Finished scripts unless otherwise noted.

Sub-series consists of financial accounts records of the Company.

Sub-series consists of a minute book containing minutes of Board of Directors’
and shareholders’ meetings for the period April 1913 to December 1914.

Sub-series consists of financial records of Fraser River Saw Mills, Limited and
Fraser River Lumber Company, Limited. Includes financial ledgers and accounts,
payroll and other records pertaining to employee wages, as well as records
concerning company purchases and sales.

Sub-series consists of an insurance appraisal for Fraser River Saw Mills, Limited.

Sub-series consists of a record book concerning land and land rights held by the Fraser River Lumber Company, Limited.

File consists of photographs documenting C.D.C. activities in late-1973 and 1974, including marches and rallies taking place under C.D.C. sponsorship, fundraising events, public meetings, and so on.

Subseries consists of Lansdowne's personal and business-related correspondence. There is also a large assortment of mail sent to and from his representatives at M.F. Feheley Arts Company Limited and TDF Artists Limited. Other senders/recipients include: museums, galleries, civil society organizations, friends, family members, and fans of Lansdowne's work.

Subseries consists of newspaper clippings, articles, notes, photographs, and correspondence related to anti-choice individuals Pro-CAN was monitoring. Correspondence occurs between Pro-CAN and other pro-choice supporters that were sharing information on possible threats and actions from the included anti-choice individuals as well as occasionally between Pro-Can and the actual individual. Photographs contain images of the named anti-choice protestors, usually picketing outside of abortion clinics. Some of the images contain graphic signage. Those photos included in the "Fanatic File" include handwritten notes on the back provided by the members of Pro-CAN.

Subseries consists of correspondence mailed to George Walker since his coming to North America, except for two letters written to George by his wife, Hanne, during her transatlantic crossing several days before his. The subseries includes a large collection of letters from George’s older brother William (“Billy”) Orr Walker in Northern Ireland.

Subseries consists of records pertaining to the life of George Walker, including his immigration from Britain, official documentation (such as an application for divorce from his first wife or a photocopy of his death certificate), and personal papers such as notes for a sermon.

The sub-series consists of material reflecting the administration of finances within SORWUC. Many of the finance materials are related to the national SORWUC union, rather than specifically locals 2 and 4. Financial activities included fund-raising, especially the specific funding of the ongoing Muckamuck strike, and the keeping receipt books, cash receipts, check deposit books, payroll information, and financial reports. Record types include deposit books, receipts, bank statements, cheque stubs, and receipt books.

The sub-series includes information collected in regards to the activities which SORWUC carried out. The union concentrated on women’s issues, feminism, and women’s rights in the workplace, health and hygiene issues. Material includes press clippings and releases in regard to banking business; brochures and pamphlets on unemployment, racism and women’s issues; constitutions of other unions, paste ups, bulletins, anti-union literature, annual reports by banks and Canada Labour Relations Board (CLRB) reports.

Subseries contains textual records pertaining to Linda Hall Pinder's "The Carriers of No: After the Land Claims Trial" publication in Lazara Press' Discussion Series. The subseries contains drafts of the publication, as well as the final copy. Other records include correspondence, cataloguing information, and book catalogues.

Sub-series consists of communication records that do not appear to have been shared with the public outside the National Association of Japanese Canadians (NAJC) at the time of their creation; the sub-series reflects the internal activities of the NAJC. Records include an extensive amount of correspondence (which includes interoffice correspondence, correspondence between NAJC members and members of the Canadian government, correspondence between different chapters of the NAJC, and correspondence between the NAJC and various other individuals) on topics such as the redress campaign, the success of achieving settlement, financial operations, implementing compensations after settlement, information and updates on various meetings, conferences and events, the passing of motions, contract proposals, collaboration with and support of other groups (such as the Indigenous peoples of North America), the Nikkei Voice, funds, and other topics. Records also include cards, reports, newsletters, faxes, memos, printed emails, and letter files.

Sub-series documents Pratt’s membership in the BCNDP prior to and following her time as Party President (1992-1996). Earlier records from the BCNDP Membership/Involvement subseries relate to Pratt’s roles in the Burnaby-Willington NDP Constituency Association (1986-1989), Campaign Manager for Joan Sawicki (1991-1994), Women’s Rights Committees and the SEPC Platform Committee for the 1991 election. Sub-series contains materials from various conventions attended by Pratt, where she served as debate moderator, session chair and on balloting committees. Records also related to Pratt’s role on the Provincial Council 2000-2001 and her involvement in several campaigns. Record types include policies, constitutions, convention minutes, agendas, proceedings and notes, newspaper clippings, committee records, reports, correspondence, a videocassette, campaign banner and buttons, and notes.

Sub-series documents the administrative activities of TRAS. Files contain minutes of meetings, newsletters, reports on visits to India, and other general material such as clippings, correspondence, and newsletters from other organizations.

Sub-series documents various projects having to do with Indo-Chinese refugees. Project files contain correspondence, requests for assistance, reports, statements regarding finances, and photographs.

Sub-series consists of drawings and photographs for mockups and cover proofs of Pulp Press publications, oversize photographs for Pulp publications, and oversize mockups of a Press magazine Flush Times.

Sub-series consists of a register of incoming mail, a card file of media addresses, a card file of addresses of subscribers to Three-Cent Pulp and some photographs.

Sub-series consists of financial statements and reports on royalties.

Sub-series consists of general monthly sales reports as well as sales and/or service fee reports for the Literary Press Group, Marvin Melnyk, the University of Toronto, Inland Book Company and various other distributors.

Sub-series consists of early manuscripts submitted to or published by Pulp Press during the 1970s.

Files in this subseries reflect the activities of the Women’s Rights Committee of the BC NDP, including its various subcommittees, committee liaisons, and coordination with the federal NDP Participation of Women Committee.

According to a 1992 document prepared by Anne Frost, past WRC Chair, and Charley Bersford, WRC Chair (“Women’s Rights Committee: Herstory”, 1992, in file 450-12), the Women’s Rights Committee was officially made a standing committee of the New Democratic Party of BC by a motion passed at Convention in 1971, building on previous women’s councils and federal women’s committees in the BC NDP and the CCF. The Committee’s mission statement in 1992 was “To guarantee fairness and equality for women in British Columbia; to address the roots of systemic discrimination and initiate legislation, services and programs to ensure women equal participation in all aspects of society; and to ensure access for all women to social justice” (“Mission Statement & Goals for Women’s Equality in a New Democratic Government,” WRC, spring 1992; in file 455-04). The Committee sought to achieve these goals through a variety of activities reflected in the files contained within this subseries, including authoring white papers on women’s issues, producing handbooks (such as the “Winning Nominations” handbook, created to assist women seeking to run for and win nominations in provincial elections; found in files 449-17 and 449-20), organizing workshops, producing and distributing a publication focused on women’s issues (entitled “Priorities” and launched in 1972; see for example file 450-05), introducing motions on gender-related issues at Convention, and more.

The Committee has its own executive structure, including Table Officers (Chair, Vice-Chair, Secretary, and Treasurer), Past-Chair, Priorities Coordinator, Democrat Page, POW Representative (the federal NDP women’s committee, known as Participation of Women), a Women’s Rights Organizer (WRC paid staff position), as well as regional representatives for the electoral constituencies, members at large, and representatives from and to other committees, such as the Young New Democrats, the Policy Review Committee, etc. Further, the WRC also formed its own subcommittees to engage with particular issues, such as the Nomination Support Committee, or the Committee on Sexist Behaviour. Like the BC NDP itself, these positions were generally elected at Convention, and “all women who are members in good standing of the B.C. New Democratic Party are eligible to attend Women’s Rights Committee Steering Committee meetings and have both voice and vote, except on money matters.” (“Women’s Rights Committee – Membership & Structure,” June 24, 1992; in file 450-07).

File 449-18 contains a copy of the “WRC Objectives -1992/93,” which gives a general sense of the goals and strategies of the WRC at the time, while file 456-05 contains the most recent draft constitution of the WRC included in this accrual (January 2003). Other materials in this subseries include meeting minutes and agenda, handwritten notes, correspondence, financial documents, reports, convention materials, memoranda and public communications, clippings, and other related materials.

Sub-series consists of correspondence concerning manuscripts and book proposals submitted to Pulp Press.

Sub-series consists of an order book from the HMS Sulpher for the period April to August 1841.

Sub-series consists of incoming correspondence of a personal and a business nature.

Sub-series consists of Morgan-Kelly's incoming correspondence, including correspondence concerning her interest in documenting and preserving the Trutch family history, and correspondence pertaining to the estate of Sir Joseph W. Trutch.

Sub-series consists of published copies of chapbooks, monographs, journals, and conference proceedings that Miki wrote, co-wrote, edited, co-edited, and contributed to. Volumes are arranged chronologically according to date of publication except for poetry chapbooks which are located at the beginning of the sub-series.

Subseries consists of edited drafts of “Redress,” records from the Redress Exhibit at the Japanese Canadian National Museum, correspondence with publishers and editors, as well as publicity materials including transcriptions from interviews and book reviews.

Series contains one file with various poems published in Flow (2018).

Sub-series consists of five complete and successive drafts of the manuscript of
Miki’s book of essays Broken entries: race, subjectivity, writing.

Sub-series consists of correspondence, research notes, photographs, and publicity materials related to a pamphlet, Justice in our time: the Japanese Canadian redress settlement, published in 1988, and to a book of the same title published in 1991. Mild co-edited the pamphlet and the book with Cassandra Kobayashi. The series contains drafts of the pamphlet and records relating to its Japanese translation, as well as successive drafts of sections of the monograph and the entire manuscript. The photographs contained in this series are reproductions of images of Japanese Canadians from throughout the twentieth century, many of which appear in the book Justice in our lime.

Sub-series consists of five complete and successive drafts of the manuscript of random access file, a book of Miki’s poetry published in 1995. Following the manuscript drafts is a file of notes describing changes to be made to different versions of the manuscript.

Sub-series consists of copies of Miki’s MA thesis, submitted to the English
Department at Simon Fraser University in 1969, and his PhD thesis, submitted to the English Department at the University of British Columbia in 1980.

Subseries includes tape recording of all the session for the “Writing through Race” conference Miki coordinated as chair of the Racial Minority Writers’ Committee of the Writers’ Union of Canada as well as photographs taken by photographers at the conference.

Sub-series consists of records made or received by Randy Enornoto which he transferred to Miki for research purposes. The sub-series contains agendas and minutes of meetings, correspondence and memoranda, notes, research materials, news clippings, drafts of a manuscript, and other records related to Enomoto’s involvement in the JCCP, the Greater Vancouver JCCA, and the NAJC in the early 1980s.

Series consists of a transcript of an interview with Mrs. Kabayakawa, a prominent member of the Japanese Canadian Citizen Association (JCCA), a copy of the program from her funeral and speech given by Miki in her honour as well as photographs of Mrs. Kabayakawa as a young woman. The series also contains a copy of the “Redress for Japanese Canadians Information Package” created by the Vancouver Chapter of the JCCA which includes membership information, donation forms, volunteer applications, a chronological fact sheet of “pre-war discrimination, wartime interment, and redress for Japanese Canadians” from 1877-1980, an update on Redress written in 1984, newsletters of the National Association of Japanese Canadians (NAJC) and photocopies of articles related to Redress. The series also consists of recordings of NAJC meetings. For other relevant records from previous accruals see earlier finding aids.

Sub-series consists of records related to Miki’s personal, academic, literary, and political activities. The sub-series documents Miki’s participation on award selection committees, his trips abroad, his communications and work with the Canada Council for the Arts, his participation in various literary and political projects, and his dealings with Simon Fraser University, among other subjects. The sub-series contains award certificates presented to Miki, correspondence, notes, reports, travel itineraries, grant applications, research files, articles, essays, and scripts, publication agreements, Miki’s curriculum vitae, news clippings (many featuring Miki), audio recordings of Joy Kogawa speaking and reading and audio and video recordings of Miki speaking, reading, performing, and being interviewed for various radio, television, film and other programs.

Subseries consists of correspondence, manuscripts, and drafts relating to the research, writing and publication of various works by Miki including books, poems, articles and correspondence with publishers (including Mercury Press Publishers Limited and Talon Books). The series also includes photographs and negatives of images used in several of Miki’s books including “This is my Own,” and scanned images used for “Justice in our Time.”

Subseries consists of copies of magazines in which Lansdowne's artwork is featured and/or in which an article about Lansdowne has been published. Some of these publications include Maclean's, Audubon, Canadian Audubon, Nature Canada, National Wildlife, Vanguard, and many more.

Subseries consists primarily of clippings from newspapers and magazines featuring articles pertaining to the life and career of Lansdowne or subjects of personal and professional interest such as art, nature, or British history. Also included are a small number of photographs.

Subseries was created between the late 1960s and 2016, and is made up of collected books. These include published books about various artists, art movements, and collections of essays, as well as artist books, some chap books, self published books of poetry and other small edition books. There is no clear focus to the collection, although mail art, performance art, artist books, and concrete poetry make up a significant portion.

Books are separated into files by name.

Subseries arose out of an interactive project that Banana conducted out of Germany in the mid-1990s through her Specific Research Institute called “Proof Positive That Germany is Going Bananas” (often shortened to PPTGISB). Using results from what Banana called “Roar Shack Banana Peel Tests”, as well as personality inventory response forms, interviews and other tests, Banana culminated her research into a large report and exhibit of German banana related items published in 1994.

The series consists of tests, reports, press and promotional materials, as well as banana artworks and correspondence that Anna collected over the course of her travels for this project.

Subseries is made up of documents relating to the production of The WORLD SERIES, a play created by Anna Banana and Ron Brunette in 1987, and performed at Western Front. It was a scripted performance exploring issues relating to globalization and consumerism. Subseries consists of mostly textual materials, including slide information, lighting and audio cues, script development, tv production information, typesetting, photographs and other materials.

A Condensed History of Performance Art was a program put on by Anna Banana in the early 1990s as an introduction to performance art. It was performed for the Aspects of Performance Art series by the Canadian Centre of the Arts at Owen Sound in 1992. Series consists of textual records in the form of scripts and draft scripts, press clippings, research notes, as well as Anna’s initial correspondence regarding performance logistics and programs for the Aspects of Performance Art performance series.

Subseries contains records of numerous small performances by Banana from the 1970s to the late 2010s. Banana saved only the planning documents, promotional materials or press from these art pieces, which often only hint at what was performed or produced. Some examples include her Town Fool activities, Going Bananas Fashion Contest and First Female Pope performance.

Subseries contains mostly flyers, notes and letters, photocopies, posters, and other printed matter, as well as a fruit hat used in an unknown performance.