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Archival description
Fonds Women
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Anna Banana fonds

  • RBSC-ARC-1845
  • Fonds
  • 1964-2020

Fonds contains materials arising from Anna Banana’s activities in the Mail Art network, her collecting of published materials and artworks, her performance art, exhibitions of her work and others, promotion of her activities, the production of various publications including VILE magazine, and the creation of visual art including artist trading cards, artistamps, collage, drawings and paintings. Materials were created in Victoria and Vancouver from 1964-1973, San Francisco from 1973 to 1982, Vancouver from 1982 to 1995 and the Sunshine Coast from 1995 to 2020, as well as on various tours and travels throughout this whole period. Materials are often focused on the neodadaist movements of San Francisco in the 1970s and beyond, as well as involvement in the Mail Art Network and performance art, and Anna’s personal and professional life.

The fonds is divided into 10 series: Mail art and correspondence, Interactive/performance art, Anna Banana’s publications, Artworks, Artist Trading Cards, Artistamps, Exhibitions, Photographs, Press, Collected publications. Records include textual materials, particularly letters, postcards, books, periodicals, zines, and other published materials; graphic materials such as envelope art, photographs, collage, xerox art, ink and pencil drawings, and watercolour; and other items such as CDs, DVDs, and various artefacts.

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Bevel Up fonds

  • RBSC-ARC-1841
  • Fonds
  • 2006-2009

The fonds reflects the process of creating the documentary film Bevel Up: Drugs, Users and Outreach Nursing (entitled “Taking Health to the Streets” during production). Bevel Up is a co-production between the Street Nurse Program of the British Columbia Centre for Disease Control (BCCDC) and the National Film Board of Canada (NFB), with financial support from Health Canada and the BC Nurses’ Union (BCNU), and was created in collaboration with Canada Wild Productions Ltd. (Nettie Wild and Betsy Carson).

Filmed over six months in 2006, and over two years in production, Bevel Up was created in collaboration with the street nurses and a crew which included director Nettie Wild, cinematographer Kirk Tougas, producer Betsy Carson, and editor Mike Brockington.

Bevel Up is a 45-minute film, shot in the style of cinema verite (showing people in everyday situations), at the heart of a four-and-a-half-hour interactive DVD that features separate menus on a range of professional, ethical, and legal issues related to the delivery of health care to drug users. There is also an accompanying teaching guide.

The documentary was the brainchild of Caroline Brunt, a street nurse with the B.C. Centre for Disease Control and is designed to help student nurses and seasoned professionals working with drug using populations. Bevel Up: Drugs, Users and Outreach Nursing follows a team of street nurses as they reach out to youth, sex workers and street entrenched men and women in the alleys and hotels of Vancouver’s Downtown East Side. Most importantly, the nurses reflect on attitudes that can make or break the relationship needed to successfully provide practical and nonjudgmental health care.

Materials include master tapes of raw footage, edited video and audio tapes, final copies of the interactive DVD and teaching manual, CDs containing the French translation of the teaching manual, a promotion trailer, a publicity clip reel, printed annotated transcripts, press kits, publicity posters, magazine reviews, a distribution chart and a publicity report.

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Barbara Schrodt fonds

  • UBCA-ARC-1381
  • Fonds
  • 1925-1984

Fonds consists of Barbara Schrodt's Ph.D. thesis and related research materials as well as publications written and collected by Schrodt.

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Women’s Resource Centre fonds

  • UBCA-ARC-1552
  • Fonds
  • 1970 - 2003

This fonds consists of textual records, photographs, newspaper clippings, a VHS tape, and an audio reel. The materials focus on the history (or “herstory”) of the Women’s Resource Centre, emphasizing their move from the UBC Robson Square, where they originally opened in 1973, to the UBC Point Grey campus in 2002.

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Muriel Grant fonds

  • UBCA-ARC-1513
  • Fonds
  • 1916-1919

Fonds consists of a scrapbook created by Muriel Grant, with newspaper and magazine clippings and event programmes attached to the pages.

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Sharon E. Kahn fonds.

  • UBCA-ARC-1530
  • Fonds
  • 1987-2004

The fonds consists of records which primarily document Sharon Kahn’s activities as Director of Employment Equity (1989-94) and Associate Vice-President, Equity (1994-2005). The records include correspondence, reports, minutes, clippings, and other published materials. They are arranged in two series: the Equity Office series, which documents in a general sense UBC’s Equity Office and Kahn’s activities as its head; and the Equity Cases series, which documents two high-profile cases with which Kahn and the Equity Office were involved.

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Women’s and Gender Studies fonds

  • UBCA-ARC-1551
  • Fonds
  • 1989-2012

Fonds consists of administrative records pertaining to the activities of the Women’s Studies Program, the Centre for Research in Women’s Studies and Gender Relations, and research papers put out by the Centre and related bodies. Records include correspondence, minutes, annual reports, publications, course lists, student activities, program advertisements, reviews, bound publications of working papers and conference proceedings.

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