Series consists of offprint copies of poems, essays, translations and review articles published in various journals. It also includes a copy of Dance to the Anthill: Verses chiefly light and satiric (1974) and the posthumously published Rueful Rhymes: The Satirical Verse of a Couple of Anti-bodies (1994).

Series consists of fifteen photographs that include photographs of Geoffrey Riddehough from childhood to adulthood. Photographs have been removed and filed with the UBC Library Open Collections Series UBC (77.1).

Series consists of a true copy of Geoffrey Riddehough's birth certificate, French Carte D'Identite, Biblioteque Nationale card, and passport.

Sous-fonds consists of correspondence to Brennan from Riddehough and Brennan and Doreen Nalos from Riddehough. These often included copies of his poetry. The series also includes correspondence to Brennan from Riddehough's acquaintances after his death and from the trust company concerning his estate.

Series consists of notebooks and scrapbooks that record Riddehough's interest in classical music, gardening, and World War II and classical literature.

The sous-fonds consists of approximately 17 cm of outgoing letters and poetry sent by Riddehough to the Murray and Marian Cowie (1960-1976).

Series consists of a letter concerning travel to Cornwall, a sales receipt for Cornish books, a three-part supplement to "Cornish Simplified," and two Cornish publications. Series also includes two prints, one of UBC's Main Library by John Ridington and Riddehough’s annotated copy of “Greek Lyric Poets.”

Series consists of manuscripts that were sent to publishers and personal copies. A number of these are annotated and signed. The series also contains two manuscripts which are accompanied by publisher rejection letters.

Robertson would have met Geoffrey Riddehough while studying English and History at the Fairview campus. Riddehough wrote to Robertson seeking academic and professional advice. Robertson was also responsible for establishing the Classics Club, of which Riddehough was a member, which was maintained until the early 1990s. Sous-fonds consists of Riddehough's correspondence to Robertson during the years he studied overseas in London and Paris.

Series consists of classics lectures that Riddehough presented to his students, academic peers, University clubs and outside associations; notes taken in preparation for these lectures; and notes taken at lectures he attended personally.

Series consists of photostatic copies of medieval poetry manuscripts of Joseph of Exeter, microfilm copies of the poet's works, Latin and English translation notes, correspondence, book reviews, and published articles and manuscripts written by Riddehough relating to this topic.

Fonds consists of a variety of materials, but the focus is on the literary works of Geoffrey Riddehough and includes drafts, manuscripts, and publications of his poetry and short stories. The fonds also contains a number of academic essays, research materials on Joseph of Exeter, and papers that Riddehough presented to various groups. There is also correspondence of both a professional and personal nature. Fonds consists of 3 sous‐fonds and 14 series: Pegeen Brennan sous‐fonds, Lemuel Robertson sous‐fonds, Doreen Nalos sous‐fonds, Murray and Marian Cowie sous‐fonds, Personal Information series, Published Materials series, Manuscripts and Unpublished Materials series, Assorted Poems: Miscellaneous series, Assorted Short Stories: Miscellaneous series, Lecture Notes and Papers Presented series, Joseph of Exeter Research Materials series, Coursework series, Notebooks and Scrapbooks series, Diaries series, Expense Ledgers / Accounts series, Correspondence series, Photographs series, and Miscellaneous series.

Series consists of ledgers/accounts that record monthly tabulations of Riddehough's mortgage payments, bills, groceries, purchases, travel costs, and other expenses incurred.

Sous-fonds consists of Riddehough's letters and copies of his poetry sent to Nalos.

Series consists of annual diaries containing notes on Riddehough's daily activities, personal reflections, newspaper clippings, and contact information for friends and acquaintances.

Series consists of notes, exercises and assignments from numerous university courses that Riddehough completed. Series also includes a certificate and copy of the Bowdoin Latin Prize-winning essay (1950).

Series consists of personal and professional correspondence that Riddehough received throughout the years. The personal correspondence includes letters and cards from acquaintances: Lieutenant A. Germot, Geraldine Raymond, Reverend W.J. Smallhorne, and Lynette Webb. The professional correspondence reflects Riddehough's efforts to have his selection of verse, "Dance to the Anthill," published. Some of the personal correspondence is in French.

Series consists of an assortment of short stories. A number of the stories were written in Paris, London and Vancouver, as evidenced by the inscription of the author's address of residence.

Series consists of assorted poetry. Some of the poems composed by Riddehough have been annotated with the names of acquaintances who received copies, and several poems have been translated.