The fonds consists of letters written by Stickney to his family and friends during his service as a soldier in World War I. The fonds also includes his diary, clippings, post cards and photographs. Many of Stickney's letters were retyped by his family and these copies are also included.

The fonds consists of photographs, mainly pertaining to Barclay's activities in China (1900s-1920s), Oregon (1920s), and B.C. (1930s-1950s) as well as related correspondence, memorabilia and clippings.

The fonds consists of diaries, scrapbooks, correspondence, photographs, speeches, printed material, and memoirs pertaining to the university, military, business and political careers of James Sinclair. Also included are sous-fonds relating to the teaching career of his father James G. Sinclair and his wife Kathleen Sinclair.

The fonds consists of 134 cassette tapes of 91 interviews with Japanese Canadians and two bound volumes containing an index to individuals interviewed, data sheets and consent forms for use of the material.

The Jim Hamm Documentary Film Collection consists of materials relating to three of his documentary films: "The Air We Breathe" (1996), "Between the Rock and a Hard Place" (1997) and "Turning Down the Heat" (1999). "The Air We Breathe" was a co-production of Jim Hamm and the National Film Board. It is an examination of the problem of smog in relation to political decisions, dependency on automobiles, and social-cultural forces. Hamm acted as co-producer, script writer and director. The film was broadcast on the CBC, WTN, SCN, Knowledge Network and Access Alberta. "Between the Rock and a Hard Place" was produced in association with CBC Newsworld. It is the story of Newfoundlanders who leave their home province after the collapse of the cod fishery, ironically finding work in the exploit of another natural resource in Fort Nelson, British Columbia. The film was aired on CBC Newsworld and on CBC Newfoundland. "Turning Down the Heat" was co-produced with the National Film Board in association with CBCs program "The Nature of Things," narrated by David Suzuki. The film showcases viable solutions to climate change by reducing greenhouse gas emissions. Hamm acted as director, co-producer and co-script writer. The film was aired on "The Nature of Things," and has other screenings nationally and internationally. Storage issues dictate that the textual materials relating to these films and the audio visual materials be separated, so the fonds therefore contains the series: "The Air We Breathe" Textual Materials series, "Turning Down the Heat" Textual Materials series, "Between the Rock and a Hard Place" Textual Materials series, "Turning Down the Heat" Audio/visual Materials series, "The Air We Breathe" Audio/visual Materials series, and "Between the Rock and a Hard Place" Audio/visual Materials series. The largest division of the collection is the audio/visual materials.

The fonds consists of family papers including genealogical findings and legal documents concerning land owned by his family in the New Westminster District (Whonnock), 1870-1910; correspondence and newsclippings; records gathered or kept by Spilsbury on Spilsbury and Hepburn Ltd. and its successors in radio communications, 1940-1985; records of Queen Charlotte Airlines Ltd., 1946-1955; and a large collection of ca. 6000 photographs (including cartes-de-visite and cabinet cards) negatives, and slides, mainly taken by Spilsbury. The photographs consist mainly of images relating to Savary Island, Vancouver Island and other area of B.C.'s coast where Spilsbury lived and carried out his activities. As well as images of early native and logging sites and towns and topography of B.C., they also provide a record of Spilsbury's paintings. Photographs also depict Spilsbury's English relatives (1870-1906), friends and family at New Westminster, Whonnock and Savary Island, logging operations at Theodosia Arm in the 1930s, aircraft and personnel of Queen Charlotte Airlines, and equipment and personnel of Spilsbury and Hepburn.

The fonds consists of correspondence pertaining to the building of the Lake of the Woods Milling Company in Keewatin, Ontario (1887-1889) and three school exercise books belonging to John Mather (1837 and 1838).

The collection consists of typescript interviews relating to British Columbia labour history and labour education conducted by Colleen Toppings and Paul Phillips in 1964. Also includes typescripts of Paul Phillips' "No Power Greater - A Century of Labour in B.C." (1967) and press clippings discussing the interview project.

The fonds consists of personal and family records including letters (1891-1907), postcards (1905-1951), sixty photographs, household accounts (1920-1924), diaries (1915-1916) and documents relating to various activities of the Langley family.

The fonds consists of Steelquist's aerial views of Nootka Sound and Friendly Cove, as well as a map of the area, pertaining to Captain James Cook's voyage there.

The fonds consists of Weeks' writings which primarily relate to British Columbia history and historical figures. These include "Heroes of Victoria's Streets", "Outposts of Empire: Victoria B.C." and several about Captain Vancouver. The fonds also includes pictures of historical figures and of British Columbia scenery.

The fonds consists of records relating to Crassweller's involvement in the development of Inuit arts and crafts programmes. It has four components: the Project index, manuscript for Crassweller's Handbook of Eskimo Artifacts, working papers filed by subject and printed material.

The fonds consists of corporate records, a research collection of Seaboard historical material used in the preparation of a corporate history, John A. Humbird's journals of his overseas trips for Seaboard (1937-1945) and photographs of Seaboard personnel, delegations, ships, ports, logging operations, and sawmills.

Fonds consists mostly of cartographic materials relating to reconnaissance trips taken by R.C. Harris. The maps are both historic and those drawn up by Harris for his trips, incorporating old trails on current maps. While the inclusive dates of the map collection are from 1835 - 1981, the majority of these maps were created from 1880 -1930. They are organized according to a personal classification system maintained by R.C. Harris. The remainder of the fonds consists of surveys, plans, photos, correspondence, topographical notes, magazine and newspaper clippings, Harris research notes, books, reports, brochures, photocopies, and book reviews.

The collection consists of audio cassettes and vinyl records (33 1/3) created by Radio Canada International in the course of promoting Canada and Canadian culture to the people of Japan. The collection has been arranged into four series, which reflect the various formats the broadcasts were made up of, and include Japanese Topical Cassettes, Japanese Economic Topical Cassettes, Japanese Canadian Magazine, and Japanese Topical Discs.

The fonds consists of correspondence, subject files and photograph albums pertaining to the Fullers' professional careers, labour activities and personal lives. The fonds also contains materials which reflect the activities of the Labour History Provincial Specialist Association of the BCTF and the Sechelt Indian Curriculum Project and a film, "For Twenty Cents a Day".

The fonds consists of correspondence, subject files, printed material, and documents related to Culhane's social justice activities, particularly concerning prisoner's rights and prison reform.

The fonds consists of biographical material about Ravenhill, incoming and outgoing correspondence (1939-1951), a draft of "Glimpses of a Long Life" (1951) and two proofs of "Memoirs of an Educational Pioneer" (1951). The fonds also includes printed material (pertaining to health, welfare and education), memos, clippings, memorabilia and nineteen photographs used primarily as illustrations for "Memoirs...".

The fonds includes minutes of regular meetings (1898-1976), executive committee minutes (1907-1974), membership and dues ledgers (1901-1966), records books [working conditions affecting members of Division 134] (1931-1947), and Sick Benefit Association (1913-1919, 1950-1954). The fonds also contains office subject files such as general correspondence (1908-1970), correspondence with B.C. Hydro and Power Authority (1962), meeting attendance records (1957-1961), political education committee records (1957-1961), and minute books, correspondence and attendance books relating to Pacific Stage Lines (1935-1979).

The fonds consists of 33 original letters free Ethel Wilson to Margaret Andrew, undated, ca 1950 - 1970, 2 original letters from Ethel Wilson to [Margaret Ae_lrew] n .d . and 3 original letters from Ethel Wilson to Geoffrey Andrew, n.d. Also included is one photocopied letter from Ethel Wilson to Mary [McAlpine Dobbs], and an obituary for Lilias Torrance Newton.

The fonds consists of general ledgers, payroll ledgers, invoices, vouchers, fish registers and financial statements generated by A.B.C.'s affiliated canneries (1914-1968). These records originated primarily with the following canneries -- Alert Bay Plant (1947-1968), Boswell Cannery (1924-1934), Caledonia Cannery (1928-1959), Good Hope Cannery (1895-1968), Knight Inlet Cannery (1924-1961), McTavish Canner (1923-1939), North Pacific Cannery (1937-1958), Phoenix Cannery (1915-1967), and Seymour Cannery (1911-1913), as well as Britannia Shipyards (1934-1967).

Fonds consists of correspondence pertaining both to business matters and to Sinclair's writing (1905-1946), as well as personal correspondence with family and friends. Also included are manuscripts of short stories, novelettes and novels. Printed material contained in the fonds includes short stories, poetry, novelettes and novels. Fonds also contains photographs and photographic negatives, as well as log books, notebooks, maps/guidebooks, and ephemera.

The fonds consists of business and personal correspondence, manuscripts of poems, short stories, essays, and radio plays. The fonds also includes scrapbooks, printed material, and some financial records.

The fonds consists of records pertaining to Turner's activities in the CCF and the NDP in British Columbia. Included are manuscripts of Vancouver Workers' Theatre dramas and poetry, subject files on Israel, clippings, pamphlets on cooperative farming, and records from the CCF Agricultural Committee and the Trade Union Committee.

The fonds consists of correspondence (1876-1926), subject files (1889-1925) and scrapbooks (1870-1923). The fonds reflects Tupper's interest in politics and public affairs.

The fonds consists of family papers, personal correspondence, diaries, subject files, printed material and photographs reflecting Christopherson's attitudes about education, cooperatives and socialism. Correspondents include Bert Herridge, Alistair McLeod, and Mildred McLeod.

The fonds consists of minutes, correspondence, and printed material relating to the activities of the British Columbia Home Economics Association and its predecessor, the Vancouver and District Home Economics Association (1958-1972).

The fonds consists of records generated by British Columbia Packers Limited, its predecessor bodies, and individual canneries and plants owned by the company. In addition to financial records, it includes plant appraisements for various canneries and properties owned by B.C. Packers Ltd., as well as Canadian Fish and Cold Storage Company Ltd., Coast Oyster Company, Edmunds and Walker Ltd., J.H. Todd and Sons Limited, Nelson Bros. Fisheries Ltd., Nelbro Packing Co., Queen Charlotte Canners Ltd., Rupert Fish Co. Incorporated and Western Canada Whaling Company Ltd. Those canneries and properties include Alert Bay Cannery, Bella Bella Cannery, Boswell Cannery, Celtic Shipyards, Imperial Plant, Kildonan, Klemtu, Ladner Cannery, Masset, Namu Cannery, New Westminster Cannery, Paramount Cannery, Port Edward Cannery, Prince Rupert Plant, Quathiaski Plant, Richmond Plant, and St. Mungo Cannery. In addition, the fonds consists of fifty printer's blocks for producing lithograph salmon tin labels and approximately 100 plastic cards used for advertising fish products. Also included are miscellaneous items such as the Roll of Honour of the B.C. Canning Company listing men in service during World War I, Fraser River charts (ca. 1929-1947), a sample of receipts for tram passes to B.C., and a framed sheet describing the history of the Bella Coola camp.

The fonds consists of the records of the Brunswick Cannery located at Canoe Pass (1900-1928). It consists of financial records, most notably invoices and receipts from various merchants in the area of the cannery. These records provide some information about the goods and services required by the early canneries and also indicate the costs of such items. The fonds also includes some material from the Anglo-American Cannery Company (1896-1913).

The fonds consists of correspondence, minutes, financial material, and membership lists (1926-1932).

The fonds consists of CUPE Local 881 minutes (1961-1964, 1972-1978), correspondence (1963-1978), financial records (1963-1977), grievance records (1975-1977), and member agency correspondence (1963-1970).

The fonds consists of documents, log books, stock certificates, record books, newspaper articles, pamphlets, canned fish labels, and photographs from Canadian Fishing Company Limited, Gulf of Georgia Canning Company Limited, Manitou Cannery, and the New England Fish Company Limited. In addition, there are subject files, reports and briefs relating to Donovan Miller's activities in the fishing industry.

The fonds consists of records chronicling the growth of socialism in Canada and the formation and history of the Cooperative Commonwealth Federation and the New Democratic Party, as well as with various aspects of the issues of human rights and of peace and disarmament. There is also autobiographical material and records pertaining to Unitarianism.

The fonds consists of correspondence, questionnaires, survey data, reports and related material arising from the 1966/67 survey on metallurgical research in Canada.

The collection consists of four parts: (1) photocopied and original newsletters, pamphlets, publications, clippings and printed material in general; (2) manuscript collections and personal papers (most copied from original material held elsewhere); (3) microfilms; and, (4) photographs. The manuscript files include the papers or records of Koozma John Tarasoff, Union of Doukhobors of Canada, Consultative Committee on Doukhobors, Stefan Sorokin, W.A. Makaseyoff, Peter V. Verigin, John G. Bondoreff, Christian Community and Brotherhood of Reformed Doukhobors, Peter Maloff, Alex Popoff, Eli Popoff, James Mavor, David Henderson, Claude Fisher, Peter Brock and Ivan Swetlishnoff. All the material relates to the history and activities of Doukhobors throughout the world as well as in British Columbia and Saskatchewan.

The fonds consists of maps concerning properties handled by the company in the interior of British Columbia and on Vancouver Island. Some of them also include timber licences.

The fonds consists of correspondence, subject files, financial records, speeches, photographs, notes, and a journal, pertaining to Howay, as well as manuscripts and essays on B.C. history and exploration and marine trade off its coastal waters. In addition, Howay created subject files on historical sites and monuments throughout Western Canada, including Barkerville, the Cariboo, Fort Langley, Cut Knife Hill, Nootka Sound, Fort Steele, and Fort Walsh.

The fonds consists of correspondence, minutes, subject files and printed materials related to the NDP Executive Committee, the Labour Policy Committee, Vancouver civic politics, labour education, Canadian Labour Congress, International Woodworkers of America and Brown's work at the Eburne Sawmill.

The Jim Hamm Doukhobor Research Collection consists of two VHS copies of the documentary film, The Spirit Wrestlers, and other materials relating to the production of the film such as Betacam SP videos (camera masters), VHS videos screening copies, 35mm slides, digital photos on CD, audio cassettes and transcripts of the interviews in hard copy and on CD. In addition, footage logs, printed material, photographs and photocopies of photographs relating to the film have been created or collected, 1999-2002.

The fonds consists of the personal records of Gilean Douglas which were produced and received during her personal and literary activities . It includes manuscripts of poems, articles, short fiction and books ; material generated and collected by Douglas during her involvement with various organizations ; notes and drafts of various writings ; research materials ; an extensive professional, fan and personal correspondence; financial records ; legal records ; lists and inventories ; records of publication ; clippings. There are journals and engagement books dating from 1911, notebooks and address books, and scrapbooks containing clippings of Douglas' published articles and poems . There are also scrapbooks and correspondence generated by her parents dating back to the 1880s. There is a notable gap in records dating from 1929 to 1932.

Photographic records date from the 1890s to the I990sand include prints, framed portraits, slides, negatives and film strips. A large assortment of photos documents her family and childhood. Douglas started taking photographs as a child. By her early twenties she was an accomplished photographer, using her own pictures to illustrate her writings. Photographs taken by her during the 1920s through the early 1940s are for the most part found in the albums. Pictures taken in the 1950s and 1960s fall into 3 main categories : black & white photos of the B .C. coast taken during her trips on the boats of the Columbia Coast Mission, color and black & white photos of communities in B .C. and eastern Canada taken during her trips for the W.I ., and pictures of Channel Rock . Unfortunately the slides and pictures taken on WI trips are unlabelled and for the most part can only be identified as to general location and date. During the 1970s and 1980s the photographs are almost exclusively of Channel Rock. A representative sample of these is included in this series ; others may be found at the Cortes Museum and Archives.

Aside from Douglas' own photographs, there are several interesting groups of other people's pictures in this collection: an album with pictures of overseas service during World War I, a group of labelled photographs of Baffin Island, Pangirtung, etc. taken in 1926/27 by an RCMP officer, and photographs from a trip around the world on a freighter in 1919.

The records offer insight into Douglas' personal history and literary development . They document, in words and pictures, an unusual and interesting life which began at the turn of the twentieth century.

Collection reflects Allen’s early life in England, including artistic pursuits and hobbies such as photography, poetry and writing, as well as her later artistic works from her time in Canada. The records also document her day-to-day and family life, in both England and Canada. Textual records include journals and clippings, and graphic material includes drawings, paintings, and photographs. The collection is divided into two series: Journals and Artwork.

The fonds consists of four series: Personal Papers, the Canadian Radio League, the Canadian Broadcasting Corporation, and Dorothy Plaunt Dyde. Fonds contains correspondence, financial records, subject files, clippings, reports, submissions, publicity material, and other documentary forms. The Plaunt correspondence contains a detailed record of the events surrounding the history of the Canadian Radio League, the Canadian Radio Broadcasting Commission (1932), and the Act creating the Canadian Broadcasting Corporation.

The fonds consists of books by and about Robert Burns and 18th century Scotland and Donaldson's correspondence and papers relating to the development of his Burns collection.

The fonds consists of minute books, subject files, and clippings (1930-1962).

The fonds consists of records generated by the Lower Mainland Regional Planning Board (1949-1969) and its successor, the Greater Vancouver Regional District Planning Department. It includes correspondence, minutes of meetings, studies, surveys, briefs, discussion papers, reports, plans, maps, graphs and clippings.

The fonds consists of manuscripts and published forms of Evans' articles, short stories, radio plays, poems and novels. The fonds also contains many of Evans' diaries, journals, notebooks and sketchbooks which provide valuable insights into the author's personality. His extensive business and personal correspondence includes letters to and from Margaret Laurence, Silver Donald Cameron and Grace MacInnis, as well as many readers and publishing houses. The fonds also includes audio and video recordings of interviews, poetry, stories and novels used by Hubert Evans when his eyesight began to fail. Finally, the fonds contains the papers of Evans' wife Ann (Anna) Winter Evans, which consists of stories and articles.

The fonds consists of business records including correspondence, financial records, subject files, and manuscripts.

The collection consists of minutes of the Fraser River Canners' Association (1900-1909) and the British Columbia Canners' Association (1909-1923) and records from their members' canneries: Acme, Albion, Atlas, Colonial, Celtic, Dinsmore, Great West, Imperial, Pacific Coast, Terra Nova, and Vancouver. The collection also includes 25 scrapbooks of clippings (1900-1923) and photograph albums.

The fonds consists of records collected and created in the course of Southam's research into the life and work of H.R. MacMillan. Fonds includes interview notebooks, sound cassettes, press clippings, and correspondence.

The fonds consists predominantly of textual, graphic, and cartographic materials documenting the efforts of Harley Hatfield, in conjunction with the Okanagan Similkameen Parks Society, the Wilderness Advisory Committee, and the Okanagan Historical Society, to establish the Cascade Wilderness area and the Hudson's Bay Company and Okanagan Brigade. The fonds also includes textual records illustrating Hatfield's research into old fur trading routes in that area. Additional material document facets of Hatfield's personal life and other interests.