writer, artist, and spiritual teacher as well as records related to the psychic experiences that she encountered throughout her life. Records span from Park’s early years in England to 1985, and were predominantly created in Vancouver British Columbia. Records from 1986 – 2017 were either added by Susan McCaslin, or Park’s son, Robert Park. The fonds is arranged into three series: Artistic, Literary, and Musical projects, Personal and Administrative Records and Psychic Records.

The Artistic, Literary, and Musical Projects series features drafts of Park’s musical transcriptions and annotated sheet music collection, hymnal book collection, sketches, pastel, and charcoal artwork, and her literary works in various genres, notably drama and poetry. The fonds also includes materials of her published and self-published works, and educational materials related to both her Sunday school position, and her spiritualist teachings. Record types include publications, drafts (typed, handwritten, and hand-annotated), correction notes, poems, manuals, procedures and instructions for her “learners,” Sunday school teaching material, prayers, study series material, sketchbooks and artworks, musical transcriptions, sheet music, and recordings.

The Personal and Administrative Records series contains records related to the personal life and administrative affairs of Park. Park kept detailed subject files on many different religious and spiritual phenomena, spiritualist writers, and completed her own Bible studies. She also corresponded with family, friends, and her “learners.” Record types include Bible study notes and annotations, family history research, education certificates, childhood books, religious and spiritualist publications, newspaper clippings and ephemera, diaries, notes, and personal notebooks, professional and personal correspondence, subject files on spiritualist matters, astrological charts, audio cassettes, photographs, and a postcard collection.

The Psychic Records series aggregates records Park kept throughout her adult life recording various psychic phenomena which she experienced. The records are textual accounts of clairvoyance, clairaudience, “out-of-the-body” experiences, dream visions and soul sight, voices, manifestations, astral encounters, precognition, and healing. Park often referred back to these notes at later dates and annotated their meanings to her as they informed occurrences in her everyday life. These records informed much of her teachings and publications, but were kept separately in her original record-keeping environment.

The fonds consists of records collected by Clay Perry related to the International Woodworkers of America – Canada (IWA). It primarily consists of records generated by the union in the course of its operation, records created by the Royal Canadian Mounted Police, who gathered surveillance on the IWA-Canada and its predecessors for several years, as well as research material collected and created by Perry himself, including transcripts of interviews, news clippings, scrapbooks, and pamphlets and booklets on unions in British Columbia.
The fonds is comprised of the following series: Union records series; Legal records and police files series; and Research materials series.

The Union records series contains records related to the main functions of the IWA, the WIUC, and IWA local chapters, including Local 1-357, of which Perry was a member. These functions included: financial administration, executive elections, producing literature and newsletters, strike activities, and correspondence. Record types include constitutions and by-laws of the union, conference materials, minutes of meetings, press releases, informational pamphlets, correspondence, bulletins and newsletters, news clippings, and executive reports.

The Legal records series contains records related to the IWA’s legal activities, including court disputes over negotiations, strikes, and employee and bargaining rights. It also contains records generated by the RCMP in gathering information on the IWA. Record types include court records, appeals, depositions, legal acts, and police reports on union activity.

The Research materials series comprises materials collected or created by Perry in his research of the history of the union. The series contains news-clippings and scrapbooks related to the IWA and the labour movement in Canada, research notes, transcripts of interviews and oral histories given by union members, publications related to the IWA, the labour movement, and communism, and theses of labour scholars on the IWA.

23 manuscripts containing pages cut and pasted from Sansom's A History of Japan, as well as accompanying handwritten notes.

Fonds consists of mostly typewritten journal entries by Peter McNelly during his time with the Barrett government, with a few handwritten notes and newspaper clippings. Personal journal accounts give an insider perspective on the Barrett government in the 1970s, on a week-by-week basis. Provided source material for the book The Art of the Impossible by Geoff Meggs and Rod Mickleburgh, 2013.

The Tremaine Arkley Croquet Collection contains over 2,400 paintings, illustrations, engravings, advertisements, photographs and other ephemera depicting the game of croquet throughout the years. The images range from fine art to cartoons and everything in between, and show the rise in the game’s popularity in England and America in the 19th and 20th centuries. Many items in the collection show gender roles, as croquet was one of the first games that men and women played together.

Fonds consists of Emery's photographs, correspondence, newspaper clippings, identification cards and ephemera. The records document Emery's service as a nurse during World-War Two, as well as her experiences of World-War One, and her life and career as a nurse in Vancouver and New Brunswick.
The fonds is comprised of two series; Nursing Records and Personal Records.
The Nursing Records series includes a photograph album captioned in detail by Emery covering her year of service overseas from 1944 to 1945, as well as immigration documents, certificates, and correspondence related to her nursing career.
The Personal Records series is comprised of correspondence with friends and family, as well as photographs of Emery, her family, and acquaintances.

The collection consists of eighteen legal records from England, dating from 1525 to 1820, documenting leases, mortgages, indentures and similar acts. As a collection, the records contextualize economic transactions during the Early Modern period, and provide an understanding of the legal system of ownership and commerce. They contain place names and the names of people involved in the acts, and where legible these have been listed as access points in the finding aid.

The fonds consists of materials collected by the Potters Guild of British Columbia. The fonds primarily consists of news clippings, photographs, and notes related to one of the members of the Guild, Santo Mignosa. Topics include ceramic and pottery exhibitions, techniques, awards, and educational workshops.

This fonds consists of documents, archival records, photographs, ephemera, and artifacts pertaining to the life and work of Hanne Wassermann Walker. These materials relate to several broad themes: health and fitness, travel, friends and family, immigration to North America, and art/photography. Hanne's collection provides a window into the early 20th century physical culture movement; the experience of Jewish Europeans in the lead-up to, during, and after World War II; and the landscapes of British Columbia between the 1940s and 1970s. The fonds is comprised of manuscripts and published materials, correspondence, government records, photographs (including negatives, metadata, and albums), and more. In addition to Hanne's extensive collection of letters, postcards, personal and official records, and assorted odds and ends (e.g. household receipts, business cards, recipes, etc.), the fonds also contains the records of her husband, George Dickson Walker.

Fonds consists of materials documenting the activities of the National Association of Japanese Canadians (NAJC) during four general time periods: the pre-redress period (including records by the National Japanese Canadian Citizens’ Association before it became the NAJC), the birth and development of the redress movement in the 1980s, the implementation of redress following the September 1988 settlement (1988 – 1992), and the post-implementation period (1993-present). The fonds has been arranged in the following seven series: NAJC Presidents, NAJC Business, Conferences and Other Events, Finance, Communications, Community Development, and Reference Material.

The collection consists of five scrapbooks with materials and photographs mainly related to the Canadian Pacific Railway and the career of E.D. Cotterell. One scrapbook is dedicated to the Quebec Conference in 1943, a high-level military discussion which included Winston Churchill, British prime minister, US President Franklin D. Roosevelt, and various Chiefs of Staff. Prime Minister William Lyon Mackenzie King was host. In addition, the collection contains material related to the visit of the British King (George) and Queen in Canada in 1939, as well as other royal visits.

The collection is made up of 11 cassette tapes containing 12.5 hours of audio, of the interviews that Angela Codina conducted with the leaders of the Tiananmen Square uprising. The collection also consists of the following textual materials: written transcripts that were later made of the interviews (at the behest of Geraldine Bowman); materials for a book written by Angela Codina; newspaper clippings; periodicals and journals; and correspondence. The collection also contains 274 photographic negatives and 448 colour photographs.

The collection contains materials related to Ian McDonald's Master's thesis research on the International Brotherhood of Electrical Workers (IBEW), Local 213 “Class conflict and political factionalism: a history of Local 213 of the International Brotherhood of Electrical Workers, 1901-1961," and related to the activities of his father, Les McDonald, a trade union activist who belonged to Local 213 but was eventually suspended for leading the Lenkurt strike of 1966. Les McDonald was also a multi-sport athlete, and is credited with introducing the triathlon into the Olympics; some materials in the collection relate to Les McDonald's involvement in various sport and environmental organizations, as well as some of his personal papers. In addition to what he received from his father, Ian McDonald was also given papers by former IBEW Local 213 business manager Art O’Keeffe and Barry Sharbo, a board member of the Canadian Union of Electrical Workers (UE), as well as Alfie Huston, the former President of the International Brotherhood of Electrical Workers (IBEW) Local 213 from 1985-1988, which are included within the collection.

The collection is largely comprised of newspaper and photocopied journal articles, correspondence between members of IBEW Local 213, legal documentation, newsletters and other printed ephemera related to IBEW Local 213.

The collection also contains sound recordings of interviews with numerous figures in IBEW Local 213 created by Ian McDonald during his thesis research. McDonald's thesis, submitted for the completion of a Master of Arts in History at Simon Fraser University, can be found in the Summit database: http://summit.sfu.ca/item/6361.

The collection also contains background materials accumulated by McDonald while writing his book “The Red Baron of IBEW 213,” including digital sound recordings of interviews, research articles, notebooks, consent forms, a draft royalty agreement, a draft chapter and a press marketing questionnaire.

Contains the operational records of the Vancouver Fishermen's Settlement Services from 1943 to 1974. Records include annual and monthly financial summaries, meeting minutes, manager's reports, insurance agreements, and correspondence.

The collection consists of documents from the late nineteenth and early twentieth centuries related to mining in the area around Princeton, British Columbia. Many of the documents pertain to Alfred St. George Hamersley’s involvement with mining in this region, mostly notably with the Vermilion Forks Mining and Development Company. Records also relate to W.J. Waterman and Ernest Waterman’s activities in the mining industry of this region, particularly Ernest Waterman’s role as manager of the Vermillion Forks Mining and Development Company. Business of the Anglo-American Gold and Platinum Hydraulic Mining Company Limited Liability, the Princeton Water Power Company, and the London and Vancouver Finance and Development Company Limited is also documented.
Records are arranged into files that correspond to items in the collection. Document types include correspondence, sales of shares, land, and mineral rights, business and mining licenses, lease agreements, land registries, and Government of British Columbia receipts. A map of the region is also included.

Volunteer members and elected directors of the Federation of Mountain Clubs of British Columbia (FMCBC) created and kept records as part of their work carrying out the Federation’s major mandate: organizing mountain clubs from throughout the province of British Columbia to represent collective interests for self-propelled access to wilderness areas.

Ranging in date from the 1970’s to ca. 2018, records in the fonds document the FMCBC’s major activities in support of their mandate: administrative and executive activities, the creation of various committees and work undertaken by these committees, advocacy for various lands and parks throughout the province to be considered and maintained for public access, and educating and communicating to both members and the public on topics of relevant interest.

While the FMCBC as an organizational body created the majority of these records, some records in the fonds were created by related organizations, such as the British Columbia Mountaineering Club, governmental committees, or natural resource extraction companies. The majority of records within the fonds are textual, though some other record types are present, including maps, photographs and ephemera.

The fonds contains the following series: Administrative and Executive series, Committees Series, Lands and Parks series, and Education and Communication series.

Collection consists of primary resources and related materials created and used by Canadian women composers. Each series is dedicated to one of the participating composers, which currently consists of Deborah Carruthers, Dorothy Chang, Zosha Di Castri, Lori Freedman, Barbara Monk Feldman, Ana Sokolović, Chiyoko Szlavnics, and Elizabeth Raum. Materials include a variety of records, such as original scores, manuscripts, working drafts, photographs, prints, published articles, correspondence, and materials used as inspiration in the artists' work. Going forward, the collection is expected to evolve and incorporate additional Canadian women composers.

The collection consists of archival records, printed materials, photographs, maps, posters, artefacts and paintings all related to the Klondike Gold Rush. Records span the activities of individuals, organizations, companies, and government bodies related to the Klondike Gold Rush, the Yukon, Alaska, and the Northwest Territories from ca. 1860 to 2003. The collection documents the journeys of, and commerce created by individuals and groups of people from around the world who left their homes to join the Gold Rush; it also contains materials documenting the presence of Indigenous peoples throughout the Yukon.

The collection reflects the development of regional infrastructure and transportation in the Yukon and Alaska, including the creation of the White Pass and Yukon Route railway line. Many materials in the fonds originated from the construction and development of specific town sites and communities located in the Yukon, including Dawson City, Carcross, Forty Mile, and White Horse.

Other materials document the creative works of individuals seeking to record and share stories about the Klondike in various forms, including photographs, journals, poetry, music and theatre.

The collection is comprised of the following series: Textual Records, Photographic Materials, Cartographic Materials, Graphic Materials, and Objects. Each series is majorly comprised of the record type described in the title, and materials within each series are described at the item level.

The fonds reflects Patrice Pratt’s political and labour union careers and her community organization involvement. Records in the fonds relate to Pratt’s various roles within the Federal and Provincial NDP, as President of the BCNDP and as a constituency, committee, council, and party member, the BCGEU and BC Federation of Labour. Records consist of professional and personal correspondence, reports, communications, reference and resource material, convention materials, pamphlets and programs, newspaper clippings, agendas, minutes, resolutions, constitutions, policies, membership lists, campaign and platform materials, publications, campaign buttons, banners and other material. The fonds is divided into three series: Federal NDP, Provincial NDP and Labour Unions. The Provincial NDP series consists of two subseries: BCNDP President and BCNDP Associations, Committees and Advocacy.

As Pratt held various roles simultaneously throughout her career and much of her union work informed her political career, this overlap is reflected in her files. Records are divided into series based on the role held by Pratt at the beginning of the process, resulting in some record dates falling outside the official boundaries of the role she was working in.