The fonds consists of the following series: biographical material, personal correspondence (1912-1968), addresses (1914-1961), clippings both by and about Eastman (1912-1955), copies of published articles (1909-1957), lecture notes and research material, records relating to the Canadian Institute of International Affairs (1950-1962) and the United Nations Association of Canada (1952-1968), pamphlets/published material and photographs.

The fonds consists of Cyril Belshaw's personal and professional papers. The professional records chronicle both his involvement in numerous local, national, and international organizations (including the Academic Board for Higher Education in British Columbia, the Regional Training Centre for United Nations Fellows, the Social Science Research Council of Canada, the Pacific Sciences Association, UNESCO, and the Canadian Sociology and Anthropology Association), and his teaching and administrative activities at UBC. The records also include his original research material and data into various groups in the South Pacific, and other topics in anthropology. More personal records related to his education and family. Also included are materials about the disappearance and subsequent inquiry into the death of Betty Joy Belshaw. The materials include meeting minutes, course materials, publications, manuscripts, research journals, personal diaries and agendas, financial statements, press clippings, photographs, maps and audio-visual materials.

The fonds consists of records generated by the UBC Library and its branches and divisions, and includes correspondence (both internal and external), reports, minutes, memorandums, notes, budgets and other financial records, architectural plans and drawings, published materials, scrapbooks, publicity materials, photographs, and projects. The records are arranged in sous-fonds based on branches and divisions represented by the records. They are the Librarian's Office, Acquisition Division, Data Library, Extension Library, Gifts and Exchanges Division, Reference Division, Sedgewick Library, Special Collections Division, Woodward Library, PATSCAN, Fine Arts Division, Information Services, Technical Services, MacMillan Library, Science and Engineering Division, Binding Department, Crane Library, Koerner Library, Asian Library, the Reading Rooms Division, Facilities and Preservation, and X̱wi7x̱wa Library. Also included are some records from the McGill University College of B.C. Library, pre-dating the establishment of UBC and its Library.

The fonds consist of research material on various medical and historical topics and research for several of Gibson's books and articles, including his books about UBC's first president Frank F. Wesbrook, Ramon y Cajal Sherrington, and his books New Endeavour and Old Endeavour. In addition, the fonds include manuscripts of a number of Gibson articles and speeches and chapters from some of his books, records from Woodward Health Science centre, and documents for the history of the Faculty of medicine and related to Green College UBC and Oxford. Also included are records from the Agricultural Science Fund Committee (1967-1974), School of Rehabilitation Medicine (1953-1961), Master Teaching Awards Committee (1967-1972), minutes from the Council of the Faculty of Medicine (1950-1964), materials relating to Vancouver civic politics (1970-1984), and correspondence with Sir Frederick Dainton (1980-1983), Cecil Green, and Wilder Penfield among many others.

Fonds contains three series: Archaeology, German and Personal. Within each series, the material has been organized into subseries such as correspondence, subject files, manuscripts, papers and reports.

The fonds consists of records which document William New's publications, lectures, and other activities between 1947 and 2018. Most of the series are based on published works written or edited by New. The remaining records relate to other projects, prizes, awards, papers, conferences, correspondence, or professional interests. Collectively, these records reflect New's various roles as professor, public speaker, editor, author, and poet.

Fonds consists of Daniells' personal and professional incoming and outgoing correspondence, diaries, speeches, radio broadcasts, manuscripts, poetry, subject files, research files, postcards and postcard collections, clippings, financial records, audio material, photographs, memorabilia and printed material. Also included are the records of Roy's parents, James and Constance Daniells. The correspondence series contains thousands of letters from prominent literary figures such as Earle Birney, Robert Finch, Desmond Pacey, Northrop Frye, Herbert Davis, E.K. Brown, A.S.P. Woodhouse, as well as writers, poets, and artists such as Paul Hiebert (Sara Binks), Carol Coates, Max Maynard, Jack Shadbolt and others. His works are represented by manuscripts of his poetry, fiction, drama, scholarly work on Milton and modernism and Canadian literature, speeches and broadcasts, autobiography, diaries, and many letters to his family. The fonds also contains notes of sympathy received by Daniells' family after his death.

The fonds consists of biographical material, family information, correspondence, speeches, publications, subject files, teaching and reference material, photographs, audio and videotapes and artifacts. The fonds also includes various forms of Black's artwork. A copy of a Black family history published by Myra Davey (née Black) in 2006 had a CD of digitized images.

The fonds consists of manuscripts of his novels and short stories, issues of underground newspapers, audio recordings of Maillard's radio shows, musical scores, correspondence with other writers, and reference files for his works. It also contains extensive electronic backups of his manuscripts, digital notes, and journals on floppy diskettes. It also contains artwork and photographs of important objects, people, and places.

The fonds consists of correspondence from 1929 to 1990; biographical data/information from 1921 to 1991; literary works from 1938 to 1984; photographs from 1898 to 1984; interviews and talks/speeches given from 1942 to 1984; newspaper clippings from 1920 to 1990; newsletters and theatre souvenirs from 1922 to 1987.

The fonds consists of material related to David Aberle's research activities, academic work and writing. It includes the notebooks and journals of his fieldwork beginning in 1940-41 and continuing through 1991. These consist primarily of field notes and other notes made during and after those trips. The vast majority of this material relates to Aberle's work with the Navajo in Arizona. The fonds also includes notes, articles, data and codes relating to Aberle's research into kinship and language among the Navajo, Mongols and Athapaskans, and extensive research into Navajo culture and economy. The fonds also includes correspondence on a variety of academic subjects, including Aberle's teaching materials from UBC's Department of Anthropology and Sociology. His work includes several reports written as part of the Navajo-Hopi land dispute. The fonds includes research notes for many of Aberle's essays and articles, as well as chapters and appendixes of his books.

The fonds consists of Coulthard's incoming family and general correspondence, correspondence from noted English composer Elizabeth Poston, financial records, biographical information, printed material and clippings documenting her involvement in the Canadian and International music communities as an advocate, educator and composer. Also included are original manuscripts of Coulthard's compositions and published and unpublished sound recordings of her work performances. The fonds also contain scrapbooks assembled by Coulthard's mother, Jean Robinson Coulthard, between 1898 and 1929, family photographs, and a photograph album compiled by her father, Dr. Walter Coulthard, depicting the Rossland area (ca. 1902).
Fonds are arranged into two sous-fonds: Jean Coulthard sous-fonds and Coulthard family sous-fonds. Jean Coulthard sous-fonds was organized into the following series: Correspondence (two sub-series, Coulthard-Poston Correspondence and Family Correspondence), Financial and Legal, Biography, Programmes, Publications, Press Clippings, Manuscripts, Sound recordings, Miscellaneous, Photographs, Performance Notes and Remarks, Musical Education and Workshops, Inspirations, Journals and Date Books, and Audio Visual.

Collection consists of materials which deal with two different subject areas of interest to Sutherland. One consists of microfilm records relating to the establishment of the Macdonald Institute, which later merged with two other colleges to form the University of Guelph. The other series consists of photocopies of records assembled by Sutherland for various research projects on the history of education.

The collection includes 18 series: Administrative / Office Project Files (1971-1979); Chinese Organizations (1915-1972); Chinese Times (1914-1972); Scrapbooks (1961-1963); Miscellaneous Headlines, Notes, and Clippings (19--); Research Files (1885-1978); E.C. Mark Papers (ca.1940-1974); Chinese Benevolent Association (1933-1969); Financial Ledgers (19--); Chinese Community Research Project Survey (1974); The Chinese World (19--); Interviews with Leaders (19--); Newspapers, Periodicals, and Printed Material (1913-1979); Theses and Papers (1941-1978); Articles and Books (1931-1977); Photographs (ca.1918-1978); Microfilm and Audiotape (1973-1976); and Miscellaneous Restricted Material (19--) series.

The collection comprises records acquired by Peter Moogk about aspects of British Columbia’s history, including the British Columbia Electric Railway Company’s interurban train lines (predominantly from 1909-1958), and photographic representations of persons (especially white settlers, from 1870-1960), places, events and activities in the province.

The collection includes six series: British Columbia Electric Railway Company Records, Portraits of Persons in British Columbia, Photos of places, streets, and architecture in British Columbia, Photos of events and activities in British Columbia, British Columbia ephemera and Records from British Columbia Penitentiary.

Records relating to the first series, British Columbia Electric Railway Company Records, include: photographs; postcards; original BCER documents, such as union agreements and timetables; BCER employee publications; transit tokens; signs and posters from within Vancouver streetcars; and a copy of a CJOR radio script.

Records relating to the second series, Portraits of Persons in British Columbia, include: photographs and handwritten notes by Moogk about Vancouver photographers operating from 1858-1920.

The focus of the third series, Photos of places, streets, and architecture in British Columbia, is photographs of structures and places of British Columbia, notably building exteriors and interiors, and street views from 1880-1959.

The fourth series, Photos of events and activities in British Columbia, includes photos of notable events and public activities (predominantly dating 1911-1941), as well as everyday life, and also includes handwritten and photocopied information on the provenance of the photos and activities depicted.

The fifth series, British Columbia ephemera, is mostly paper ephemera representing the variety of business and activity in the province from 1890 to 1990, and includes menus, theatre programs, business correspondence, and Chinese textbooks as well as some photographic materials.

The sixth series, Records from British Columbia Penitentiary, includes textual records and photographs relating to the British Columbia penitentiary.

The fonds consists of records and ephemera pertaining to John Laurence Russell Meredith and his family from 1863 to 1990. Records and ephemera pertaining to his father’s life are of genealogical interest as they provide insight into who he was. Records pertaining to his sister’s death show the painstaking detail the family took in providing a meaningful burial for her. The UBC ephemera provides a glimpse into Laurence’s social life at UBC. The music and theatre programs show his interest in the arts from a young age. The photographs provide valuable information on who his family was, what Laurence liked to do, and the activities in which he participated. His diary, letters received by him, and a list containing the translation of various words and phrases of the language of the Kwakwaka'wakw First Nation provide insight into who he was as a person.

The fonds consists of correspondence, manuscripts, clippings and publications created or collected by Beatrice Cooke and her husband, Albert. The fonds also consists of correspondence written and received by Albert's father, Rev. Walter A. Cooke, including correspondence with Emily Carr. The fonds also include correspondence, photographs, clippings, and biographical material created by or relating to the Brender á Brandis family, a family of artists and writers with which Albert and Beatrice Cooke were acquainted. Fonds consists of two series: Brender á Brandis family (1963-1987) and the Cooke family (1860-1981).

The fonds consists of correspondence, drafts, essays, lecture notes, course outlines, clippings and research materials created and collected by Ormsby in her diverse roles as student, professor, researcher and author. Also included are records generated between 1957 and 1967 by the Historic Sites and Monuments Board of Canada.

The collection consists of records collected by Professor David Macaree in his research on early 18th Century English literature. It includes transcribed typed copies of the complete works of David Crawford (or Crawfurd) (ca. 1700); a copy of an article written by Macaree about Crawford (1961); and photocopies of early political pamphlets by Daniel Defoe (ca. 1700-1714).

The fonds consists of hand-written notes as well as published articles relating to artists in Canada between the early 17th century and the late 20th century. The fonds also consists of copies of correspondence between artists, as well as Walkers own correspondence with artists and the artistic world in general, both inside and outside Canada. The fonds consists of the following series and is largely arranged in its original order. 1) Canadian Artists 2) Records relating to Dear Nan: Letters to Emily Carr, Nan Cheney, and Humphrey Toms 3) Photographs.

Fonds consists of essays, articles, offprints, reviews, contracts, correspondence, a CV, a scrapbook, photocopies, maps, plans, notes, microfilm, and photographs about the personal lives and research of Philip and Helen Akrigg. Fonds contains two series: Research Collections (1580-1993) and Personal Material (1934-1999).

The fonds consists of correspondence, manuscripts for publications, articles, speeches and reports by Verner, minutes of meetings of UBC and government committees on which Verner sat, and map research materials, 1941-1979. The papers also include almost 200 photographs, mostly snapshots, of Verner, friends and colleagues dating from the 1920s to 1979 and over 400 historical maps of North America, the Arctic and Asia, 1550-19__. Professor Verner organized his files into three subject areas relating to his work and interests: Personal, ca. 1921-1979, Adult Education, 1940s-1978, and Cartography, 1949- 1979. This arrangement has been maintained. Files within the three series are organized into sub-series, the order reflecting as closely as could be ascertained the original order of the papers as set up by Verner. In some cases this was difficult to determine as the materials were received as separate accessions over a number of years. In most cases the files are identified as Verner labeled them.

Series consists of records pertaining to the educational and professional activities of Dorothy Whitham-Zoellner. Series includes records such as notebooks, papers and articles, scripts, correspondence, official documents and certificates, reunion books, and photographs.

Fonds consists of a variety of materials, but the focus is on the literary works of Geoffrey Riddehough and includes drafts, manuscripts, and publications of his poetry and short stories. The fonds also contains a number of academic essays, research materials on Joseph of Exeter, and papers that Riddehough presented to various groups. There is also correspondence of both a professional and personal nature. Fonds consists of 3 sous‐fonds and 14 series: Pegeen Brennan sous‐fonds, Lemuel Robertson sous‐fonds, Doreen Nalos sous‐fonds, Murray and Marian Cowie sous‐fonds, Personal Information series, Published Materials series, Manuscripts and Unpublished Materials series, Assorted Poems: Miscellaneous series, Assorted Short Stories: Miscellaneous series, Lecture Notes and Papers Presented series, Joseph of Exeter Research Materials series, Coursework series, Notebooks and Scrapbooks series, Diaries series, Expense Ledgers / Accounts series, Correspondence series, Photographs series, and Miscellaneous series.

Fonds consists of correspondence, reports, teaching materials, notes and manuscripts for speeches, and publications acquired by Kenneth Argue in his professional career, personal papers, clippings, and photographs. The photographs are of family members, and friends and colleagues from outside UBC. The materials are arranged in the following series: Publications and Speeches, Course Materials, Personal Papers, and Photographs.

Fonds consists of textual, graphic and audiovisual material from Grace’s academic research on Malcolm Lowry, Sharon Pollock, Tom Thompson, the Canadian North, Canadian art, and Mina Hubbard. Series are based on individual projects, with a separate series for audiovisual materials and a final series for incoming general correspondence. Series are further sub-divided into sub-series.

The fonds consists of copies of radio scripts from Woodcock's radio broadcasts, correspondence with George Orwell and poet Lance Godwin, and examples of Woodcock's early poetry.

The fonds consists of records produced by Jim Wong-Chu, records associated with Jim Wong-Chu's involvement in various cultural and artistic communities in Vancouver, British Columbia, San Francisco, California, and other areas in the northwestern United States and Canada.

In particular, the fonds includes records related to: Canadian cultural and literary communities; Asian Canadian writers; social justice and historical issues related to discrimination of Chinese and other Asian ethnic groups; and Canada and Vancouver's Chinese and other Asian cultural communities.

The fonds has been arranged into the following 9 series: Asian American communities; Asian Canadian communities; Asian Canadian Writers Workshop; Correspondence; Go for Broke Festivals; Manuscripts; Personal works; Personal Records; Vancouver Asian Heritage Month Society; and Vancouver Chinese Cultural Centre.

In addition to the series listed above, there is one sub-fonds which includes records created by Garrick Chu, a close-friend and colleague of Jim Wong-Chu.

The main types of records within the fonds include correspondence, meeting minutes, schedules, manuscripts, posters and event flyers, photographs, event programs, financial statements and budgets, publications and articles, reports, conference proceedings, and speeches.

Fonds consists of financial statements, correspondence, itineraries, publicity material, and a scrapbook pertaining to the administration and performances of Playhouse Holiday and some of its predecessors. Fonds includes administrative materials pertaining to the Playhouse Theatre Company's Audience Development Campaign. Fonds also includes scripts of Playhouse Holiday performances.