- RBSC-ARC-1823-PH-59
- Item
- [between 1960 and 1979]
Photograph was taken in the NW Coast[?], and is signed.
Photograph was taken in the NW Coast[?], and is signed.
Photograph was taken in Guatemala, and is signed.
Photograph was taken in Guatemala/USA[?], and is signed. There is a number "34" at back.
Photograph was taken in Guatemala, and is signed.
Photograph was taken in Guatemala, and is signed.
Photograph originally titled "Hot Springs Cove: Tofino Fisherman", as referenced in the book "Coast of Many Faces" p. 118. Photograph was taken in the NW Coast, and is signed.
Vietnam War Widow Columbus, Ohio 1970
Photograph was taken in the USA, and is signed with the title inscribed on front.
Ulli Steltzer photograph collection
The collection consists of 67 black and white photographs of various sizes taken by Ulli Steltzer in the 1960s and 1970s. Subjects include Northwest Coast Indigenous peoples and artists, Black, LatinX and Indigenous peoples in the USA and Guatemala, and a small number of portraits and still-life. Specifically, the collection contains seven original prints from her important book Indian Artists at Work, including the iconic cover image of Mabel Taylor of Port Alberni weaving a basket, a beautiful portrait of Dempsey Bob carving a human figure, and Haida basket maker Florence Davidson gathering spruce roots, among others. It also contains 14 original prints from her book Coast of Many Faces, including the cover image (Sam Webber and his daughter Laura from Kingcome Inlet), and photos from the Nass River, Alert Bay, Port Neville, Ahouset, Massett and other coastal places. There are eight 1967 - 1968 photographs of Black Americans in the Mississippi Delta, Georgia, and Alabama as well as images of LatinX Americans and Vietnam War widows, as well as photographs of the Maya in Guatemala.
Steltzer, Ulli
Photograph was taken in Guatemala/USA[?], and is signed.
Photograph was taken in Guatemala/USA[?], and is signed. There is number "39" at back.
Photograph is signed.
Photograph originally titled "Tasu One of the Entrances into the Mine", as referenced in the book "Coast of Many Faces" p. 200. Photograph was taken in the NW Coast, and is signed with the title inscribed on front. Kahn reference: CMF 200.
Photograph was taken in the USA, and is signed with the title inscribed on front.
Soul Roots Festival, Atlanta, Georgia 1967, Lady Singing
Photograph was taken in the USA, and is signed. Kahn reference: Soul Roots Festival, Atlanta, Georgia 1967.
Soul Roots Festival, Atlanta, Georgia 1967, Choir
Photograph was taken in the USA, and is signed. Kahn reference: Soul Roots Festival, Atlanta, Georgia 1967.
Soul Roots Festival, Atlanta, Georgia 1967, Audience
Photograph was taken in the USA, and is signed. Kahn reference: Soul Roots Festival, Atlanta, Georgia 1967.
Photograph originally titled "Alert Bay: Laila Butcher, Eino Bakkala, and Emil Ahon from Sointula for the Ferry Home", as referenced in the book "Coast of Many Faces" p. 95. Photograph was taken in the NW Coast, and is signed with the title inscribed on front. Kahn reference: CMF 95.
Photograph originally titled "Mary Abel, Okanagan Lake, Soaking Deer Hides", as referenced in the book "Indian Artists at Work" p. 120. Photograph was taken in the NW Coast, and is signed. Kahn reference: IAW 120.
Photograph was taken in Guatemala, and is signed.
Sam Webber and Laura, Kingcome Village, BC, 1978
Photograph originally titled "Kingcome Village: Sam Webber and his Daughter Laura", as referenced in the book "Coast of Many Faces" p. 85 [& Cover?]. Photograph was taken in the NW Coast, and is signed with the title inscribed on front. Kahn reference: 1 CMF Cover & 85.
Photograph was taken in the USA, and is signed.
Photograph originally titled "Rivers Inlet: John Anderson Fishing with his Gillnetter 'Sonsy' at Dawn near Wadhams", as referenced in the book "Coast of Many Faces" p. 73. Photograph was taken in the NW Coast, and is signed with the title inscribed on front.
Photograph was taken in Asia[?], and is signed.
Photograph originally titled "Skedans Rock: Sea lions", as referenced in the book "Coast of Many Faces" p. 188. Photograph was taken in the NW Coast, and is signed with the title inscribed on front.
Photograph was taken in Guatemala, and is signed.
Photograph originally titled "Port Neville: The Hansens' Farm", as referenced in the book "Coast of Many Faces" p. 106. Photograph was taken in the NW Coast, and is signed with the title inscribed on front. Kahn reference: 1 CMF 106.
Photograph was taken in the USA, and is signed with the title inscribed on front.
Photograph originally titled "Old Masset", as referenced in the book "Coast of Many Faces" p. 212. Photograph was taken in the NW Coast, and is signed with the title inscribed on front. Kahn reference: CMF 212.
Photograph originally titled "Fishery Bay: At Charlie's Moore's Camp Enough Wood has been Cut to Dry out for Next Year's Oolichan Season", as referenced in the book "Coast of Many Faces" p. 12 Photograph was taken in the NW Coast, and is signed with the title inscribed on front.
Photograph was taken in the USA, and is signed with the title inscribed on front.
Migrant Woman New Jersey, 1968
Photograph was taken in the USA, and is signed with the title inscribed on front.
Photograph was taken in the USA, and is signed with the title inscribed on front.
Photograph was taken in the USA, and is signed. Kahn reference: Soul Roots Festival, Atlanta, Georgia 1967.
Photograph was taken in Guatemela/USA[?], and is signed.
Photograph was taken in the USA[?].
Photograph was taken in the USA, and is signed.
Magdealena Herhahdez Macalajau, Guatemale, 1971
Photograph was taken in Guatemala, and is signed with the title inscribed on front.
Photograph was taken in the USA, and is signed with the title inscribed on front.
Photograph originally titled "Mabel Taylor, Port Alberni, Weaving a Shopping Basket Around a Wooden Basket Form", as referenced in the book "Indian Artists at Work" p. 67. Photograph was taken in the NW Coast, and is signed. Kahn reference: IAW 67.
Photograph was taken in the USA[?].
Photograph originally titled "Agnes George, Nautley Reserve", as referenced in the book "Indian Artists at Work" p. 133. Photograph was taken in the NW Coast, and is signed. Kahn reference: IAW 133.
Photograph originally titled "Kingcome River", as referenced in the book "Coast of Many Faces" p. 83. Photograph was taken in the NW Coast, and is signed with the title inscribed on front. Kahn reference: 1.
Photograph originally titled "Queen Charlotte: Joe Moreau in his machine shop", as referenced in the book "Coast of Many Faces" p. 196. Photograph was taken in the NW Coast, and is signed with the title inscribed on front.
Photograph was taken in the USA, and is signed with the title inscribed on front.
James Adams, Ahousat, B.C. 1977
Photograph originally titled "Ahousat James Adams", as referenced in the book "Coast of Many Faces" p. 128. Photograph was taken in the NW Coast, and is signed with the title inscribed on front. Kahn reference: 1 CMF 128.
Photograph originally titled "Skidegate: Irene Collinson and her husband Clarence (Dempsey), Hereditary Chief of Skidegate", as referenced in the book "Coast of Many Faces" p. 195. Photograph was taken in the NW Coast, and is signed with the title inscribed on front.
Photograph was taken in Guatemala, and is signed.
Photograph was taken in Guatemala, and is signed with the title inscribed on front.
Photograph was taken in Guatemala[?], and is signed.