The collection consists of correspondence, briefs, reports, speeches, clippings, and photographs relating to the history of the Skagit Valley project and the subsequent lobbying on the part of the ROSS (Run Out Skagit Spoilers) Committee (1969-1982).

Fonds consists of both personal and professional material. The personal material includes notes, poems, receipts, membership cards, newspaper clippings, certificates, and photographs, along with three bound volumes of handwritten notes from McKechnie's McGill University course "Practice of Medicine," dated 1888-1890. The professional material includes event programmes, speeches, certificates, newspaper clippings, and notes. The majority of these pertain to his involvement with McGill University and practice in Nanaimo.

The fonds consists of correspondence, minutes, reports, student surveys and brochures generated by the Institute of Industrial Relations Co-ordinating Committee between 1973 and 1989.

The collection consists of the Canadian Union of Students working papers and studies sponsored by the organization and subject files dealing with issues such as Vietnam, the New Left, Social Action and assorted education topics.

Fonds consists of correspondence, manuscripts, contracts, and reports. The records document the administration of Pacific Affairs, in particular the editorial functions, and are arranged in the following series: Editorial Files, Contracts, Correspondence, Subject Files and Production Files.

The fonds primarily consists of textual records, including correspondence, reports, minutes, and published materials which together document Walter Hardwick's political and academic careers. They are arranged in series and sub-series based largely on his areas of activity and interest. The series are Urban Planning, Urban Planning Publications, Vancouver City Council, Open Learning Agency / Knowledge Network, Ministry of Education, Vancouver Urban Futures Project, Sumas Waste Processing Plant Environmental Review, Personal Papers, Essays, Reports and Reprints, and Subject Files. Photographs of architects' models for False Creek and Granville Island are also included. The fonds also includes videotapes consisting mainly of interview footage.

The fonds consists of correspondence, newspaper clippings, minutes, memoranda, personal notes, diaries, photographs, videos and an assortment of ephemera created or collected by Carney over her years in federal politics. The fond consists predominantly of materials reflecting Carney's political life. Records from her years in the Official Opposition (1980-1984) and in government (1984-1988) consist of parliamentary reports, minutes from Neighbourhood Nights and correspondence from constituents. The majority of materials reflect Carney's tenure as Minister of Energy, Mines and Resources (1984-1986), and Minister of International Trade (1986-1988). For dates during the evolution of both the Atlantic and Western Accords, these records include correspondence between Carney and provincial premiers, Prime Minister Brian Mulroney, and provincial Ministers of Energy. Records from the FTA include a copy of the Canada-U.S. Free Trade Agreement, correspondence with Simon Reisman, Finance Minister Michael Wilson, Mulroney, and other Cabinet Ministers. FTA materials also include correspondence and newspaper clippings from the tenth anniversary of the FTA. The records also include copious handwritten notes from Carney's participation on the Priorities and Planning Committee of the Cabinet. The fonds also includes records from State Visits of the Prince and Princess of Wales and American Vice-President George Herbert Walker Bush to Expo 86, as well as State Visits by President and Mrs. Reagan of the United States and President and Mrs. Mitterrand of France. The fonds also contains records documenting Carney's career as a Senator, including a series dedicated to the Task Force on Barriers to Women in the Public Service. Also, the records contain a series of Carney's School of Community and Regional Planning teaching materials as well as limited amounts from both her private life and her career as an economic journalist.
The 2011 accrual (Boxes 47-60) consists of correspondence, newspaper clippings, personal notes, reports, photographs, tapes and videos created collected by Carney during her time as a Senator. There is also further material regarding the reception of her autobiography and material from the operations of Gemini North.

The fonds consists of exhibits and submissions from assorted counsel, as well as notes relating to the BCCLA and their role in the APEC Inquiry.

Fonds consists of personal and professional materials of Beesley’s related to his career. The fonds is divided into seven series: Biographical/Personal Information series (1946, 1972-2009); Correspondence series (1973, 1979, 1980-1984); Articles, Statements, and Speeches series( 1967-2004); Newspaper Clippings series (1972-1982); International Law Commission (UN General Assembly Reports) series (1986-1992), Photographs series (1962-1963, 1972-1984, 1989, 2003), and Audiovisual series (1972-1982).

The collection consists of exhibits, videotapes and documents collected for the Public Complaints Commission (PCC), correspondence and legal documents related to both the PCC and related legal actions, APEC Alert posters, information, pamphlets and ephemera, other material collected and created by Oppenheim with regard to the events surrounding APEC and the RCMP PCC, transcripts of the PCC proceedings, and a number of photographs.

The fonds consists of information of the 2001 conference held in Cairns’ honour, and articles that colleagues asked that he review before or after publication that include his notes.

Fonds consists of the personal papers of John Norris, including family papers, correspondence of both a personal and professional nature, notes of academic articles, lecture and class notes, as well as several photographs of Norris and his family. Fonds has been organized into seven series: Correspondence series; Family series; Political Career series; Hannah Institute series, Research Materials and Publications series; Teaching series; and Photographs series. Materials are arranged in alphabetical order unless otherwise indicated.

Fonds consists of textual records and published materials produced or acquired by Keith Ralston primarily through his historical research and other professional activities, along with a small selection of personal materials. It is arranged in the following ten series, which largely reflect how the records arrived in their original order: Department of History, Thesis, Dictionary of Canadian Biography, Cowichan Fishing Case, Public Record Office, Hudson’s Bay Company Research, Research, Associations, Personal, and Day Books.

Fonds consists of textual and audiovisual material relating to the production of the movie "Manufacturing Consent: Noam Chomsky and the Media", released in 1992, and the companion book by Mark Achbar published in 1994. The filmmakers chose to capture
the majority of their work on film, rather than video, for several reasons. Firstly, during the 1980’s, video resolution was significantly lower than film negative and in an effort to ensure the image resolution was high film was chosen as the predominant medium.
As well, the NFB (National Film Board) was equipped primarily for film shooting, processing and editing. Finally, the motivation to participate in film festivals, which wanted film rather than video, compelled the filmmakers to use film as their medium. Some small format video, captured using rented broadcast quality video gear, was used for long talks or events which would have been uneconomical to shoot in film. The audiovisual material includes original camera negatives, audio and video tapes and sound bites used as research material and in the making of the film as well as some post-production rough cuts, alternative versions and promotional material relating to the distribution of the film and subsequent video. The textual material includes pre and post-production materials as well as production logs and graphical materials. Much of the post-production material relates to the promotion of the film and the media coverage of the film and of Noam Chomsky.