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Archival description
Ann Blades fonds
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Willemina's Christmas (unpublished) - production

This series consists of materials relating to the production and attempted publication of Willemina's Christmas, including the draft and final illustrations and manuscript, and photographs and letters sent to publishers.

The Singing Basket-Production, Reviews and Materials.

Records in this series indicate that Blades was unsatisfied with the publication of <i>Jacques the Woodcutter</i>, so therefore purchased her rights to the artwork back from the publisher, and collaborated with author Kit Pearson to re-tell the story in <i>The Singing Basket</i>, published by Douglas & McIntyre in 1990.
Series consists of research materials, contracts (including the contract for <i>Jacques the Woodcutter</i>), sketches, correspondence, reviews, royalty documents and artwork pertaining to the publication of <i>The Singing Basket</i>. Note that the final artwork for <i>The Singing Basket</i>, is also largely the final artwork for <i>Jacques the Woodcutter</i>. The artwork has been annotated by the creator to indicate which paintings were used in which publication.

Adolph (unpublished) - production

This series consists of materials related to the creation and attempted publication of Adolph, including letters to publishers, draft and final copies of the manuscript, and draft and final illustrations.

Letters to and from publishers - 1974-1978

Blades notes that this file Includes letters from: Bill Toye, Oxford University Press, who gave Blades suggestions for editing the text; I.M. Owen, Dent and Sons, whose last letter includes interesting comments on the publishing scene; and Janet Lunn, who was Children's Book Editor at Clarke Irwin in 1974.

The Cottage at Crescent Beach-Production, Reviews and Publicity

Series contains a contract, sketches, drawings, paintings, manuscripts, storyboards, materials describing layout, correspondence, reviews, clippings and publicity, which document the production, sale and critical reception of the book, <i>The Cottage at Crescent Beach</i>. Some oversized materials are housed in a separate container; please see the file list for further detail.

General Publicity Materials

This series contains publicity materials not related to any specific book, including profiles, interviews, articles, newspaper clippings, and two taped radio interviews. Also included are flyers created and distributed by Blades when she was attempting to do more presentations.

Publicity - 1974-2004

Included are cassette tapes of a December, 1987 interview with John Anderson (CKO, Vancouver) and a July 1979 interview with Jeff Venoit (CJVB, Vancouver). These have been removed and can be found...

Invitations declined

File contains invitations to exhibit her art, give presentations and speeches, and travel to other countries which Blades declined, many because she was busy with child care after her sons were born in 1984 and 1987.

Letters related to work

This file consists mostly of letters from fans, authors, and illustrators. Notable correspondents by volume include Elizabeth Cleaver, Kit Pearson, Joyce Barkhouse, Deborah Turney Zagwyn, Sheila Egoff, Irene Aubrey, Christie Harris, Janet Lunn, and lawyer William McConnell. Notable correspondents with only a letter or two include Tim Wynne-Jones, Sandy Frances Duncan, Anne Walsh, and Ted Harrison.

Fowlini (unpublished) - production

This series contains materials related to the production and attempted publication of Fowlini, including letters to various publishers, draft and final copies of the manuscript, and draft and final copies of the illustrations.

Six Darn Cows-Production and Reviews.

Series contains a storyboard, page layout, sketches, rejected and accepted artwork, and reviews for the book, <i>Six Darn Cows</i>. Other documents relating to the publication of <i>Six Darn Cows</i>, can be found in the “Anna’s Pet/Six Darn Cows Materials,” series. These materials are in a separate, intermingled series because the documents found in the files relate to both books. The two works were published as part of the same series, around the same time. As a result, the creator filed many of the documents together. They have been maintained as a separate, integrated series in order to reflect the original organizational system utilized by Blades.

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