Series consists of 322 glass slides (i.e. charts, equations, and graphs), possibly for lecturing purposes.

Incoming correspondence from Jane Rule to Carolyn Gossage.

Series consists of copies of undated broadside poetry.

Series consists of three audio tapes, mostly concerned with her husband, Harry Adaskin.

Series consists of three rolls of film. "The Passionate Canadians" – 2 rolls, colour, original (n.d.) and "Harry Adaskin: To Play Like an Angel" (n.d.).

Series consists of submissions by counsel representing various groups, including The Attorney General of Canada, The British Columbia Civil Liberties Association, The Royal Canadian Mounted Police, and The University of British Columbia. The material includes Books of Authorities (previous legal decisions) and arguments and reply submissions.

Series consists of correspondence, articles, and copies of newspaper clippings relating to the role of the BCCLA in general and within the context of the APEC Inquiry.

Michael P. Doherty was lead counsel for The British Columbia Public Interest Advocacy Centre, an organization representing the BCCLA during the APEC Inquiry. Series consists of three computer diskettes and the printed information they contain. The material includes drafts of questions, cross-examinations, statements, and background information on various people connected with the Inquiry.

Series consists of various books and pamphlets relating to occupational therapy and rehabilitation medicine.

Series consists of autographs collected by Roy Stokes.

Series consists of descriptions of various books and includes the title, author, publisher, year of publication and other information. The files are arranged by author.

Series consists of bibliographic descriptions for the Colbeck Collection created by Library Science class 662 for Professor Stokes. The files are arranged by student last name, author name or when the creator or student name is not known by the original folder name.

Consists of a handwritten copy of Alban Berg’s Violin Concerto, apparently sent by a friend living in Germany to Elliot. The context of this record is uncertain.

Series consists of thirty photographs in black and white or color. Fifteen of the color photographs are adhered to poster board as a collage for the 1993 festival. Photographs depict different scenes from Brave New Play Rites productions in addition to “back stage” images of actors participating in plays.