The series consists of incoming and outgoing correspondence with friends, fellow writers, publishers and organizations. A large proportion of the correspondence consists of printed emails. The emails were printed out and placed in folders by the donor. Please see the Digital Media series for further correspondence.

The series consists of handwritten and typed drafts of collected, published and unpublished poems and correspondence that includes McWhirter's notebooks.

The series consists of handwritten and typed drafts of McWhirter's radio plays, including The Listeners, The House on the Water, and Sea B&B, and two audiotape recordings of "The Listeners" and "Fire Before Dark."

The series consists of undated handwritten notes and printed material about Turnbull's classes at UBC.

The series consists of programs, class lists, brochures, reports, notes, and blueprints pertaining to Turnbull's role as Head of the Department of Mining and Metallurgy and generally to mining in British Columbia.

The series consists of photographs pertaining to Mining Short Courses (1917-1920).

The series consists of a blueprint of the UBC Mining Building (1924).

The series consists of transcripts, class notes, papers, exams, and correspondence about Watney's academic experiences. The series also includes an autobiography written by Watney in 1985 and copies of her B.A. (1923), M.A. (1926), and Ph.D. (1933) theses. The series contains three subseries: Biography, Undergraduate Material, and Graduate Material subseries.

The series consists of lecture notes, lab outlines, exams, syllabi, publications, a field notebook, and Watney's teaching career papers. The series also includes a map of the Strait of Georgia, two photographs of Watney's Ph.D. graduation ceremony at the University of California (1934), and index cards containing bibliographic information and notes organized by subject.

The series consists of photo prints, glass slides, and negatives used by Turnbull in his teaching. The numbers assigned to the various small boxes have been retained. The series also includes a 16 mm film titled Metal Crystals, Microscopic Technique.

Series consists of newspaper, book chapters, magazine clippings, and notes on subjects related to Maillard's writing projects or of general interest to him.

Series consists of correspondence between Maillard and other writers, arranged by individual or organization, fan mail, and personal mail.

The series consists of musical scores of Maillard's arrangements for the Ferron Band, notes, and clippings. Material is arranged in two sub-series: Scores and Miscellaneous.

Series consists of publications (mainly "underground" newspapers), manuscripts, notes, and audio recordings of Maillard's radio show The Underground News on WBUR Boston University Radio. Material is arranged in four sub-series: Underground Writings, Reference, Correspondence, and Audio Recordings.

Series consists of correspondence, manuscripts, and notes regarding a proposed book by Maillard: a series of critical biographies of British Columbia authors who write in the style of "magic realism."

Series consists of correspondence, manuscripts, notes, and materials related to the book and general publicity. It also contains general personal files. Material arranged in two sub-series: Files, Audio Recordings, and Video Recordings

The series consists of ephemera of Keith’s father, Eugene C. Maillard. It includes correspondence, audio recordings, scrapbooks, photographs, society memberships, financial records, the final will, and other personal information. Information from this series was used to create Keith’s memoir Fatherless. Material arranged in two sub-series: Files, Photographs and Audio Recordings.

Series consists of copies of examinations, lecture notes, course outlines, student lists for botany courses taught by Davidson.

Series consists of copies of Davidson's publications.

Series consists of photographs of Keith, his family, friends of his father, and interesting locations. It also consists of artistic photographs taken by Keith and a painting of Gene Maillard. The series is split into Photographs and Portraits.

The series consists of historical accounts of Davidson and his family, copies of testimonials (references) for Davidson and other miscellaneous material.

Series consists of records related to the publication of articles and podcasts on various websites, mostly his website: https://keithmaillard.com/, that feature his views on culture and short stories and his writing interests. The series is divided into two subseries – Textual Records and Audio Recordings.

Series consists of eighteen photographs of various groups of people or botanical specimens.

Series consists of incoming and copies of outgoing correspondence, both personal and professional. Files are arranged in alphabetical and chronological order.

Series consists of reports written by Rose.

Series consists of notebooks, two of which are full of German-language newspaper clippings relating to World War I; the rest include notes written by Rose on academic subjects.

The series consists of daily journals (1912, 1917-1920) and notebooks chronicling Davidson's various trips (1911-1936).

Series consists of files that contain correspondence and also some other material. As this material arrived in no discernable order, the files have been arranged alphabetically by the topic assigned by Davidson.

Series consists of printed and published material relating to botany collected by Davidson.

Series consists of published works written by William Rose and includes published letters, clippings, and typescript and offprint copies of articles.

Series consists of notes written by Rose, including notes written about other works and notes written in preparation for speeches and lectures.

Series consists of Roses diaries, all but one of which are written in bound volumes, the other is in looseleaf format.

Series consists primarily of correspondence (1923-1935) and camp records (1921-1941) of the Vancouver Natural History Society.

The series consists of Davidson's lectures, copies of some lectures, and associated correspondence.

Series consists of personal records of William Rose and his family and includes correspondence, published materials, and other memorabilia.

Series consists of typewritten manuscripts of scholarly articles and works of fiction written by Rose.

Series consists of published reviews of Roses's work and includes clippings and other published materials.

Series consists of published works about Rose and includes clippings and offprints.

Series consists of photographs of William Rose, members of his family, and friends and colleagues. Most of the images, except those of Rose, are unidentified.

Series consists of works translated into English by William Rose.

Series consists of published and unpublished works by other authors acquired by Rose in his career and includes printed materials, clippings, offprints, and manuscripts.

The series consists of original typescripts, copy-edited typescripts and pages proofs from three of Ross's publications.

The idea for Arts I at UBC can be traced to "Discipline and Discovery," a report produced by a committee chaired by Arts Dean Kaspar Naegele in 1965. The report recommended that the "first year in Arts should consist of a core program of general studies based on broadly humanistic concepts, taught by experienced instructors through a combination of lectures to large groups and seminar discussion for small groups." Although the committee's recommendations were not accepted, Naegele's successor Dean Dennis Healey passed the task of making recommendations to a new group established to advise him on curriculum. The Curriculum Advisory Committee met through 1965/66 and submitted its report in May 1966. Following extensive discussions, the University offered, in 1967, voluntarily, its Arts I program. Its primary objectives were to "introduce the student effectively to the University's intellectual life and give him a less fragmented view of education than is normally offered to first-year students. In addition, the students undertaken will encourage a broad, though the disciplined, approach to the world of within and without the University." Arts I was initially established as a three-year pilot project, after which it would be subject to an evaluation process.

The series consists of minutes, reports and correspondence about the development and early growth of UBC's Arts I program.

Series consists of minutes of meetings, correspondence, photographs, reports, brochures, newsletters, printed material, and a scrapbook about the activities of International House, Vancouver, the B.C. Chapter of the International House Association and the International House Association, Inc.

Series consists of correspondence and memoranda about MacKay's role within the Department of Psychology. Series also includes a departmental history with photographs.

Series consists of clippings, publications, cartoons, and a scrapbook collected by MacKay about the Axis powers during World War II. Series also includes an unidentified diary (1882) found by MacKay in 1931 in an abandoned building in Iceberg Bay, B.C

The series consists of personal information about Ethel Johns and other material relating to Street's biography project.

The series consists of incoming and outgoing correspondence about various project stages.

The series consists of transcripts of interviews carried out with former students, friends and colleagues of Ethel Johns.

The series consists of research material on Ethel Johns and related topics from various libraries and archives.