Correspondence, Second set of copies of transcripts of letters: Carr, Emily to Cheney, Nan
- RBSC-ARC-1121-2-11
- File
- 1941
Correspondence, Second set of copies of transcripts of letters: Carr, Emily to Cheney, Nan
Correspondence, Second set of copies of transcripts of letters: Carr, Emily to Cheney, Nan
Correspondence, Collected Letters
Antoniou, Sylvia to Toms, Humphrey, 1979-1980, 3 items
Henry, E.M. (Chartered Trust and Executor Company) to McCurry, H.O. (National Gallery of Canada), 1944, 2 items
Kraetschmer, Diana to Toms, Humphrey, 1979, 1 item
McCurry, H.O. to Henry, E.M., 1944, 1 item
Toms, Humphrey to Antoniou, Sylvia, 1980, 1 item
Sub-series consists of clippings from newspapers and periodicals relating to Emily Carr’s activities and work.
Sub-series contains notes taken by Nan Cheney on articles and lectures.
Envelopes, stamps, and cards relating to her activities
Sub-series contains three unpublished manuscripts on Emily Carr.
Prints of Toronto artists, ca. 1929, T. Tanabe, 1953, A.Y. Jackson, 1914, and Dr. G. Sedgwick, 1939
20 prints and 1 slide relating to Nan Cheney’s work and friends
Correspondence, Outgoing Letters, Cheney, Nan to Humphrey Toms
Incoming letter 25 February 1951, advertisement for an exhibition 1963, clipping, and Christmas cards relating to her activities.
Photographs, clippings, and notes pertaining to the life of the well known woman who Cheney painted
Clippings and printed material pertaining to art, galleries, and exhibitions in Canada. There is a folder relating to the Vancouver art Gallery (1941-1985) and a folder pertaining to the Museum of Anthropology at U.B.C.
Clippings and printed material pertaining to art galleries, and exhibitions in Canada. There is a folder relating to the Vancouver Art Gallery (1941-1985) and a folder pertaining to the Museum of Anthropology at U.B.C.
1 clipping pertaining to her work, a copy of her portrait of Dr. Sedgewick, 1949, and a photograph of one painting. The folder includes 2 letters from Jo Newton re: Lilias Newton, 1979-1980, as well as an obit appraisal, 1980.
Newspaper and periodical clippings pertaining to his activities; cards; his forward to Haida Monumental Art.
Clippings and announcements of exhibitions.
Clippings about Spatsizi, Skeena River, and Bruno Gerussi.
Two catalogues from the National Gallery of Canada; clippings pertaining to the National Gallery; 2 book reviews.
Clippings, brochures, and announcements of American art and artists. There is a clipping about photography as well as a 1936-1937 circular from the School of the Museum of Fine Arts in Boston.
Announcements of exhibitions of European, Asian, and African art, and clippings about European art, Rodin and Rilke.
Kay Cashmore’s memorandum and Victor Doray’s original Foreword for <em>Dear Nan</em>.
Correspondence and memoranda, wills of Cheney, Carr, and Ira Dilworth (photocopies).
1923 – [Chest cavity] [photographic print]
1923 – Cancer of Kidney [photographic print, on board]
1923? – [Abdominal studies] [on board]
1924 – Aplastic Kidney [photographic print] (2 copies)
1924 – Infectious Granuloma (left) [Dr. Mackenzie] [photographic print] (2 copies)
1924 – Hydronephrosis - - Anterior View [photographic print] (2 copies)
1924 – Hydronephrosis - - Posterior View [photographic print] (2 copies)
Sub-series consists of incoming letters and envelopes from Ethel Wilson, Wallace Wilson, and Dorothy McNair to Cheney.
Correspondence, Incoming Letters, Ethel Wilson
Correspondence, Incoming Letters, Ethel Wilson
Correspondence, Incoming Letters, Wallace Wilson, Dorothy McNair, [Mary Dobbs?]
Sub-series consists of clippings from newspapers relating to Wilson’s activities.
Slides of Ethel and Wallace Wilson
Emily Carr with her longhaired griffon at the back veranda of 646 Simcoe St. Victoria, B.C.
Emily Carr smoking in her studio at 316 Beckley Street
"Telegraph Bay" a painting by Emily Carr. Painted summer 1939, 24" by 36"
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Emily Carr sick in bed with her shorthaired griffon
Emily Carr sick in bed with her shorthaired griffon
Emily Carr sitting in studio with shorthaired griffon, at St. Andrew's St., Victoria
Emily Carr looking thoughtful in her 316 Beckley St. studio. (Close-up on face)
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Emily Carr in her Beckley St. studio wearing a dress made from a Hudson's Bay blanket
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A portrait of Emily Carr painted by Nan Cheney in 1937. (Close-up shot of painting)