The collection consists of materials created or acquired by Juta Kitching throughout her membership or role in FUSAC. The collection consists of textual, both typewritten and handwritten, as well as photographs (prints & negatives) and an audio recording. The textual information is a mixture of English, Finnish, Hungarian and Estonian. The collection is organized in the following series: Annual Conferences and Operational Proceedings.

The collection consists of exhibits, videotapes and documents collected for the Public Complaints Commission (PCC), correspondence and legal documents related to both the PCC and related legal actions, APEC Alert posters, information, pamphlets and ephemera, other material collected and created by Oppenheim with regard to the events surrounding APEC and the RCMP PCC, transcripts of the PCC proceedings, and a number of photographs.

The collection consists of research materials collected by Frank Tester and Glenn Drover. A large part of the fonds consists of newspaper clippings from the 1980s and 1990s related to Canadian and international Indigenous issues. Also included are copies of British Columbia provincial statutes and regulations dealing primarily with local First Nations issues, reports, and other materials documenting Indigenous communities' history in British Columbia and throughout Canada, focusing mainly on child welfare issues.

The collection also incorporates materials collected by Glenn Drover, former Director of the School of Social Work (1983-90). Drover was an accomplished scholar and a dedicated advocate for social justice in Canada and globally. He was recognized for his lifetime contributions to Canadian social work when the annual national social worker award was named the Glenn Drover Award for Outstanding Service. He worked with the Cree in the North, with youth in New York City, people in various countries of Africa and Asia, and various social welfare programs.

Collection consists of materials acquired by Peter Moogk and used in his research and his teaching activities. Four photocopied maps of the World War II Point Grey artillery battery were acquired by him from the Canadian Department of National Defence during research for his book Vancouver Defended. The remaining items – loose photographs, UBC publications, and a photograph album – were purchased by Moogk at collectors‘ shows and used as teaching materials for his UBC course History 304 “Local History from the Ground Up”. Some of the latter materials are of uncertain provenance; the photograph album has been identified as originally belonging to Jean Woodrow (Arts ’26).

The collection of video tapes consists of three categories: raw footage of UBC events/activities primarily from the 1990s; footage shot by UBC film students for a documentary on the Fraser Canyon region; and a series of interviews with a veteran of the Spanish Civil War. Most recordings are in Betacam format, the remainder are VHS.

The collection consists of materials relating to the Committee on Continuing and Community Education activities in British Columbia (the Faris Committee), collected and maintained by Committee member Gordon Selman. It includes copies of briefs submitted to the Committee, correspondence, reports, and other documents relevant to the Committee's investigations. The collection is arranged in three series: briefs, letters, and miscellaneous.

The collection consists of off-prints and copies of articles and reports arranged alphabetically by faculty member name.

A compilation of theatre programs, season brochures, flyers, newsletters, tickets, annotations, and newspaper clippings, all pertaining to performances held primarily in Vancouver, British Columbia, by various companies and organizations.

The following organizations are represented in the collection: Angry Actors, Arts Club Theatre Company, Avenue Theatre, Avon Theatre, Axis Theatre Company, Bard on the Beach Shakespeare Festival, Carousel Theatre for Young People, Centennial Drama Club (Coquitlam, B.C.), Centennial Theatre (North Vancouver, B.C.), Christ Church Cathedral Women's Parish Guild (Victoria, B.C.), Citadel Theatre (Edmonton, Alta.), City Stage Theatre, Coconut Theatre Society, Coliseum Theatre (Victoria, B.C.), Comedy Syndicate (Victoria, B.C.), Communications Committee of B.C. Native Youth Conference, Criterion Theatre Trust (London, England), Dark Horse Theatre, David Y. H. Lui Productions, Deep Cove Stage Society, Dominion Drama Festival, Dominion Theatre, Dramadillo Theatre Company (Auckland, New Zealand), Empress Theatre, English Suitcase Theatre Company, Ensemble Theatre Company, Erlanger Theatre, Festival Habitat / United Nations Conference on Human Settlements, First Impressions Theatre (North Vancouver, B.C.), Five Corners Theatre, Full Circle First Nations Performance, Gateway Theatre, Georgia Auditorium, Globe Theatre (London, England), Greater Vancouver One-Act Play Festival, Greater Vancouver Professional Theatre Alliance, Green Thumb Theatre for Young People, Grinning Dragon Theatre Company Society, Hands On Theatre Cooperative, Haymarket Theatre (London, England), Headlines Theatre Company, Hippodrome Productions, His Majesty's Theatre (Montreal, Que.), Hotel Vancouver, Killarney Secondary School, Kitsilano Secondary School, Kitsilano Showboat Society, Labor Theater, Lyric Theatre (London, England), Lyric Theatre (Vancouver, B.C.), Magic Owl Theatre, Magnetic North Theatre Festival, Maskelyne's Magical Revue, Massey Theatre, McPherson Playhouse (Victoria, B.C.), Metro Theatre, Music Theatre Group, Musical Theatre Society of Lord Byng High School, Nanaimo Festival Heritage Theatre Society, National Theatre School of Canada, New Play Centre, New Theatre (London, England), Neworld Theatre, Noh=Kyogen: The National Theatres of Japan, North Vancouver Island Drama Festival, Novus Theatre Society, Open Theatre Company, Orpheum Theatre, Pacific Theatre, Pantages Theatre, Playwrights Theatre Centre, Plumstick Productions, Post Modern Productions, Presentation House Theatre (North Vancouver, B.C.), Queen Elizabeth Theatre, Rising Tide Theatre (Trinity, N.L.), Robson Square Media Centre, Rotary Club (Victoria, B.C.), Royal Victoria Theatre, Ruby Slippers Theatre, Savoy Theatre (London, England), Sea Theatre Society, See Seven Theatre Project, Shakespeare Memorial (Stratford-upon-Avon, England), Shaw Festival (Niagara-on-the-Lake, Ont.), Sir Barry Jackson's Company of British Players, Snake in the Grass Moving Theatre, Soulpepper Theatre Company, South Vancouver Island Zone B.C.D.A., St. James Theatre (Vancouver, B.C.), St. Katherine's School Dramatic Society (Wantage, England), Stage Eireann Dramatic Society, Standard Theatre (Johannesburg, South Africa), Strand Theatre (Vancouver, B.C.), Studio 58, Sunshine, Tamahnous Theatre Workshop Society, Theatre B.C., Theatre in the Park, Theatre in the Raw, Théâtre la Seizième, Theatre Terrific Society, Theatre Under the Stars, Touchstone Theatre Company, United Players of Vancouver Theatre Company, Upintheair Theatre, Urban Ink Production Society, Vagabond Players, Vancouver Arena Theatre, Vancouver Dinner Theatre, Vancouver East Cultural Centre, Vancouver East Theatre, Vancouver Fringe Festival, Vancouver Little Theatre Association, Vancouver Musical Theatre, Vancouver Playhouse, Vancouver Repertory Theatre Company, Vancouver Shakespeare Society, Vancouver Technical School / Vancouver Technical School Press, Vancouver Theatre, Vancouver Theatre of Action, Vancouver TheatreSports League, Vancouver Youth Theatre, Victoria City Temple, Victoria College (B.C.). Players Club, Victoria High School, Victoria Theatre Foundation, Village Productions, Walker Theatre (Winnipeg, Man.), Waterfront Theatre, West Vancouver Little Theatre Guild, Westcoast Actors' Society, Wild Horse Summer Theatre Company (Fort Steele, B.C.).

The collection also includes one box of material from miscellaneous Vancouver and non-Vancouver area organizations and venues.

Collection consists of the documentation of Cox’s career as an historian and author. The collection is comprised predominantly of photographic material. There are approximately 15,000 unique photographic images: prints in various standard dimensions (8"x10", 5"x7", 4"x6" and smaller, with some custom dimensions, predominantly in black and white; slide transparencies in black and white and colour; negatives, (120, 35mm, and 4”x5”) in black and white; digital photographs in black and white and colour contained on CDs and one hard drive.
Photographic coverage extends from ca.1870 to approximately 2008, with the period 1900-1970s predominant. Original photographs by Doug Cox cover the 1970s through approximately 2008. A significant proportion of photographs not attributed to Cox are copies. Many are reciprocally described via resources available via Okanagan Archives Trust Society.
The collection also includes audio cassettes containing interviews recorded in the 1980s and 1990s with associated transcriptions by Joyce Cox. Government documents (primarily Province of British Columbia, c. 1910-1960s) include topographical maps, tree farm license maps, mineral claims maps, taxation records, forestry examination sketches and other records.

Collection contains correspondence relating to Florence Nightingale. The majority of the letters are addressed to Nightingale while others are sent from her or involve other correspondents discussing Nightingale. Letters date from 1877 to 1965. There are also newspaper clippings, transcripts, notes, and envelopes that all relate to Florence Nightingale. There are also photographs of Florence Nightingale and prominent people in her life.

The collection is comprised of family records of the Darwin Fox family. Most of the collection consists of letters and observations, with a few photographs and newspaper clippings. The dates range between 1821 and 1935. There is a great variety of content and correspondents. The principal correspondents are William Darwin Fox (1805-1880) and his cousin Charles Robert Darwin (1809-1882). Others include the Rev. W.D. Fox, Henry Doubleday, William C. Hewitson and Richard Owen. Many of the letters are detailed accounts of supplies the various men have and need in their pursuit of “natural history”. Much of the discussions in the correspondence and the written observations concern insects, birds and eggs. In addition, there is correspondence relating to familial matters between family members.

The first part of the collection contains letters between Haldane from his mother, Mary Elizabeth Haldane (née Burdon Sanderson) and other family members regarding familial matters. These letters range from 1883 to1926. There are other letters pertaining to Mary Elizabeth Haldane and Edinburgh professors that are in the collection as well ranging from 1887 to 1922. Haldane’s personal documents, including his birth certificate and university certificates are also in this collection, ranging between 1878 to1897.

His reports, tables and correspondences are contained within, as well as his papers and speeches. These are largely undated and concern topics such as miners’ eye problems, tuberculosis in the Navy, regulation of normal breathing, functions of sweat, kinetic theory of gases, death by suffocation and the like. According to H.M. Sinclair: “Mrs. Haldane told me that her husband destroyed his MS as soon as the paper was published, and these lectures and addresses to various societies were not published. Haldane always wrote his addresses out in full, and this collection is mainly written in full in his own hand.”

A section of the collection contains reports and correspondence of Haldane’s work with the use of gas in WWI. H.M. Sinclair states that the collection is: “A most important collection of papers relating to his and Douglas's researches in World War I when gas was first used. Included are long autograph letters from Douglas (who was in the field in France), very out spoken about the military authorities and giving full descriptions of the casualties and attempts to prevent them.”

Finally, there are 2 drafts of an unpublished book written by Haldane on vitalistic physiology. H.M. Sinclair notes that: “The first draft is copiously corrected . . . This has been entirely rewritten in nine chapters of the final draft. . . . This very interesting book was never published, but illustrates the state of physiology at the turn of the century as seen by a young graduate of about 30 years.”

This accumulation of materials constitutes the background for the final report on the Hoxsey Cancer Clinic in Dallas, Texas, which was published by the Queen’s Printer in Victoria in 1958. The collection consists of correspondence, account sheets, newspaper clippings, brochures, patient records, interview transcriptions and the final draft of the committee report.

Collection consists of letters addressed to Dr. Alexander Marcet, one from William Prout and the remainder from William Chas. Wells. The letters date from 1811 to 1817. The letters discuss various experiments on urine, the research of Professor Prevost on radiant heat, and Mrs. Marcet’s work on political economies.

Collection consists of historical material regarding the Pre-Raphaelite artist and illustrator Arthur Hughes collected by Leonard Roberts and Maj. Greville Chester. The collection includes a large body of correspondence from Arthur Hughes to Susan Lushington, a variety of letters to other correspondents, 9 photographs of Hughes and his wife and daughters, examples of Hughes' illustrations and research materials such as family notes and reminiscences and copied articles.

The collection comprises records acquired by Peter Moogk about aspects of British Columbia’s history, including the British Columbia Electric Railway Company’s interurban train lines (predominantly from 1909-1958), and photographic representations of persons (especially white settlers, from 1870-1960), places, events and activities in the province.

The collection includes six series: British Columbia Electric Railway Company Records, Portraits of Persons in British Columbia, Photos of places, streets, and architecture in British Columbia, Photos of events and activities in British Columbia, British Columbia ephemera and Records from British Columbia Penitentiary.

Records relating to the first series, British Columbia Electric Railway Company Records, include: photographs; postcards; original BCER documents, such as union agreements and timetables; BCER employee publications; transit tokens; signs and posters from within Vancouver streetcars; and a copy of a CJOR radio script.

Records relating to the second series, Portraits of Persons in British Columbia, include: photographs and handwritten notes by Moogk about Vancouver photographers operating from 1858-1920.

The focus of the third series, Photos of places, streets, and architecture in British Columbia, is photographs of structures and places of British Columbia, notably building exteriors and interiors, and street views from 1880-1959.

The fourth series, Photos of events and activities in British Columbia, includes photos of notable events and public activities (predominantly dating 1911-1941), as well as everyday life, and also includes handwritten and photocopied information on the provenance of the photos and activities depicted.

The fifth series, British Columbia ephemera, is mostly paper ephemera representing the variety of business and activity in the province from 1890 to 1990, and includes menus, theatre programs, business correspondence, and Chinese textbooks as well as some photographic materials.

The sixth series, Records from British Columbia Penitentiary, includes textual records and photographs relating to the British Columbia penitentiary.

Contains photographs and textual records related to MacMillan Bloedel Limited, collected by Ralph Shaw Sr., who was an employee at the company.

The Tremaine Arkley Croquet Collection contains over 2,400 paintings, illustrations, engravings, advertisements, photographs and other ephemera depicting the game of croquet throughout the years. The images range from fine art to cartoons and everything in between, and show the rise in the game’s popularity in England and America in the 19th and 20th centuries. Many items in the collection show gender roles, as croquet was one of the first games that men and women played together.

The collection consists of eighteen legal records from England, dating from 1525 to 1820, documenting leases, mortgages, indentures and similar acts. As a collection, the records contextualize economic transactions during the Early Modern period, and provide an understanding of the legal system of ownership and commerce. They contain place names and the names of people involved in the acts, and where legible these have been listed as access points in the finding aid.

The collection consists of five scrapbooks with materials and photographs mainly related to the Canadian Pacific Railway and the career of E.D. Cotterell. One scrapbook is dedicated to the Quebec Conference in 1943, a high-level military discussion which included Winston Churchill, British prime minister, US President Franklin D. Roosevelt, and various Chiefs of Staff. Prime Minister William Lyon Mackenzie King was host. In addition, the collection contains material related to the visit of the British King (George) and Queen in Canada in 1939, as well as other royal visits.

The collection is made up of 11 cassette tapes containing 12.5 hours of audio, of the interviews that Angela Codina conducted with the leaders of the Tiananmen Square uprising. The collection also consists of the following textual materials: written transcripts that were later made of the interviews (at the behest of Geraldine Bowman); materials for a book written by Angela Codina; newspaper clippings; periodicals and journals; and correspondence. The collection also contains 274 photographic negatives and 448 colour photographs.

The collection contains materials related to Ian McDonald's Master's thesis research on the International Brotherhood of Electrical Workers (IBEW), Local 213 “Class conflict and political factionalism: a history of Local 213 of the International Brotherhood of Electrical Workers, 1901-1961," and related to the activities of his father, Les McDonald, a trade union activist who belonged to Local 213 but was eventually suspended for leading the Lenkurt strike of 1966. Les McDonald was also a multi-sport athlete, and is credited with introducing the triathlon into the Olympics; some materials in the collection relate to Les McDonald's involvement in various sport and environmental organizations, as well as some of his personal papers. In addition to what he received from his father, Ian McDonald was also given papers by former IBEW Local 213 business manager Art O’Keeffe and Barry Sharbo, a board member of the Canadian Union of Electrical Workers (UE), as well as Alfie Huston, the former President of the International Brotherhood of Electrical Workers (IBEW) Local 213 from 1985-1988, which are included within the collection.

The collection is largely comprised of newspaper and photocopied journal articles, correspondence between members of IBEW Local 213, legal documentation, newsletters and other printed ephemera related to IBEW Local 213.

The collection also contains sound recordings of interviews with numerous figures in IBEW Local 213 created by Ian McDonald during his thesis research. McDonald's thesis, submitted for the completion of a Master of Arts in History at Simon Fraser University, can be found in the Summit database: http://summit.sfu.ca/item/6361.

The collection also contains background materials accumulated by McDonald while writing his book “The Red Baron of IBEW 213,” including digital sound recordings of interviews, research articles, notebooks, consent forms, a draft royalty agreement, a draft chapter and a press marketing questionnaire.

The collection consists of documents from the late nineteenth and early twentieth centuries related to mining in the area around Princeton, British Columbia. Many of the documents pertain to Alfred St. George Hamersley’s involvement with mining in this region, mostly notably with the Vermilion Forks Mining and Development Company. Records also relate to W.J. Waterman and Ernest Waterman’s activities in the mining industry of this region, particularly Ernest Waterman’s role as manager of the Vermillion Forks Mining and Development Company. Business of the Anglo-American Gold and Platinum Hydraulic Mining Company Limited Liability, the Princeton Water Power Company, and the London and Vancouver Finance and Development Company Limited is also documented.
Records are arranged into files that correspond to items in the collection. Document types include correspondence, sales of shares, land, and mineral rights, business and mining licenses, lease agreements, land registries, and Government of British Columbia receipts. A map of the region is also included.

The collection consists of records from both the Council for Canadian Unity and the Task Force on Canadian Unity. Connaghan assembled this collection of correspondence, printed material and clippings, which date from 1975 to 1980.

The collection consists of records relating to the establishment of International House at the University of British Columbia. The materials, generated between 1953 and 1955, provide background information about events leading up to the establishment of International House, particularly the negotiations with the Vancouver Rotary Club which donated $150,000 toward the project.

The fonds consists of typewritten research notes relating to historical sources of information about salmon canning in British Columbia.

Meagan Davies part of the midwifery collection consists of 22 DVDs of interviews conducted throughout B.C.

Abra Palumbo collected printed papers kept about the midwifery movement in the 1970s and 80s in B.C. Most of the materials are official forms, manuals, or articles utilized by the midwifery movement.

Collection consists of primary resources and related materials created and used by Canadian women composers. Each series is dedicated to one of the participating composers, which currently consists of Deborah Carruthers, Dorothy Chang, Zosha Di Castri, Lori Freedman, Barbara Monk Feldman, Ana Sokolović, Chiyoko Szlavnics, and Elizabeth Raum. Materials include a variety of records, such as original scores, manuscripts, working drafts, photographs, prints, published articles, correspondence, and materials used as inspiration in the artists' work. Going forward, the collection is expected to evolve and incorporate additional Canadian women composers.

The collection consists of archival records, printed materials, photographs, maps, posters, artefacts and paintings all related to the Klondike Gold Rush. Records span the activities of individuals, organizations, companies, and government bodies related to the Klondike Gold Rush, the Yukon, Alaska, and the Northwest Territories from ca. 1860 to 2003. The collection documents the journeys of, and commerce created by individuals and groups of people from around the world who left their homes to join the Gold Rush; it also contains materials documenting the presence of Indigenous peoples throughout the Yukon.

The collection reflects the development of regional infrastructure and transportation in the Yukon and Alaska, including the creation of the White Pass and Yukon Route railway line. Many materials in the fonds originated from the construction and development of specific town sites and communities located in the Yukon, including Dawson City, Carcross, Forty Mile, and White Horse.

Other materials document the creative works of individuals seeking to record and share stories about the Klondike in various forms, including photographs, journals, poetry, music and theatre.

The collection is comprised of the following series: Textual Records, Photographic Materials, Cartographic Materials, Graphic Materials, and Objects. Each series is majorly comprised of the record type described in the title, and materials within each series are described at the item level.

The collection consists of records generated by the Canadian Officers' Training Corps (UBC) and the 196th Western Universities Battalion. Except for the Daily Orders volumes and the Air Force's annual reports, the bulk of the remaining material relates to World War I and the UBC Roll of Service. The photographs and photo albums, the albums include memorabilia and photos, depict World War II and post-war activities.

The Reg Innell Collection of Shelleyana consists of ephemera related to Percy Bysshe Shelley, one of the major English Romantic poets, collected over many years. Materials include scrapbooks, a photograph album, prints, newspaper clippings, postcards, letters and a medallion bearing Shelley’s image.

The collection consists of video capture of Redlich Pond between the years 2007 and 2018, showing changes to its appearance and biodiversity over time, and one appeal to action in the form of a letter.

The collection consists of materials collected or acquired from various sources that document the history of the Sopron Division of Forestry and its alumni. In addition, it includes a set of the Kapocs Sopron alumni newsletter.

The collection pertains to D.T. Willis’ career and involvement in construction projects throughout British Columbia predominately between 1948 and 1962. The collection includes numerous groups of photographs documenting the opening of the Hope-Princeton Highway, BC Department of Public Works construction projects and personnel, Engineering Conferences, BC Public Works Events and a 1948 image of the original 1880's wagon trail between Hope and Cache Creek, BC. Numerous photographs have annotations on the back, identifying subjects, dates, and contextual information. Textual materials also appear in the Collection, including a commemorative pamphlet for the Hope-Princeton Highway opening, car mileage recordings for several roadways, photograph indexes and identification sheets.

The collection consists of records collected by Professor David Macaree in his research on early 18th Century English literature. It includes transcribed typed copies of the complete works of David Crawford (or Crawfurd) (ca. 1700); a copy of an article written by Macaree about Crawford (1961); and photocopies of early political pamphlets by Daniel Defoe (ca. 1700-1714).

The collection consists of assorted records divided by subject generated during the expedition and general material about Easter Island subsequently added. Records include correspondence, magazine clippings, newsletters, personnel lists, and reports.

The collection consists of copies of Christmas and April examinations arranged by year, then alphabetically by course.

The collection consists of materials acquired by Special Collections and the University Archives and maintained for purposes of historical research. It includes reports, correspondence, committee minutes, course materials, architectural and other drawings, newspaper and magazine clippings, press releases, posters, brochures, and other published materials. The materials are arranged alphabetically by subject or name (e.g. organisations, University departments, events, buildings/places, and individuals).

The collection consists of twenty-two UBC Football programs collected by Bob Hindmarch from 1951-1992. The file also contains an article by Athletics Historian Fred Hume on Queen Elizabeth and Prince Phillip's first football game and a short biography of Dr. Bob Hindmarch.
The second box was donated separately. The greatest extent of materials includes photographs. Also included is a folder of research materials, including newspaper clippings a VHS on Thunderbirds in China, 1974. As well as a DVD of the BC Hockey Hall of Fame, 2012 and a Hall of Fame Hockey Plaque presented to Hindmarch on that occasion.

The fonds consists predominantly of photographic slides depicting the creation and openings of the sculptures, as well as articles discussing the symposium, its intent and outcomes.

Collection is made up of items collected by the UBC library, for an exhibition related to punk in the Irving K. Barber Learning Center lobby. It consists mostly of vinyl’s, with two textual records relating to the history of hardcore punk and D.O.A., both created by D.O.A. Vinyl records are predominantly by D.O.A., Pointed Sticks and The Dishrags, as well as other Vancouver based punk bands. The vinyl records were all pressed in 70s or early 80s, or re-pressings of records from that same period. The re-pressings contain extensive liner notes and other ephemera.