File consists of five large format artist proofs of photographs that were printed during Carruther’s residency at the Banff Centre for the Arts. They measure 29” x 44” (74cm x 112cm) and are comprised of giclée on Epson enhanced matter paper.

File consists of a related composition entitled Patina, a musical program, and an essay by Di Castri as well as an agreement, invoice, and various correspondences between her and Kevin Madill, the Head Librarian at UBC’s Music, Art, and Architecture Library, in reference to her contributions to the Canadian Women Composers Collection.

File consists of documentation of arrangements included in Monk Feldman’s contributions to the Canadian Women Composers Collection as well as a signed agreement and multiple emails between her and Kevin Madill, the Head Librarian at UBC’s Music, Art, and Architecture Library.

File contains notes and handwritten and edited sketches related to Carol in Three-Three Time. File consists of 10 pages.

File consists of one commercial audio CD,

File consists of one commercial audio CD, Bridges. CD consists of ten tracks by Freedman playing clarinets, distributed by Quebec : DAME in 2009.

File consists of one commercial audio CD, Excess. CD consists of six tracks, of which track three is performed by Freedman and the remaining tracks performed by other artists/ensembles. This CD was manufactured by Canada : Collection QB in 2019.

File consists of one commercial audio CD, Huskless! Lori Freedman Live in Concert. CD consists of eight tracks of Freedman playing clarinets, distributed by Ontario : Artifact Music in 1999.

File consists of materials that served as inspiration to Di Castri during the writing of Sprung Testament, including Beethoven letters and “The Topography of Tears,” a photographic investigation of tears by Rose-Lynn Fisher.

File consists of the full orchestration of Gateways with handwritten edits that build on the previously submitted chamber version as well as the final orchestrated score. The edits include information about when changes were made according to what color ink they are written in.

File consists of one audio CD of a private live performance recording of Concerto Now and Then by Freedman in Montreal in 2020.

File consists of a single page program from "Now and Then V: autour de l'improvisation" from the February 20, 2020 performance by Freedman in Montreal.

File consists of two pages (front and back) of a sketch of the cover page for Concerto Now and Then by Freedman and a letter she received from the Centre de Musique canadienne au Quebec.

File consists of a single page of textual information about Freedman's Concerto Now and Then private audio CD recording of the 18 Feb., 2020 live performance; including information about the composer, performers, performance date, and performance venue.

File consists of 24 pages (front and back) of unlined paper taken from Freedman's blue Japanese workbook featuring handwritten notes and sketches for Concerto Now and Then.

File consists of 44 pages (front and back) of lined paper taken from Feedman's orange workbook of handwritten notes and some sketches in black and red ink for Concerto Now and Then.

File consists of six pages (front and back) of semi-lined and unlined paper taken from Freedman's Green workbook of sketches and handwritten notes for Concerto Now and Then.

File consists of ten pages of unlined paper taken from Feedman's black workbook featuring green, pink, and black line sketches and some handwritten notes for Concerto Now and Then.

File consists of photocopies of notebook sketches created by Di Castri during initial brainstorming for her collaboration with Jennifer Koh.

File consists of the first rehearsal draft of Di Castri's collaboration with Jennifer Koh, along with handwritten edits.

File consists of notebook sketches created by Di Castri during initial brainstorming for her collaboration with Jennifer Koh. Pages are numbered.

File contains notes, sketches, two full scores dated from 17 January 2024 and one full score dated from 24 January 2024, all with handwritten edits, for First and Gracious Sight. File consists of 48 pages.

File consists of the final score of Gateways: Double Concerto for Erhu, Piano, and Chamber Orchestra, totaling 95 pages.

File consists of 51 pages of handwritten sketches of Gateways as well as a photocopy of each page and an explanation of contents written by Chang.

File includes initial ideas, concepts, sketches, and a working draft for Movement 1 of Gateways, entitled "a letter to home," along with handwritten edits and notes.

File consists of initial ideas, planning notes, and a draft of Movement 2 of Gateways, entitled "slow fires," along with handwritten edits and notes.

File includes planning notes, sketches, and drafts of Movement 3 of Gateways, entitled "games," along with a photocopy of each page and Chang's explanation and timeline of changes.

File consists of three pages of handwritten planning notes for Gateways, a photocopy of each page, and a photocopy of Chang's timeline and explanation of movement changes.

File consists of the event program detailing a performance of Chang's Gateways for Chamber Orchestra on Saturday, April 14th, 2018. Relevant pages are 57-59.

File consists of two pages of the 2009 revision of Gradients of Detail including handwritten notes.

File consists of two copies of the three page (six pages total) Appendix for Gradients of Detail. This file constains the Ratio Analysis for Rehearsals.

File consists of four pages of an interview of Szlavnics given by Gisela Gronemeyer in Berlin. File is written in German with very little English.

File consists of one page of Szlavnics' artist statement on how they composed Gradients of Detail for Quatuor Bozzni.

File consists of one bound booklet with a total of 22 pages (front and back) of the 2008 "Zeit Im Bild - Notation, Film, Objekt. Bludenzer Tage zeitgem

File consists of one page (front and back) for the composer's application for the Canada Council Commissioning Program of the composition of Gradients of Detail for Quatuor Bozzini. The reverse side of the application is written in Croatian with time-stamps and handwritten edits.

File consists of 11 spiral bound pages (five of which being front-and-back) of the final score of composer's Gradients of Detail 2021 edition.

File consists of 11 unbound pages (five of which being front-and-back) of the final score of composer's Gradients of Detail 2021 edition.

File consists of one bound book with a total of 360 pages (front and back) of the 2006 "festival f

File consists of 12 pages of notes for revision and rehearsal of Gradients of Detail for Quatuor Bozzini, a stringed instrument quartet group based in Motreal, QC. Composer has included a post-it note saying that this must have been printed in Toronto.

File consists of one page of Gradients of Detail original drawing of Composition Part 3 interleaved with two protective sheets of paper.

File consists of two numbered pages of Gradients of Detail original drawings of Composition Parts 1 and 2 interleaved with two protective sheets from a bound sketchbook. File also includes one prinout of the two original drawings as facing pages.

File consists of eight spiral bound pages (front and back, including covers) of the original score of Gradients of Detail with handwritten notes by Szlavnics.

File consists of one audio CD and one 19 page (front and back) booklet of Gradients of Detail performed by Asasello Quartet in 2005-2006. The score is the third track on this album and runs for 21:22 minutes. The booklet contains several line drawings by Szlavnics from 2005-2013 and writing by Szlavnics about this visual element to Gradients of Detail.

File consists of five pages of untitled musical scores, potentially pitch charts for Gradients of Detail.

File consists of one page of the 2005/2006 score revision of Gradients of Detail for a string quartet. Composer included a handwirtten note saying: "see also: 'Ratio Analysis for Rehearsals'" (RBSC-ARC-1817-03-07 of this series)

File consists of 16 spiral bound pages (front-and-back) of the conductor's score of Il divertimento barocco performed October 5, 2018 at the Chan Centre for the Performing Arts. The score was signed by conductor Jonathan Girard in 2020.

File consists of two pages of handwritten edited musical score of composer's Il divertimento barocco.

File consists of four pages (front-and-back) of graph paper with handwritten preliminary notes and one page of musical score with sketched musical notes of composer's Il divertimento barocco.

File consists of a manuscript of the printed 1st version of Il divertimento barocco including the composer's handwritten edits as well as a photocopy of the invoice agreement between Sokolovic and UBC regarding her donation to the Canadian Women Composers Collection.

File consists of five medium photographs included in Di Castri's donation.