Sub-series consists of published written work by other journalists about Schlesinger, in the form of clippings, periodicals, website printouts, and photocopies.

Images depict Beatrice Millar engaged in various product demonstrations, preparing for one or more television appearances, group photos of B.C. Hydro staff. The subseries also includes photographs used for the publications Millar worked on while at B.C. Hydro.

Contains:
BC1932/249-50: Bea Millar with CHAN-TV announcer Bill Phillips and producer, Brian Warkman producing home freezer commerical for 7 o'clock news. May 10, 1961, b&w, 21x26cm.
BC1932/251: Bea Millar demonstrating Christmas ornamentation, b&w, 21x26cm.
BC1932/252: Bea Millar on Channel CKPG2 program, b&w, 21x26cm
BC1932/253: Bea Millar on television wrapping foil around object, b&w, 21x26cm
BC1932/254: Beatrice Millar reading booklet "Keeping the Heat In," b&w, 14x20cm
BC1932/255: Beatrice Millar, Pat Bates, Dan Bowditch and Sandy Ghitan, b&w, 9x13cm
BC1932/256: Beatrice Millar in Cable 11 Cranbrook Office, b&w, 9x13cm
BC1932/257: Beatrice Millar preparing set? b&w, 9x13cm
BC1932/258: Beatrice Millar in group photo, b&w, 13x18cm
BC1932/259: Beatrice Millar standing in front of backdrop of poster, col., 18x13cm
BC1932/260: Beatrice Millar in front of B.C. Hydro Office, Golden B.C. in snow, January 1971, col., 9x13cm
BC1932/261: Beatrice Millar standing alone in a field, col., 9x9cm
BC1932/262: Beatrice Millar in group photo, col., 9x9cm
BC1932/263-267: Beatrice Millar on set preparing for a television appearance, 1979, b&w, 13x18cm
BC1932/268: Kitchen, c. 1950, b&w, 21x26cm. Dominion Photo Co., Vancouver
BC1932/269: Kitchen, c. [197-?], b&w, 21x26cm, Don Berg Studios, Minneapolis
BC1932/270: Kitchen, b&w, 21x26cm. Copy print
BC1932/271-278: Home Economics Open House Meeting and School Program Set Up, b&w, 9x9cm. Negatives available.

This group is comprised of photographs Douglas used to illustrate magazine and newspaper articles (primarily those articles written in the 1950s and 1960s). They are from various sources, including Douglas' own photos, prints obtained from archives and commercial source, and from correspondents. Some have typed captions attached with tape. All are black & white prints unless otherwise noted. Douglas' original groupings have been maintained; the photos are still for the most part in the original envelopes in which Douglas kept them.

Subseries consists of portraits of Hanne (and another woman, possibly her sister Elizabeth) taken by European photographers. At least five photographs of Hanne were taken by Grete Weissenstein (known professionally as Ingret) and at least two by Madame D’Ora, a famed Austrian fashion and portrait photographer. Those photographers responsible for the remaining pictures in this subseries are unknown.

Subseries consists of photographs of Coolie Verner, his friends and colleagues and his art collection. None of the photographs appear to have been taken by Verner. The majority of the images are snapshots. Many of the titles are derived from the contents of the photos. All of the people identified in the photographs are as noted on the backs of the pictures. There was no apparent order to the images; they have been arranged in chronological order.

Selected images are included in UBC Open Collections UBC 98.1.

The subseries consists of photographs of the APEC demonstration and other related events.

Subseries consists of photographs, negatives, and associated materials (envelopes, metadata papers), most of which were created by Hanne. These images document aspects of her life in Europe prior to immigrating to the United States and eventually Canada. There are photographs from her travels in Austria, France, Italy, and other countries, which reveal an interest in hiking, landscape photography, and architecture. There are also many photographs taken of Hanne’s friends, family, and even an apparent boyfriend/lover with whom she travelled extensively in the 1920s and 1930s. After arriving in North America, Hanne’s photos capture her life with husband George Walker — their hiking trips, the home they made for themselves in Vancouver, the many dogs they owned and loved over the years, and their friends and family in North America. Hanne’s interest (not to mention her education as a young woman) in portrait photography is also reflected in this subseries through the many pictures taken of herself, George, and the members of several local families, including the Koerners. Hanne also photographed the many sculptures she produced while living in Vancouver — sculptures which are not part of this fonds and are likely impossible to ever locate/recover.

Sub-series consists of an album of photographs depicting a 1969 tour of British
Columbia Forest Products Limited’s Renfrew Logging Division, and some slides
of the company’s Crofton and Mackenzie operations.

Sub-series consists of photographs and an illustration pertaining to the Canadian Tugboat Company, Limited. Photographs related to crew members, launching ceremonies and christenings, tug and barge operations, tug damage, the tug powerplant, and vessel construction.

Sub-series consists of six photographs that were published in the CZ News in
1963.

File consists of photographs documenting C.D.C. activities in late-1973 and 1974, including marches and rallies taking place under C.D.C. sponsorship, fundraising events, public meetings, and so on.

Sub-series consists of photographs and photonegatives of Ethel and Wallace Wilson.

Sub-series consists of photographs and negatives pertaining to Pacific Mills
Limited’s operations in Ocean Falls, B.C., and the construction and operation of
the previous mill. Sub-series also includes many photographs relating to the
development of Ocean Falls, B.C. as a community.

Sub-series consists of prints and slides of artists, paintings, Cheney’s work, and her friends.

Subseries contains original photographs taken or collected by Philip J. Thomas. Thomas' photographs range in subject matter including research materials, folk song singers, and himself. The majority of the subseries are black and white negatives, while there are also colour photographs.
The arrangement of the subseries reflects that of the material at acquisition. Therefore, each file represents a binder, while each division within a file matches the division of photos within the binder.

Sub-series consists of prints and slides relating to Emily Carr, her work and house.

This grouping contains portraits of Douglas, family members and friends; most are larger than snapshot size.

Item is a black and white photograph of Hortensia Allende, widow of deposed Chilean President Salvador Allende, at a rally in Vancouver. Image shows Allende in oblique angle profile standing behind a lectern. Beside her, partially obscured, is an unidentified interpreter.

Sub-series consists of five albums containing photographs of and related to the Victoria Lumber and Manufacturing Company, Limited. Includes many photographs of its construction, equipment, employees, a photograph of a parade float used in its fiftieth jubilee celebrations in 1939, one album of photographs of the Chemainus, British Columbia plant, and one album of active logging camps near the Chemainus plant.

Series also contains a history of the Victoria Lumber and Manufacturing Company, Limited, which includes photographs of its founders, important executive board members, and maps of areas where the Company was active.

Subsubseries consists of six laser prints, five with a text describing the content. Subjects include “A Blood Transfusion”; “No. 22 Canadian General Hospital”; “Landing in Normandy: Nursing Sisters of No. 10 Canadian General Hospital”; “Members of the Field Surgical Unit —Lt. (N/S) Stephen (Rt.) and Lt (N/S) Hackland; “Mary C. Young and A. Kemp, Lt (N/S) of 12 Canadian General Hospital—in “full marching order”.

These photocopies were made by Kathleen Merken during the process of translating the diaries. Photocopying activity occurred primarily before 2004 with some additional copies being made in 2005. While the majority are full copies of each diary, there are some files that were created for thematic grouping of materials across years.

This series consists of approximately 500 prints and photos of immigrants and their institutions in U.S. and Canada. There is an index list with names, when available, that accompanies this series.

These albums include albums of Douglas' photographs dating from the early 1920s to the mid 1940s, as well as a family album and several albums of other people's photographs dating from 1916 to the 1930s.

Sub-series consists of the names, addresses and telephone numbers of union members.

Subseries documents the curator files of Phillip McCrum, Director/Curator of the Or Gallery from June 1987 to June 1989.

Exhibitions represented in this subseries include:

• Michael Lawlor, “Kitchen” (October 2-24, 1987)
• David Ostrem, “Psychedelic Pictures” (October 27 – November 7, 1987)
• Reid Shier, “Cartoons (November 24 – December 5, 1987)
• Ruth Scheuing, “13 Men: A Penelopean Approach” (December 8-19, 1987)
• Arni R. Haraldsson, Nan Legate, Eric Fiss, Michelle Normoyle, Cornelia Wyngaarden, “In the Vernacular”, guest curated by Petra Watson at the Arts, Sciences and Technology Centre (January 12 – February 13, 1988)
• Julie Duschenes and Mark Grady, “Dialogue”, guest curated by Todd Davis (January 4-30, 1988)
• Susanna Ruebsaat, “Silence vs. Voice: Speak No Evil” (February 2-13, 1988)
• Terry Ewasiuk, “Whos Eros” (February 16-27, 1988)
• Cheryl Sourkes, “The Environmental Unconsciousness” (March 22 – April 9, 1988)
• Persimmom Blackridge, Kris Bergthorson, Carol Williams, “Mayworks, A Festival of Culture and Working Life”, juried by Sara Diamond, Margot Butler, Elspeth Sage (May 7-28, 1988)
• Skai Fowler, “Presence/Observing” (May 31 – June 18, 1988)
• Michelle Normoyle, “Faithful Portraits” (September 21 – October 8, 1988)
• Erin O’Brien, “Object” (October 12-29, 1988)
• Ian Wallace, “New Work” (November 2-20, 1988)
• Robert Wiens
• Kris Bergthorson, “Broken Race” (February 14 – March 4, 1989)
• Kati Campbell, “Recent Work” (April 5-22, 1989)
• Reid Shier, Mina Totino, Michelle Normoyle, Stan Douglas, Erin O’Brien, Wendy Dobereiner, Henry Tsang, Phillip McCrum, Nancy Shaw, “The Vancouver Exchange” at the Cold City Gallery, Toronto (May 27 – June 21, 1989)

Plans for offering a Doctorate in nursing grew out of the context that nursing is accountable for the development of the body of knowledge upon which its service to society is based. The first students were admitted to the School of Nursing in 1991.

Subseries consists of records related to the ongoing administration of the PhD program in the School of Nursing at UBC, including the integration of international and interdisciplinary students and the delivery of courses. Reports, memoranda, and minutes of the Planning and Coordinating Committees are included. The PhD Planning Committee was an ad hoc committee of the Graduate Curriculum Committee.

Subseries consists of photographs related to the UBC School of Nursing PhD program.

Subseries consists of letters, faxes, and documents exchanged by Peter W. Ufford and David Strangway.

Sub-series consists of tax returns for a man employed as a logger by Pacific Mills, Limited.

Subseries documents the coordination of YWCA Metro Vancouver’s staff and volunteers.

Records consist of directories, reviews, job descriptions, reference materials, and other records arising from personnel management.

Subseries consists of a photographs of a trip to Maligne Lake, Jasper National Park, with a number of other photographs.

This grouping of photographs is composed of the personal photographs of Douglas which are not found in albums. Most of the pictures were taken by Douglas ; some by parents or friends . The organization is roughly chronological, with some subject groupings, and follows the original ordering of the pictures. Duplicates have been removed. The photos are still for the most part in the original envelopes in which Douglas kept them ; quotation marks indicate Douglas' notation. Some envelopes contain both prints and negatives. All are black and white prints unless otherwise noted.

Subseries reflects Anna Banana’s separation of personal correspondence from her mail art network activities. Correspondence from some individuals located in this subseries can also be found elsewhere, and much of her personal correspondence might also be considered mail art. The series was created between 1967 and 2016. Much of the correspondence is made up of greeting cards from friends, letters to and from family members, as well as correspondence relating to Banana’s romantic endeavors.

The series arises out of distinctions that Banana made in her own filing system and has not been changed. It is generally made up of textual materials such as letters, cards, postcards and envelopes, but also contains graphic and photographic materials.

Sub-series consists of Personal [Personnel] files of individual employees. The files consist of copies of memorandums received by the union that relate to issues concerning Imperial Oil Ltd. and individual union members. These issues include absenteeism, performance interviews, and the wearing of beards.

Sub-series consists of a document appointing Belcher Commander of the HMSV Aetna in 1830 and a certificate granting Belcher an honourary membership in the Royal Halifax Yacht Club.

Provenance information, detailed inventories, conservation histories, sales and acquisition records, donation documentation and correspondence regarding exhibition and research of Sawyer's personal collection.

Subseries consists of correspondence pertaining to certain topics (such as health, travel, anniversaries, and day-to-day events) or sent by specific individuals. This correspondence takes the form of letters, cards, personal notes, and postcards. Some of the senders include Hedy Lamarr, Marie Louise Wanamaker, John Martin Gilbert, Adolf Ludwig Mandl, and many other friends and acquaintances.

Subseries consists of permission forms and permission tracking forms for various works that were published in Literature in English.

The collection of periodicals, mainly of fantasy and science fiction includes a sampling of many serials.

Sub-series predominantly contains material related to the Alcuin Society
Journal Amphora and newsletter Notes from the Alcuin Society, including proofs, manuscript material and reference information. Woodblocks used in the illustration of the Amphora are also included. Material related to proposed and unpublished articles is also included.

Subseries was collected between the early 1970s and 2014, and contains more than 250 titles, which mostly relate to the arts or contain references or writings related to Anna Banana or her friends and colleagues, as well as long running mail art or “network” publications. Some periodicals were collected for the course of the publication’s entire lifespan, and others were collected for a specific issue’s relevance to Annas work or to the mail art network.

Subseries files are predominantly magazines, journals, regularly published zines, and newsletters. Publications of the same title are filed together.

Subseries contains Thomas’ research on prominent individuals in or related to British Columbian folk music or British Columbian history. Material includes published information, interview notes, and correspondence. Subseries is arranged alphabetically according to the individual's surname.

The Okanagan Syilx People have lived in the lands stewarded by the Penticton Indian Band since time immemorial, well before the onset of European settlement in the region. Today the Band is a member of the Okanagan Nation Alliance. Subseries consists primarily of photographs and associated interpretive notes, captions, and other materials.

Subseries consists of an acquisition by Doug Cox of a Collection of photographic negatives from the newspaper The Penticton Herald.
Coverage includes themes such as the cultural events, sports, rodeo, telecommunications, buildings and community infrastructure, aviation, industry, disasters.

Subseries consists of a photographic and oral history record of Penticton civic life from approximately 1910 through the mid-1970s, with predominant coverage during the middle decades of the twentieth century. Materials relate to sports, cultural events, landmarks and buildings, industry, transportation & infrastructure, and agriculture. Many of the photographs can likely be attributed to the Penticton Herald, but provenance is not confirmed in all cases.

Records in this subseries relate to the time when Kujundzic's served as the head of the Arts Department at Pennylvania State University's Fayette Campus from 1968 until 1982. It includes teaching materials, interdepartmental correspondence, applications and notices, and records relating to art projects undertaken at the University.

Sub-series consists of payroll records of the Canadian Western Lumber Company, Limited.